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Books > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.
This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.
This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.
In late 1888, a few weeks before his descent into madness, Friedrich Nietzsche set out to compose his life story. Ecce Homo: How One Becomes What One Is remains one of the most remarkable autobiographies ever written, a powerful work of genius in which the German philosopher critiques his own works (and those of others) and weighs in on a plethora of subjects, from mastering self-control to female sexuality. Seemingly trivial topics are interwoven into passages of complex reasoning on philosophical problems. This most bizarre but fascinating of autobiographies is essential reading for students of Nietzsche and anyone looking for profound insights into life from one of the greatest thinkers of the Western world.
This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.
This is the first introduction to the ideas of the British philosopher, Peter Winch (1926-97). Although author of the hugely influential "The Idea of a Social Science" (1958) much of Winch's other work has been neglected as philosophical fashions have changed. Recently, however, philosophers are again seeing the importance of Winch's ideas and their relevance to current philosophical concerns. In charting the development of Winch's ideas, Lyas engages with many of the major preoccupations of philosophy of the past forty years. The range of Winch's ideas becomes apparent and his importance clearly underlined. Lyas offers more than an assessment of the work of one man: it introduces in a sympathetic and judicious way a powerful representative of an important and demanding conception of philosophy.
The recent emergence, among philosophers, of the view that the activity of human reason in all its possible modes must also be historicized, including the activity of philosophizing itself, may be found in writers as diverse as Hans-Georg Gadamer, Richard Rorty, Michel Foucault, and Alasdair MacIntyre. This contemporary view of human reason contrasts with the traditional commitments of "First Philosophy," Aristotle's name for the knowledge of things through their ultimate causes and principles. This book challenges the prevailing historicist orthodoxies about the nature of reason and philosophy and offers the first comprehensive analysis and critique of historicism in its current philosophical form. Can philosophical historicism reasonably justify the interpretation of human reason on which its own objections to First Philosophy are based? While Carl Page ultimately concludes that it cannot, he also seeks to rehabilitate historicism's motivating insights by showing how they derive from questions Hegel and Heidegger raised about reason's relation to history.
A high school drop-out who served in the American army and then managed to slip into Oxford on the G.I. bill, Frank Cioffi gained a considerable public reputation in Freudian and Wittgensteinian circles. Frank Cioffi: The Philosopher in Shirt-Sleeves is an account of his conversation written in a Boswellian spirit, capturing the sharp intelligence, boisterous sense of humour and wealth of illustration Cioffi was able to bring to bear on life's biggest problems when he was, as it were, off-duty. Tackling subjects such as the unruly body, the challenge of art, dealing with failure, the lure of science, the meaning of life, our understanding of others, depression, the case for suicide, and death, David Ellis describes how a philosopher who was profoundly influenced by Wittgenstein dealt with general issues and creates a vivid impression of an unusual and gifted individual. This portrait is followed by a post-script in which Nicholas Bunnin, who worked in the philosophy department at Essex when Cioffi was a professor there, situates him in a more strictly academic context and discusses his less well-known essays on literary criticism and the behavioural sciences, arguing for Cioffi's potential to inspire those seeking a role for analytic philosophy within the broader scope of humanistic philosophy. A mixture of personal portrait and academic introduction, Frank Cioffi: The Philosopher in Shirt-Sleeves provides an elegant and enjoyable tribute to Cioffi as both man and philosopher.
This collection of essays looks at analytic philosophy in its historical context. It argues that analytic philosophy is in a state of crisis - having to deal with its self-image, its relationship with philosophical alternatives, its fruitfulness and even legitimacy in the general philosophical community. This crisis manifests itself both within analytic philosophy, as we can see with the discussions and debates concerning the interpretation of its origins and key players (such as Frege, Russell, Wittgenstein), as well as in its evaluation by philosophers of different bents (such as postmodernists and Continental philosophers). This book examines the the crisis with a view to interpreting it. It tells the story of analytic philosophy, presenting its "raison d'etre" and the motivations, methods, and results of its eminent figures.
