"At last, Russia has begun to speak in a truly original voice." So said Anatoly Vaneev, a Soviet dissident who became Karsavin's disciple in the Siberian gulag where the philosopher spent his last two years. The book traces the unusual trajectory of this inspiring voice: Karsavin started his career as Russia's brightest historian of Catholic mysticism; however, his radical methods - which were far ahead of their time - shocked his conservative colleagues. The shock continued when Karsavin turned to philosophy, writing flamboyant and dense essays in a polyphonic style, which both Marxists and religious traditionalists found provocative. There was no let-up after he was expelled by Lenin from Soviet Russia: in exile, he became a leading theorist in the Eurasian political movement, combining Orthodox theology with a left-wing political orientation. Finally, Karsavin found stability when he was invited to teach history in Lithuania: there he spent twenty years reworking his philosophy, before suffering the German and Soviet invasions of his new homeland, and then deportation and death. Clearing away misunderstandings and putting the work and life in context, this book shows how Karsavin made an original contribution to European philosophy, inter-religious dialogue, Orthodox and Catholic theology, and the understanding of history.

This is a fascinating examination of the relation between absence and chance in Derrida's work and through that a re-examination of the relation between war and literature. "Derrida, Literature and War" argues for the importance of the relation between absence and chance in Derrida's work in thinking today about war and literature. Sean Gaston starts by marking Derrida's attempts to resist the philosophical tradition of calculating on absence as an assured resource, while insisting on the (mis)chances of the chance encounter. Gaston re-examines the relation between the concept of war and the chances of literature by focusing on narratives of conflict set during the Napoleonic wars. These chance encounters or duels can help us think again about the sovereign attempt to leave the enemy nameless or to name what cannot be named in the midst of wars without end. His study includes new readings of a range of writers, including Aristotle, Hume, Rousseau, Schiller, Clausewitz, Thackeray, Tolstoy, Conrad, Freud, Heidegger, Blanchot, Foucault, Deleuze and Agamben. Offering an authoritative reading of Derrida's oeuvre and new insights into a range of writers in philosophy and literature, this is a timely and ambitious study of philosophy, literature, politics and ethics. "The Philosophy, Aesthetics and Cultural Theory" series examines the encounter between contemporary Continental philosophy and aesthetic and cultural theory. Each book in the series explores an exciting new direction in philosophical aesthetics or cultural theory, identifying the most important and pressing issues in Continental philosophy today.

Ludwig Wittgenstein's Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein's early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate 'ineffable' truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain 'illusions of thought'; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character. By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work's ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein's writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

In this brief and accessible introduction, Russell guides the reader through his famous 1910 distinction between "knowledge by acquaintance and knowledge by description" and introduces important theories of Plato, