Love, hate, anger, insecurity, and confusion are part of every transgender's life. We all face emotional situations every day, and you would think after years of therapy and a successful gender reassignment surgery your life is complete; for the most part it is until that one person tests your femininity, and then you're stuck between the person you've worked so hard to become and that person you have hated your whole life.

Brent is a tarot reader, a young man whose adopted family doesn't like tarot readers or gays or Swedes or anything else that Brent can bring to the discussion. One of his tarot readings is for a young Sioux man, and that's where Brent's old life stops. Brent's finds a whole new life that is full of wonder and adventure, as he learns to read his own heart first. Viking meets Sioux - fireworks. BRENT: THE HEART READER is the tender and sexy story of self-awareness and acceptance as this wounded healer lets himself fall in love with a wonderful man. "Retired archbishop: I get that. I even can see how you might write gay fiction. It's a niche, but I can see it. Bestseller on top of everything else: mazel tov. Explicit, which is cool. Now you know tarot? The hell? Dude, pick a lane." Parker B. Olsson

Whether we speak of queer bodies targeted for harassment, queer sensibilities derided as dangerous, or queer intimacies denied legitimacy, we acknowledge a close companionship between queerness and precariousness. Queerness remains continuously under threat; these threats to survival can be immediate, as in the AIDS crises, or more subtle and entrenched. Many queer lives thus end prematurely and drastically-but not all end in the physical expiration of life. Some terminate gradually and even unconsciously in the countless concessions to normativity demanded by dominant cultures that perceive, through a perverse set of projective identifications, their own survival as imperiled by queerness. The Modernist Art of Queer Survival explores an archive of modernist archive of modernist literature that conceives survival as a collective enterprise linking lives across boundaries of race, time, class, species, gender, and sexuality. As social Darwinism promoted a selfish, competitive, and combatively individualistic understanding of survival, the five modernists examined in The Modernist Art of Queer Survival countered by imagining how postures of precarity, vulnerability, humility, and receptivity can breed pleasurably and ecologically sustainable modes of interdependent survival. These modes prove particularly vital and appealing to queer bodies, desires, and intimacies deemed unfit, abnormal, or unproductive by heterosexist ideologies. Authors and texts discussed include Henry James's "The Beast in the Jungle," Oscar Wilde's De Profundis, E.M. Forster's Howards End and A Passage to India, and Willa Cather's "Consequences" and Lucy Gayheart.

As Americans wrestle with red-versus-blue debates over traditional values, defense of marriage, and gay rights, reason often seems to take a back seat to emotion. In response, David Richards, a widely respected legal scholar and long-time champion of gay rights, reflects upon the constitutional and democratic principles-relating to privacy, intimate life, free speech, tolerance, and conscience-that underpin these often heated debates.

The distillation of Richards's thirty-year advocacy for the rights of gays and lesbians, his book provides a reflective treatise on basic human rights that touch all of our lives. Drawing upon his own experiences as a gay man, Richards interweaves personal observations with philosophical, political, judicial, and psychological insights to make a compelling case that gays should be entitled to the same rights and protections that every American enjoys. Indeed, the call for gay rights can trace its lineage back to the powerful protest movements of the 1960s and 1970s, which demanded racial and sexual equality and ultimately overthrew the bigoted status quo.

Richards focuses particularly on two key Supreme Court cases: the 1986 decision in Bowers v. Hardwick upholding Georgia's anti-sodomy laws and the 2003 decision in Lawrence v. Texas striking down Texas anti-sodomy laws and overturning Bowers. He shows how Bowers arose in a period of constitutional crisis over the right to privacy and examines the opinions in light of the Court's division in Roe v. Wade. He then shows that Lawrence must be understood in the context of later cases, notably Casey and Romer, which required that Bowers be reconsidered and overruled. Along the way, he examines current debates over gays in the military and same-sex marriage, assesses the Massachusetts Supreme Court's decision to permit gay marriage, and critiques the 1996 Defense of Marriage Act.

Eloquent and impassioned, Richards's work crystallizes the essence of the argument for a much more expansive and tolerant view of gay rights in America. It also offers a touching account of one gay man's very personal struggle to find the voice he needed to speak truth to the powerful forces of discrimination.