Nicolai Hartmann was one of the most prolific and original, yet sober, clear and rigorous, 20th century German philosophers. Hartmann was brought up as a Neo-Kantian, but soon turned his back on Kantianism to become one of the most important proponents of ontological realism. He developed what he calls the "new ontology", on which relies a systematic opus dealing with all the main areas of philosophy. His work had major influences both in philosophy and in various scientific disciplines. The contributions collected in this volume from an international group of Hartmann scholars and philosophers explore subjects such as Hartmann's philosophical development from Neo-Kantianism to ontological realism, the difference between the way he and Heidegger overcame Neo-Kantianism, his Platonism concerning eternal objects and his interpretation of Plato, his Aristotelianism, his theoretical relation to Wolff's ontology and Meinong's theory of objects, his treatment and use of the aporematic method, his metaphysics, his ethics and theory of values, his philosophy of mind, his philosophy of mathematics, as well as the influence he had on 20th century philosophical anthropology and biology.
Herbert Marshall McLuhan (1911-1980) received his PhD in English
literature from Cambridge University and taught in the United
States and Canada. He is best known, however, as the founding
father of media studies. McLuhan was Director of the Center for
Culture and Technology at the University of Toronto. Among his
ground-breaking works on the psychic and social dimensions of
communication technology are The Gutenberg Galaxy (1962);
Understanding Media: the Extensions of Man (1964); and The Medium
Is the Massage: An Inventory of Effects (1967).
This volume is a collection of public writings and insights of the German poststructuralist, Friedrich A. Kittler. It merges the discourse of literature, war and technology into a unified theme. His research results in a vision of the future in which the distinction between mediums is erased. The introduction by John Johnston explicates the theoretical and practical consequences of Kittler's insights into the social and psychological effects of the processes by which metaphor in one medium is made real by another.
This essay argues that we can only develop a proper grasp of Kant's practical philosophy if we appreciate the central role played in his thought by the notion of the interests of reason. While it is generally acknowledged that Kant does not regard reason as a purely instrumental faculty, but sees it as endowed with its own essential interests, this book is the first to explain how the notion of the interests of reason lies at the heart of his philosophical project - and how it allows us to make sense of some of the most puzzling aspects of his practical philosophy.
This book represents conversations between philosophers and theologians on several issues of current theological interest. God, the church, theological authority, atonement, the Holy Spirit, religious ethics, the problem of evil, and other topics are debated by top-notch theologians and philosophers of various theological and philosophical persuasions. Since contemporary philosophers and theologians seldom communicate professionally, this book represents a fascinating and highly unusual cross-disciplinary conversation.
This book is a manuscript that was virtually complete when James W. Cornman died. Most of the chapters were in final form, and all but the last had been revised by the author. The last chapter was in handwritten form, and the concluding remarks were not finished. Swain took charge of the proofreading and John L. Thomas compiled the indices with the assistance of Lehrer. It is our opinion that this manuscript, like the other books Cornman published, is one of exceptional scholarly and philo sophical importance. As do all of his philosophical publications, this work reflects Cornman's great love for philosophy and his commitment to the search for truth. Every serious student and author of epistemology will benefit from and admire the thorough scholarship and rigorous argumentation they will find herein. It has been our privilege to partici pate in the preparation of the manuscript for the philosophical public. KEITH LEHRER MARSHALL SWAIN IX INTRODUCTION INTRODUCTION TO EPISTEMOLOGICAL SKEPTICISM Many philosophers try to refute skepticism, but few try to give a precise characterization of the thesis they attack. My first aim, consequently, is to characterize skepticism, or, more precisely, several species of skepticism. Then I shall choose those species I wish to consider and justify my choice. To begin, let me distinguish what I shall call "epistemological skepticism" from the thesis I shall call "ontological nihilism" and from what is believed by someone whom I shall call an "ontological skeptic.""
Why does a wine glass break when you drop it, whereas a steel goblet does not? The answer may seem obvious: glass, unlike steel, is fragile. This is an explanation in terms of a power or disposition: the glass breaks because it possesses a particular power, namely fragility. Seemingly simple, such intrinsic dispositions or powers have fascinated philosophers for centuries. A power's central task is explaining why a thing changes in the ways that it does, rather than in other ways: powers should explain why an acorn turns into an oak tree, not a sunflower, or why fire burns wood, and wood can catch fire. This volume examines the twists and turns of the fascinating history of a difficult philosophical concept, focusing on the metaphysical sense of "powers"-that is, the powers that are invoked in the explanation of natural changes and activities. Scholars probe the views of thinkers from antiquity to the present day: Anaxagoras, Plato, the Stoics, Abelard, Anselm, Henry of Ghent, Gottfried Wilhelm Leibniz, Margaret Cavendish, Mary Shepherd, Immanuel Kant, Georg Wilhelm Friedrich Hegel, and numerous others. In addition, the volume contains four short reflection essays that examine the concept of powers from the perspective of disciplines other than philosophy, namely history of music, West African religions, history of chemistry, and history of art. The history of philosophy brims with controversies surrounding the concept of power, and these controversies have not diminished-particularly as potentialities or powers see a revival in contemporary analytic metaphysics. Hence, telling the history of philosophical theories of powers means exploring the trajectory of a concept whose importance to the past and present of philosophy can hardly be overstated.
