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Books > Humanities > Religion & beliefs > Aspects of religions (non-Christian) > Worship > General
Meditation from Buddhist, Hindu, and Taoist Perspectives engages readers with its original philosophical and pragmatic analysis of traditional Asian religions, philosophy, meditation practice, and the supreme spiritual ideals associated with the Hindu, Buddhist, and Taoist traditions. The text boldly bridges the theory/practice distinction. A central underpinning of Meditation from Buddhist, Hindu, and Taoist Perspectives rests on the assumption that meditation practice without theory is groundless and that theory without practice is useless. Robert Altobello identifies and analyzes common elements found across traditions in which the practice of meditation plays a central role in human development, and readers will find a wealth of detailed reflection on the relationship between spiritual growth and meditation practice from the Hindu, Buddhist, and Taoist perspectives. In the spirit of these traditions, the exploration of meditation practice requires examination of the principal elements that sustain the core worldviews as well as the metaphysical, epistemological, and ethical presumptions that animate these traditions. Throughout the text, the author demonstrates why these philosophies are all best understood as psychologies of happiness and/or contentment and that by viewing them as such, practitioners can reap the great promises of all these traditions without the need to accept any compromising metaphysical assumptions.
Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost. The book highlights contentious issues in Indian archaeology such as renegotiating identities of religious images, reuse and sharing of sacred space by adherents of different faiths, rebuilding of temples and consequent reinvention of these sites. The author also engages with postcolonial debates surrounding history writing and knowledge creation in British India and how colonial archaeology, archival practices, official surveys and institutionalisation of museums has influenced the current understanding of religion, sacred space and religious icons. In doing so it bridges the historiographical divide between the ancient and the modern as well as socio-religious practices and their institutional memory and preservation. Drawn from a wide-ranging and interdisciplinary study of religious sculptures, classical texts, colonial archival records, British travelogues, official correspondences and fieldwork, the book will interest scholars and researchers of history, archaeology, religion, art history, museums studies, South Asian studies and Buddhist studies.
The transformation of man to beast is a central aspect of traditional pagan rituals that are centuries old and which celebrate the seasonal cycle, fertility, life and death. Each year, throughout Europe, from Scotland to Bulgaria, from Finland to Italy, from Portugal to Greece via France, Switzerland and Germany, people literally put themselves into the skin of the 'savage', in masquerades that stretch back centuries. By becoming a bear, a goat, a stag or a wild boar, a man of straw, a devil or a monster with jaws of steel, these people celebrate the cycle of life and of the seasons. Their costumes, made of animal skins or of plants, and decorated with bones, encircled with bells, and capped with horns or antlers, amaze us with their extraordinary diversity and prodigious beauty. Work on this project took photographer Charles Freger to eighteen European countries in search of the mythological figure of the Wild Man: Austria, Italy, Hungary, Slovenia, Slovakia, Spain, Poland, Portugal, Germany, Greece, Macedonia, Bulgaria, Czech Republic, Switzerland, Croatia, Finland, Romania and the UK.
The town of Deopatan, three kilometers northeast of Kathmandu, is above all famous for its main sanctum, the temple of Pasupati, the "lord of the animals," a form of Siva and the tutelary deity of the kings of Nepal since ancient times. By its name alone, the temple attracts thousands of pilgrims each year and has made itself known far beyond the Kathamndu Valley. However, for the dominant Newar population the town is by no means merely the seat of Siva or Pasupati. It is also a city of wild goddesses and other deities. Due to this tension between two strands of Hinduism -- the pure, vegetarian Smarta Hinduism and the Newar Hinduism which implies alcohol and blood sacrifices -- Siva/Pasupati has more than once been in trouble, as the many festivals and rituals descripbed and analyzed in this book reveal. Deopatan is a contested field. Different deities, agents social groups, ritual specialists, and institutions are constantly seeking dominance, challenging and even fighting each other, thus contributing to social and political dynamics and tensions that are indeed distinct in South Asia. It is these aspects on which Axel Michaels concentrates in this book.
