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Books > History > World history > From 1900 > General
Elie Wiesel: Humanist Messenger for Peace is part biography and part moral history of the intellectual and spiritual journey of Elie Wiesel, a Holocaust survivor, human rights activist, author, university professor, and Nobel Peace Prize winner. In this concise text, Alan L. Berger portrays Wiesel's transformation from a pre-Holocaust, deeply God-fearing youth to a survivor of the Shoah who was left with questions for both God and man. An advisor to American presidents of both political parties, his nearly 60 books voiced an activism on behalf of oppressed people everywhere. The book illuminates Wiesel's contributions in the areas of religion, human rights, literature, and Jewish thought to show the impact that he has had on American life. Supported by primary documents about and from Wiesel, the volume gives students a gateway to explore Wiesel's incredible life. This book will make a great addition to courses on American religious or intellectual thought.
While traditional industries like textile or lumber mills have
received a majority of the scholarly attention devoted to southern
economic development, "Faith in Bikinis "presents an untold story
of the New South, one that explores how tourism played a central
role in revitalizing the southern economy and transforming southern
culture after the Civil War. Along the coast of the American South,
a culture emerged that negotiated the more rigid religious, social,
and racial practices of the inland cotton country and the more
indulgent consumerism of vacationers, many from the North, who
sought greater freedom to enjoy sex, gambling, alcohol, and other
pleasures. On the shoreline, the Sunbelt South--the modern
South--first emerged.
What does it mean to be a conservative in Republican China? Challenging the widely held view that Chinese conservatism set out to preserve traditional culture and was mainly a cultural movement, this book proposes a new framework with which to analyze modern Chinese conservatism. It identifies late Qing culturalist nationalism, which incorporates traditional culture into concrete political reforms inspired by modern Western politics, as the origin of conservatism in the Republican era. During the May Fourth period, New Culture activists belittled any attempts to reintegrate traditional culture with modern politics as conservative. What conservatives in Republican China stood for was essentially this late Qing culturalist nationalism that rejected squarely the museumification of traditional culture. Adopting a typological approach in order to distinguish different types of conservatism by differentiating various political implications of traditional culture, this book divides the Chinese conservatism of the Republican era into four typologies: liberal conservatism, antimodern conservatism, philosophical conservatism, and authoritarian conservatism. As such, this book captures - for the first time - how Chinese conservatism was in constant evolution, while also showing how its emblematic figures reacted differently to historical circumstances.
The Contested History of Autonomy examines the concept of autonomy in modern times. It presents the history of modernity as constituted by the tension between sovereignty and autonomy and offers a critical interpretation of European modernity from a global perspective. The book shows, in contrast to the standard view of its invention, that autonomy (re)emerged as a defining quality of modernity in early modern Europe. Gerard Rosich looks at how the concept is first used politically, in opposition to the rival concept of sovereignty, as an attribute of a collective-self in struggle against imperial domination. Subsequently the book presents a range of historical developments as significant events in the history of imperialism which are connected at once with the consolidation of the concept of sovereignty and with a western view of modernity. Additionally, the book provides an interpretation of the history of globalization based on this connection. Rosich discusses the conceptual shortcomings and historical inadequacy of the traditional western view of modernity against the background of recent breakthroughs in world history. In doing so, it reconstructs an alternative interpretation of modernity associated with the history of autonomy as it appeared in early modern Europe, before looking to the present and the ongoing tension between 'sovereignty' and 'autonomy' that exists. This is a groundbreaking study that will be of immense value to scholars researching modern Europe and its relationship with the World.
The history of oil is a chapter in the story of Europe's geopolitical decline in the twentieth century. During the era of the two world wars, a lack of oil constrained Britain and Germany from exerting their considerable economic and military power independently. Both nations' efforts to restore the independence they had enjoyed during the Age of Coal backfired by inducing strategic over-extension, which served only to hasten their demise as great powers. Having fought World War I with oil imported from the United States, Britain was determined to avoid relying upon another great power for its energy needs ever again. Even before the Great War had ended, Whitehall implemented a strategy of developing alternative sources of oil under British control. Britain's key supplier would be the Middle East - already a region of vital importance to the British Empire - whose oil potential was still unproven. As it turned out, there was plenty of oil in the Middle East, but Italian hostility after 1935 threatened transit through the Mediterranean. A shortage of tankers ruled out re-routing shipments around Africa, forcing Britain to import oil from US-controlled sources in the Western Hemisphere and depleting its foreign exchange reserves. Even as war loomed in 1939, therefore, Britain's quest for independence from the United States had failed. Germany was in an even worse position than Britain. It could not import oil from overseas in wartime due to the threat of blockade, while accumulating large stockpiles was impossible because of the economic and financial costs. The Third Reich went to war dependent on petroleum synthesized from coal, domestic crude oil, and overland imports, primarily from Romania. German leaders were confident, however, that they had enough oil to fight a series of short campaigns that would deliver to them the mastery of Europe. This plan derailed following the victory over France, when Britain continued to fight. This left Germany responsible for Europe's oil requirements while cut off from world markets. A looming energy crisis in Axis Europe, the absence of strategic alternatives, and ideological imperatives all compelled Germany in June 1941 to invade the Soviet Union and fulfill the Third Reich's ultimate ambition of becoming a world power - a decision that ultimately sealed its fate.
New Age culture is generally regarded as a modern manifestation of Western millenarianism - a concept built around the expectation of an imminent historical crisis followed by the inauguration of a golden age which occupies a key place in the history of Western ideas. The New Age in the Modern West argues that New Age culture is part of a family of ideas, including utopianism, which construct alternative futures and drive revolutionary change. Nicholas Campion traces New Age ideas back to ancient cosmology, and questions the concepts of the Enlightenment and the theory of progress. He considers the contributions of the key figures of the 18th century, the legacy of the astronomer Isaac Newton and the Swedish visionary Emanuel Swedenborg, as well as the theosophist, H.P. Blavatsky, the psychologist, C.G. Jung, and the writer and artist, Jose Arguelles. He also pays particular attention to the beat writers of the 1950s, the counterculture of the 1960s, concepts of the Aquarian Age and prophecies of the end of the Maya Calendar in 2012. Lastly he examines neoconservatism as both a reaction against the 1960s and as a utopian phenomenon. The New Age in the Modern West is an important book for anyone interested in countercultural and revolutionary ideas in the modern West.
Born in 1853, Jared Flagg was the black sheep of an illustrious New York family. His father, Jared Bradley Flagg, was a noted portraitist and Episcopalian minister who served as Rector of Grace Church, in Brooklyn Heights. His older brothers were prominent, Paris-trained artists in their own right. A younger brother became a famous architect, while another went on to found a major Wall Street brokerage. One of his younger sisters married publisher Charles Scribner, II; another was a member of the famed "400" Manhattan socialites. Jared, Jr., on the other hand, took to the seamier side of American life, instigating any number of illegal schemes, ranging from leasing furnished flats to facilitate prostitution, to finding chorus line and modeling jobs for pretty but talentless young women, to a phony investment scheme that paid 52% a year, to the sale of worthless bonds backed by heavily mortgaged real estate. Frequently penalized for his criminal and unethical activities by the time of his death in 1926, Jared Flagg barreled his way through Gilded and Jazz Age America, offering a fascinating and heretofore unknown view of how a rising empire evolved at a crucial through crucial eras in its history.
Between 1941 and 1945 as many as 70,000 inmates died at the Bergen-Belsen concentration camp in northwestern Germany. The exact number will never be known. A large number of these deaths were caused by malnutrition and disease, mainly typhus, shortly before and after liberation. It was at this time, in April of 1945, that Michael Hargrave answered a notice at the Westminster Hospital Medical School for 'volunteers'. On the day of his departure the 21-year-old learned that he was being sent to Bergen-Belsen, liberated only two weeks before. This firsthand account, a diary written for his mother, details Michael's month-long experience at the camp. He compassionately relates the horrendous living conditions suffered by the prisoners, describing the sickness and disease he encountered and his desperate, often fruitless, struggle to save as many lives as possible. Amidst immeasurable horrors, his descriptions of the banalities of everyday life and diagrams of the camp's layout take on a new poignancy, while anatomic line drawings detail the medical conditions and his efforts to treat them.Original newspaper cuttings and photographs of the camp, many previously unpublished, add a further layer of texture to the endeavors of an inexperienced medical student faced with extreme human suffering.
