This volume is a revised translation of the complete text of Book Six about Diogenes of Sinope and the Cynics, taken from The Lives and Opinions of Eminent Philosophers written around AD 230 by the Graeco-Roman author Diogenes Laertius. The Life of Diogenes is accompanied by a detailed outline of Cynic philosophy, explaining Cynic doctrine and its significance for today's audience. Alongside the Life of Diogenes are accounts of other Cynics, including Antisthenes, Crates and Hipparchia. The works of the early Cynics have all been lost, and this text by Diogenes Laertius thankfully preserves an important range of quotations and references. Despite the Cynic's extreme stance, this idealistic philosophy still has a valid part to play in the face of the increasing materialism of our modern society, challenging us to re-evaluate our priorities. The nineteenth-century translation of C. D. Yonge has been substantially revised, and is supported by a new Introduction, Glossary of Names, Notes and Index.

"Continuum's Reader's Guides" are clear, concise and accessible introductions to classic works of philosophy. Each book explores the major themes, historical and philosophical context and key passages of a major philosophical text, guiding the reader toward a thorough understanding of often demanding material. Ideal for undergraduate students, the guides provide an essential resource for anyone who needs to get to grips with a philosophical text. Aristotle's "Nicomachean Ethics" is one of the most significant works of moral philosophy ever written. It is certainly among the most widely read and studied, a staple of undergraduate courses that continues to inspire ethical thought to this day. As such, it is a hugely important and exciting, yet challenging, piece of philosophical writing. In "Aristotle's Nicomachean Ethics': A Reader's Guide", Christopher Warne offers a clear and thorough account of this key philosophical work. The book sets Aristotle's work in context, introduces the major themes and provides a detailed discussion of the key sections and passages of the text. Warne goes on to explore some of the areas of thought that the "Nicomachean Ethics" has impacted upon and provides useful information on further reading. This is the ideal companion to study of this most influential and challenging of texts.

Parmenides of Elea is widely regarded as the most important of the Presocratic philosophers and one of the most influential thinkers of all time. He is famous, or notorious, for asserting that change, movement, generation and perishing are illusions arising from our senses, that past and future do not exist, and that the universe is a single, homogeneous, static sphere. This picture of the world is not only contrary to the experience of every conscious moment of our lives, it is also unthinkable, since thoughts themselves are events that come into being and pass away. In this important new book, Raymond Tallis critically examines Parmenides conclusions and argues that, although his views have had a huge influence, they are in fact the result of a failure to allow for possibility, for what-might-be, which neither is nor is not. Without possibility, there is neither truth nor falsehood. Tallis explores the limits of Parmenides ideas, his influence on Plato and, through him, Aristotle and finally, why Parmenides is still relevant today.

Truth, Language, and History is the much-anticipated final volume of Donald Davidson's philosophical writings. In four groups of essays, Davidson continues to explore the themes that occupied him for more than fifty years: the relations between language and the world; speaker intention and linguistic meaning; language and mind; mind and body; mind and world; mind and other minds. He asks: what is the role of the concept of truth in these explorations? And, can a scientific world view make room for human thought without reducing it to something material and mechanistic? Including a new introduction by his widow, Marcia Cavell, this volume completes Donald Davidson's colossal intellectual legacy.

