The musicians of the New York Philharmonic were kids once too How does a kid who just wants to play baseball make the transition to creating beautiful music? Musicians from many different sections of the New York Philharmonic share how they became involved in music as kids and how their careers have progressed since then. They also have some helpful advice, such as
- Break down pieces you're learning into small, reachable goals.
- Play it as beautifully as you can, even if it's just a scale.
- Make up words to go with the melody you're studying to learn it faster.
With exclusive interviews, helpful hints, and a kid-friendly approach, this book is an all-access guide to the world of classical music.

1921. Verses composed and adapted by Baker and folk melodies harmonized by Kohlsaat. It is hoped that these Songs for the Little Child will be sung with joy by little children everywhere-in the home, in the church school, and in the weekday school. The tunes used in the book have been chosen from the most naive and charming of the old folk songs. They have the simplicity and the beauty of melody which characterize folk music and make it especially suited for the little child's singing. They are drawn from many nationalities.

This songbook for children brings together East African songs from vast and diverse folk heritages. It includes children's play, dance and story songs, and some patriotic and party songs, from the ethnic or language groups of Kenya, Uganda and Tanzania, as well as some songs from related ethnic groups in regions of Burundi, the DRC, Malawi and Rwanda. The songs bear witness to centuries of African life; and their transcription aims to make music accessible to children from their own cultural traditions. The songbook incorporates the musical scores and song texts, translations of the African texts, notes on the structure of the music, and suggestions of story-telling, poetry, drama, art or dance which teachers or other adults may introduce to bring the songs alive and use them creatively, and to allow children to participate fully in their performance.

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This volume challenges readers to think about what music means in contemporary society, and how music education can remain culturally relevant in the new millennium.
A collection of thought-provoking philosophical perspectives on music education.
Explores the changing ways in which music is being produced, disseminated and received.
Considers how current phenomena such as the commoditization of music, the use of new technologies, and access to hybrid music forms, relate to music education.
Covers themes such as pragmatism, performativity, cultural identity, emotion, autonomy and globalization.
Asks how music teaching and learning can remain culturally relevant.

How do some schools get music so right while others get it so wrong? Janet Mills, a former HMI and teacher, draws on work in more than 800 schools and published research as she seeks to help schools improve their practice - no matter how good it is already. Successful teaching, she argues, is creative, uplifting, enabling, and, above all, rooted in music. The aim of this book is to 'Put the music back into music'.Thought-provoking, challenging, and empowering, this book is an essential read for all those interested in music in schools, including class teachers, instrumental teachers, and researchers. Using informative and entertaining examples and anecdotes, Janet Mills criticizes notions such as 'musical children' and 'musical schools', and comments on the roles of instrumental teachers and so-called 'non-specialists'. She explores how music in school can, and must, interact with music out of school, and considers how to measure progress in music - and how not to. Music in the School is not a step-by-step guide to better teaching, but rather a springboard for consideration, reflection, and action. Anyone who cares about music at school will find this book a powerful tool.

Capture Middle School Readers with These Exciting Stories of the Lives and Careers of Rock & Roll Hall of Fame Inductees with Information That Will Never Go Out of Date This exciting new series from Rosen Central explores the lives and careers of key musicians in rock and roll, each of whom is an inductee into the Rock & Roll Hall of Fame in Cleveland, Ohio. Each book features details of the triumphs and trials of these performers, as well as up-to-date information on performances, recordings, and tours. These books, with information that will never go out of date, are a must-read for any middle school student interested in music and pop culture.

"Take a Walk on the Dark Side" is the ultimate book for today's rock and roll fan: a fascinating compendium of facts, fictions, prophecies, premonitions, coincidences, hoaxes, doomsday scenarios, and other urban legends about some of the world's most beloved and mysterious pop icons.
Updating, revising, and expanding on material from his cult classic "Hellhounds on Their Trail, " Patterson offers up a delectable feast of strange and occasionally frightening rock and roll tales, featuring the ironies associated with the tragic deaths of many rock icons, unsolved murders, and other tales from the "fell clutch of circumstance."
Beginning with the fateful place where it all started -- a deserted country crossroads just outside Clarksdale, Mississippi, where Robert Johnson made his deal with the devil -- through the Buddy Holly curse (rock and roll's first great tragedy) and beyond, this incredible volume uncovers some of rock and roll's most celebrated murders, twists of fate, and decades-long streaks of bad luck that defy rational explanation. Inside you'll find:

