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Books > Children's & Educational > The arts > Music > General
Whether you are learning to play a piano, blow a trumpet, conduct
an orchestra or sing, the essentials of music notation are the
same. This book is a complete approach to musical study, from the
first note you read to the beginnings of harmony. It simplifies
music theory into easy logical steps, clearly written for all
including the non-musical. It is also a textbook which prepares you
fully for the relevant parts of the GCSE Music, or for the theory
parts of the exams of the various music boards. Each section
includes extensive questions so that the reader can fully test
their understanding.
Fiddle Time Starters is a great beginner book for the budding
violinist. Carefully paced to suit young learners, it supports
players through the important early stages, step by step-from how
to hold your instrument and bow, through basic notation, to
exciting pieces in a range of styles. With plenty of entertaining
illustrations and a CD to play along to, with Fiddle Time Starters
it really is fun to play!
Sing, read and listen to ten fabulous songs by The Gruffalo author
Julia Donaldson, in this gorgeous gift book-and-CD. Julia's
fabulous songs are based on her much-loved, bestselling picture
books with Axel Scheffler. The songs are every bit as irresistible
as the original stories, and include many family favourites from
Stick Man and Superworm to Tiddler and The Highway Rat. Julia's
superb, witty lyrics are richly illustrated throughout with Axel
Scheffler's glorious pictures. The accompanying CD features Julia
Donaldson herself performing the songs, and will have the whole
family singing and clapping along. A stunning hardback gift book
for the whole family to treasure Lively, funny, hugely entertaining
songs that children will want to listen to again and again The book
also includes music scores for piano and guitar, so schools and
families can play the songs for themselves Before becoming the UK's
most celebrated writer for young children, Julia Donaldson began
her career as a songwriter, creating many songs for children's
television and radio. Julia still enjoys performing her songs when
she visits schools, theatres and book festivals. Axel Scheffler is
one of the world's most celebrated illustrators. He has illustrated
well over a hundred books, and has brought to life many beloved
children's characters, including The Gruffalo, Zog and Stick Man.
Many of Julia Donaldson and Axel Scheffler bestselling picture
books have been turned into award-winning animated films, which
have become family favourites on the BBC every Christmas.
Is my singing good enough? What should I do with instruments?
How can I create a rich and exciting musical environment which will
allow for both child and adult led musical activity?
Singing, dancing and music-making comes naturally to young
children, but we as adults often lack confidence in our musical
ability. This easily accessible book will help you to realise that
everyone can be a creative music-maker with young children. It aims
to inspire you to take young children s enthusiasm for music and
create a musically rich environment that supports all areas of
learning and development and at the same time celebrate music for
music s sake.
Packed with activities, songs and musical games, this book
includes:
- Recognising musical development in young children and the
benefits of music-making in the early years
- Advice on inclusive practice
- Guidance on using musical instruments
- Ways to develop your own musicality
- Help with planning and assessment
- Chapters linking musical activities to each area of learning
and development
- How to create a balance between adult-led and child-initiated
activities
Music for Early Learning also includes a CD containing 23 songs
and listening activities linked to each area of development which
can be used as a standalone resource or alongside the music
manuscript and Guitar and Ukulele tabs provided, as well as lyrics
to each of the songs.
This practical text will help you to realise the wonderful
opportunities that music can offer young children and is an ideal
resource for Early Years Practitioners, Early Years consultants and
trainnee teachers, as well as those on Nursery Nursing and
Childcare courses at Further and Higher education levels.
This volume challenges readers to think about what music means in
contemporary society, and how music education can remain culturally
relevant in the new millennium.
A collection of thought-provoking philosophical perspectives on
music education.
Explores the changing ways in which music is being produced,
disseminated and received.
Considers how current phenomena such as the commoditization of
music, the use of new technologies, and access to hybrid music
forms, relate to music education.
Covers themes such as pragmatism, performativity, cultural
identity, emotion, autonomy and globalization.
Asks how music teaching and learning can remain culturally
relevant.
A Concise History of the Classic Guitar by Graham Wade, one of the
foremost international writers on the guitar, explores the history
of the instrument from the 16th century to the present day. This
compact assessment of five centuries of fretted instruments cover
the vihuela in Spain, the history of four-course and five-course
guitars, the evolution of tablature, and developments in the
six-string guitar in the 19th century. The work also charts the
contribution of leading composers, performers and luthiers of the
20th century, and evaluates the influence of Segovia, Llobet,
Pujol, Presti, Bream, Williams, etc., among the world's famous
guitarists. This book, intended for the general public and guitar
students of all ages, is the first interpretative history of the
classic guitar to be published in the 21st century, and will be
eagerly welcomed by all lovers of the instrument.
The wheels on the bus go round and round Everyone knows the song.
