Long-term ecological research studies are rare and invaluable resources, particularly when they are as thoroughly documented as the Mahale Mountain Chimpanzee Project in Tanzania. Directed by Toshisada Nishida from 1965 until 2011, the project continues to yield new and fascinating findings about our closest neighbour species. In a fitting tribute to Nishida's contribution to science, this book brings together fifty years of research into one encyclopaedic volume. Alongside previously unpublished data, the editors include new translations of Japanese writings throughout the book to bring previously inaccessible work to non-Japanese speakers. The history and ecology of the site, chimpanzee behaviour and biology, and ecological management are all addressed through firsthand accounts by Mahale researchers. The authors highlight long-term changes in behaviour, where possible, and draw comparisons with other chimpanzee sites across Africa to provide an integrative view of chimpanzee research today.

Museums--along with books, newspapers, and Wild West shows in the 19th century, movies and television in the 20th--have shaped our perceptions of American Indians. This book brings together six prominent museum professionals--Native and non-Native--to examine the ways in which Indians and their cultures have been represented by museums in North America and to present new directions museums are already taking. Traditional museum exhibitions of Native American art and culture often represented only the past, ignoring the living Native voice. Today, museums have begun to incorporate Native perspectives in their displays. Even more dramatic is the growth in the number of Indian-run museums. These essays explore the relationships being forged between museums and Native communities to create new techniques for presenting Native American culture. This publication will serve to stimulate the discussions and analyses that can lead to new partnerships and collaborations.

At midnight on June 30, 1997, Hong Kong became part of the People's Republic of China. The transfer of Hong Kong sovereignty from Great Britain to China was an extraordinary historical event, signifying the end of the West's colonial presence in Asia and the rise of China's hegemony. In 150 years as a British colony, Hong Kong changed from a barely inhabitable colonial entrepot to one of the world's leading financial and industrial centers. Faced with a new social and economic order under Chinese law, many Hong Kongers moved to a new country; others decided to stay; but many chose to maintain their lives and livelihoods in Hong Kong, while spreading their assets and their family members around the world. They bought apartments in London and condos in Vancouver, invested in firms in Guangzhou and Thailand, and sent their children to schools in Europe and Australia. These new up-market migrants have transformed a cosmopolitan outlook into a global presence. Cosmopolitan Capitalists focuses on the people of Hong Kong and how they are defining themselves under altered circumstances. It is a broad multi-disciplinary view of Hong Kong's transformation, written for a general audience by some of the world's foremost scholars on the region.

Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present.

Free Boy is the story of a 13-year-old slave who escaped from Washington Territory to freedom in Canada on the West's underground railroad. When James Tilton came to Washington Territory as surveyor-general in the 1850s he brought with his household young Charles Mitchell, a slave he had likely received as a wedding gift from a Maryland cousin. The story of Charlie's escape in 1860 on a steamer bound for Victoria and the help he received from free blacks reveals how national issues on the eve of the Civil War were also being played out in the West. Written with young adults in mind, the authors provide the historical context to understand the lives of both Mitchell and Tilton and the time in which the events took place. The biography explores issues of race, slavery, treason, and secession in Washington Territory, making it both a valuable resource for teachers and a fascinating story for readers of all ages. A V Ethel Willis White Book

For more than fifteen hundred years Yupik and proto-Yupik Eskimo peoples have lived at the site of the Alaskan village of Gambell on St. Lawrence Island. Their history is a record of family and kin, and of the interrelationship between those who live in Gambell and the spiritual world on which they depend; it is a history dominated by an abiding desire for community survival. Relying on oral history blended with ethnography and ethnohistory, Carol Zane Jolles views the contemporary Yupik people in terms of the enduring beliefs and values that have contributed to the community's survival and adaptability. She draws on extensive interviews with villagers, archival records, and scholarly studies, as well as on her own ten years of fieldwork in Gambell to demonstrate the central importance of three aspects of Yupik life: religious beliefs, devotion to a subsistence life way, and family and clan ties. Jolles documents the life and livelihood of this modern community of marine mammal hunters and explores the ways in which religion is woven into the lives of community members, paying particular attention to the roles of women. Her account conveys a powerful sense of the lasting bonds between those who live in Gambell and their spiritual world, both past and present.

