Recent scholarship has inquired into the socio-historical, discursive genesis of trauma. Trauma and the Ontology of the Modern Subject, however, seeks what has not been actualized in trauma studies - that is, how the necessity and unassailable intensity of trauma is fastened to its historical emergence. We must ask not only what trauma means for the individual person's biography, but also what it means to be the historical subject of trauma. In other words, how does being human in this current period of history implicate one's lived possibilities that are threatened, and perhaps framed, through trauma? Foucauldian sensibilities inform a critical and structural analysis that is hermeneutically grounded. Drawing on the history of ideas and on Lacan's work in particular, John L. Roberts argues that what we mean by trauma has developed over time, and that it is intimately tied with an ontology of the subject; that is to say, what it is to be, and means to be human. He argues that modern subjectivity - as articulated by Heidegger, Levinas, and Lacan - is structurally traumatic, founded in its finitude as self-withdrawal in time, its temporal self-absence becoming the very conditions for agency, truth and knowledge. The book also argues that this fractured temporal horizon - as an effect of an interrupting Otherness or alterity - is obscured through the discourses and technologies of the psy-disciplines (psychiatry, psychology, and psychotherapy). Consideration is given to social, political, and economic consequences of this concealment. Trauma and the Ontology of the Modern Subject will be of enduring interest to psychoanalysts and psychotherapists as well as scholars of philosophy and cultural studies.

The Badlands of Modernity offers a wide ranging and original interpretation of modernity as it emerged during the eighteenth century through an analysis of some of the most important social spaces. Drawing on Foucault's analysis of heterotopia, or spaces of alternate ordering, the book argues that modernity originates through an interplay between ideas of utopia and heterotopia and heterotopic spatial practice.
The Palais Royal during the French Revolution, the masonic lodge and in its relationship to civil society and the public sphere and the early factories of the Industrial Revolution are all seen as heterotopia in which modern social ordering is developed. Rather than seeing modernity as being defined by a social order, the book argues that we need to take account of the processes and the ambiguous spaces in which they emerge, if we are to understand the character of modern societies.
The book uses these historical examples to analyse contemporary questions about modernity and postmodernity, the character of social order and the significance of marginal space in relation to issues of order, transgression and resistance. It will be important reading for sociologists, geographers and social historians as well as anyone who has an interest in modern societies.

IThe Badlands of Modernity offers a wide ranging and original interpretation of modernity. Through an analysis of some of the most important social spaces of the eighteenth century, this book examines contemporary debates about modernity and postmodernity, the character of social order and the significance of marginal space in relation to issues of order, transgression and resistance.
Drawing on Foucault's analysis of heterotopia, or spaces of alternate ordering, Kevin Hetherington argues that modernity originates through an interplay between ideas of utopia and heterotopia. Tha Palais Royal during the French Revolution, the masonic lodge and the early factories of the industrial revolution are all analyzed as heterotopia, in which modern social ordering is developed. Rather than seeing modernity as being defined by social order, the book argues that we need to take account of the processes that produce social ordering, their ambiguity and the spaces in which they emerge, if we are to understand the character of modern societies.

In this new collection, Eugene Goodheart, scholar of English literature, essayist, and public intellectual, reveals himself in a way that will interest readers already familiar with his expansive body of work as well as those new to his writing. Rising above the particular, the essays focus on themes of universal importance. The opening essay, "Whistling in the Dark," is a meditation on the gravest of subjects: aging and mortality. The chapters that follow are a series of reflections on teaching, retirement, illness, marriage, fatherhood, friendship, regret, indignation, sports, and writing activities that make up a life. The book wrestles with the question of what constitutes the reality of the self in the present when many writers view the self as an illusion. Each essay alludes to writers of the past and present who have addressed the question of what constitutes the self. Looming largest is Montaigne, the inventor of the modern personal essay. This book focuses on universally important subjects, including an individual's place in a community, family, fatherhood, growing older, being Jewish, and friendship. Written in a vividly accessible manner, this book reaches out to a general audience.