This pioneering, interdisciplinary work shows how rituals allow us
to live in a perennially imperfect world. Drawing on a variety of
cultural settings, the authors utilize psychoanalytic and
anthropological perspectives to describe how ritual--like
play--creates "as if" worlds, rooted in the imaginative capacity of
the human mind to create a subjunctive universe. The ability to
cross between imagined worlds is central to the human capacity for
empathy. Ritual, they claim, defines the boundaries of these
imagined worlds, including those of empathy and other realms of
human creativity, such as music, architecture and literature.
The book examines the history of the genesis of those texts in the Old Testament where a oeThe Ark of the Covenanta occurs. In these texts, fewer sources have turned out to be historically reliable than was hitherto assumed. It can be assumed that the Ark never stood in King Solomona (TM)s Temple. Rather, the majority of the texts bear witness to the struggle of nascent Judaism with the old traditions. This can be seen in exemplary fashion in the (unsuccessful) research into the contents of the Ark. One final chapter is then devoted to the incidence of the Ark in the texts from Qumran on the Dead Sea.
This book presents a range of case-studies of pilgrimage in Graeco-Roman antiquity, drawing on a wide variety of evidence. It rejects the usual reluctance to accept the category of pilgrimage in pagan polytheism and affirms the significance of sacred mobility not only as an important factor in understanding ancient religion and its topographies but also as vitally ancestral to later Christian practice.
Connecting to Our Ancestral Past is a pragmatic, spiritual journey that introduces a variety of specific rituals and conversations in connection with Constellations work, an experiential process that explores one’s history and powerful events of the past in order to understand and resolve problems of the present. Constellations facilitator and author Francesca Mason Boring presents this therapeutic method in the context of cultures like the Shoshone, of which she is a member, that have seen the world through a prism of interrelationships for millennia. In Constellations work there is an organic quality that requires a discipline of non-judgment, one that is embraced in traditional native circles, where the whole truth of a person’s life, roots, and trans-generational trauma or challenge is understood and included. Mason Boring provides a transformational walk through the universal indigenous field— that place of healing and knowledge used by Native healers and teachers for centuries—by describing stories and rituals designed to help people with their particular struggles. These rituals, such as “Facing the Good Men”—designed to help women who have suffered abuse in relationships with men—reject Western notions of over-the-counter medication. Instead, they stress a comfortable environment whereby the “client,” with the help of a facilitator, interacts with people chosen to represent concepts, things, and other people. In Western culture the word “medicine” is thought of as a concrete object, but Mason Boring explains that indigenous cultures favor a process of healing as opposed to an itemized substance. She re-opens doors that have been closed due to the exclusion of indigenous technology in the development of many Western healing traditions and introduces new concepts to the lexicon of Western psychology. A range of voices from around the world—leaders in the fields of systems constellations, theoretical physics, and tribal traditions—contribute to this exploration of aboriginal perspectives that will benefit facilitators of Constellations work, therapists, and human beings who are trying to walk with open eyes and hearts.
A groundbreaking anthropological analysis of Islam as experienced by Muslims, "By Noon Prayer" builds a conceptual model of Islam as a whole, while traveling along a comparative path of biblical, Egyptological, ethnographic, poetic, scriptural, and visual materials. Grounded in long-term observation of Arabo-Islamic culture and society, this study captures the rhythm of Islam weaving through the lives of Muslim women and men. Examples of the rhythmic nature of Islam can be seen in all aspects of Muslims' everyday lives. Muslims break their Ramadan fast upon the sun setting, and they receive Ramadan by sighting the new moon. Prayer for their dead is by noon and burial is before sunset. This is space and time in Islam--moon, sun, dawn and sunset are all part of a unique and unified rhythm, interweaving the sacred and the ordinary, nature and culture in a pattern that is characteristically Islamic.
A groundbreaking anthropological analysis of Islam as experienced by Muslims, "By Noon Prayer" builds a conceptual model of Islam as a whole, while traveling along a comparative path of biblical, Egyptological, ethnographic, poetic, scriptural, and visual materials. Grounded in long-term observation of Arabo-Islamic culture and society, this study captures the rhythm of Islam weaving through the lives of Muslim women and men. Examples of the rhythmic nature of Islam can be seen in all aspects of Muslims' everyday lives. Muslims break their Ramadan fast upon the sun setting, and they receive Ramadan by sighting the new moon. Prayer for their dead is by noon and burial is before sunset. This is space and time in Islam--moon, sun, dawn and sunset are all part of a unique and unified rhythm, interweaving the sacred and the ordinary, nature and culture in a pattern that is characteristically Islamic.
