Adolf Hitler was born in Austria in April 1889, and shot himself in a bunker in Berlin in April 1945 with Russian soldiers beating at the door, surrounded by the ruins of the country he had vowed to restore to greatness. Adolf Hitler: The Curious and Macabre Anecdotes - part biography, part miscellany, part historical overview - presents the life and times of der Fuhrer in a unique and compelling manner. The early life of the loner son of an Austrian customs official gave little clue as to his later years. As a decorated, twice-wounded soldier of the First World War, through shrewd manipulation of Germany's offended national pride after the war, Hitler ascended rapidly through the political system, rousing the masses behind him with a thundering rhetoric that amplified the nation's growing resentment and brought him the adulation of millions. By the age of 44, he had become both a millionaire with secret bank accounts in Switzerland and Holland, and the unrivalled leader of Germany, whose military might he had resurrected; six years later, he provoked the world to war. Patrick Delaforce's book is a masterly assessment of Hitler's life, career and beliefs, drawn not only from its subject's own writings, speeches, conversation, poetry and art, but also from the accounts of those who knew him, loved him, or loathed him. The journey of an ordinary young man to callous dictator and architect of the 'Final Solution' makes for provocative and important - thought not always comfortable - reading.

'This important new volume reconstructs the forms of production, distribution and exhibition of films made in and about the colonies. It then ties them to wider theoretical issues about film and liberalism, spectacle and political economy, representation and rule. The result is one of the first volumes to examine how imperial rule is intimately tied to the emergence of documentary as a form and, indeed, how the history of cinema is at the same time the history of Empire.' BRIAN LARKIN, Barnard College 'This superb collection of new scholarship shows how cinema both communicated and aided the imperialist agenda throughout the twentieth century. In doing so, it shows film can be understood as one of the tools of empire, as much as the technology of weaponry or modes of administration: a means of education and indoctrination in the colonies and at home.' TOM GUNNING, University of Chicago At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films re-presented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.

Exam board: Pearson Edexcel; OCR Level: AS/A-level Subject: History First teaching: September 2015 First exams: Summer 2016 (AS); Summer 2017 (A-level) Put your trust in the textbook series that has given thousands of A-level History students deeper knowledge and better grades for over 30 years. Updated to meet the demands of today's A-level specifications, this new generation of Access to History titles includes accurate exam guidance based on examiners' reports, free online activity worksheets and contextual information that underpins students' understanding of the period. > Develop strong historical knowledge: In-depth analysis of each topic is both authoritative and accessible > Build historical skills and understanding: Downloadable activity worksheets can be used independently by students or edited by teachers for classwork and homework > Learn, remember and connect important events and people: An introduction to the period, summary diagrams, timelines and links to additional online resources support lessons, revision and coursework > Achieve exam success: Practical advice matched to the requirements of your A-level specification incorporates the lessons learnt from previous exams > Engage with sources, interpretations and the latest historical research: Students will evaluate a rich collection of visual and written materials, plus key debates that examine the views of different historians

In Germany, the years immediately following World War II call forward images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. The temptation of despair was hard to resist, and to contemporary observers the road toward democracy in the Western zones of occupation seemed rather uncertain. Drawing on a vast array of American, German, and other sources--diaries, photographs, newspaper articles, government reports, essays, works of fiction, and film--Werner Sollors makes visceral the experiences of defeat and liberation, homelessness and repatriation, concentration camps and denazification. These tales reveal writers, visual artists, and filmmakers as well as common people struggling to express the sheer magnitude of the human catastrophe they witnessed. Some relied on traditional images of suffering and death, on Biblical scenes of the Flood and the Apocalypse. Others shaped the mangled, nightmarish landscape through abstract or surreal forms of art. Still others turned to irony and black humor to cope with the incongruities around them. Questions about guilt and complicity in a totalitarian country were raised by awareness of the Holocaust, making "After Dachau" a new epoch in Western history. The Temptation of Despair is a book about coming to terms with the mid-1940s, the contradictory emotions of a defeated people--sorrow and anger, guilt and pride, despondency and resilience--as well as the ambiguities and paradoxes of Allied victory and occupation.