This book explores the ramifications of understanding the similarities and differences between the tragedies of Euripides and Sophocles and realistic Japanese noh. First, it looks at the relationship of Aristotle s definition of tragedy to the tragedies he favored. Next, his definition is applied to realistic noh, in order to show how they do and do not conform to his definition. In the third and fourth chapters, the focus moves to those junctures in the dramas that Aristotle considered crucial to a complex plot - recognitions and sudden reversals -, and shows how they are presented in performance. Chapter 3 examines the climactic moments of realistic noh and demonstrates that it is at precisely these moments that a third actor becomes involved in the dialogue or that an actor in various ways steps out of character. Chapter 4 explores how plays by Euripides and Sophocles deal with critical turns in the plot, as Aristotle defined it. It is not by an actor stepping out of character, but by the playwright s involvement of the third actor in the dialogue. The argument of this book reveals a similar symbiosis between plot and performance in both dramatic forms. By looking at noh through the lens of Aristotle and two Greek tragedies that he favored, the book uncovers first an Aristotelian plot structure in realistic noh and the relationship between the crucial points in the plot and its performance; and on the Greek side, looking at the tragedies through the lens of noh suggests a hitherto unnoticed relationship between the structure of the tragedies and their performance, that is, the involvement of the third actor at the climactic moments of the plot. This observation helps to account for Aristotle s view that tragedy be limited to three actors."

While the dramatic approach to Plato's dialogues has become popular over the last decade, little attention has been paid to the poetic quality of Plato's writing, and the received view of Platonic philosophy still depends on an unpoetic and largely literalist reading of the dialogues. The authors of this volume focus on the text of selected dialogues to identify the thread that unifies each of them from a literary point of view. The conclusions they reach in practicing this kind of reading are diametrically opposed to the largest stream of Platonic scholarship and show the fallacy of important metaphysical, epistemological, political, and ethical positions frequently attributed to Plato.

An important volume connecting classical studies with feminism," Feminism and Ancient Philosophy" provides an even-handed assessment of the ancient philosophers' discussions of women and explains which ancient views can be fruitful for feminist theorizing today. The papers in this anthology range from classical Greek philosophy through the Hellenistic period, with the predominance of essays focusing on topics such as the relation of reason and the emotions, the nature of emotions and desire, and related issues in moral psychology. The volume contains some new, ground-breaking essays on Plato, Aristotle, and the Stoics, as well as previously published pieces by established scholars like Martha Nussbaum and Julia Annas. It promises to be of interest to an interdisciplinary audience including those working in classics, ancient philosophy, and feminist theory.

The Aurea Catena Homeri, written in German by Dr. Anton Josef Kirchweger, was first printed in 1723, though it was distributed in a handwritten format prior to that time. It is said to be one of the most important books ever created giving insight into alchemy-the idea that all creation, no matter what its nature, is closely interconnected, that a deeply secret connection pervades all of nature, that one thing relates to the next and things depend upon each other.

In "The Golden Chain of Homer," editors Gregory S. Hamilton and Philip N. Wheeler provide an English translation of Aurea Catena Homeri, complete with frequent, detailed footnotes and extensive commentary that offers a detailed analysis and insight into Kirchweger's work, considered a masterpiece of alchemical literature.

"The Golden Chain of Homer" shows Kirchweger's book in a new, enlightening way. Through this translation, it becomes easier to understand alchemical principles and unveil the mysteries that shroud the science of alchemy.

This special supplementary volume of Oxford Studies in Ancient Philosophy contains the proceedings of the Colloquium on Ancient Philosophy held at Oberlin, Ohio in 1986. The exceptionally high quality of the papers, and the format of speaker, reply, and speaker's reply, has resulted in a volume which furthers some issues which are currently the object of keen controversy in ancient philosophy. Contributors include Michael Frede, Terence Irwin, and Martha Nussbaum.

Clement of Alexandria (150-215) lived and taught in the most lively intellectual centre of his day. This book offers a comprehensive account of how he joined the ideas of the New Testament to those of Plato and other classical thinkers. Clement taught that God was active from the beginning to the end of human history and that a Christian life should move on from simple faith to knowledge and love. He argued that a sequence of three elliptical relations governed the universe: Father and Son, God and humanity, humans and their neighbours. Faith as a fixed conviction which is also a growing mustard seed was joined to Plato's unwavering search for the best reason. The open heaven of prophecy became intelligible through Plato's ascending dialectic. This book will be invaluable in making this outstanding thinker of the early Church accessible to the students of today.

