A new collection of art from one of the UK's most acclaimed sci-fi artists featuring everything, from his initial sketches to his final works and published book covers. Includes covers from the SF greats - Greg Bear, Neil Gaiman and Terry Pratchett, Anne McCaffrey, Robert Silverberg, Joe Haldeman, Oson Scott Card, John Meaney, Ricardo Pinto, Peter F Hamilton, and Timothy Zahn and many more.

Art Since 1980 charts the story of art in contemporary global culture while holding up a mirror to our society. With over 300 pictures of painting, photography and sculpture, as well as installation, performance and video art, we are led on an illuminating journey via the individuals and communities who have shaped art internationally. The political and cultural transformations of the early 1980s developed a new era of accord between communist states and western-style economics. The art world has since been reconceived and today we see record-breaking sales of contemporary art and a dramatic rise in the number of students taking courses in the visual and performing arts. Kalb approaches art from multiple angles, addressing issues of artistic production, display, critical reception and social content. Alongside his analysis of specific works of art, he also builds a framework for readers to increase their knowledge and enhance critical and theoretical thinking.

Since Tate Modern opened, the Turbine Hall has hosted some of the most memorable and acclaimed site-specific art installations of the twenty-first century, reaching an audience of millions. This book is published to accompany the inaugaral Hyundai Commission, the first in a new series of annual exhibitions that will give renowned international contemporary artists an opportunity to create new work for one of the world's most iconic museum spaces. Abraham Cruzvillegas (b.1968), one of the key figures to have emerged in Mexico among a new wave of conceptual artists, is best known for his sculptural works made from local found objects and materials. He has titled this body of work autoconstruccion or 'self-construction'. This term usually refers to the way Mexicans of his parents' generation, arriving in the capital from rural areas in the 1960s, self-built their houses in stages, improvising with whatever materials they could source. His approach to sculpture continues the principles of autoconstruccion, recycling locally found objects and improvising new ways to build, design and create. As an artist he is also concerned with how a strong community spirit and hope can be maintained in precarious economic and political conditions. These ideas have led to projects staged in Glasgow, Paris, Oxford, Gwangju, Kassel and many other places. During a residency at Cove Park in Scotland, Cruzvillegas gathered discarded materials such as wool, fencing, a rubber buoy and bits of wood to create a dynamic installation of sculptures. In Glasgow he created a modified bicycle which he pedalled through the city while playing music created in collaboration with local bands. In recent years his work has been exhibited at Haus der Kunst, Munich (2014); Walker Art Center, Minneapolis (2013); Modern Art Oxford (2011) and The New Museum, New York (2011). Created in close collaboration with the artist, the book will feature a fully illustrated survey of Cruzvillegas's life and work and an in-depth interview with curator Mark Godfrey. Exploring in fascinating detail the artistic processes involved in creating this monumental new work, it will include stunning photographs of the awe-inspiring installation to be revealed in the Turbine Hall in October 2015.

From the fan-favorite Pop Surrealist painter and graphic artist, this coloring book features stunningly beautiful black-and-white images of mermaids and other legendary beasts of the ocean drawn in Camilla d'Errico's signature manga-inspired style. Following the success of her first coloring book, Pop Manga Coloring Book, artist Camilla d'Errico takes fans beneath the waves with 70 black-and-white images of beloved characters from undersea fairy tales and myths in this stunning coloring book. Along with beautiful and haunting images of mermaids, d'Errico also includes many-tentacled krakens, giant seahorses, narwhals, and more in pieces that you'll want to start coloring as soon as you open the book. Select pieces include designed, patterned backgrounds to keep colorists working away hour after hour in this underwater kingdom of cute.