Ritual manuals are among the most common and most personal forms of Buddhist literature. Since at least the late fifth century, individual practitioners-including monks, nuns, teachers, disciples, and laypeople-have kept texts describing how to perform the daily rites. These manuals represent an intimate counterpart to the canonical sutras and the tantras, speaking to the lived experience of Buddhist practice. Conjuring the Buddha offers a history of early tantric Buddhist ritual through the lens of the Tibetan manuscripts discovered near Dunhuang on the ancient Silk Road. Jacob P. Dalton argues that the spread of ritual manuals offered Buddhists an extracanonical literary form through which to engage with their tradition in new and locally specific ways. He suggests that ritual manuals were the literary precursors to the tantras, crucial to the emergence of esoteric Buddhism. Examining a series of ninth- and tenth-century tantric manuals from Dunhuang, Dalton uncovers lost moments in the development of rituals such as consecration, possession, sexual yoga, the Great Perfection, and the subtle body practices of the winds and channels. He also traces the use of poetic language in ritual manuals, showing how at pivotal moments, metaphor, simile, rhythm, and rhyme were deployed to evoke carefully sculpted affective experiences. Offering an unprecedented glimpse into the personal practice of early tantric Buddhists, Conjuring the Buddha provides new insight into the origins and development of the tantric tradition.
Social scientists sometimes seem not to know what to do with religion. In the first century of sociology's history as a discipline, the reigning concern was explaining the emergence of the modern world, and that brought with it an expectation that religion would simply fade from the scene as societies became diverse, complex, and enlightened. As the century approached its end, however, a variety of global phenomena remained dramatically unexplained by these theories. Among the leading contenders for explanatory power to emerge at this time were rational choice theories of religious behavior. Researchers who have spent time in the field observing religious groups and interviewing practitioners, however, have questioned the sufficiency of these market models. Studies abound that describe thriving religious phenomena that fit neither the old secularization paradigm nor the equations predicting vitality only among organizational entrepreneurs with strict orthodoxies. In this collection of previously unpublished essays, scholars who have been immersed in field research in a wide variety of settings draw on those observations from the field to begin to develop more helpful ways to study religion in modern lives. The authors examine how religion functions on the ground in a pluralistic society, how it is experienced by individuals, and how it is expressed in social institutions. Taken as a whole, these essays point to a new approach to the study of religion, one that emphasizes individual experience and social context over strict categorization and data collection.
There is a great deal of interest in bringing a better appreciation of ritual into religious studies classes, but many teachers are uncertain how to go about doing this. Religious studies faculty know how to teach texts, but they are often unprepared to teach something for which the meaning lies in the doing. How much doing should a class do? How does the teacher talk about religious concepts that exist in practical relationships, not textual descriptions? These practical issues also give rise to theoretical questions. Giving more attention to ritual effectively suggests a reinterpretation of religion itselfless focused on what people have thought and written, and more focused on how they order their universe. Much of the useful analysis of ritual derives from anthropological and sociological premises, which are often foreign to religious studies faculty and are seen by some as theologically problematic. This is the first resource to address the issues specific to teaching this subject. A stellar cast of contributors, who teach ritual in a wide variety of courses and settings, explain what has worked for them in the classroom, what hasn't, and what they've learned from experience. Their voices range from personal to formal, and their topics from Japanese theatre to using field trips. The result is a thoughtful guide for teachers who are new to the subject as well as experienced ones looking for fresh angles and approaches.
The Fifth Prapathaka of the Vadhula Srautasutra includes a critical edition, followed by a translation and a commentary, of the fifth chapter (prapathaka) of the Vadhula Srautasutra. This chapter is dedicated to the description of the so-called "independent" animal sacrifice (nirudhapasubandha) in Vedic ritual. This series of short monographs relates to particular aspects of the animal sacrifice described in the Veda and to problems of exegesis of Vedic texts. The first part of this edition presents the translation and commentary, while the critical edition makes up the second part. The commentary highlights the peculiarities of the Vadhula version of the nirudhapasubandha. In the conclusion of the first part, the ancientness of the Vadhula school is discussed, as well as its place within the corpus of Taittiriya texts.