During the Nazi regime many children and youth living in Europe found their lives uprooted by Nazi policies, resulting in their relocation around the globe. "The Young Victims of the Nazi Regime" is a significant attempt to represent the diversity of their experiences, covering a range of non-European perspectives on the Second World War and aspects of memory. The book is unique in that it places the experiences of children and youth in a transnational context, shifting the conversation of displacement and refuge to countries that have remained under-examined in a comparative context. Featuring essays from a wide range of international experts in the field, it analyses these themes in three sections: the flight and migration of children and youth to countries including England, Canada, Australia, New Zealand, Kenya, and Brazil; the experiences of children and youth who remained in Nazi Europe and became victims of war, displacement and deportation; and finally the challenges of rebuilding lives and representing war traumas in the immediate and recent post-war periods respectively. In its comparisons between Jewish and non-Jewish experiences and how these intersected and diverged, it revisits debates about cultural genocide through the separation of families and communities, as well as contributing new perspectives on forced labour, families and the Holocaust, and Germans as war victims.
In Germany, the years immediately following World War II call forward images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. The temptation of despair was hard to resist, and to contemporary observers the road toward democracy in the Western zones of occupation seemed rather uncertain. Drawing on a vast array of American, German, and other sources--diaries, photographs, newspaper articles, government reports, essays, works of fiction, and film--Werner Sollors makes visceral the experiences of defeat and liberation, homelessness and repatriation, concentration camps and denazification. These tales reveal writers, visual artists, and filmmakers as well as common people struggling to express the sheer magnitude of the human catastrophe they witnessed. Some relied on traditional images of suffering and death, on Biblical scenes of the Flood and the Apocalypse. Others shaped the mangled, nightmarish landscape through abstract or surreal forms of art. Still others turned to irony and black humor to cope with the incongruities around them. Questions about guilt and complicity in a totalitarian country were raised by awareness of the Holocaust, making "After Dachau" a new epoch in Western history. The Temptation of Despair is a book about coming to terms with the mid-1940s, the contradictory emotions of a defeated people--sorrow and anger, guilt and pride, despondency and resilience--as well as the ambiguities and paradoxes of Allied victory and occupation.
During the Second World War several independent business organizations in the US devoted considerable energy to formulating and advocating social and economic policy options for the US government for implementation after the war. This 'planning community' of far-sighted businessmen joined with academics and government officials in a nationwide endeavor to ensure that the colossal levels of productivity achieved by the US during wartime continued into the peace. At its core this effort was part of a wider struggle between liberals, moderates and conservatives over determining the economic and social responsibilities of government in the new post-war order. In this book, Charlie Whitham draws on an abundance of unpublished primary material from private and public archives that includes the minutes, memoranda, policy statements and research studies of the major post-war business planning organisations on a wide range of topics including monetary policy, demobilization, labor policy, international trade and foreign affairs. This is the untold story of how the post-war business planners - of all hues - helped shape the 'moderate' consensus which prevailed after 1945 over a permanent but limited government responsibility for fiscal, welfare and labor affairs, advanced American interests overseas and established.
In the 1930s, Carl Goerdeler, the mayor of Leipzig and, as prices commissioner, a cabinet-level official, engaged in active opposition against the persecution of the Jews in Germany and in Eastern Europe. He did this openly until 1938 and then secretly in contact with the British Foreign Office. Having failed to change Hitler's policy against the Jews, Goerdeler joined forces with military and civil conspirators against the regime. He was hanged for 'treason' on 2 February 1945. This book describes the actions of Carl Goerdeler, the German resistance leader who consistently engaged in efforts to protect the Jews against persecution. Using new evidence and thus far under-researched documents, including a memorandum written by Goerdeler at the end of 1941 with a proposal for the status of the Jews in the world, the book fundamentally changes our understanding of Goerdeler's plan and presents a new view of the German resistance to Hitler.
Henry Green: Class, Style, and the Everyday offers a critical prism through which Green's fiction-from his earliest published short stories, as an Eton schoolboy, through to his last dialogic novels of the 1950s-can be seen as a coherent, subtle, and humorous critique of the tension between class, style, and realism in the first half of the twentieth century. The study extends on-going critical recognition that Green's work is central to the development of the novel from the twenties to the fifties, acting as a vital bridge between late modernist, inter-war, post-war, and postmodernist fiction. The overarching contention is that the shifting and destabilizing nature of Green's oeuvre sets up a predicament similar to that confronted by theorists of the everyday. Consequently, each chapter acknowledges the indeterminacy of the writing, whether it be: the non-singular functioning (or malfunctioning) of the name; the open-ended, purposefully ambiguous nature of its symbols; the shifting, cinematic nature of Green's prose style; the sensitive, but resolutely unsentimental depictions of the working-classes and the aristocracy in the inter-war period; the impact of war and its inconsistent irruptions into daily life; or the ways in which moments or events are rapidly subsumed back into the flux of the everyday, their impact left uncertain. Critics have, historically, offered up singular readings of Green's work, or focused on the poetic or recreative qualities of certain works, particularly those of the 1940s. Green's writing is, undoubtedly, poetic and extraordinary, but this book also pays attention to the cliched, meta-textual, and uneventful aspects of his fiction.
