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Books > Sport & Leisure > Natural history, country life & pets > Plant life: general > General
World-renowned canopy biologist Nalini Nadkarni has climbed trees
on four continents with scientists, students, artists, clergymen,
musicians, activists, loggers, legislators, and Inuits, gathering
diverse perspectives. In "Between Earth and Sky, "a rich tapestry
of personal stories, information, art, and photography, she becomes
our captivating guide to the leafy wilderness above our heads.
Through her luminous narrative, we embark on a multifaceted
exploration of trees that illuminates the profound connections we
have with them, the dazzling array of goods and services they
provide, and the powerful lessons they hold for us. Nadkarni
describes trees' intricate root systems, their highly evolved and
still not completely understood canopies, their role in commerce
and medicine, their existence in city centers and in extreme
habitats of mountaintops and deserts, and their important place in
folklore and the arts. She explains tree fundamentals and considers
the symbolic role they have assumed in culture and religion. In a
book that reawakens our sense of wonder at the fascinating world of
trees, we ultimately find entry to the entire natural world and
rediscover our own place in it.
A photographic identification guide to 150 species of mushrooms
most commonly found in Britain and Northern Europe. A user-friendly
introduction includes an overview of distribution, the anatomy of a
mushroom, nomenclature and useful information on hunting for and
cooking with mushrooms. The identification section then divides
into three categories: edible mushrooms, inedible (but not
poisonous) mushrooms, and poisonous species. There is useful
information on where and when mushrooms can be found,
characteristic features and if edible, how best to cook the
species.
A radical proposal for how a tiny organism can transform our
understanding of human relations Serving as both a guide and
companion publication to the conceptual art project of the same
name, The Lichen Museum explores how the physiological
characteristics of lichens provide a valuable template for
reimagining human relations in an age of ecological and social
precarity. Channeling between the personal, the scientific, the
philosophical, and the poetic, A. Laurie Palmer employs a
cross-disciplinary framework that artfully mirrors the collective
relations of lichens, imploring us to envision alternative ways of
living based on interdependence rather than individualism and
competition. Lichens are composite organisms made up of a fungus
and an alga or cyanobacteria thriving in a mutually beneficial
relationship. The Lichen Museum looks to these complex organisms,
remarkable for their symbiosis, diversity, longevity, and
adaptability, as models for relations rooted in collaboration and
nonhierarchical structures. In their resistance to fast-paced
growth and commodification, lichens also offer possibilities for
humans to reconfigure their relationship to time and attention
outside of the accelerated pace of capitalist accumulation. Drawing
together a diverse set of voices, including personal encounters
with lichenologists and lichens themselves, Palmer both imagines
and embodies a radical new approach to human interconnection. Using
this tiny organism as an emblem through which to navigate
environmental and social concerns, this work narrows the gap
between the human and natural worlds, emphasizing the notion of
mutual dependence as a necessary means of survival and prosperity.
In einer Zeitspanne von 15 Jahren hat sich die Spanplattenindustrie
zum groessten Zweig der Holzindustrie entwickelt. In allen
Erdteilen ent- stehen neue Spanplattenwerke. Die Kurve der
Produktion zeigt noch keine Anzeichen fur eine Abflachung. Im
Gebiet der Bundesrepublik Deutschland wurde im Jahr 1961 die Grenze
von 1 Million Kubikmeter uberschritten, wobei die Tagesproduktion
der grossen Werke um oder uber 400 Kubikmeter liegt. Die weitgehend
automatisierten Maschinen- anlagen erfordern eine sorgfaltige
Betriebsuberwachung, die an das Kontrollpersonal hohe Anspruche
stellt. Da die Schwierigkeiten der Spanplattenherstellung haufig
unter- schatzt werden, besteht die Gefahr, dass gut kontrollierte
Qualitats- erzeugnisse durch minderwertige Platten in Misskredit
kommen. Um ihr zu begegnen, wurde schon im Jahr 1956 mit dem Aufbau
einer deut- schen Guteschutzorganisation begonnen. Die Grundlagen
einer solchen Organisation sind Prufverfahren und Gutebedingungen,
die in verhalt- nismassig kurzer Zeit in die Form von DIN-Normen
gebracht werden mussten. Diese Vorarbeiten sind im wesentlichen im
Forschungsinstitut fur Holzwerkstoffe und Holzleime in Karlsruhe
ausgefuhrt worden. Wegen der gebotenen Eile haben die
Forschungsergebnisse aber keinen Niederschlag in der Fachliteratur
gefunden. Der Kreis der in der deut- schen Gutegemeinschaft
Spanplatten zusammengeschlossenen Hersteller- werke nimmt rasch zu,
so dass es erforderlich ist, die ganze Industrie mit diesen
Arbeiten vertraut zu machen. Der Wunsch, die Vorarbeiten des
Karlsruher Instituts mit einer Anleitung zum Aufbau der
Betriebsuber- wachung abzuschliessen und diese in Buchform
herauszugeben, ging vom Verband der deutschen Sperrholz-und
Spanplattenindustrie aus (VDSS).
Wild American Ginseng, America's most famous medicinal plant, is in
trouble. In plain prose, James McGraw explains why as he translates
the latest in ecological and conservation science findings on this
unassuming understory herb. As the world's foremost authority on
wild ginseng, McGraw is uniquely poised to present this story based
on over twenty years of uninterrupted field research. McGraw traces
the dramatic ecological history of ginseng in North America,
documenting the ginseng-centric view of a world increasingly
dominated by both direct and indirect actions of humans. Far more
than a story of a single plant species, ginseng becomes a parable,
a canary in a coal mine, for what is happening to our dwindling
wild species across the globe. Documenting lingchi (death by a
thousand cuts) in human interactions with wild species, McGraw
shows us the evidence of our slowly eroding biodiversity and our
diminishing global biotreasury. Beyond merely documenting our
destruction of nature, McGraw also offers a pathway to an
optimistic future for ginseng and the wild species with whom we
share the planet. He illuminates how a dramatic expansion of our
commitment to sharing the planet with our fellow planetary
companions is the key to preservation; and now is the time to do
so.
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