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Books > Children's & Educational > The arts > Music > General
In Line by Line, author Stephanie L. Standerfer harnesses years of pedagogical expertise in a practical guide to promote music learning by experience rather than imitation and memorization. Using well-known songs and a variety of instrumental accompaniments for all skill levels, lesson plans encourage students to first learn music conceptually by internalizing the sound and feeling before learning musical symbols. The lesson plans are tailored for five to seven spiraled class periods and take every student into consideration by suggesting ways to address specific student needs for those who need more time to process.
A super fun sing-along board book from the number 1 kids channel in the world! With cute pics of JJ and his brother plus all the lyrics and actions from Bath Song, this is the perfect partner to CoComelon's most-watched video! Join JJ and his brother TomTom as they sing and dance their way through bath time! Follow the actions and sing along as they scrub their faces, wash their hair and play in the bubbles. CoComelon creates toe-tapping songs and videos about the everyday experiences of young children. This cute board book is a fun, interactive accompaniment to Bath Song and your child's personal experiences with bath time! The perfect gift to share among pre-schoolers and their siblings.
This new gathering of the world's greatest classical themes follows
Bergerac's highly successful "My First Book of Classical Music."
Here are ever-popular themes from the symphonies, concertos, and
operas of such masters as Bach, Beethoven, Brahms, Chopin, Mozart,
Haydn, Tchaikovsky, Verdi, and many others. For children and
beginners of any age. Dover Original.
This pioneering book reveals how the music classroom can draw upon the world of popular musicians' informal learning practices, so as to recognize and foster a range of musical skills and knowledge that have long been overlooked within music education. It investigates how far informal learning practices are possible and desirable in a classroom context; how they can affect young teenagers' musical skill and knowledge acquisition; and how they can change the ways students listen to, understand and appreciate music as critical listeners, not only in relation to what they already know, but beyond. It examines students' motivations towards music education, their autonomy as learners, and their capacity to work co-operatively in groups without instructional guidance from teachers. It suggests how we can awaken students' awareness of their own musicality, particularly those who might not otherwise be reached by music education, putting the potential for musical development and participation into their own hands. Bringing informal learning practices into a school environment is challenging for teachers. It can appear to conflict with their views of professionalism, and may at times seem to run against official educational discourses, pedagogic methods and curricular requirements. But any conflict is more apparent than real, for this book shows how informal learning practices can introduce fresh, constructive ways for music teachers to understand and approach their work. It offers a critical pedagogy for music, not as mere theory, but as an analytical account of practices which have fundamentally influenced the perspectives of the teachers involved. Through its grounded examples and discussions of alternative approaches to classroom work and classroom relations, the book reaches out beyond music to other curriculum subjects, and wider debates about pedagogy and curriculum.
The digital interactive projection system is a staple of nearly every music classroom in the United States. By allowing teachers to show students methods and outcomes from a computer, these systems have become a necessity for reaching students who grew up as digital natives. But, as author and distinguished music educator Catherine Dwinal demonstrates, such systems can be much more meaningful pedagogical tools than simple replacements for chalkboards. In this book, she offers practical tips, tricks, resources, and 50 activities ideal to use alongside classroom projection systems. She focuses especially on tips and activities for beginning teachers, giving them the confidence to take a step out of their comfort zone and learn new ways of engaging students with technology. More than this, she provides reference materials that will serve as a trusted reference resource for years to come.
Originally published in 1933, this book presents the content of a report prepared over several years by the Cambridgeshire Council of Music Education. The text provides a comprehensive study regarding the nature of music education in the region and the possibilities for its improvement, taking into account the changes to musical experience brought about by the gramophone and broadcasting. This book will be of value to anyone with an interest in the teaching of music and the history of education.
In the music classroom, instructors who hope to receive aid are required to provide data on their classroom programs. Due to the lack of reliable, valid large-scale assessments of student achievement in music, however, music educators in schools that accept funds face a considerable challenge in finding a way to measure student learning in their classrooms. From Australia to Taiwan to the Netherlands, music teachers experience similar struggles in the quest for a definitive assessment resource that can be used by both music educators and researchers. In this two-volume Handbook, contributors from across the globe come together to provide an authority on the assessment, measurement, and evaluation of student learning in music. The Handbook's first volume emphasizes international and theoretical perspectives on music education assessment in the major world regions. This volume also looks at technical aspects of measurement in music, and outlines situations where theoretical foundations can be applied to the development of tests in music. The Handbook's second volume offers a series of practical and US-focused approaches to music education assessment. Chapters address assessment in different types of US classrooms; how to assess specific skills or requirements; and how assessment can be used in tertiary and music teacher education classrooms. Together, both volumes of The Oxford Handbook of Assessment in Music Education pave the way forward for music educators and researchers in the field.
This richly informative and gorgeously illustrated book celebrates Harlem's vibrant traditions, past and present. A is for Apollo Theatre L is for Liberation Bookstore U is for Uptown Discover the Harlem icons that have defined generations of American culture. Harlem is full of remarkable treasures, including museums, performance spaces, community centers, and more-all of which come to life in this lavish celebration of Harlem as an epicenter of African American history and a vibrant neighborhood that continues to shape our world. At once a love letter and a rich alphabetical archive, H Is for Harlem highlights communities and traditions that connect our past and present.