Best-selling author Russell Shorto, praised for his incisive works of narrative history, never thought to write about his own past. He grew up knowing his grandfather and namesake was a small-town mob boss but maintained an unspoken family vow of silence. Then an elderly relative prodded: You're a writer-what are you gonna do about the story? Smalltime is a mob story straight out of central casting-but with a difference, for the small-town mob, which stretched from Schenectady to Fresno, is a mostly unknown world. The location is the brawny postwar factory town of Johnstown, Pennsylvania. The setting is City Cigar, a storefront next to City Hall, behind which Russ and his brother-in-law, "Little Joe," operate a gambling empire and effectively run the town.Smalltime is a riveting American immigrant story that travels back to Risorgimento Sicily, to the ancient, dusty, hill-town home of Antonino Sciotto, the author's great-grandfather, who leaves his wife and children in grinding poverty for a new life-and wife-in a Pennsylvania mining town. It's a tale of Italian Americans living in squalor and prejudice, and of the rise of Russ, who, like thousands of other young men, created a copy of the American establishment that excluded him.An urgent and intimate exploration of three generations of the American immigrant experience. Smalltime is a moving, wryly funny and richly detailed memoir by a masterful writer of historical narrative.
The Overlord Effect is a historically based leadership review that combines the accounts of Veterans of the Normandy Campaign of World War II and presents a conversation about their experiences with the leadership theories that have become part of today"s conversation on the subject in the military, academics, and business. The Normandy Invasion was one of the most complex and successful military campaigns in history. The preparation for this event took years of preparation and training. It required leaders at every level to demonstrate exemplary leadership in a compressed space and time that called for decisions to be made in an instant, for leaders to act with courage and character, and for both followers and leaders to accomplish any mission regardless of the personal cost. The Overlord Effect takes the snapshots of the critical experiences of leaders at every level of the Allied Invasion Force and reviews their actions and places them into understandable, thought provoking insights that will help leaders in any discipline respond better to challenges. The work also presents Dr. Pierce's theory on Emergent Leadership During Crisis(ELDC), and discusses ways that the leaders and professionals of today can use it to help themselves understand their own leadership experience, as well as to develop future leaders in the workplace.
*THE SUNDAY TIMES TOP TEN BESTSELLER* As seen on Apple TV - 1971: The Year That Music Changed Everything The Sixties ended a year late - on New Year's Eve 1970, when Paul McCartney initiated proceedings to wind up The Beatles. Music would never be the same again. The next day would see the dawning of a new era. 1971 saw the release of more monumental albums than any year before or since and the establishment of a pantheon of stars to dominate the next forty years - Led Zeppelin, David Bowie, the Rolling Stones, Pink Floyd, Marvin Gaye, Carole King, Joni Mitchell, Rod Stewart, the solo Beatles and more. January that year fired the gun on an unrepeatable surge of creativity, technological innovation, blissful ignorance, naked ambition and outrageous good fortune. By December rock had exploded into the mainstream. How did it happen? This book tells you how. It's the story of 1971, rock's golden year.
This study follows the social, intellectual and political development of the Phoenician myth of origin in Lebanon from the middle of the 19th century to the end of the 20th. Asher Kaufman demonstrates the role played by the lay, liberal Syrian-Lebanese who resided in Beirut, Alexandria and America towards the end of the 19th century in the birth and dissemination of this myth. Kaufman investigates the crucial place Phoenicianism occupied in the formation of Greater Lebanon in 1920. He also explores the way the Jesuit Order and the French authorities propagated this myth during the mandate years. The book also analyses literary writings of different Lebanese who advocated this myth, and of others who opposed it. Finally, the text provides an overview of Phoenicianism from Independece in 1943 to the present, demonstrating that despite the general objection to this myth, some aspects of it entered mainstream Lebanese national narratives. Kaufman's works should be of use to anyone interested in the birth of modern Lebanon as we know it today. |
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