Maurice Blanchot is perhaps best known as a literary critic. His texts on Kafka, Mallarme, Beckett and others make him one of the most influential critics of twentieth century literature. But he is equally influential as an incisive reader of philosophy through his enigmatic interpretations of Hegel, Nietzsche, Heidegger, Foucault and Derrida.
Leslie Hill offers a clear and comprehensive introduction to one of the key figures in the development of postmodern thought. He shows how Blanchot questions the very essence of philosophy and literature, and stresses the importance of his political writings and the relationship between writing and history that characterized his later work.

Once seen as synonymous with "anti-feminism" postfeminism i now understood as the theoretical meeting ground between feminism and anti-foundationalist movements such as postmodernism, post-structuralism and post-colonialsm. In this clear exposition of some of the major debates, theorists and practitioners, Ann Brooks shows how feminism is being redefined for the twenty first century. Individual chapters look at postfeminism in relation to feminist epistemology, Foucault, psychoanalytic theory and semiology postmodernism and postcolonialism, cultural politics, popular culture, film and media, and sexuality and identity For all students looking for guidance through the sometimes murky waters of contemporary feminist theory, this book wil provide a reassuring first port of call.

In this clear exposition of some of the major debates, theorists and practitioners, Ann Brooks shows how feminism is being redefined for the twenty-first century.

For centuries, knowledge has been thought to be the key to human progress of all kinds and has dominated Western culture. But what if knowing has now become an impediment to further human development? This text is concerned with the practical consideration of how to reconstruct our world when modernist ideas have been refuted and many social problems appear insoluble. The authors suggest that we should give up knowing in favour of performed activity. They show how to reject the knowing paradigm in practice and present the many positive implications this has for social and educational policy. Over the past two decades, a postmodern critique of the modern conception of knowing and its institutionalized practice has emerged. To many, this is a dangerous threat to the tradition of liberal education, strengthened by recent prestigious voices from the physical and natural sciences. The book challenges even the postmodernists themselves, rejecting the reform of knowing for a totally new performatory form of life. They support their argument with a new reading of Lev Vygotsky and Ludwig Wittgenstein.

The work of Gilles Deleuze has had an impact far beyond philosophy. He is among Foucault and Derrida as one of the most cited of all contemporary French thinkers. Never a student 'of' philosophy, Deleuze was always philosophical and many influential poststructuralist and postmodernist texts can be traced to his celebrated resurrection of Nietzsche against Hegel in his Nietzsche and Philosophy, from which this collection draws its title.
This searching new collection considers Deleuze's relation to the philosophical tradition and beyond to the future of philosophy, science and technology. In addition to considering Deleuze's imaginative readings of classic figures such as Spinoza and Kant, the essays also point to the meaning of Deleuze on 'monstrous' and machinic thinking, on philosophy and engineering, on philosophy and biology, on modern painting and literature.
Deleuze and Philosophy continues the spirit of experimentation and invention that features in Deleuze's work and will appeal to those studying across philosophy, social theory, literature and cultural studies who themselves are seeking new paradigms of thought.

Contents:
Introduction Kant and the question of maturity Nietzsche the transformation of critique: Nietzsche and genealogy The genealogy of modernity: Nietszche, asceticism and nihilism The politics of the Ubermensch: Nietzsche, maturity and modernity Weber genealogy as cultural science: Weber, methodology and critique The genealogy of modernity: Weber, asceticism and disenchantment The politics of "personality": Weber, maturity and modernity Foucault genealogy as historical ontology: Foucault, methodology and critique The genealogy of modernity: Foucault, humanism and biopolitics The politics of critique: Foucault, maturity and modernity Conclusion

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LSE/Routledge

This collection of essays presents some of the key issues at the heart of Philippe Lacoue-Labarthe and Jean-Luc Nancy's work. This volume offers perspectives on the relationship between philosophy and the political. The authors ask if we can talk of an a priori link between the philosophical and the political; they investigate the significance of the "figure" - the human being as political subject - in the history of metaphysics; and they inquire how we can "re-treat" the political today in the face of those who argue that philosophy is at an "end". This text brings together some of their responses to these investigations. We see as a result some of the key motifs that have characterized their work: their debt to a Heideggerian pre-understanding of philosophy, the centrality of the "figure" in western philosophy and the totalitarianism of both politics and the political.