From Costa Award-shortlisted author Nicholas Bowling comes a tale of adventure, myth and music to make your heart sing ... 'Cast its spell over me from the first page ... it really is my perfect book.' Jasbinder Bilan, author of ASHA & THE SPIRIT BIRD 'Nicholas Bowling is a thrilling writer.' THE TELEGRAPH Oran lives on Little Drum, where music is everything. Every islander has a birth instrument and a life song - and the ancestors, called ghasts, linger to hear the music. But when the Duchess arrives from the mainland bringing orders of silence, she threatens the ghasts' existence, the very soul of the community. When Oran hears of a mythical instrument with the power to manipulate hearts, she brings her ghast best friend, Alick, on a quest to find it, play it, and change the Duchess's mind ... From the author of the Costa Children's Book Award-shortlisted In the Shadow of the Heroes comes a thrilling Celtic-inspired fantasy adventure. The adventure and magic of Neil Gaiman's Stardust with a Hebridean-inspired fantasy setting and lovable characters reminiscent of Pixar's Brave. A story about how music has the power to reveal, to inspire, and to bind people together.
This inspiring picture book tells the true story of world-famous deaf percussionist Dame Evelyn Glennie. This is a story of music. Of obstacles. Of strength and hard work. Of all you can accomplish when you dream. As a child, Evelyn Glennie's ears began to hurt. Voices became distant whispers. Ringing phones sounded like muffled crunches in her ears. But when she was told that she would need to wear hearing aids for the rest of her life, Evelyn was determined that this this would never stop her from playing music. Instead of giving up on her dreams, Evelyn found new ways to listen... With stunning illustrations from Devon Holzwarth, and a special note from Evelyn Glennie herself, this is the perfect book to inspire children to never give up on their dreams.
Learn to play the saxophone with popular pieces - lessons and sheet music for beginners The Abracadabra approach to learning through songs and tunes has set countless beginners on a clear path of progress and enjoyment with their chosen instrument. With carefully graded technique, clear fingering diagrams and concise theory explanations, this best-selling series is the ideal learning companion for pupil and teacher. An established and popular course offering a thorough grounding in basic technique. Now in its third edition, features include: * Carefully graded songs and tunes * Clear guidance on theory and technique * Enough flexibility to suit individual teaching approaches * Ensemble skills taught through duets and trios * Jazz improvisations and styles
Discover the life of Marian Anderson in a book that provides your child with a role model of courage. Rich brown-toned pictures and lyrical text describe the struggles this African-American singer endured in pre-Civil Rights America. The book also recounts her 1939 historic concert at the Lincoln Memorial in Washington, D.C.
What's So Important About Music Education? presents a new philosophy of music education for the United States, rooted in history and current perspectives from ethnomusicology. J. Scott Goble explores the societal effects of the nation's foundations in democracy and capitalism, the constitutional separation of church and state, and the rise of recording, broadcast, and computer technologies. He shows how these and other factors have brought about changes in the ways music teachers and concerned others have conceptualized music and its importance in education. In demonstrating how many of the personal and societal benefits of musical engagement have come to be obscured in the nation's increasingly diverse public forum, Goble argues for the importance of musical engagement in human life and for the importance of music in education. An ideal text for courses in music education foundations, the book concludes with recommendations for teaching the musical practices of the nation's cultural communities in schools in terms of their respective cultural meanings.
As in all HLSPL books throughout the series, this book is an international version with UK music terminology. It presents note recognition activities that co-ordinate with the "Piano Lessons" books. It includes assignments that help students use the musical alphabet to read and write notes on the stave in a fun and stimulating way.
An entertaining mix of dinosaur pieces, games, and puzzles at about the level of Piano Time 2. Lively full colour illustrations introduce you to each of the friendly (or not-so-friendly) monsters, and all the material has a solid musical and tutorial basis as well as being tremendous fun.
Toddlers learning to identify numbers will love this charming and funny book, while music-savvy parents will enjoy the artistic representation of some of their favorite song titles from some of their favorite musical artists. The book includes the following song titles: ONE Fine Day (The Chiffons) It Takes TWO (Rob Base & DJ EZ Rock) THREE Little Birds (Bob Marley) FOUR Strong Winds (Neil Young) High FIVE (Beck) SIX Weeks (James Morrison) SEVEN SEAS OF RHYE (Queen) EIGHT Days a Week (The Beatles) Love Potion No. 9 (The Clovers) TEN Feet Tall (Various) A follow-up to Running Press Kids's SOMEWHERE OVER THE RAINBOW: COLORS IN MUSIC, this will be an ideal gift for the music-loving kid or family.
A songbook to support the first steps in phonics through songs, chants and games, ideal for use alongside Letters and Sounds, the new Primary National Strategy phonics programme for 3-7 year olds. Singing Phonics is a song collection for 3-5 year olds, specially designed to support the earliest steps in phonics teaching and enrich young children's experience of language in a fun and interactive way. Includes a range of songs, chants and games, all designed to increase phonics awareness. Each song comes with activities (including photocopiable resources) and ideas for further development. Ideal for use with the new phonics programme, Letters and Sounds, published by the Primary National Strategy, but will also be a highly useful addition to any phonics scheme. The pack includes a CD with sample performances of all the songs and many songs are also familiar tunes, making it a highly user-friendly resource.
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