"THE more I think of it," says Mr. Ruskin, "I find this conclusion more impressed upon me--that the greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way." In these pages an attempt is made to tell "in a plain way" a few of the things which Science is now seeing with regard to the Ascent of Man. Whether these seeings are there at all is another matter. But, even if visions, every thinking mind, through whatever medium, should look at them. What Science has to say about himself is of transcendent interest to Man, and the practical bearings of this theme are coming to be more vital than any on the field of knowledge. The thread which binds the facts is, it is true, but a hypothesis As the theory, nevertheless. with which at present all scientific work is being done, it is assumed in every page that follows.

During the 1950s, when less than 20 percent of American high school graduates attended college, a group of ambitious young African Americans enrolled at Ohio University, a predominantly white school in Athens, Ohio. Because they were a tiny, barely tolerated minority, they banded together, supported each other, and formed lasting bonds. Years later, at a series of "Soulful Reunions," they recalled the joys and challenges of living on a white campus before the civil rights era, and eighteen of them decided to share their stories.
The authors of the eighteen autobiographical sketches in "Soulful Bobcats" were a diverse group. They were athletes, rhetoricians, musicians, and actresses; they aspired to professions in the military, business, education, government, architecture, and the arts. Some grew up in poor families, while others enjoyed the comforts of the middle class. But they had several things in common. They all came from families that believed education was important. They had been taught to avoid trouble, to persist despite setbacks, and to expect to encounter prejudice and even discrimination.
The authors vividly describe instances in which they were humiliated--by other students, by professors, or by townspeople--as well as the few occasions when violence seemed inevitable. In addition, they describe their "first," including becoming the first African American students at Ohio University to be awarded scholarships for their prowess in football, basketball, track, and tennis; the first to compete for titles such as "Mr. Fraternity" or "Queen of the Military Ball"; the first to appear in theatrical performances alongside their white schoolmates. They also tell of their success in providing a social life for themselves by organizing two Greek letter fraternities and one sorority, holding their own off-campus dances, and joining the few campus organizations that were open to them. Above all, their stories speak to a resilience that allowed these "Soulful Bobcats" to learn from their experiences at Ohio University, to engage in meaningful careers, and to lead rich, fulfilling lives.

Why does a Parisian banker re-enact the medieval wars of Wallace and Bruce in his spare time? Why do more than 20,000 people attend the Schotse Weekend bagpipe competition in Bilzen, Flanders? Why does an entire village in the Italian Alps celebrate a lost Scottish regiment? And why is there a Highland Games circuit of at least 30 kilted strength competitions in Austria, with dedicated athletes tossing hay-balls and pulling tractors? This is the first study of the self-professed 'Scots' of Europe. It follows the many thousands of Europeans who are determined to discover their inner Scotsman, and argues that by imitating the Scots of popular imagination, the self-styled European Highlanders hope to reconnect with their own ancestors - their lost songs, traditions and tribes. They approach Scotland as a site of European memory. This book explores issues of performance and celebration, memory and nostalgia, heritage and identity, and will be of interest to specialists on Scottish emigration and diaspora, Scottish history and myth, and to the 'Scots' of Europe themselves. -- .

Title: Ethnological Studies among the North-West-Central Queensland Aborigines ... With ... illustrations.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF SOCIAL SCIENCES collection includes books from the British Library digitised by Microsoft. This collection provides histories and analyses of society, culture, education, crime, and family life. Providing a unique perspective of everyday life in the 18th and 19th centuries, readers of these works can study earlier developments that formed our modern society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Roth, Walter Edmund.; 1897. xvi. 199 p.; 8 . 10491.ff.27.

