Kant's Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant's notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant's aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Gunter Figal, Tom Huhn, Hans-Peter Kruger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.

This collection of original essays explores the social and relational dimensions of individual autonomy. Rejecting the feminist charge that autonomy is inherently masculinist, the contributors draw on feminist critiques of autonomy to challenge and enrich contemporary philosophical debates about agency, identity, and moral responsibility. The essays analyze the complex ways in which oppression can impair an agent's capacity for autonomy, and investigate connections, neglected by standard accounts, between autonomy and other aspects of the agent, including self-conception, self-worth, memory, and the imagination.

Between 1931 and 1935, Bertrand Russell contributed some 156 essays to the literary pages of the American newspaper New York American. These were often fun, humorous observations on the very real issues of the day, such as the Depression, the rise of Nazism and Prohibition, to more perennial themes such as love, parenthood, education and friendship. Available for the first time in the Routledge Classics series in a single volume, this pithy, provocative and often-personal collection of essays brings together the very best of Russell's many contributions to the New York American, and proves just as engaging for today's readers as they were in the 1930s.

Much contemporary feminist theory continues to see itself as freeing women from patriarchal oppression so that they may realize their own inner truth. To be told by postmodern thinkers such as Jacques Derrida that the very possibility of such a truth must be submitted to the process of deconstruction thus seems to present a serious challenge to the feminist project. From a postmodern perspective, on the other hand, most feminist discourse remains deeply rooted, if not in essentialism, at least in the logocentrism of traditional philosophical and political thought. Stepping beyond the usual confines of this debate, the eleven thinkers whose ideas are represented in this volume take a deeper look at Derrida's work to consider its specific strengths and weaknesses as a model for feminist theory and practice.

Despite this common focal point, this collection is extremely diverse. The problems addressed include the status of the female subject, civil disobedience, and the AIDS epidemic; the subjects include Husserl's theory of signs, jealousy in Shakespeare's Othello, and Irigaray's concept of the divine; disciplines include cultural studies, literature, philosophy, political theory, religion, and the law as represented by major scholars in each field; and the opinions expressed range from strong criticism of Derrida's work to careful explorations of the avenues it creates for rethinking sexual difference.

Included are an analytic introduction by Nancy J. Holland; important new essays by Elizabeth Grosz, Peggy Kamuf, Peg Birmingham, Kate Mehuron, Ellen Armour, and Dorothea Olkowski; "Choreographies," Derrida's 1982 interview with Christie V. McDonald; Gayatri Chakravorty Spivak's "Displacement and the Discourse of Women," published in the same year; and recent articles by Drucilla Cornell and Nancy Fraser.

The Derrida Dictionary is a comprehensive and accessible guide to the world of Jacques Derrida, the founder of deconstruction and one of the most important and influential European thinkers of the twentieth century. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences and provides a firm grounding in the central themes of Derrida's thought. Students will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Derrida's writings and detailed synopses of his key works. The Dictionary also includes entries on Derrida's major philosophical influences and those he engaged with, such as Kant, Hegel, Husserl, Freud, Heidegger, Foucault, Lacan and Levinas. It covers everything that is essential to a sound understanding of Derrida's philosophy, offering clear and accessible explanations of often complex terminology. The Derrida Dictionary is the ideal resource for anyone reading or studying Derrida, deconstruction or modern European philosophy more generally.

French philosophy and cultural theory continue to hold a prestigious and influential position in European thought. One of the central themes of contemporary French philosophy is its concern with the theoretical and political status of the subject, a question which has been broached by structuralists and poststructuralists through an analysis of the construction of the subject in and by language, discourse, power and ideology.Contemporary French Philosophy outlines the construction of the subject in modern philosophy, focusing in particular on the seminal work of Althusser, Lacan, Derrida and Foucault. The book interrogates some of the most influential perspectives on the question of the subject to contest those postmodern voices which announce its disappearance or death. It argues instead that the question of the subject persists, even in those perspectives which seek to abandon it altogether.Providing a broad introduction to the field and an original analysis of some of the most influential theorists of the 20th Century, the book will be of great interest to political and literary theorists, cultural historians, as well as to philosophers.