The Chinese Communist government has twice invoked large-scale military might to crush popular uprisings in capital cities. The second incident-the notorious massacre in Tiananmen Square in 1989-is well known. The first, thirty years earlier in Tibet, remains little understood today. Yet in wages of destruction, bloodshed, and trampling of human rights, the tragic toll of March 1959 surpassed Tiananmen. Tibet in Agony provides the first clear historical account of the Chinese crackdown in Lhasa. Sifting facts from the distortions of propaganda and partisan politics, Jianglin Li reconstructs a chronology of events that lays to rest lingering questions about what happened in those fate-filled days and why. Her story begins with throngs of Tibetan demonstrators who-fearful that Chinese authorities were planning to abduct the Dalai Lama, their beloved leader-formed a protective ring around his palace. On the night of March 17, he fled in disguise, only to reemerge in India weeks later to set up a government in exile. But no peaceful resolution awaited Tibet. The Chinese army soon began shelling Lhasa, inflicting thousands of casualties and ravaging heritage sites in the bombardment and the infantry onslaught that followed. Unable to resist this show of force, the Tibetans capitulated, putting Mao Zedong in a position to fulfill his long-cherished dream of bringing Tibet under the Communist yoke. Li's extensive investigation, including eyewitness interviews and examination of classified government records, tells a gripping story of a crisis whose aftershocks continue to rattle the region today.

The Sunday Times bestseller 'An utterly engrossing book' Nigella Lawson 'Remarkable and gripping' Edmund de Waal 'A near-perfect study of Jewish identity in the 20th century ... I don't hesitate to call it a masterpiece' Telegraph After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she'd never really known. Sala Glass was a European expat in America - defiantly clinging to her French influences, famously reserved, fashionable to the end - yet to Hadley much of her life remained a mystery. Sala's experience of surviving one of the most tumultuous periods in modern history was never spoken about. When Hadley found a shoebox filled with her grandmother's treasured belongings, it started a decade-long quest to find out their haunting significance and to dig deep into the extraordinary lives of Sala and her three brothers. The search takes Hadley from Picasso's archives in Paris to a secret room in a farmhouse in Auvergne to Long Island and to Auschwitz. By piecing together letters, photos and an unpublished memoir, Hadley brings to life the full story of the Glass siblings for the first time: Alex's past as a fashion couturier and friend of Dior and Chagall; trusting and brave Jacques, a fierce patriot for his adopted country; and the brilliant Henri who hid in occupied France - each of them made extraordinary bids for survival during the Second World War. And alongside her great-uncles' extraordinary acts of courage in Vichy France, Hadley discovers her grandmother's equally heroic but more private form of female self-sacrifice. A moving memoir following the Glass siblings throughout the course of the twentieth-century as they each make their own bid for survival, House of Glass explores assimilation, identity and home - issues that are deeply relevant today.

In the socio-political milieu of the forties in India, the most contentious decade of the last century, ravaged with war, the Quit India movement, famine, partition and the civil war, the author draws our attention to Mohandas Karamchand Gandhi, the father of the Indian Independence Movement, who, as he puts it, 'symbolised the conflicts and paradoxes of that time of transition'. As one critically examines Gandhi's views during the period of India's passage to political independence on issues such as war, decolonisation, nationalist challenge, state sovereignty, problems of governance and so on, a pertinent question surfaces: was Gandhi as confident in his political agenda and methods as history has asserted to the present day? Gandhi, again a satyagrahi, an ardent propagator of non-violent resistance to injustice throughout his life, appears in the eyes of the Englishmen, as an extremist and saboteur of the Allied democratic cause in the World War II. Using his scholarly acumen, the author unveils a new dimension to Gandhi's towering personality with the suggestion that time was closing down on him. It was a situation of classic aporia, when exit from the problem that Gandhi struggled to escape from became impossible in its own terms.

A Times Literary Supplement Book of the Year A riveting account of a forgotten holocaust: the slaughter of over one hundred thousand Ukrainian Jews in the aftermath of the Russian Revolution. In the Midst of Civilized Europe repositions the pogroms as a defining moment of the twentieth century. 'Exhaustive, clearly written, deeply researched' - The Times 'A meticulous, original and deeply affecting historical account' - Philippe Sands, author of East West Street Between 1918 and 1921, over a hundred thousand Jews were murdered in Ukraine by peasants, townsmen, and soldiers who blamed the Jews for the turmoil of the Russian Revolution. In hundreds of separate incidents, ordinary people robbed their Jewish neighbors with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them, and killed them. Largely forgotten today, these pogroms - ethnic riots - dominated headlines and international affairs in their time. Aid workers warned that six million Jews were in danger of complete extermination. Twenty years later, these dire predictions would come true. Drawing upon long-neglected archival materials, including thousands of newly discovered witness testimonies, trial records, and official orders, acclaimed historian Jeffrey Veidlinger shows for the first time how this wave of genocidal violence created the conditions for the Holocaust. Through stories of survivors, perpetrators, aid workers, and governmental officials, he explains how so many different groups of people came to the same conclusion: that killing Jews was an acceptable response to their various problems.