The reception of Michel Foucault's work in the social sciences and humanities has been phenomenal. Foucault's concepts and methodology have encouraged new approaches to old problems and opened up new lines of enquiry. This book assesses the contribution of Foucault's work to research and thinking in the area of health and medicine, and shows how key researchers in the sociology of health and illness are currently engaging with his ideas.
Foucault, Health and Medicine explores such important issues as: Foucault's concept of 'discourse', the critique of the 'medicalization' thesis, the analysis of the body and the self, Foucault's concept of 'bio-power' in the analysis of health education, the implications of Foucault's ideas for feminist research on embodiment and gendered subjectivities, the application of Foucault's notion of governmentality to the analysis of health policy, health promotion, and the consumption of health.
Foucault, Health and Medicine offers a `state of the art' overview of Foucaldian scholarship in the area of health and medicine. It will provide a key reference for both students and researchers working in the areas of medical sociology, health policy, health promotion and feminist studies.

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This collection, first published in 1994, contains thirteen critical essays by established scholars from the fields of philosophy, literary criticism, feminist theory, politics, and sociology, and a new essay by Deleuze himself. That the contributors are from a variety of fields indicates the extent to which Deleuze's work can and will impact theory far beyond the discipline of philosophy.

This collection of essays on Jacques Derrida, first published in 2004, spans nearly thirty years of critical thinking about Derrida's work. The articles selected here have never previously been collected, yet they are significant contributions that illuminate difficult and important aspects of Derrida's writings. While not seeking to be comprehensive, the volume ranges over the entirety of Derrida's published output and addresses a number of crucial topics, including literature, iterability, the signature, time, alterity, Judaism, metaphor and death. Reprinted here in chronological order of first publication, the essays are complemented by an introduction by Ian MacIachlan which discusses the significance of Derrida's work for our critical thinking.

Understanding Emotions presents eight original essays on the emotions from leading contemporary philosophers in North America and the U.K: Simon Blackburn, Bill Brewer, Peter Goldie, Dan Hutto, Adam Morton, Michael Stocker, Barry Smith, and Finn Spicer. Goldie and Spicer's introductory chapter sets out the key themes of the ensuing chapters: surveying contemporary philosophical thinking about the emotions, and raising challenges to a number of prejudices that are sometimes brought to the topic from elsewhere in the philosophy of mind and moral philosophy. Brewer, Hutto, Goldie and Smith explore the conceptual and epistemological problems of other minds that the emotions raise, and how the emotions can be a source of knowledge of the world around us. The chapters by Stocker, Blackburn and Morton are broadly concerned with issues in morality: Stocker argues for the traditional Aristotelian view that emotions reveal value and are constitutive of value; Blackburn, from a more Augustinian perspective, argues that the virtuous person, like the rest of us, will be emotional but he or she will have the right emotions towards the right objects; Morton questions the idea of emotions and narrative as sources of self-understanding. An extensive bibliography completes the book. Drawing together the arguments of leading contemporary philosophers, focusing on issues in the philosophy of mind, epistemology and moral philosophy, this book offers a wide and deep understanding of the emotions, and will be of interest across the philosophical spectrum to students and researchers of this fascinating and important topic.

""The supreme principle, both in politics and in private life, should be to promote all that is creative, and so to diminish the impulses and desires that center round possession.""
This book, originally entitled "Why Men Fight, " is generally seen as the fullest expression of Bertrand Russell's political philosophy. Russell argues that after the experience of the Great War the individualistic approach of traditional liberalism had reached its limits. Political theory must be based on the motivated forces of creativity and impulse rather than on competition. The ideas expressed in "Principles of Social Reconstruction" have greatly contributed to Russell's fame as a social critic and anti-war activist. The introduction by Richard Rempel locates them in the context of Russell's other writings and show that neither his ideas nor his language have lost their force and topicality over the years.