Powers of chaos accompany any order of the human world, being the force against which this order is set. Human experience of history is two-fold. There is history ruled by chaos and history ruled by order. "History" occurs in a continuous flow of both histories. The dialectics of life unto nothingness/creation, struggles for order/order achieved is unceasingly actual. In exploring it, within a wide interdisciplinary and transcultural range, this book reaches beyond a conventional "philosophy of history". It deals with the chaotic as well as the cosmic part of the human historical experience. It stages this drama through the tales that religious, mythical, literary, philosophical, folkloristic, and historiographical sources tell and which are retold and interpreted here. From early on humans wished to know where, why, and wherefore all started and took place. Couldn't the dialectics between chaos and order be meaningful? Couldn't they assume a productive role as to the world's precarious event? Power, strife, guilt, divine grace and revelation, literary symbolization, as well as storytelling are discussed in this book. Philosophy, political theory, theology, religious studies, and literary studies will greatly benefit from its width and density.

Although influential in his own day, Karl Leonhard Reinhold's contribution to late 18th and early 19th century thought has long been overshadowed by the towering presence of Immanuel Kant, the thinker whose ideas he helped to interpret and disseminate. Today, however, a more nuanced understanding of Reinhold's contribution to post-Kantian thought is emerging. Apart from his exposition of Kant's critical philosophy, which played a significant role in the development of German idealism, Reinhold's role in the intellectual movement of Enlightenment and his contributions to early linguistic philosophy are now receiving scholarly attention. In the English-speaking world, where few translations of his work have been attempted, Reinhold has mostly been overlooked. This imbalance is corrected in the present work: the first translation into English of Reinhold's major work of philosophy, the New Theory of the Human Capacity for Representation (1789). The translators provide an overview of the main currents of thought which informed Reinhold's philosophical project, as well as notes on his reading of Kant and other important thinkers of Reinhold's day. A glossary of key terms, a bibliography of scholarly work on Reinhold and suggestions for further reading are also included.

The idea of a final end of human conduct - the highest good - plays an important role in Kant's philosophy. Unlike his predecessors Kant defines the highest good as a combination of two heterogeneous elements, namely virtue and happiness. This conception lies at the centre of some of the most influential Kantian doctrines such as his famous "moral argument" for the rationality of faith, his conception of the unity of reason and his views concerning the final end of nature as well as the historical progress of mankind. To be sure, the different treatments of the highest good in Kant's work have led to a great deal of discussion among his readers. Besides Kant's arguments for moral faith, recent debate has focused on the place of the highest good within Kant's moral theory, on the antinomy of pure practical reason, and on the idea of the primacy of practical reason. This collection of new essays attempts to re-evaluate Kant's doctrine of the highest good and to determine its relevance for contemporary philosophy.

The essays collected in Reading Tocqueville: From Oracle to Actor aim to set up a dialogue between the 'historical' and the 'contemporary' Tocqueville. In what ways does a contextualization of Tocqueville throw new light on his relevance as a political thinker today? How can a focus on his embeddedness in the political culture of the Nineteenth century contribute to our understanding of his political thought? Or, conversely, how has the usage of Tocqueville's writings in day-to-day political debate influenced the reception of his work both in the past and today?