• Facts about Jimmy Page and the Zeppelin Curse.
• Chilling quirks of fate in the fatalities in the Allman Brothers and Lynyrd Skynyrd.
• Facts about Jimmy Page and the Zeppelin curse
• Chilling quirks of fate surrounding the deaths of musicians in the Allman Brothers Band and Lynyrd Skynyrd
• A provocative look at "The Club," membership in which requires an untimely death at age twenty-seven and whose inductees include Kurt Cobain, Jimi Hendrix, and Janis Joplin
• Cryptic messages in song lyrics that have proved eerily prophetic

In September 1979, there was a cosmic shift that went unnoticed by the majority of mainstream America. This shift was triggered by the release of the Sugarhill Gang's single, "Rapper's Delight." Not only did it usher rap music into the mainstream's consciousness, it brought us the word "hip-hop." "And It Don't Stop," edited by the award winning journalist Raquel Cepeda, with a foreword from Nelson George is a collection of the best articles the hip-hop generation has produced. It captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the twenty-fifth-anniversary celebration.
This book epitomizes the media's response by taking the reader on an engaging and critical journey, including the very first pieces written about hip-hop for publications like "The" "Village Voice--"controversial articles that created rifts between church and state, the artist and journalist, and articles that recorded the rise and tragic fall of the art form's appointed heroes, such as Tupac Shakur, Eazy-E, and the Notorious B.I.G. The list of contributors includes Toure, Kevin Powell, dream hampton, Harry Allen, Cheo Hodari Coker, Greg Tate, Bill Adler, Hilton Als, Danyel Smith, and Joan Morgan.

Music history -- Blues -- R&B

Elmore James, Sonny Boy Williamson, Little Milton, and James Waller-all of these musical powerhouses furthered their recording careers at a little label on once-thriving Farish Street, the historic black district of Jackson, Mississippi.

These blues, gospel, and R&B all-stars are featured in "Trumpet Records: Diamonds on Farish Street," the detailed story of this thriving recording label of the mid-1950s.

What caused it to spring to life in Jackson? It began in 1949, when a white woman named Lillian McMurry and her husband purchased a hardware store on Farish Street, then a location on the boundary between the city's white and black business and entertainment districts. While taking inventory of the original stock and renovating the building, she discovered a stack of unsold records, including Wynonie Harris's recording of "All She Wants to Do Is Rock." Curious, Mrs. McMurry played it on the store's record player and became so inspired that she decided to record more music like it. Thus was born Trumpet Records.

The life of the studio was brief, and this book, in careful detail, covers its short history (1951-1956) and includes accounts of recording sessions with its roster of gospel groups, blues musicians, and R&B singers, almost all of them African American. The book also documents McMurry's attempts to fuse country and African American popular music into what would become rock 'n' roll.

From interviews, archival recordings, company documents, reviews, photographs, and the assistance of the founder, Marc W. Ryan has compiled the fascinating history of this short-lived but influential company.

This new edition of a work recognized in 1993 by the Association for Recorded Sound Collections features an updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records.

Marc W. Ryan is an independent music scholar living in North San Juan, California. His work has been published in "Rolling Stone," "Discoveries," and "Blues and Rhythm."

These divine songs may be a pleasant and proper matter for children's daily or weekly worship, to sing one in the family at such time as the parents or governors shall appoint; and therefore the verse is confined to the most usual psalm tunes. The reader will find nothing here that savors of a party: the children of high and low degree, of the Church of England or dissenters, baptized in infancy or not, may all join together in these songs. The language is presented to the level of a child's understanding and it is hoped these composures may be of more universal use and service.

This tribute contains twenty-two of Chet's greatest solos and duets along with interviews with his daughter, Merle Atkins Russell and close friends such as Jerry Reed, Vince Gill, Eddy Arnold, Don Mclean and many others. This book offers touching insight into the character of an American original, who did much to shape the course of music history and the guitar. Most importantly, Chet Atkins helped thousands of people over the course of his life through kindness and generosity. To quote Jerry Reed, "There is only one." This book is a tribute to a special man, a special artist... a hero to the millions of lives he touched. The Atkins Family has shared many rare photographs which are presented in a special eight-page color insert. Selections include, "Heartaches, Caravan, When You Wish Upon a Star (live version), Music to Watch Girls by, Stars and Stripes Forever, Jerry's Breakdown, Nashtown Ville and many others. All music is in standard notation and in tablature.