This book explains how faith, politics, and fear contribute to the homophobic mindset within the Black Church and the African American community. Homophobia in the Black Church: How Faith, Politics, and Fear Divide the Black Community explores the various reasons for the Black Church's aversion-and the general black cultural inflexibility-toward homosexuality, same-sex marriage, and acceptance of the LGBT community. It connects black cultural resistance toward homosexuality to politics, faith, and fear; follows the trail of faith-based funding to the pulpit of black mega-churches; and spotlights how members of the black clergy have sacrificed black LGBTQ Christians for personal and political advancement. The author systematically builds his case, linking the reasons blacks are intolerant of deviation from acceptable sexual behavior to the 1960s struggle for racial equality, and tying longstanding black sexual mores to present day politics, social conservatism, and the lure of federal funding to black churches and religious and social organizations. He also spotlights specific homophobic black ministers and draws back the curtain on their alliance with White social conservatives and religious and political extremists to reveal an improbable but powerful union. Draws connections between the fanatical homophobia in contemporary black culture to sexual mores developed as a response to the racial discrimination carried out against blacks since the founding of the nation Explains how the creation of the Office of Faith-based and Neighborhood Partnership and funds funneled to black churches have encouraged some of the nation's most powerful black religious leaders to dispense hateful rhetoric and malice towards black homosexuals Reveals how faith-based funding and the Black Church apply strong pressure on black LGBTs to keep their sexual identity a secret

The book offers perspectives on the rights of sexual minorities in the Global South. In several countries, consensual sexual activity in private amongst persons of the same gender is still criminalized. The argument is that same-sexual relationships are 'uncultural' or 'unnatural'. In countries where anti-gay laws persist, the rights of LGBT persons are not considered human rights. The book seeks to examine the cultural and religious issues that influence anti-gay laws in juxtaposition with the need to protect the human rights of sexual minorities in the 21st century. The book adopts the following disciplinary prisms - legal, sociological, political, religious, and anthropological. There is a growing appetite for research in this area in order to advance the need for the decriminalization of same-sex sexual activity amongst consenting adults in private. The book examines the core issues from an interdisciplinary perspective. It serves as a resource for scholars in diverse fields who research this area such as lawyers, policymakers, and academics in the fields of religion, philosophy, law, anthropology, sociology, and criminology.

Pretended is a vivid historical, political and cultural account of schools and teaching under Section 28, a law that banned schools in the UK from promoting homosexuality as a 'pretended family relationship'. Catherine Lee was a teacher in schools for each of the 15 years that Section 28 was law (between 1988 and 2003). In Pretended, she considers the landscape for lesbian and gay teachers leading up to, during and after Section 28. Drawing on her diary entries from the Section 28 era, Lee poignantly recalls the challenges and incidents affecting her and thousands of other teachers during this period of state-sanctioned homophobia. She reveals how these diaries led to her involvement in the 2022 feature film Blue Jean, and describes how this unexpected opportunity helped her to make peace with Section 28. Pretended will resonate with every lesbian and gay teacher who experienced Section 28 and will shock those who previously knew nothing about this law. Crucially, Pretended will explain to those who were lesbian and gay students during Section 28 why they never saw people like them in the curriculum, never had a role model and never had an adult in school to talk to about their identity.

"A fascinating biography of a fascinating woman." - Booklist, starred review "This definitive look at a remarkable figure delivers the goods." - Publishers Weekly, starred review "A brilliant analysis." - Jericho Brown, Pulitzer Prize winner Featured in Ms. Magazine's "Most Anticipated Reads for the Rest of Us 2022" (books by or about historically excluded groups) Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance. Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist - a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.

In this provocative new work, R. Claire Snyder argues that the fundamental principles of American democracy not only allow but require the legalization of same-sex marriage. In addition to explaining the theoretical issues at stake, the book provides a short history of marriage, disentangling its interpersonal, communal, religious and civil components. In clear and concise language, Snyder examines and systematically addresses numerous critiques of same-sex marriage, including religious conservatism, traditionalism, the organized movement of the Christian Right, communitarianism, and academic "queer theory." By exploring the arguments swirling around this controversial topic from the perspective of democratic theory, Gay Marriage and Democracy shows that all citizens must be treated equally for democracy to truly succeed.

The Faggots and Their Friends Between Revolutions is a beloved queer utopian text written by Larry Mitchell with lush illustrations by Ned Asta, published by Calamus Press in 1977. Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today. This new edition will feature essays from performance artist Morgan Bassichis, who adapted the book to music with TM Davy in 2017 for a performance at the New Museum, and activist filmmaker Tourmaline.

In Private Affairs, Phillip Brian Harper explores the social and cultural significance of the private, proposing that, far from a universal right, privacy is limited by one's racial-and sexual-minority status. Ranging across cinema, literature, sculpture, and lived encounters-from Rodin's "The Kiss "to Jenny Livingston's "Paris is Burning"-Private Affairs demonstrates how the very concept of privacy creates personal and sociopolitical hierarchies in contemporary America.

"This book makes important contributions to Women's Studies and Speech Communication and deserves our critical attention."--"Women's Studies in Communication"

Many of us have grown up with the language of civil rights, yet rarely consider how the construction of civil rights claims affects those who are trying to attain them. Diane Miller examines arguments lesbians and gay men make for civil rights, revealing the ways these arguments are both progressive--in terms of helping to win court cases seeking basic human rights--and limiting--in terms of framing representations of gay men and lesbians.