Few philosophers have had a more profound influence on the course of modern philosophy than Bertrand Russell. The Basic Writings of Bertrand Russell is a comprehensive anthology of Russell's most definitive essays written between 1903 and 1959. First published in 1961, this remarkable collection is a testament to a philosopher whom many consider to be one of the most influential thinkers of the twentieth century. This is an essential introduction to the brilliance of Bertrand Russell.

First published in 1973, this is the first book on Paul Tillich in which a sustained attempt is made to sort out and evaluate the questions to which Tillich addresses himself in the crucial philosophical parts of his theological system. It is argued that despite the apparent simplicity in his interest in the 'question of being', Tillich in fact conceives of the ontological enterprise in a number of radically different ways in different contexts. Much of the author's work is devoted to the careful separation of these strands in his philosophical thought and to an exploration and assessment of the assumptions associated with them. This book will be of interest to readers of Tillich and philosophers who specialise in ontology and linguistics.

This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.

This title was first published in 2001. Derrida's work testifies to the problematic state of contemporary thought. Questioning Derrida offers new explorations into Derrida's contribution to philosophy. Presenting contributions from prominent philosophers worldwide, this book explores many aspects of Derrida's philosophical perspective. With contributors commenting on a particular topic or defending alternative viewpoints, this book examines the work of Plato, Hegel, Aristotle, Heidegger and also the philosophy of science. Focusing on 'problematology' - a conception of philosophy as questioning - the contributors explore this new way of 'doing' philosophy. Including a concluding chapter from Derrida himself, this book presents Derrida in question and Derrida and his answers and opens new debate for readers across the fields of philosophy and literature, particularly those exploring the work of Derrida, issues in continental philosophy, and the theory of questioning. Michel Meyer is Director of the Revue Internationale de Philosophie journal and based at Universite Libre de Bruxelles, Belgium. He is also the series editor of Ashgate's Philosophy in Question series which is published in association with Revue Internationale de Philosophie from which the volumes in the series evolve.

This title was first published in 2000. Contemporary continental philosophy is a widely-used, but in many ways a highly problematic, term and its exact frame of reference is not always clear. In its more recent French manifestations in particular, it continues to arouse considerable controversy and create bitter divisions, with particularly hostile reactions to the work of Derrida and others. Much work in the recent continental tradition can be fitted into a longer-running philosophical tradition of scepticism, and scepticism has always had the power to provoke and unsettle the philosophical establishment. Presenting an overview of the philosophical landscape of the continental tradition since the 1940s, this book traces the establishment of the new, super-scepticism as an intellectual paradigm with the power to threaten and disorientate existing world-views and more traditional styles of philosophical discourse - marking the continental divide. Exploring how contemporary continental philosophy from existentialism to postmodernism can be characterised as this new, more resistant form of scepticism, Sim identifies a clutch of key themes - including "difference", "the subject", "antifoundationalism", "dialectics" - which have been obsessively worked over by key thinkers in the Existentialist-Postmodernist period and demonstrates how these have contributed to the development of a super-sceptical outlook. Presenting a new theme-led approach to provide an entry into current debates in continental philosophy, Stuart Sim reintegrates the work of Sartre into the more recent continental tradition, and suggests that something qualitatively different is now occurring in French philosophy.

An understanding of what we mean by the present is one of the key issues in literature, philosophy, and culture today, but also one of the most neglected and misunderstood. Present Hope develops a fascinating philosophical understanding of the present, approaching this question via discussions of the nature of historical time, the philosophy of history, memory, and the role of tragedy.
Andrew Benjamin shows how we misleadingly view the present as simply a product of chronological time, ignoring the role of history and memory. Accordingly, discussion of what is meant by the present disappears from philosophical concern. To draw attention to this absence, Andrew Benjamin introduces the notion of hope and asks what this concept can tell us about the present.
At the heart of the outstanding work is an emphasis on the relation between hope and the Jewish tradition. Through discussions of philosophical responses to the Holocaust, the work of Walter Benjamin, Daniel Libeskind's Jewish Museum, and the poetry of Paul Celan, Present Hope shows how we must look beyond the purely philosophical horizon to understand the present we live in.