Michel Henry (1922-2002) was a French philosopher and novelist whose work spanned decades and genres while remaining united by a singular vision. In this specially commissioned collection, eight internationally recognized experts on Henrys thought investigate his profound acquaintance with the mystery of life-which he understood as the irreducible bedrock of all reality-in its self-manifestation under the rubrics of phenomenological experience, religion, and praxis. Each chapter investigates a different aspect of Henrys remarkable range of thought, focusing on his special relevance to debates on the relationship of phenomenology and theology as well as to contemporary radical discourses on embodiment and immanence, politics and theory. Henrys phenomenology of life is both deep and demanding, and its relevance to the topics under examination in this book cannot be denied. This collection represents the first sustained effort in coming to an understanding of just how far and wide that relevance reaches. It will not only spark a resurgence in Henry studies, but resonate within that sphere for many years to come.

In this study, the author shows new entry points to the dialogue between Kant and Heidegger. Schalow takes up the question: "Why should a philosopher like Kant, for whom language seemed to be almost inconsequential, become the crucial counter point for a thinker like Heidegger to develop a novel way to understand and express the most perennial of all philosophical concepts, namely, 'being' as such?" This approach allows for addressing issues which are normally relegated to the periphery of the exchange between Heidegger and Kant, including spatiality and embodiment, nature and art, religion and politics.

Metamathematics and the Philosophical Tradition is the first work to explore in such historical depth the relationship between fundamental philosophical quandaries regarding self-reference and meta-mathematical notions of consistency and incompleteness. Using the insights of twentieth-century logicians from Goedel through Hilbert and their successors, this volume revisits the writings of Aristotle, the ancient skeptics, Anselm, and enlightenment and seventeenth and eighteenth century philosophers Leibniz, Berkeley, Hume, Pascal, Descartes, and Kant to identify ways in which these both encode and evade problems of a priori definition and self-reference. The final chapters critique and extend more recent insights of late 20th-century logicians and quantum physicists, and offer new applications of the completeness theorem as a means of exploring "metatheoretical ascent" and the limitations of scientific certainty. Broadly syncretic in range, Metamathematics and the Philosophical Tradition addresses central and recurring problems within epistemology. The volume's elegant, condensed writing style renders accessible its wealth of citations and allusions from varied traditions and in several languages. Its arguments will be of special interest to historians and philosophers of science and mathematics, particularly scholars of classical skepticism, the Enlightenment, Kant, ethics, and mathematical logic.

Pluriverse, the final work of the American poet and philosopher Benjamin Paul Blood, was published posthumously in 1920. After an experience of the anaesthetic nitrous oxide during a dental operation, Blood came to the conclusion that his mind had been opened, that he had undergone a mystical experience, and that he had come to a realisation of the true nature of reality. This title is the fullest exposition of Blood's esoteric Christian philosophy-cum-theology, which, though deemed wildly eccentric by commentators both during his lifetime and later in the twentieth century, was nonetheless one of the most influential sources for American mystical-empiricism. In particular, Blood's thought was a major inspiration for William James, and can be seen to prefigure the latter's concept of Sciousness directly.

This unusual sociological study examines the issue of enchantment in terms of habitus and charisma. It seeks to overcome a fated notion of disenchantment in a culture of postmodernity. Crossing between theological and sociological self-understandings of culture, the study criticizes conventions of secularisation so as to defend the viability of theological forms of enchantment. Through a reading of Bourdieu, Simmel and the Swiss theologian, Hans Urs von Balthasar, the book attempts to supply theology with its own sociological self-understanding of religious belief and culture, but also to give to sociology a basis of theological reflexivity.

Edward Carpenter: In Appreciation, first published in 1931, presents a collection of tributes to and reminiscences about the renowned socialist poet, pioneering gay rights activist, environmentalist and political thinker. Embroiled in controversy with prominent figures of all political persuasions in the late nineteenth and early twentieth centuries, Carpenter's vision of sexual freedom, democracy and an end to commercialism was maintained with integrity over the course of his whole life. These portraits and anecdotes testify to a man of both determination and warmth, whose writings, though inspirational for many up to the 1960s, are seldom read today.