A highly acclaimed and extremely prolific artist, Bruce Nauman (b. 1941) has been active since the early 1970s. Working in mediums such as sculpture, video, film, installation, performance, and printmaking, he shies away from developing a single characteristic style. His work toys with text and fragmented images of the human body. Often provocative in nature, he connects physical realities of violence, sex, and death with visceral, spiritual messages, like an early neon sign proclaiming, 'the true artist helps the world by revealing mystic truths.' On top of many achievements in his career, Nauman recently represented the United States at the 2009 Venice Biennale and was awarded the Golden Lion prize for best national pavilion. This book accompanies Nauman's major exhibition at the Fondation Cartier pour l'art contemporain, showing in Paris from 15 March to 14 June 2015. This will be the most significant exhibition of his work in France since the retrospective organized by the Centre Pompidou in 1997. Developed in close collaboration with the artist, the exhibition will bring together eight works hitherto unseen in France, some of which are his latest projects.

A timely reassessment of the artist's early performances and feminist sculptures, affirming their radical engagements and art historical significance This volume is a focused look at two bodies of work, the Tirs ("shooting paintings") and Nanas ("dames"), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (1930-2002). Alongside a poetic response to the work, four essays treat Saint Phalle's oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle's life in the 1960s. Tirs were made by firing a .22 caliber rifle at the surfaces of paintings. The bullets pierced bags of pigment, aerosol paint cans, or even food embedded in dense assemblages covered in painted plaster. Saint Phalle's increasingly liberated female figures with outstretched arms, curvaceous forms, and powerful poses developed into her well-known Nanas, an evolution contemporaneous with the rise of a Euro-American feminist movement. Distributed for the Menil Collection and the Museum of Contemporary Art, San Diego Exhibition Schedule: Menil Collection, Houston (September 10, 2021-January 23, 2022) Museum of Contemporary Art, San Diego (April 9-July 17, 2022)

This book contains all of Gary Gianni's artwork for George R.R. Martin's A Song of Ice and Fire series. Over 300 pages of beautifully illustrated scenes from the five novels in the series--A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast For Crows and A Dance With Dragons--are featured alongside passages from the books themselves. Also included are illustrations from the two prequels of the series, A Knight of the Seven Kingdoms and Fire and Blood. All together, the paintings and hundreds of drawings in pencil and pen-and-ink provide a unique view of the Seven Kingdoms of Westeros as seen through the eyes of the award-winning illustrator. Describing Gianni's artwork, George R.R. Martin says it's "as if I am looking through a window into Westeros, that I am there with Tyrion and Daenerys, with Ned and Arya, with Dunk and Egg." All of Gary Gianni's previously shown pencil sketches and paintings have been tightened up and polished for this collection, making them appear as new works. In addition, over 35 pencil drawings appear for the first time. The artist draws on his longtime experience in comics and illustration to offer a unique perspective into Martin's universe. The book also includes an introduction by Cullen Murphy, who discusses the art of illustration and adds context to the pictures by providing an overview of Gianni's career. Notes from the artist reveal insight concerning his methods and the creative process of working with Martin, a relationship that has spanned five years to date.

The third volume of a catalogue raisonne of Luc Tuymans's paintings, surveying nearly two hundred works, charts the artist's investigation into painting's relationship to history and technology. Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The Internet, in particular, is central to these works as well as the screen-leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist's continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans's recent paintings. This volume includes an editor's note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans's persistent assertion of the relevance and importance of painting-a conviction that he maintains even in today's digital world, when his work continues to be a touchstone for artists and scholars.

Kata Legrady (Hungary 1974) belongs to that long line of artists for whom an object offers the stimulus for artistic thought. Her approach takes the form of a symbolic encounter between objects associated with childhood with those associated with violence. In her work, an artillery shell, a bomb, a pistol, a Kalashnikov can be transformed from devices of death to works of art. The book gathers the work exhibited at Mudima foundation of the artist from the Guns and Candies of 2008, to the Gasmasks of 2009, Little Boy in 2009 and 2010, and the more recent works, from 2011: Mickey, Pearl Harbor; Government Balancoir; CatWoman; Cheval a Bascule, all the way to the Disney series. At first sight there is no precise message, no hidden aspect. We are not dealing with complex and stratified arrangements of images or objects but with restrained, frontal and simplified compositions. They are carriers that, as Jeff Koons put it so well, are there "to stimulate and activate the viewer's mental and physical state".

Street-cool visual artist-cum-nightlife guru, Andre Saraiva, whose life dovetails into graffiti subculture, chic jet-setting, and the fashion world, presents an autobiographical visual diary of sorts, a revealing window into the worlds he inhabits. Chances are that while you ve been strolling through the streets of Paris, London, New York, or Los Angeles, you may have caught a glimpse of Saraiva s signature graffiti of Mr. A on a random street wall. Or you may have seen him in the Banksy film, Exit Through the Gift Shop; spied him in the front rows of the Paris Fashion Week shows; or seen him at one of his many chic nightclubs. Graffiti Life is a never-before-seen look at the artist s many spheres through which he effortlessly moves: street culture, contemporary art, graphic design, photography, fashion, and nightlife. This visual journey is an interactive and striking object itself, with a vibrant pink cloth cover, Saraiva s distinctive handwriting in foil, and seven pop-ups he designed. It follows Saraiva s art/life trajectory, and includes his Instagram-worthy tags on the streets of Paris; countless silk-screened posters; paintings and sculpture; creative collaborations with Chanel, Louis Vuitton, and Colette, and more.

Over the past decade, German artist Michael Riedel has incorporated a wide range of media into his practice, including large-scale works on canvas, fabric works, film and video, audio recordings, installations, and events. A central focus of his work is the publishing and production of artist's books, catalogues, brochures, posters, and cards. In 2000, Riedel and Dennis Loesch launched a collaborative project in an abandoned building in Frankfurt. Using the building's address- Oskar-von-Miller Strasse 16-as the name for their new space, they created an experimental laboratory where they restaged cultural events held at other locations throughout the city, effectively duplicating them in space and time. Occasionally, these re-presented events-which included book readings, film screenings, art exhibitions, and music concerts-were hosted on the same night as the actual event elsewhere in the city, but mostly, they were presented days or weeks after the original activity took place. According to Riedel, "We presented one concept over and over again. To create a distance to some original that had been done at another place." With the call of "record, label, playback," a group of young artists reiterated the language of a city's cultural offerings, often without a full understanding of what they were reciting, but always with an acute aesthetic interest in the faults of transmission and transference.

In October 2018 Cornelia Parker's Transitional Object (PsychoBarn) lands in the courtyard of the Royal Academy of Arts, London. This meticulous and unsettling installation - first shown on the roof of The Metropolitan Museum of Art against the skyline of New York's Central Park - is half stage set, half sculpture. The work, which draws on archetypal images of American culture such as the red barn and the infamous Bates motel from Alfred Hitchcock's Psycho, will now be seen against a backdrop of Burlington House's neoclassical buildings. Cornelia Parker was elected a Royal Academician in 2009. She has since had solo shows at the Whitworth Gallery, Manchester, and the Frith Street Gallery, London. She is well known for her installations, including Cold Dark Matter: An Exploded View (1991), a reconstruction of an exploded shed, which now forms part of Tate's collection. Generously illustrated with supporting imagery and installation shots, this book comprises a conversation with the artist and a text on the work's installation in London. Transitional Object (PsychoBarn) will be on display in the courtyard of the Royal Academy of Arts, London, from October 2018 to March 2019.

This book spotlights a complex art collection established at the intersection of modern art and social justice. In 1963, as civil rights protests swirled across the fiercely segregated state, this historically Black college became an unlikely hub in Mississippi envisioned as “an interracial oasis in which the fine arts are the focus and magnet.” Since its founding in 1869 by the abolitionist-led American Missionary Association, Tougaloo College has made the fight for equality central to its mission. In 1963, Tougaloo became the nexus for modern art in Mississippi, when leaders of the New York art world began a rich program of art acquisitions. This publication features two essays and approximately thirty-five selections from this distinctive collection by diverse artists such as Francis Picabia, Jacob Lawrence, and Alma Thomas.