Zoe C. Sherinian shows how Christian Dalits (once known as untouchables or outcastes) in southern India have employed music to protest social oppression and as a vehicle of liberation. Her focus is on the life and theology of a charismatic composer and leader, Reverend J. Theophilus Appavoo, who drew on Tamil folk music to create a distinctive form of indigenized Christian music. Appavoo composed songs and liturgy infused with messages linking Christian theology with critiques of social inequality. Sherinian traces the history of Christian music in India and introduces us to a community of Tamil Dalit Christian villagers, seminary students, activists, and theologians who have been inspired by Appavoo s music to work for social justice. Multimedia components available online include video and audio recordings of musical performances, religious services, and community rituals."

This deeply moving collection of poetry by Renato Rosaldo focuses on the shock of his wife Michelle (Shelly) Rosaldo's sudden death on October 11, 1981. Just the day before, Shelly and her family had arrived in the northern Philippine village of Mungayang, where she and her husband Renato, both accomplished anthropologists, planned to conduct fieldwork. On October 11, Shelly died after losing her footing and falling some sixty feet from a cliff into a swollen river. Renato Rosaldo explored the relationship between bereavement and rage in his canonical essay, "Grief and a Headhunter's Rage," which first appeared in 1984 and is reprinted here. In the poems at the heart of this book, he returns to the trauma of Shelly's death through the medium of free verse, maintaining a tight focus on the events of October 11, 1981. He explores not only his own experience of Shelly's death but also the imagined perspectives of many others whose lives intersected with that tragic event and its immediate aftermath, from Shelly herself to the cliff from which she fell, from the two young boys who lost their mother to the strangers who carried and cared for them, from a tricycle taxi driver, to a soldier, to priests and nuns. Photographs taken years earlier, when Renato and Shelly were conducting research across the river valley from Mungayang, add a stark beauty. In a new essay, "Notes on Poetry and Ethnography," Rosaldo explains how and why he came to write the harrowing yet beautiful poems in "The Day of Shelly's Death." More than anything else though, the essay is a manifesto in support of what he calls "antropoesia," verse with an ethnographic sensibility. The essay clarifies how this book of rare humanity and insight challenges the limits of ethnography as it is usually practiced.

Loretta Fowler offers a new perspective on Native American politics by examining how power on multiple levels infuses the everyday lives and consciousness of the Cheyenne and Arapaho peoples of Oklahoma.

Cheyennes and Arapahos today energetically pursue a variety of commercial enterprises, including gaming and developing retail businesses, and they operate a multitude of social programs. Such revitalization and economic mobilization, however, have not unambiguously produced greater tribal sovereignty. Tribal members challenge and often work vigorously to undermine their tribal government's efforts to strengthen the tribe as an independent political, economic, and cultural entity; at the same time, political consensus and tribal unity are continually recognized and promoted in powwows and dances. Why is there conflict in one sphere of Cheyenne-Arapaho politics and cooperation in the other?

The key to the dynamics of current community life, Fowler contends, is found in the complicated relationship between the colonizer and the colonized that emerges in Fourth World or postcolonial settings. For over a century the lives of Cheyennes and Arapahos have been affected simultaneously by forces of resistance and domination. These circumstances are reflected in their constructions of history. Cheyennes and Arapahos accommodate an ideology that buttresses social forms of domination and helps mold experiences and perceptions. They also selectively recognize and resist such domination. Drawing upon a decade of fieldwork and archival research, "Tribal Sovereignty and the Historical Imagination" provides an insightful and provocative analysis of how Cheyenne and Arapaho constructions of history influence tribal politics today.