The Baltic philosopher Vasily Sesemann (1884-1963), rooted in the Classics and influenced but not dominated by Kant, Herder, Bergson, Husserl, and Lossky, was a first-rate scholar in the fields of aesthetics, epistemology, logic, and history of philosophy. But he is still relatively unknown internationally because he wrote mostly in Lithuanian and some of his many works are only now being translated into English. This successor volume to his Aesthetics collects eight noteworthy essays, ranging from the scholarly to the popular, on aesthetics, aesthetic education, national culture, and theory of knowledge. They reveal a sympathetic and responsive mind equally at home in Ancient Greek and modern French, German, and Russian philosophy; and capable both of untendentiously expounding their dominant ideas and fruitfully anticipating newer developments even as the latter began to take shape in early-to-mid-20th-century Western European philosophy. Hallmarks of Sesemann's thought are the Heraclitean preference for becoming (dynamism, change) over being (stasis, timelessness) and the idea that any culture, in order to survive and grow, must be intellectually deep and open to foreign influences. This insight has crucial relevance to the debates about multiculturalism today.

This volume presents the first book-length study devoted to the discussion and relevance of the notion of 'ecology' within the frame-work and 'ontology' of the philosophy of Gilles Deleuze and Felix Guattari from various positions within Cultural Studies and Sciences.

There are many many books on Wittgenstein, and some will address subjects that overlap with our book--but our book has a specific focus on trying to evaluate Wittgenstein's thoughts on the mind, on meaning and philosophy and see how they stand up to critisicms by contemporary philosophers, and to ask the question - was he wrong?

This unique collection of articles on emotion by Wittgensteinian philosophers provides a fresh perspective on the questions framing the current philosophical and scientific debates about emotions and offers significant insights into the role of emotions for understanding interpersonal relations and the relation between emotion and ethics.

An Introduction to Modern European Philosophy, contains scholarly but accessible essays by nine British academics on Hegel, Schopenhauer, Kierkegaard, Marx, Nietzsche, Husserl, Heidegger, Sartre, Simone de Beauvoir, Maritain, Hannah Arendt, Habermas, Foucault, and the 'Events' of 1968. Written for English-speaking readers, it describes the varied traditions within 19th- and 20th-century European philosophy, reflecting the dynamism and plurality within the European tradition and presenting opposing points of view. It deals with both French and German philosophers, plus Kierkegaard, and is not confined to any one school of thought. It has been purged of jargon but contains a glossary of important technical terms. There is a bibliography of further reading and website information at the end of each chapter.

One of the earliest and most influential treatises on the subject of this volume is Aristotle's Categories. Aristotle's title is a form of the Greek verb for speaking against or submitting an accusation in a legal proceeding. By the time of Aristotle, it also meant: to signify or to predicate. Surprisingly, the "predicates" Aristotle talks about include not only bits of language, but also such nonlinguistic items as the color white in a body and the knowledge of grammar in a man's soul. (Categories I/ii) Equally surprising are such details as Aristotle's use of the terms 'homonymy' and 'synonymy' in connection with things talked about rather than words used to talk about them. Judging from the evidence in the Organon, the Metaphysics, and elsewhere, Aristotle was both aware of and able to mark the distinction between using and men tioning words; and so we must conclude that in the Categories, he was not greatly concerned with it. For our purposes, however, it is best to treat the term 'predication' as if it were ambiguous and introduce some jargon to disambiguate it. Code, Modrak, and other authors of the essays which follow use the terms 'linguistic predication' and 'metaphysical predication' for this."

Many contemporary philosophers assume that, before one can discuss prayer, the question of whether there is a God or not must be settled. In this title, first published in 1965, D. Z. Phillips argues that to understand prayer is to understand what is meant by the reality of God. Beginning by placing the problem of prayer within a philosophical context, Phillips goes on to discuss such topics as prayer and the concept of talking, prayer and dependence, superstition and the concept of community. This is a fascinating reissue that will be of particular value to students with an interest in the philosophy of religion, prayer and religious studies more generally.