From the bestselling author Simon Winchester, a human history of land around the world: who mapped it, owned it, stole it, cared for it, fought for it and gave it back. In 1889, thousands of hopeful people raced southward from the Kansas state line and westward from the Arkansas boundary to stake claims on the thousands of acres of unclaimed pastures and meadows. Across the twentieth century, water was dammed and drained in Holland so that a new province, Flevoland, rose up, unchartered and requiring new thinking. In 1850, California legislated the theft of land from Native Americans. An apology came in 2019 from the governor, but what of the call for reparations or return? What of government confiscation of land in India, or questions of fairness when it comes to New Zealand's Maori population and the legacy of settlers? The ownership of land has always been complicated, opaque, and more than a little anarchic when viewed from the outside. In this book, Simon Winchester explores the the stewardship of land, the ways it is delineated and changes hands, the great disputes, and the questions of restoration - particularly in the light of climate change and colonialist reparation. A global study, this is an exquisite exploration of what the ownership of land might really mean - not in dry-as-dust legal terms, but for the people who live on it.

The Russian Civil War of 1917-1920, out of which the Soviet Union was born, was one of the most significant events of the twentieth century. The collapse of the Tsarist regime and the failure of the Kerensky Provisional Government nearly led to the complete disintegration of the Russian state. This book, however, is not simply the story of that collapse and the rebellion that accompanied it, but of the painful and costly reconstruction of Russian power under a Soviet regime. Evan Mawdsley's lucid account of this vast and complex subject explains in detail the power struggles and political manoeuvres of the war, providing a balanced analysis of why the Communists were victors. This edition includes illustrations, a new preface and an extensively updated bibliography.

'He had the dream again last night... He taps the gloves of his unbeaten Polish opponent. There are rumours that the loser will be sent to the gas chamber.' In 1943, the Dutch champion boxer, Leen Sanders, was sent to Auschwitz. His wife and children were put to death while he was sent 'to the left' with the others who were fit enough for labour. Recognised by an SS officer, he was earmarked for a 'privileged' post in the kitchens in exchange for weekly boxing matches for the entertainment of the Nazi guards. From there, he enacted his resistance to their limitless cruelty. With great risk and danger to his own life, Leen stole, concealed and smuggled food and clothing from SS nursing units for years to alleviate the unbearable suffering of the prisoners in need. He also regularly supplied extra food to the Dutch women in Dr. Mengele's experiment, Block 10. To his fellow Jews in the camp, he acted as a rescuer, leader and role model, defending them even on their bitter death march to Dachau towards the end of the war. A story of astonishing resilience and compassion, The Fighter of Auschwitz is a testament to the endurance of humanity in the face of extraordinary evil.

Empress Marie (1847-1928) lived one of the most dramatic lives of any princess who sat on the Russian throne. Born Princess Dagmar of Denmark she was betrothed to Tsarevitch Nicholas of Russia, a love match on both sides, but he died months before the wedding. Out of duty she married his brother who came to the throne as Tsar Alexander III in 1881 on the assassination of his father Alxander II. Her son was Nicholas II, the last Tsar. Everything she held most dear was destroyed before her eyes. Her husband died in his prime and two of her sons died young. During the First World War, her advice unheeded, the Tsar took command of the army and she could only watch as the country she loved was governed by her daughter-in-law Empress Alexandra and Rasputin, with disastrous results. Russia was engulfed in revolution, leading to the destruction of the dynasty and the Church. After a period of house arrest under the Bolsheviks, she escaped and was brought to England on board a British warship. Her word was law among the emigres and her influence was paramount among the Romanovs. She had truly become Matoushka - the Mother of the Russian People. She died in Denmark in 1928. This is the first major work in English, using previously unpublished material from the Royal Archives and information in Russian, Danish and Finnish not previously available in English.

The Bronx Is Burning "meets Chuck Klosterman in this wild pop-culture history of baseball's most colorful and controversial decade

"The Major Leagues witnessed more dramatic stories and changes in the '70s than in any other era. The American popular culture and counterculture collided head-on with the national pastime, rocking the once-conservative sport to its very foundations. Outspoken players embraced free agency, openly advocated drug use, and even swapped wives. Controversial owners such as Charlie Finley, Bill Veeck, and Ted Turner introduced Astroturf, prime-time World Series, garish polyester uniforms, and outlandish promotions such as Disco Demolition Night. Hank Aaron and Lou Brock set new heights in power and speed while Reggie Jackson and Carlton Fisk emerged as October heroes and All-Star characters like Mark "The Bird" Fidrych became pop icons. For the millions of fans who grew up during this time, and especially those who cared just as much about Oscar Gamble's afro as they did about his average, this book serves up a delicious, Technicolor trip down memory lane.
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This book: covers the essential content in the new specifications in a rigorous and engaging way, using detailed narrative, sources, timelines, key words, helpful activities and extension material helps develop conceptual understanding of areas such as evidence, interpretations, causation and change, through targeted activities provides assessment support for A level with sample answers, sources, practice questions and guidance to help you tackle the new-style exam questions. It also comes with three years' access to ActiveBook, an online, digital version of your textbook to help you personalise your learning as you go through the course - perfect for revision.

