The earlier part of the commentary by 'Philoponus' on Aristotle's On the Soul is translated by William Charlton in another volume in the series. This volume includes the latter part of the commentary along with a translation of Stephanus' commentary on Aristotle 's On Interpretation. It thus enables readers to assess for themselves Charlton's view that the commentary once ascribed to Philoponus should in fact be ascribed to Stephanus. The two treatises of Aristotle here commented on are very different from each other. In On Interpretation Aristotle studies the logic of opposed pairs of statements. It is in this context that Aristotle discusses the nature of language and the implications for determinism of opposed predictions about a future occurrence, such as a sea-battle. And Stephanus, like his predecessor Ammonius, brings in other deterministic arguments not considered by Aristotle ('The Reaper' and the argument from God's foreknowledge). In On the Soul 3.9-13, Aristotle introduces a theory of action and motivation and sums up the role of perception in animal life. Despite the differences in subject matter between the two texts, Charlton is able to make a good case for Stephanus' authorship of both commentaries. He also sees Stephanus as preserving what was valuable from Ammonius' earlier commentary On Interpretation, while bringing to bear the virtue of greater concision. At the same time, Stephanus reveals his Christian affiliations, in contrast to Ammonius, his pagan predecessor.

PYTHAGORAS (fl. 500 B.C.E.), the first man to call himself a philosopher, was both a brilliant mathematician and spiritual teacher. This anthology is the largest collection of Pythagorean writings ever to appear in the English language. It contains the four ancient biographies of Pythagoras and over twenty-five Pythagorean and Neopythagorean writings from the classical and Hellenistic periods. The Pythagorean ethical and political tractates are especially interesting, for they are based on the premise that the universal principles of Harmony, Proportion, and Justice govern the physical cosmos, and these writings show how individuals and societies alike attain their peak of excellence when informed by these same principles. Indexed, illustrated, with appendices and an extensive bibliography, this work also contains an introductory essay by David Fideler.

This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term 'anachronism' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book's ambition is to offer a new conceptual map of antiquity through the notion of anachronism.

In On the Soul 3.1-8, Aristotle first discusses the functions common to all five senses, such as self-awareness, and then moves on to Imagination and Intellect. This commentary on Aristotle's text has traditionally been ascribed to Philoponus, but William Charlton argues here that it should be ascribed to a later commentator, Stephanus. (The quotation marks used around his name indicate this disputed authorship.) 'Philoponus' reports the postulation of a special faculty for self-awareness, intended to preserve the unity of the person. He disagrees with 'Simplicius', the author of another commentary on On the Soul (also available in this series), by insisting that Imagination can apprehend things as true or false, and he disagrees with Aristotle by saying that we are not always free to imagine them otherwise than as they are. On Aristotle's Active Intellect. 'Philoponus' surveys different interpretations, but ascribes to Plutarch of Athens, and rejects, the view adopted by the real Philoponus in his commentary on Aristotle's On Intellect that we have innate intellectual knowledge from a previous existence. Instead he takes the view that the Active Intellect enables us to form concepts by abstraction through serving as a model of something already separate from matter. Our commentator further disagrees with the real Philoponus by denying the Idealistic view that Platonic forms are intellects. Charlton sees 'Philoponus' as the excellent teacher and expositor that Stephanus was said to be.

In "On the Soul" 3.1-5, Aristotle goes beyond the five senses to the general functions of sense perception, the imagination and the so-called active intellect, whose identity was still a matter of controversy in the time of Thomas Aquinas. In his commentary on Aristotle's text, Simplicius insists that the intellect in question is not something transcendental, but the human rational soul. He denies both Plotinus' view that a part of our soul has never descended from uninterrupted contemplation of the Platonic forms, and Proclus' view that our soul cannot be changed in its substance through embodiment. Continuing the debate in Carlos Steel's earlier volume in this series, Henry Blumenthal assesses the authorship of the commentary. He concludes against it being by Simplicius, but not for its being by Priscian. In a novel interpretation, he suggests that if Priscian had any hand in it at all, it might have been as editor of notes from Simplicius' lectures.

The Continuous and the Discrete presents a detailed analysis of three ancient models of spatial magnitude, time, and local motion. Professor White connects the Aristotelian model, which represents spatial magnitude, time, and motion as infinitely divisible and continuous, with the standard ancient geometrical conception of extended magnitude. Thus the Aristotelian model is presented as the marriage of physical theory and mathematical orthodoxy. In the second half of the book the author discusses two ancient alternatives to the Aristotelian model: 'quantum' models, and a Stoic model according to which limit entities such as points, (one-dimensional) edges, and (two-dimensional) surfaces do not exist in (physical) reality. Both these alternative models deny the applicability of standard 'Euclidean' ancient geometry to the physical world. A unique feature of the book is the discussion of these ancient models within the context of later philosophical, scientific, and mathematical developments. A basic assumption of the author's approach is that such a contemporary perspective can deepen our understanding not only of ancient philosophy, physics, and mathematics, but also of later developments in the content and methodology of these disciplines.