Plato's reflection on the relationship between soul and body has attracted scholars' attention since antiquity. Less noted, but worthy of consideration, is Plato's thought on music and its effects on human beings. This book adopts an innovative approach towards analysing the soul-body problem by uncovering and emphasising the philosophical value of Plato's treatment of the phenomenon of music. By investigating in detail how Plato conceives of the musical experience and its influence on intelligence, passions and perceptions, it illuminates the intersection of cognitive and emotional functions in Plato's philosophy of mind.

"The Ideas of Socrates" offers a unique interpretation of the ideas (forms, eide) in Plato's writings. In this concise and accessible study, Matthew S. Linck makes four major claims. Firstly, the ideas as Socrates discusses them in the "Phaedo", "Parmenides", and "Symposium" are shown to be integral to the person of Socrates as presented in Plato's dialogues. Secondly, Linck argues that if we take Plato's dialogues as an integrated set of writings, then we must acknowledge that the mature Socrates is perfectly aware of the difficulties entailed in the positing of ideas. Thirdly, the book shows that Socrates' recourse to the ideas is not simply an epistemological issue but one of self-transformation. And finally Linck examines how Socrates relates to the ideas in two ways, one practical, the other speculative. As the only group of Plato's narrated dialogues that are not narrated by Socrates, the "Phaedo", "Parmenides", and "Symposium" constitute a unique collection. These three dialogues also contain accounts of Socrates as a young man, and all of these accounts explicitly discuss the ideas. "The Ideas of Socrates" serves as a commentary on the relevant passages of these dialogues and goes on to build up an explicit series of arguments about the ideas that will transform the way in which we approach these key texts. This important new book will be of interest to anyone involved in the study of Ancient Philosophy.

This is the first collection of original essays entirely devoted to a detailed study of the Pyrrhonian tradition. The twelve contributions collected in the present volume combine to offer a historical and systematic analysis of the form of skepticism known as "Pyrrhonism". They discuss whether the Pyrrhonist is an ethically engaged agent, whether he can claim to search for truth, and other thorny questions concerning ancient Pyrrhonism; explore its influence on certain modern thinkers such as Pierre Bayle and David Hume; and examine Pyrrhonian skepticism in relation to contemporary analytic philosophy.

This volume of essays explores major connected themes in Aristotle's metaphysics, philosophy of nature, and ethics, especially themes related to essence, definition, teleology, activity, potentiality, and the highest good. The volume is united by the belief that all aspects of Aristotle's work need to be studied together if any one of the areas of thought is to be fully understood. Many of the papers were contributions to a conference at the University of Pittsburgh entitled 'Being, Nature, and Life in Aristotle', to honor Professor Allan Gotthelf's many contributions to the field of ancient philosophy; a few are contributions from those who were invited but could not attend. The contributors, all longstanding friends of Professor Gotthelf, are among the most accomplished scholars in the field of ancient philosophy today.

This is the first commentary on Lucretius' theory of atomic motion, one of the most difficult and technical parts of De rerum natura. The late Don Fowler sets new standards for Lucretian studies in his awesome command both of the ancient literary, philological, and philosophical background to this Latin Epicurean poem, and of the relevant modern scholarship.

This book examines the revival of antique philosophy in the Renaissance as a literary preoccupation informed by wit. Humanists were more inspired by the fictionalized characters of certain wise fools, including Diogenes the Cynic, Socrates, Aesop, Democritus, and Heraclitus, than by codified systems of thought. Rich in detail, this study offers a systematic treatment of wide-ranging Renaissance imagery and metaphors and presents a detailed iconography of certain classical philosophers. Ultimately, the problems of Renaissance humanism are revealed to reflect the concerns of humanists in the twenty-first century.