Portraits and texts recover lost queer history: the lives of people who didn't conform to gender norms, from the fifteenth through the twentieth centuries. "A serious-and seriously successful-queer history recovery project." -Publishers Weekly Katherina Hetzeldorfer, tried "for a crime that didn't have a name" (same sex sexual relations) and sentenced to death by drowning in 1477; Charles aka Mary Hamilton, publicly whipped for impersonating a man in eighteenth-century England; Clara, aka "Big Ben," over whom two jealous women fought in 1926 New York: these are just three of the lives that the artist Ria Brodell has reclaimed for queer history in Butch Heroes. Brodell offers a series of twenty-eight portraits of forgotten but heroic figures, each accompanied by a brief biographical note. They are individuals who were assigned female at birth but whose gender presentation was more masculine than feminine, who did not want to enter into heterosexual marriage, and who often faced dire punishment for being themselves. Brodell's detailed and witty paintings are modeled on Catholic holy cards, slyly subverting a religious template. The portraits and the texts offer intriguing hints of lost lives: cats lounge in the background of domestic settings; one of the figures is said to have been employed variously as "a prophet, a soldier, or a textile worker"; another casually holds a lit cigarette. Brodell did extensive research for each portrait, piecing together a life from historical accounts, maps, journals, paintings, drawings, and photographs, finding the heroic in the forgotten.

In recent years, Swiss artist Franz Bucher, born in 1940, has produced an extensive series of paintings which he simply titles Fields: lavender, dandelion, rapeseed, and poppy fields congruent with the canvas to form a pictorial field. Yet Bucher's objective is not primarily the pictorial. Rather, it is more about the two-dimensional space which is given an inherent structure by the largely monochromatic primary colours he uses, as well as his dynamic brushstroke. It becomes apparent that most of the artist's oeuvre since the early 1970s has been determined by the metrical rhythm in his use of colour. Bucher's paintings constitute actual energy fields. This new monograph offers a retrospective of Bucher's entire body of work from the vantage point of his recent pictorial fields. It thus illustrates his true artistic intentions independently of the context of his chosen motifs. Text in English and German.

Since the fifteenth century, tarot cards have remained a source of wonder and fascination for those seeking to divine the future. Drawing the card depicting the coveted wheel of fortune is believed to foretell favorable events, but turn over the tower or death card and adversity may be headed your way. Mysterious, rich in symbolism, and hinting at the arcane, tarot cards also display considerable artistry and visual appeal." "In "Francesco Clemente: The Tarots," Clemente uniquely reinterprets the deck with a star-studded group of unexpected subjects. Presented here are the seventy-eight watercolors that make up the artist's tarot card series. Begun in 2008, the paintings include family and friends and reflect important personal relationships. Since 1981, Clemente has been a resident of New York and many of the paintings--including the twenty-two cards of the higher arcana--depict New Yorkers, making this series, in the artist's words, "my portrait of the city." Among the personalities whose likenesses are included this series are Salman Rushdie, Fran Lebowitz, Jasper Johns, Philip Glass, Diane von Furstenberg, Colm Toibin, and Scarlett Johansson. Clemente has always had a keen interest in the spiritual, and the book also includes twelve self-portraits representing each of the twelve apostles. Rounding out the extensive illustrations are essays by Max Seidel, Marzia Faietti, Antonio Natali, and Francesco Pellizzi examining the series. Clemente is among the most recognized and established contemporary artists in America today, and this book--created to accompany an exhibition at the Uffizi Gallery in Florence--makes his most recent work available to readers for the first time.

FOLLOWING FROM THE ENORMOUS SUCCESS OF WORDS AND PICTURES AND BEYOND THE PAGE , THIS THIRD VOLUME CONTINUES A NARRATIVE OF VISUAL ADVENTURES OF UNUSUAL DIVERSITY. Pens Ink & Places contains a wealth of new material, ranging from touching series of vignettes for Great Ormond Street Hospital to gigantic drawings for the Jerwood Gallery in Hastings; from the sombre apocalyptic landscapes of Riddley Walker to the energetic fantasy of Billy and the Minpins. This beautiful volume also includes Blake's unique illustrations made to accompany accompany the works of John Ruskin, La Fontaine, Lucius Apuleius and Beatrix Potter. Blake's commentary - straight, as it were, from the drawing board - explores the challenges and opportunities in the creation of drawings known around the world, as well as others seen here for the first time. It is clear from every page of this informative and richly illustrated volume that there has been no slackening of brio in the scratchy pen nib of an artist who has been called the `Godfather of Illustration'.

