They're called Indestructibles. They could just as well be called the unstoppables! As in they don't stop selling, don't stop pleasing, and don't stop filling an essential need for new parents: a book made for the way babies "read," with their hands and mouths. And now this bestselling series - which ships over 1 million copies every year - is welcoming two new titles based on two of the most popular songs that parents love to sing along with their youngest. Each is illustrated in a bright, lively, colourful style, by the artist Vanja Karguli. Moving from country to town, The Wheels on the Bus sends parents and their kids on an adventure that everyone loves to act out, from the wipers that go swish swish swish and the horn that goes beep beep beep to the people that go shh shh shh to the babies who cry wah wah wah. As they say, it's all about the journey, not the destination.

Since advent of autism as a diagnosed condition in the 1940s, the importance of music in the lives of autistic people has been widely observed and studied. Articles on musical savants, extraordinary feats of musical memory, unusually high rates of absolute or "perfect" pitch, and the effectiveness of music-based therapies abound in the autism literature. Meanwhile, music scholars and historians have posited autism-centered explanatory models to account for the unique musical artistry of everyone from Bela Bartok and Glenn Gould to "Blind Tom" Wiggins. Given the great deal of attention paid to music and autism, it is surprising to discover that autistic people have rarely been asked to account for how they themselves make and experience music or why it matters to them that they do. In Speaking for Ourselves, renowned ethnomusicologist Michael Bakan does just that, engaging in deep conversations - some spanning the course of years - with ten fascinating and very different individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music plays a central part. These conversations offer profound insights into the intricacies and intersections of music, autism, neurodiversity, and life in general, not from an autistic point of view, but rather from many different autistic points of view. They invite readers to partake of a rich tapestry of words, ideas, images, and musical sounds (on the companion website) that speak to both the diversity of autistic experience and the common humanity we all share.