How was the world generated and how does matter continue to be ordered so that the world can continue functioning? Questions like these have existed as long as humanity has been capable of rational thought. In antiquity, Plato's Timaeus introduced the concept of the Demiurge, or Craftsman-god, to answer them. This lucid and wide-ranging book argues that the concept of the Demiurge was highly influential on the many discussions operating in Middle Platonist, Gnostic, Hermetic and Christian contexts in the first three centuries AD. It explores key metaphysical problems such as the origin of evil, the relationship between matter and the First Principle and the deployment of ever-increasing numbers of secondary deities to insulate the First Principle from the sensible world. It also focuses on the decreasing importance of demiurgy in Neoplatonism, with its postulation of procession and return.

Oxford Scholarly Classics is a new series that makes available again great academic works from the archives of Oxford University Press. Reissued in uniform series design, the reissues will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.

Chinese and Greco-Roman ethics present highly articulate views on how one should live; both of these traditions remain influential in modern philosophy. The question arises how these traditions can be compared with one another. Comparative ethics is a relatively young discipline, and this volume is a major contribution to the field. Fundamental questions about the nature of comparing ethics are treated in two introductory chapters, followed by chapters on core issues in each of the traditions : harmony, virtue, friendship, knowledge, the relation of ethics to morality, relativism. The volume closes with a number of comparative studies on emotions, being and unity, simplicity and complexity, and prediction.

With the growth of interest in later Greek philosophy, the importance of Plotinus (AD 205-270) as a seminal influence on later thinkers, both pagan and Christian, is being increasingly recognized. The Enneads have been readily available for some time, both in Greek and in English translation, and there is no shortage of scholarly writing on the Enneads in general, and on particular aspects of Plotinus' thought. However, apart from Michael Atkinson's translation and commentary on Ennead V.1 (Clarendon Press, 1985), there has been no major commentary in English on any single treatise. Plotinus' Greek is notoriously obscure, and mere translation often sheds little light. Barrie Fleet's translation and commentary on Ennead III.6 elucidates the text of a major treatise in which Plotinus uses the concept of impassivity to shed light on three questions of importance to Platonists: the nature of change in the human soul; its analogue in the Sensible World; and the nature of Matter. Dr Fleet shows how texts of Plato and Aristotle, and Hellenistic commentaries on them, were central to the seminars held in Rome under the leadership of Plotinus. This treatise is the outcome of one such seminar. All Greek quotations in the commentary are translated into English, and all Greek terms are either translated or transliterated, making this edition fully accessible to readers with or without Greek.

This is an important new study offering a new historical and philosophical insight Parmenides in light of the oral tradition of ancient Greece. "Parmenides and To Eon" offers a new historical and philosophical reading of Parmenides of Elea by exploring the significance and dynamics of the oral tradition of ancient Greece. The book disentangles our theories of language from what evidence suggests is an archaic Greek experience of speech. With this in mind, the author reconsiders Parmenides' poem, arguing that the way we divide up his text is inconsistent with the oral tradition Parmenides inherits. Wilkinson proposes that, although Parmenides may have composed his poem in writing, it is probable that the poem was orally performed rather than silently read. This book explores the aural and oral components of the poem and its performance in terms of their significance to Parmenides' philosophy. Wilkinson's approach yields an interpretative strategy that permits us to engage with the ancient Greeks in terms closer to their own without, however, forgetting the historical distance that separates us or sacrificing our own philosophical concerns.

In this very original study, the author investigates how Plato "invented" the discipline of philosophy. In order to define and legitimize philosophy, Dr. Nightingale maintains, Plato had to match it against genres of discourse that had authority and currency in democratic Athens. By incorporating traditional genres of poetry and rhetoric into his dialogues, Plato marks the boundaries of philosophy as a discursive and as a social practice.

Dr. Notomi presents a new interpretation of one of Plato's most important dialogues, the Sophist, addressing both historical context and philosophical content. He shows how important the issues concerning the sophist (professional teacher and rhetorician in ancient Greece) are to the possibility of philosophy. His new approach to the whole dialogue reveals that Plato struggles with difficult philosophical issues in a single line of inquiry; and that Plato shows, in defining the sophist, his conception of the authentic philosopher.