A detailed research work for the study of the origins, development, and significance of the Cynical movement among the Greeks and Romans. The purpose of this volume is to provide bibliographical information on over 650 books and articles dealing with various aspects of Cynicism. These works were written as early as the 16th century and as recently as 1994 in a variety of languages. This volume includes numerous revealing quotations from the annotated works. It is a valuable research instrument for anyone interested in the history of ideas.

The contributions of the Cynic philosophers, both Greek and Roman, were many. In many ways they were significant in the development of Western philosophy. The Cynics were a familiar sight in classical times. They saw themselves as having been called to fulfill a mission, namely, the denunciation of ordinary human values and conventions. Offering a wide spectrum of approaches to Cynicism, the works detailed in this volume include general histories of philosophy (especially Greek), monographs on Cynicism, doctoral and university dissertations, collections of articles from journals and magazines, poetic and dramatic pieces, and encyclopedia and dictionary entries--selections from strictly scholarly works in philosophy and philology to popularizations of Cynic ideas.

Pythagoras (c. 570 - c. 495 BC), arguably the most influential thinker among the Presocratics, emerges in ancient tradition as a wise teacher, an outstanding mathematician, an influential politician, and as a religious and ethical reformer. He claimed to possess supernatural powers and was the kind of personality who attracted legends. In contrast to his controversial and elusive nature, the early Pythagoreans, such as the doctors Democedes and Alcmaeon, the Olympic victors Milon and Iccus, the botanist Menestor, the natural philosopher Hippon, and the mathematicians Hippasus and Theodorus, all appear in our sources as 'rational' as they can possibly be. It was this 'normality' that ensured the continued existence of Pythagoreanism as a philosophical and scientific school till c. 350 BC. This volume offers a comprehensive study of Pythagoras and the early Pythagoreans through an analysis of the many representations of the Teacher and his followers, allowing the representations to complement and critique each other. Relying predominantly on sources dating back to before 300 BC, Zhmud portrays a more historical picture of Pythagoras, of the society founded by him, and of its religion than is known from the late antique biographies. In chapters devoted to mathematical and natural sciences cultivated by the Pythagoreans and to their philosophies, a critical distinction is made between the theories of individual figures and a generalized 'all-Pythagorean teaching', which is known from Aristotle.

Apart from using our eyes to see and our ears to hear, we regularly and effortlessly perform a number of complex perceptual operations that cannot be explained in terms of the five senses taken individually. Such operations include, for example, perceiving that the same object is white and sweet, noticing the difference between white and sweet, or knowing that one's senses are active. Observing that lower animals must be able to perform such operations, and being unprepared to ascribe any share in rationality to them, Aristotle explained such operations with reference to a higher-order perceptual capacity which unites and monitors the five senses. This capacity is known as the "common sense" or sensus communis. Unfortunately, Aristotle provides only scattered and opaque references to this capacity. It is hardly surprising, therefore, that the exact nature and functions of this capacity have been a matter of perennial controversy.
Pavel Gregoric offers an extensive and compelling treatment of the Aristotelian conception of the common sense, which has become part and parcel of Western psychological theories from antiquity through to the Middle Ages, and well into the early modern period. Aristotle on the Common Sense begins with an introduction to Aristotle's theory of perception and sets up a conceptual framework for the interpretation of textual evidence. In addition to analyzing those passages which make explicit mention of the common sense, and drawing out the implications for Aristotle's terminology, Gregoric provides a detailed examination of each function of this Aristotelian faculty.

The second edition of Five Dialogues presents G. M. A. Grube's distinguished translations, as revised by John Cooper for Plato, Complete Works . A number of new or expanded footnotes are also included along with an updated bibliography.

Pindar-the 'Theban eagle', as Thomas Gray famously called him-has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich Hoelderlin (1770-1843), arguably Pindar's greatest modern reader, he develops the case for an aesthetic appreciation of Pindar's odes as literature. Building on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindar's odes as text. This change of emphasis yields a fresh discussion of many facets of Pindar's astonishing art, including the relation of the poems to their occasions, performativity, the poet's persona, his imagery, and his myths. Consideration of Pindar's views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.

This collection deals with utopias in the Greek and Roman worlds. Plato is the first and foremost name that comes to mind and, accordingly, 3 chapters (J. Annas; D. El Murr; A. Hazistavrou) are devoted to his various approaches to utopia in the Republic, Timaeus and Laws. But this volume's central vocation and originality comes from our taking on that theme in many other philosophical authors and literary genres. The philosophers include Aristotle (Ch. Horn) but also Cynics (S. Husson), Stoics (G. Reydams-Schils) and Cicero (S. McConnell). Other literary genres include comedic works from Aristophanes up to Lucian (G. Sissa; S. Kidd; N.I. Kuin) and history from Herodotus up to Diodorus Siculus (T. Lockwood; C. Atack; I. Sulimani). A last comparative chapter is devoted to utopias in Ancient China (D. Engels).