The challenges of Late Modernism form the shared horizon of Christian and Buddhist religious-hermeneutic efforts to demonstrate the relevance to everyday life of their respective transmitted doctrines. This work applies an interreligious comparison based on the implicit homiletics of Paul Tillich to examine how a particular understanding of faith and reality affects religious communication. This approach reveals that Buddhism has been a kerygmatic religion from the start, as is especially clear in the tradition of Japanese Shin Buddhism.
Buddhism in the Global Eye focuses on the importance of a global context and transnational connections for understanding Buddhist modernizing movements. It also explores how Asian agency has been central to the development of modern Buddhism, and provides theoretical reflections that seek to overcome misleading East-West binaries. Using case studies from China, Japan, Vietnam, India, Tibet, Canada, and the USA, the book introduces new research that reveals the permeable nature of certain categories, such as "modern", "global", and "contemporary" Buddhism. In the book, contributors recognize the multiple nodes of intra-Asian and global influence. For example, monks travelled among Asian countries creating networks of information and influence, mutually stimulating each other's modernization movements. The studies demonstrate that in modernization movements, Asian reformers mobilized all available cultural resources both to adapt local forms of Buddhism to a new global context and to shape new foreign concepts to local Asian forms.
Objects of worship are an aspect of the material dimension of lived religion in South Asia. The omnipresence of these objects and their use is a theme which cuts across the religious traditions in the pluralistic religious culture of the region. Divine power becomes manifest in the objects and for the devotees they may represent power regardless of religious identity. This book looks at how objects of worship dominate the religious landscape of South Asia, and in what ways they are of significance not just from religious perspectives but also for the social life of the region. The contributions to the book show how these objects are shaped by traditions of religious aesthetics and have become conceptual devices woven into webs of religious and social meaning. They demonstrate how the objects have a social relationship with those who use them, sometimes even treated as being alive. The book discusses how devotees relate to such objects in a number of ways, and even if the objects belong to various traditions they may attract people from different communities and can also be contested in various ways. By analysing the specific qualities that make objects eligible for a status and identity as living objects of worship, the book contributes to an understanding of the central significance of these objects in the religious and social life of South Asia. It will be of interest to students and scholars of Religious Studies and South Asian Religion, Culture and Society.
Jerusalem has long been one of the most sought-after destinations for the followers of three world faiths and for secularists alike. For Jews, it has the Western (Wailing) Wall; for Christians, it is where Christ suffered and triumphed; for Muslims, it offers the Dome of the Rock; and for secularists, it is an archeological challenge and a place of tragedy and beauty. This work concentrates on Jewish, Christian, Muslim, and secular pilgrimages to Jerusalem over the last three millennia, drawing from over 165 accounts of travels to the ancient city. Chapters are devoted to ghostly and other pilgrims, the significance of Jerusalem, the beginnings of the pilgrimage in the time of kings David and Solomon, pilgrimages under Roman and Byzantine rule, Christian and Muslim pilgrimages in the early Islamic period, pilgrimages in the First Crusade and its aftermath, more crusades and pilgrims during the Ayyubid and Mamluk dynasties, pilgrimages under Ottoman rule, pilgrimages under the British and Israelis, and the unity among pilgrims and the symbolism of the journey.
This book examines the ways in which two distinct biblical conceptions of impurity-"ritual" and "moral"-were interpreted in the Hebrew Bible, the Dead Sea Scrolls, rabbinic literature, and the New Testament. In examining the evolution of ancient Jewish attitudes towards sin and defilement, Klawans sheds light on a fascinating but previously neglected topic.
Adapting Wittgenstein's concept of the human species as 'a
ceremonial animal', Wendy James writes vividly and readably. Her
new overview advocates a clear line of argument: that the concept
of social form is a primary key to anthropology and the human
sciences as a whole. Weaving memorable ethnographic examples into
her text, James brings together carefully selected historical
sources as well as references to current ideas in neighbouring
disciplines such as archaeology, paleoanthropology, genetics, art
and material culture, ethnomusicology, urban and development
studies, politics, economics, psychology, and religious studies.
She shows the relevance of anthropology to pressing world issues
such as migration, humanitarian politics, the new reproductive
technologies, and religious fundamentalism.
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