Miller incorporates case studies of lesbians in the military and in politics into her argument. She discusses in detail the experiences of Colonel Margarethe Cammermeyer, who was dishonorably discharged from the National Guard after 27 years of service when she revealed that she was a lesbian, and Roberta Achtenberg, who was nominated by Clinton for the job of Assistant Director of Housing and Urban Development and became the first gay or lesbian to face the confirmation process. Drawing on these cases and their outcomes, Miller evaluates the advantages and disadvantages of privileging civil rights strategies in the struggle for gay and lesbian rights.

How do we identify the "queer auteur" and their queer imaginings? Is it possible to account for such a figure when the very terms "queer" and "auteur" invoke aesthetic surprises and disorientations, disconcerting ironies and paradoxes, and biographical deceits and ambiguities? In eighteen eloquent chapters, David A. Gerstner traces a history of ideas that spotlight an ever-shifting terrain associated with auteur theory and, in particular, queer-auteur theory. Engaging with the likes of Oscar Wilde, Walter Benjamin, James Baldwin, Jean Louis Baudry, Linda Nochlin, Jane Gallop, Cael Keegan, Luce Irigaray, and other prominent critical thinkers, Gerstner contemplates how the queer auteur in film theory might open us to the work of desire. Queer Imaginings argues for a queer-auteur in which critical theory is reenabled to reconceptualize the auteur in relation to race, gender, sexuality, and desire. Gerstner succinctly defines the contours of a history and the ongoing discussions that situate queer and auteur theories in film studies. Ultimately, Queer Imaginings is a journey in shared pleasures in which writing for and about cinema makes way for unanticipated cinematic friendships.

"Important...a truly fascinating reading on this controversial subject."
-- "Library Journal"

"The reprinted documents are what makes Burg's book valuable, and they allow readers to judge for themselves whether gays and lesbians deserve to be fully integrated into the modern military."--"The Journal of Sex Research"

In Ancient Greece and Rome, in Crusader campaigns and pirate adventures, same-sex romances were a common and condoned part of military culture. From the Peloponnesian War to the Gulf War, from Achelleus to Lawrence of Arabia gays and lesbians have played a crucial but often hidden role in military campaigns. But recent debates over the legality of gay service in the military and the "don't ask, don't tell" policy have obscured this rich aspect of military history. Richard Burg has recovered important documents and assembled an anthology on these often invisible gay and lesbian warriors.

Burg shows us that the Amazons of legend weren't just fictional. We learn about the richness and variety of their culture in documents from Plato, Seneca and Suetonius. From courts-martial proceedings we discover women warriors in seventeenth century England who passed as men in order to serve, and army officers whose underground culture fostered long-term romantic friendships.

There are also sections on the American Civil War, World War I and II, the contemporary U.S. military as well as sailors and pirates. This anthology will forever change the way we think about "gays in the military."

In the 1930s, Freud observed that "when you meet a human being, the first distinction you make is `male or female?' and you are accustomed to make the distinction with unhesitating certainty." As Freud suggests, society is divisible by gender. We are taken to be either "male" or "female." This notion seems to be fixed within our culture and is often unquestioned. In this dynamic book, fashion journalist Laura Cherrie Beaney examines gender as a concept and as a practice that is also challenged and contested in the fashion industry. While gender has been relatively fixed within our society, we are nevertheless entertained by "gender bending." The media and entertainment industries now represent a range of gender identities. As much as it is a cultural phenomenon, gender is also an individual practice. Social theorists describe some individuals as "gender outlaws" for actively choosing to blend and shape their own gender identities. Fashionable clothing makes multiple statements about the wearer. It can identify social status and tell the viewer, "This is the type of person I am." In contemporary culture, fashion designers, stylists, photographers, and other media professionals have been fascinated with the idea of gender and its ever-changing boundaries. In recent years, the fashion industry has also focused on ideas of unisex identity and androgyny. Indeed, the fashion industry seems to afford a decadent sense of power to alternative gender identities. Fashion designers and stylists have been inspired by alternative gender identities when creating images and when showcasing their designs. Crossing the Catwalk explores fashion to understand how this mediated image of gender equality in the twenty-first century relates to reality by examining cross-dressing and transvestism through the construction of personal style. By using case studies from a range of different sources, the book will give a clear idea of how the reality of cross-dressing compares to the glamorous and decadent images portrayed by the fashion industry. It will aim to uncover the true motivations for those who cross dress and analyze the construction of gendered personal styles in relation to fashion.

Over 16,000,000 men served in the armed forces in WWII. Perhaps as many as 3%, or 480,000, had a homosexual orientation. Admittedly, several thousand were screened out before being inducted, and some later received Undesirable Discharges. 120,000 of these men saw combat action, and undoubtedly hundreds were killed, and thousands were wounded. Jack Scott, by far the most outstanding seventeen-year-old in a small town in Arkansas, is forced to confront this problem both at home and in the military. This story is his, and to a degree, the stories of his family, his friends, and his comrades in combat. The problem is handled sympathetically, if realistically.