Two treatises on memory which have come down to us from antiquity are Aristotle's "On memory and recollection" and Plotinus' "On perception and memory" (IV 6); the latter also wrote at length about memory in his "Problems connected with the soul" (IV 3-4, esp. 3.25-4.6). In both authors memory is treated as a 'modest' faculty: both authors assume the existence of a persistent subject to whom memory belongs; and basic cognitive capacities are assumed on which memory depends. In particular, both theories use phantasia (representation) to explain memory. Aristotle takes representations to be changes in concrete living things which arise from actual perception. To be connected to the original perception the representation has to be taken as a (kind of) copy of the original experience - this is the way Aristotle defines memory at the end of his investigation. Plotinus does not define memory: he is concerned with the question of what remembers. This is of course the soul, which goes through different stages of incarnation and disincarnation. Since the disembodied soul can remember, so he does not have Aristotle's resources for explaining the continued presence of representations as changes in the concrete thing. Instead, he thinks that when acquiring a memory we acquire a capacity in respect of the object of the memory, namely to make it present at a later time.

Socrates famously claimed that he knew nothing, and that wisdom consisted in awareness of one's ignorance. In Ignorance, Irony and Knowledge in Plato, Kevin Crotty makes the case for the centrality and fruitfulness of Socratic ignorance throughout Plato's philosophical career. Knowing that you don't know is more than a maxim of intellectual humility; Plato shows how it lies at the basis of all the virtues, and inspires dialogue, the best and most characteristic activity of the philosophical life. Far from being simply a lack or deficit, ignorance is a necessary constituent of genuine knowledge. Crotty explores the intricate ironies involved in the paradoxical relationship of ignorance and knowledge. He argues, further, that Plato never abandoned the historical Socrates to pursue his own philosophical agenda. Rather, his philosophical career can be largely understood as a progressive deepening of his appreciation of Socratic ignorance. Crotty presents Plato as a forerunner of the scholarly interest in ignorance that has gathered force in a wide variety of disciplines over the last 20 years.

In this annotated critical edition of Aristotle's Metaphysics Lambda Stefan Alexandru explores and utilizes for the first time numerous previously neglected textual sources, written in Greek, Latin, Arabic, and Hebrew. The twelfth book of the Metaphysics, originally an independent treatise, is crucial for the understanding of Aristotle's philosophy, primarily because the doctrine of the Unmoved Mover is nowhere else set forth in greater detail. Not only all the forty-two formerly known Greek codices have been collated, but also commentaries and translations. Moreover, a hitherto undiscovered, independent manuscript, representing a tenuous and particularly valuable branch of the direct tradition, is minutely investigated. The document in question, preserved in the Vatican, is an autograph of the Byzantine humanist and Ecumenical Patriarch Gennadios II Scholarios.

Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start.
Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings.
The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.

An analysis of the thought and work of Augustine, the ancient thinker. This study presents Augustine's arguments against the pridefulness of philosophy, thereby linking him to later currents in modern thought, including Wittgenstein and Freud.

Focusing on the speeches and actions of the Platonic Socrates, this book argues that Plato's political philosophy is a crucial source for reflection on the hazards and possibilities of democratic politics.

"Gerald Mara has written a thoughtful, lively, yet wide-ranging book about the contributions of Platonic political philosophy to contemporary debates in political theory. By showing how Socrates' logos (the insistence that we go beyond ordinary sense for the rational solution of political problems) is tempered by if not opposed to his ergon (the particular behavior within practical discursive contexts) and insisting that Plato is both a metaphysician and an ironist, Mara enriches our understanding of various dialogues and the central subjects of Platonic philosophy and scholarship. On this basis he goes on to argue, persuasively I think, that Athenian democracy provided context and referent point for Plato's project even when that project included sharp warnings about democracy. The Plato that emerges provides the grounds for Mara's notion of a 'discursive democracy.' Mara does all this while entering into a respectful but critical engagement with an impressive range of contemporary political theorists and philosophers". -- J. Peter Euben, University of California, Santa Cruz

"What makes this book so good is the way Mara brings his understanding of Plato to bear on contemporary theory. He juxtaposes Plato's position, as he understands it, with those of contemporary theorists such as Rorty, Habermas, Barber, Sandel, Rawls, and MacIntyre. Particularly intriguing is his discussion of the philosophic significance of the differences between Derrida's treatment of Plato and his own. Itis indeed a wonderful book". -- Mary Nichols, Fordham University