What do we know about race today? Is it surprising that after a hundred years of debate and inquiry by anthropologists, the answer not only remains uncertain but the very question is so fraught? In part, this reflects the deep investments modern societies have made in the concept of race. We can hardly know it objectively when it comprises a pervasive aspect of our identities and social landscapes, determining advantage and disadvantage in a thoroughgoing manner. Yet know it we do-perhaps mistakenly, haphazardly, or too informally, but knowledge claims about race permeate everyday life in the United States. In addition, what we understand or assume about race changes as our practices of knowledge production also change. Until recently, a consensus held among social scientists-predicated, in part, upon findings by geneticists in the 1970s about the structure of human genetic variability-that "race is socially constructed." In the early 2000s, following the successful sequencing of the human genome, a series of counter-claims challenging the social construction consensus was formulated by some geneticists who sought to support the role of genes in explaining race. This volume arises out of the fracturing of that consensus and the attendant recognition that asserting a constructionist stance is no longer a tenable or sufficient response to the surge of knowledge claims about race. Contributors: Ron Eglash, Clarence C. Gravlee, John Hartigan, Linda M. Hunt, Kuzawa W. Kuzawa, Sandra Soo-Jin Lee, Jeffrey C. Long, Pamela L. Sankar, Zaneta M. Thayer, Nicole Truesdell

Deep in the heart of southern Africa, the ruins of a colossal stone walled town bear silent testimony to an African way of life almost forgotten ... Undisturbed since it was abandoned nearly two centuries ago, Marothodi was the royal capital of a Tlokwa chiefdom, the metal-producing ancestors of a community still living in South Africa and Botswana. Using an interdisciplinary combination of archaeology, history, ethnography and oral tradition, the remarkable legacy of Marothodi and its people can now be explored. Filled with the results of recent research and over 170 maps, plans, photographs and illustrations, this book introduces the historical archaeology of one of the great Iron Age Tswana towns of South Africa, and tells a fascinating story of pre-colonial African achievement.

NOW AVAILABLE IN SOFTCOVER The search for a MA (c)tis identity and what constitutes that identity is a key issue facing many Aboriginals of mixed ancestry today. The People Who Own Themselves : Aboriginal Ethnogenesis in a Canadian Family, 1660-1900 reconstructs 250 years of Desjarlais family history across a substantial area of North America, from colonial Louisiana, the St. Louis, Missouri, region, and the American Southwest to Red River and Central Alberta. In the course of tracing the Desjarlais family, social, economic, and political factors influencing the development of various Aboriginal ethnic identities are discussed. With intriguing details about Desjarlais family members, this book offers new, original insights into the 1885 Northwest Rebellion, focusing on kinship as a motivating factor in the outcome of events. With a unique how-to appendix for MA (c)tis genealogical reconstruction, this book will be of interest to MA (c)tis wanting to research their own genealogy and to scholars engaged in the reconstruction of MA (c)tis ethnic identity.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

In Muslim Becoming, Naveeda Khan challenges the claim that Pakistan's relation to Islam is fragmented and problematic. Offering a radically different interpretation, Khan contends that Pakistan inherited an aspirational, always-becoming Islam, one with an open future and a tendency toward experimentation. For the individual, this aspirational tendency manifests in a continual striving to be a better Muslim. It is grounded in the thought of Muhammad Iqbal (1877-1938), the poet, philosopher, and politician considered the spiritual founder of Pakistan. Khan finds that Iqbal provided the philosophical basis for recasting Islam as an open religion with possible futures as yet unrealized, which he did in part through his engagement with the French philosopher Henri Bergson. Drawing on ethnographic research in the neighborhoods and mosques of Lahore and on readings of theological polemics, legal history, and Urdu literature, Khan points to striving throughout Pakistani society: in prayers and theological debates and in the building of mosques, readings of the Qur'an, and the undertaking of religious pilgrimages. At the same time, she emphasizes the streak of skepticism toward the practices of others that accompanies aspiration. She asks us to consider what is involved in affirming aspiration while acknowledging its capacity for violence.