But now the bus is going around beautiful New Zealand and its
passengers you just might know: kiwi, penguin, tuatara, fantail and
many more. Come along for the ride For pre-schoolers.
Assessment in schools has become a hotly debated issue in
education. In the wake of political pressures for accountability,
educators have sought to defend the principle that assessment
should serve the interests of learners and learning. With the aim
of improving learning and raising standards, this book presents a
case for formative assessment, day-by-day, rather than summative
assessment at the end of key stages. The author draws on and
discusses the practical application of a range of theoretical and
philosophical research, encouraging a holistic approach and focused
teacher-intervention. The book provides material for reflection as
well as practical tips, and is suitable for instrumental and
classroom teachers (at all levels, but particularly 11-18), and the
academic community.
As in all HLSPL books throughout the series, this book is an
international version with UK music terminology. It presents note
recognition activities that co-ordinate with the "Piano Lessons"
books. It includes assignments that help students use the musical
alphabet to read and write notes on the stave in a fun and
stimulating way.
A never-before-told story about superstar John Denver "A children's
book . . . written to capture one moment. A Christmas moment."
-Pete Fowler, Glenwood Springs (CO) Post Independent Author Michael
Chandler and his young son, Preston, spent many winter afternoons
working a snowplow through the drifts of Colorado snow near their
Little Woody Creek horse ranch. Sometimes they made paths for cars,
for people, or for cattle, and sometimes they just made paths for
fun. One day they decided to clear a road that led to a snowbound
home. The owner, a rugged cowboy named Joe Henry, asked if someone
had hired them. When they said no, the cowboy smiled, and they all
became fast friends. A few weeks later, Joe Henry--a one-time
miner, hockey player, and sailor who now wrote cowboy
poetry--invited them to his Christmas Eve celebration. The party
was held in Joe's barn in honor of his horse, Lefty, who was to
enjoy his annual Christmas carrot and oats pie. Another man and his
son had also been invited. What occurred that magical evening was
to be the most memorable Christmas Eve in Michael Chandler's life .
. . an evening of live acoustic music in the Rocky Mountains with
John Denver The three men, two boys, and one horse enjoyed each
other's company with stories, song, food, laughter, and peaceful
silence. John Denver, known to the author's son only as a "guitar
playing fella," completed the evening with a peaceful rendition of
"Silent Night." His version of the song is included as a CD in The
Littlest Cowboy's Christmas. This heartwarming true story evokes
the special spirit of Christmas and is a celebration of the simple
pleasures of good music and good friends. John Denver fans will
especially appreciate this glimpse at his life "offstage," when he
was simply a "guitar fella."
World Music Pedagogy, Volume VI: School-Community Intersections
provides students with a resource for delving into the meaning of
"world music" across a broad array of community contexts and
develops the multiple meanings of community relative to teaching
and learning music of global and local cultures. It clarifies the
critical need for teachers to work in tandem with community
musicians and artists in order to bridge the unnecessary gulf that
often separates school music from the music of the world beyond
school and to consider the potential for genuine collaborations
across this gulf. The five-layered features of World Music Pedagogy
are specifically addressed in various school-community
intersections, with attention to the collaboration of teachers with
local community artist-musicians and with community
musicians-at-a-distance who are available virtually. The authors
acknowledge the multiple routes teachers are taking to enable and
encourage music learning in community contexts, such as their work
in after-school academies, museums and libraries, eldercare
centers, places of worship, parks and recreation centers, and other
venues in which adults and children gather to learn music, make
music, and become convivial through music This volume suggests that
the world's musical cultures may be found locally, can be tapped
virtually, and are important in considerations of music teaching
and learning in schools and community contexts. Authors describe
working artists and teachers, scenarios, vignettes, and teaching
and learning experiences that happen in communities and that
embrace the role of community musicians in schools, all of which
will be presented with supporting theoretical frameworks.
Music Education for Social Change: Constructing an Activist Music
Education develops an activist music education rooted in principles
of social justice and anti-oppression. Based on the interviews of
20 activist-musicians across the United States and Canada, the book
explores the common themes, perceptions, and philosophies among
them, positioning these activist-musicians as catalysts for change
in music education while raising the question: amidst racism and
violence targeted at people who embody difference, how can music
education contribute to changing the social climate? Music has long
played a role in activism and resistance. By drawing upon this rich
tradition, educators can position activist music education as part
of a long-term response to events, as a crucial initiative to
respond to ongoing oppression, and as an opportunity for youth to
develop collective, expressive, and critical thinking skills. This
emergent activist music education-like activism pushing toward
social change-focuses on bringing people together, expressing
experiences, and identifying (and challenging) oppressions.
Grounded in practice with examples integrated throughout the text,
Music Education for Social Change is an imperative and urgent
consideration of what may be possible through music and music
education.
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