The German-Swedish artist Ann Wolff is a pioneer of the studio glass movement in Europe. Born in Lubeck in 1937, she has achieved international fame for her sculptures which mainly use the material glass, but she has always drawn as well.This volume now presents a collection based on a selection of sixty hitherto unpublished drawings from the 1980s. The works, executed in pencil on paper, focus on a female figure seen in reflections and duplications, sometimes surreal and whimsical in connection with animals and intermediate beings, and sometimes with a man or a child: dream worlds, pictures of the subconscious, often inspired by fairy tales. The pictures unfold their narrative potential as investigations of the female self in the social milieu of an age characterised by feminist movements and discussions regarding the relationship between the sexes.

"Bruce Nauman: The True Artist" by Peter Plagens is the first authorized monograph of the world-famous sculptor, photographer, and video artist. Plagens, a renowned writer, critic, and author who has known Nauman for more than forty years, delivers a personal and authoritative account tracing Nauman's entire career, from his youth in Fort Wayne, Indiana to his graduate work at the University of California, through to the present day.

Plagens first met Bruce Nauman in Pasadena, California, in 1970, where their studios were a block apart and they played basketball together every Sunday. Since then, Plagens has pursued a real understanding of his friend's art. The book chronicles Nauman's process, from the creation of works in his New Mexico studio to the organization, installation, and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, and the artist's conversations about them, to offer readers a vivid and enlightening take on one of the key figures in contemporary art.

The perfect introduction to the city's architectural heritage, Barcelona Sketchbook gives visitors and residents insight into a wealth of sights, both grand and intimate in scale. Many facets of the Catalonia capital and surroundings are recorded here, as Graham Byfield strolls with his sketchpad through the Ramblas, the glories of Antoni Gaudi, the great ceremonial buildings, and cafes and parks full of character. On the way, with a few pencil strokes and splashes of watercolour, he captures scenes of daily life, as well as a plethora of architectural wonders dating from the Middle Ages to the present day. Founded as a Roman city, Barcelona became the capital of the County of Barcelona in the Middle Ages. After merging with the Kingdom of Aragon, it continued to be an important city as an economic and administrative centre and the capital of the Principality of Catalonia. Besieged several times during its history, Barcelona has a rich cultural heritage and is today a major tourist destination being one of the world's most visited cities. Particularly renowned are the architectural works of Antoni Gaudi and Lluis Domenech i Montaner, which have been designated UNESCO World Heritage Sites. The city is also an important port, has hosted two International Exhibitions and is known for its successful Summer Olympics in 1992. Accompanying the paintings and sketches are observations and notes handwritten by the artist, as well as a learned and informative introduction to Barcelona and its various areas by heritage expert Marcus Binney.

A riveting excursion through Warhol's incomparable personal collections, from the bizarre to the illuminating Andy Warhol (1928-1987) remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small, ordinary and quirky. Since 1994, The Andy Warhol Museum has studied and safeguarded the artist's archive encompassing hundreds of thousands of these objects, at turns strange, amusing, and poignant. From this array, many of these items have been researched and described in this book for the first time. Written by Matt Wrbican, the foremost authority on Warhol's personal collection, A is for Archive features curated selections from this collection, shedding light on the artist's work and motivations, as well as on his personality and private life. The volume is organized alphabetically, honoring Warhol's own use of a whimsical alphabetical structure: "A is for Autograph" (a selection of signed objects, many of which influenced his most popular works), "F is for Fashion" (featuring his collections of cowboy boots, neckties, and jackets), "S is for Stamp" (works of art by Warhol and others relating to stamps and mailed items), and "Z is for Zombie" (a grouping of photographs and ephemera of Warhol in various disguises: drag, robot, zombie, clown). The book also features an insightful essay by renowned art critic and Warhol biographer Blake Gopnik. For the myriad fans of Warhol and his quixotic world, this volume is essential and unforgettable.