Beginning in the 1870s, a great many Bretons-men and women from Brittany, a region in western France-began arriving in Paris. Every age has its pariahs, and in 1900, the "pariahs of Paris" were the Bretons, the last distinct group of provincials to come en masse to the capital city. The pariah designation took hold in Paris, in Brittany, and among historians. Yet the derision of recent migrants can be temporary. Tracing the changing status of Bretons in Paris since 1870, Leslie Page Moch demonstrates that state policy, economic trends, and the attitudes of established Parisians and Breton newcomers evolved as the fortunes of Bretons in the capital improved. The pariah stereotype became outdated. Drawing on demographic records and the writings of physicians, journalists, novelists, lawyers, and social scientists, Moch connects internal migration with national integration. She interprets marriage records, official reports on employment, legal and medical theses, memoirs, and writings from secular and religious organizations in the Breton community. As the pariahs of yesterday, Bretons are an example of successful integration into Parisian life. At the same time, their experiences show integration to be a complicated and lengthy process.

This publication provides an analysis of local struggles over community health as a window into governance, citizenship, and identity formation.

Street Shadows recounts Jerald Walker's renunciation of the "thug life" he had embraced as a teenager on the South Side of Chicago in favor of the education and middle-class life his parents had always dreamed of for their children. By turns ironic, humorous, angry, and poignant, Walker's narrative dramatically captures his pursuit and embodiment of the "American dream": the effort to rise above obstacles such as racism and poverty through hard work and determination. Walker explores questions of race and identity through the lens of personal choice-including decisions he made as a high school dropout, a drug and alcohol abuser, a returning student, a young academic, a visitor to Africa in search of his roots, and a husband and father, as well as the diverse choices made by his blind parents, his six siblings, and his wife and her family. He highlights the importance of education, the values of self-help and self-reliance, and his rejection of the victim mentality that many feel pervades black communities. Winner of the 2011 PEN New England/L. L. Winship Award for Nonfiction, Street Shadows is an eloquent account of how the past shadows but need not determine the present. It is also a stirring portrait of two Americas-one hopeless, the other inspirational-embodied within the same man.

Based on ethnographic research in Seoul and Los Angeles, Transnational Sport tells how sports shape experiences of global Koreanness, and how those experiences are affected by national cultures. Rachael Miyung Joo focuses on superstar Korean athletes and sporting events produced for transnational media consumption. She explains how Korean athletes who achieve success on the world stage represent a powerful, globalized Korea for Koreans within the country and those in the diaspora. Celebrity Korean women athletes are highly visible in the Ladies Professional Golf Association. In the media, these young golfers are represented as daughters to be protected within the patriarchal Korean family and as hypersexualized Asian women with commercial appeal. Meanwhile, the hard-muscled bodies of male athletes, such as Korean baseball and soccer players, symbolize Korean masculine dominance in the global capitalist arena. Turning from particular athletes to a mega-event, Joo discusses the 2002 FIFA World Cup Korea/Japan, a watershed moment in recent Korean history. New ideas of global Koreanness coalesced around this momentous event. Women and youth assumed newly prominent roles in Korean culture, and, Joo suggests, new models of public culture emerged as thousands of individuals were joined by a shared purpose.

The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is "haven of peace" resulting from a mix-up of the Arabic words "dar" (house) and "bandar" (harbour). Named in 1867 by the Sultan of Zanzibar, the town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort to the socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, for the Tanzanian, the town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means "brain" in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city and the manner in which it represents them. This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processes-envisaged as spatial investments-which, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, is it not more appropriate to describe it as fragmented? As territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain places-first shelter and residential area, then the school, daladala station, the fire hydrant and the quays-that the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, the analysis of these developments allows for an evaluation of the role of the urban crisis and the responses it brings. In sum, the aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, to its colonisation by Germany and later Britain and finally, to the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today? This book is a translation of De Dar es Salaam a Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.

"World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it.