Exam board: Pearson Edexcel; OCR Level: AS/A-level Subject: History First teaching: September 2015 First exams: Summer 2016 (AS); Summer 2017 (A-level) Put your trust in the textbook series that has given thousands of A-level History students deeper knowledge and better grades for over 30 years. Updated to meet the demands of today's A-level specifications, this new generation of Access to History titles includes accurate exam guidance based on examiners' reports, free online activity worksheets and contextual information that underpins students' understanding of the period. - Develop strong historical knowledge: In-depth analysis of each topic is both authoritative and accessible - Build historical skills and understanding: Downloadable activity worksheets can be used independently by students or edited by teachers for classwork and homework - Learn, remember and connect important events and people: An introduction to the period, summary diagrams, timelines and links to additional online resources support lessons, revision and coursework - Achieve exam success: Practical advice matched to the requirements of your A-level specification incorporates the lessons learnt from previous exams - Engage with sources, interpretations and the latest historical research: Students will evaluate a rich collection of visual and written materials, plus key debates that examine the views of different historians

The definitive biography of Frank O'Hara, one of the greatest American poets of the twentieth century, the magnetic literary figure at the center of New York's cultural life during the 1950s and 1960s.

City Poet captures the excitement and promise of mid-twentieth-century New York in the years when it became the epicenter of the art world, and illuminates the poet and artist at its heart. Brad Gooch traces Frank O'Hara's life from his parochial Catholic childhood to World War II, through his years at Harvard and New York. He brilliantly portrays O'Hara in in his element, surrounded by a circle of writers and artists who would transform America's cultural landscape: Willem de Kooning, Franz Kline, Helen Frankenthaler, Jackson Pollock, Gregory Corso, Jack Kerouac, Allen Ginsberg, LeRoi Jones, and John Ashbery.

Gooch brings into focus the artistry and influence of a life "of guts and wit and style and passion" (Luc Sante) that was tragically abbreviated in 1966 when O'Hara, just forty and at the height of his creativity, was hit and killed by a jeep on the beach at Fire Island--a death that marked the end of an exceptional career and a remarkable era.

City Poet is illustrated with 55 black and white photographs.

This four-volume set of handbooks offers comprehensive survey of the history of a region that went from domination by various Empires before the First World War to membership of the EU in the late twentieth century. Challenges of Modernity offers a broad account of the social and economic history of Central and Eastern Europe in the twentieth century and asks critical questions about the structure and experience of modernity in different contexts and periods. Statehood examines the extending lines of development of nation-state systems in Eastern Europe, in particular considering why certain tendencies in state development found a different expression in this region compared to other parts of the continent. Intellectual Horizons offers a pioneering, transnational and comparative treatment of key thematic areas in the intellectual and cultural history of Central and Eastern Europe in the twentieth century. Violence analyses both the violence exerted on the societies of Central and Eastern Europe during the twentieth century by belligerent powers and authoritarian and/or totalitarian regimes and armed conflicts between ethnic, social and national groups, as well as the interaction between these two phenomena. Transnational and comparative in approach, key lines of development are synthesised leading to a complex understanding of the region. Written by a range of international contributors, many from the region itself, this is the go-to resource on Central, Eastern, and Southeastern Europe in the twentieth century.

This collection gathers together 31 previously out-of-print titles focusing on revolution - the political, economic, military and social aspects of the overthrow of state power. Ranging from nineteenth-century France to late-twentieth-century Caribbean, these books analyse the forms of revolt and the aftermaths of revolution, examining the types of government that result and the reactions of international opinion.

Paterson, 1913 is designed to be played during the time typically devoted to teaching the Progressive Era in the U.S. history survey course. Set in America's "Silk City", Paterson, New Jersey, the game pits manufacturers, who try to keep Paterson's key economic engine running, against labour leaders, who demand a general strike to achieve better working conditions across the silk industry. In the middle of this conflict are townspeople who must decide whom to support and how to survive a labour struggle that seems to have no end in sight. From the award-winning Reacting to the Past community, Flashpoints is a new series of immersive role-playing activities designed to help students bring historical ideas and forces to life. Games are designed to take about one week of class time in a survey course, between two and four class sessions. Drawing on primary sources to craft arguments and inform debates, students develop critical thinking and historical empathy. Classroom-tested materials for students and instructors ensure a smooth "flipped classroom" experience.