Tumbling Tumbleweeds and Cool Water are only a couple of the hundreds of songs created by the Sons of the Pioneers, the most famous singing group in the history of Western music. Charter members Roy Rogers (Len Slye), Bob Nolan, Tim Spencer, and brothers Hugh and Karl Farr (two gifted instrumentalists from Texas) developed a unique style of vocal control and harmony that became the group's trademark. During the 1930s and 1940s, the prolific Nolan, along with other members of the Pioneers, composed hundreds of songs, primarily for film appearances. Although Roy Rogers left the group for movie stardom, the Pioneers appeared with the King of the Cowboys in forty-two films. There were one hundred movies appearances in all, including Rio Grande and The Searchers with John Wayne. Alumni of the Pioneers include Pat Brady, Lloyd Perryman, and Ken Curtis Festus of TV's Gunsmoke), and today the Sons of the Pioneers carry on the long tradition of their group in Branson, Missouri.

Mahani Teave grew up on Rapa Nui, also known as Easter Island, one of the most remote islands in the world, where moai statues stand and music is everywhere. When she began taking lessons on the island's only piano, she proved to be a great talent. She left Rapa Nui when she was just nine to continue her music education, wishing she didn't have to leave such a beautiful place to pursue her dreams. She became an internationally acclaimed classical pianist, playing around the world for all kinds of audiences. But her island home kept calling her back. Years later, she returned to Rapa Nui to stay, and with a new dream: to save its environment and culture. She helped create a music and arts school, so that children there could learn music in ways that kept the island's unique traditions alive. Mahani also saw the island's struggles with sustainability issues and pollution from tourism and ocean plastics, so the school was built using of thousands of tires, bottles, and cans in its walls, and incorporates rain barrels, solar panels, and a food garden. Mahani and her team have created an inspiring place that celebrates the land of Rapa Nui and its people.

OUT OF THE BACKSTREETS
INTO THE SPOTLIGHT
There's just no stopping these funky five from Florida. One of the hottest music groups around, the Backstreet Boys (BSB) launched themselves to superstardom in an amazingly short time, topping the charts and winning awards all over the world. Everyone's heard the smooth harmonies and jamming beats of these all-American heartthrobs, but do you really know what makes them tick?
GIVIN' IT THEIR ALL is the ultimate source for finding out the real scoop about BSB. Learn the secret details of each and every Backstreet Boy--Kevin, the group's unofficial leader; A.J., the talker; Howie D., the peacemaker; Nick, the youngest boy in the pack; and B-Rok, the joker. Hear of the group's magical beginnings and discover how the boys first conquered the world overseas, then returned to the States to burn up the charts on their home turf. Plus, get the 411 on their love lives, future plans, slamming style, and the unique ways the dedicated fans are keeping the Backstreet Pride alive.
An unauthorized biography
Includes a Bonus BSB Resource Guide with info on how to find, access, and buy cool BSB stuff

"From the Paperback edition."

When used appropriately music can be a powerful tool to support and enrich learning. Developed for music specialists and nonspecialists, this annotated bibliography helps you find print and nonprint materials that support the integration of music across the K-8 curriculum. Arranged by subject area and topics within disciplines, the annotations describe the works and provide information on format and media, musical arrangement, individual song titles (for recorded material), and grade appropriateness in addition to standard bibliographic information. Emphasis is on educational resources and materials with practical applications rather than on theoretical works. Author/title and subject indexes provide quick and easy access.

Take one adventurous spirit, add structure, and mix well in a creative environment for a wealth of gratifying results. You and your children have a collective reservoir of creativity just waiting to be unleashed, and Drama and Music is your year-round cookbook for incorporating constructive, educational creativity in your daily classroom!

You'll find this easy-to-read, practical format an invaluable guide to developing brief (as well as extended) lessons exploring drama and music, while reinforcing other core subject areas such as math, science and language arts. Drama and Music includes background information on teaching and coaching, as well as activities, fingerplays, stories, pantomime, and an extensive appendix which covers literature, poetry, and music to support your creative endeavors.

Intended for use with children from Kindergarten through Grade 3, the techniques in Drama and Music have been successfully tested and enjoyed by children and teachers worldwide. Whether you and your group are gifted, have latent talent, no experience, are introverts, extroverts, or a little of each, Drama and Music brings out the best in everyone, making your class a dynamic, exciting place for learning that your children will look forward to each and every day.