The work of Gilles Deleuze has had an impact far beyond philosophy. He is, among Foucault and Derrida, one of the most cited of all contemporary French thinkers. This searching collection considers Deleuze's relation to the philosophical tradition and beyond to the future of philosophy, science and technology. In addition to considering Deleuze's imaginative readings of classic figures such as Spinoza and Kant, the essays also point to the meaning of Deleuze on 'monstrous' and machinic thinking, on philosophy and engineering, on philosophy and biology, on modern painting and literature.
John Dewey was the foremost philosophical figure and public intellectual in early to mid-twentieth century America. He is still the most academically cited Anglophone philosopher of the past century, and is among the most cited Americans of any century. In this comprehensive volume spanning thirty-five chapters, leading scholars help researchers access particular aspects of Dewey's thought, navigate the enormous and rapidly developing literature, and participate in current scholarship in light of prospects in key topical areas. Beginning with a framing essay by Philip Kitcher calling for a transformation of philosophical research inspired by Dewey, contributors interpret, appraise, and critique Dewey's philosophy under the following headings: Metaphysics; Epistemology, Science, Language, and Mind; Ethics, Law, and the Starting Point; Social and Political Philosophy, Race, and Feminist Philosophy; Philosophy of Education; Aesthetics; Instrumental Logic, Philosophy of Technology, and the Unfinished Project of Modernity; Dewey in Cross-Cultural Dialogue; The American Philosophical Tradition, the Social Sciences, and Religion; and Public Philosophy and Practical Ethics.
Heidegger's thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. "The theme of mortality--finite human existence--pervades Heidegger's thought," in the author's words, "before, during, and after his magnum opus, Being and Times, published in 1927." This theme is manifested in Heidegger's work not "as funereal melodramatics or as despair and destructive nihilism" but rather "as a thinking within anxiety." Four major subthemes in Heidegger's thinking are explored in the book's four parts: the fundamental ontology developed in Being and Time; the "lighting and clearing" of Being, understood as "unconcealment"; the history of philosophy--with emphasis on Heraclitus, Hegel, and Nietzsche--interpreted as the "destiny" of Being; and the poetics of Being, explicated as the "fundamental experience" of mortality. Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger's books, lectures, and articles--including extensive material not yet translated into English--informed by the author's conversations with Heidegger in 1974-76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger's thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems.
The volume In Need of a Master: Politics, Theology, and Radical Democracy discusses how our so-called "postmodern age" of widespread ideological critique paves the way for reactionary and conservative political movements. At center stage is the question of whether these movements can and must be - contrary to widespread beliefs among liberal elites - interpreted both as a symptom of a political awakening in the horizon of political theology in our era of immanence, as well as perhaps the perilous end of democracy as we know it. The book brings to the fore political theology as the hidden agenda of politics and presents at the same time Christian and Jewish theological traditions as an antidote to a global empire with its often unacknowledged rule of immanence.
What is postmodernity - a cultural breakthrough, or a cultural collapse? And what are its consequences for the arts - a new era of unprecedented creativity, or the state of acute crisis? And above all, is postmodernism a new and revolutionary phenomenon, or is it a radical, logical or misguided, development of modern culture, and particularly of its avant-garde tradition? What are the continuities? What are the discontinuities? These are just some of the questions which this study asks and attempts to answer. It draws upon a wide range of evidence: from the experience of daily life in a consumer society; science and religion; visual arts and literature; film and television; and the most arcane works of contemporary music. The author sets high standards for the notoriously inconclusive, and all too often confused, debate about the cultural significance of postmodernism and postmodernity; he shows how large is the volume of historical and artistic knowledge needed to seriously grapple with the issues involved in any conceivable answer to the query.
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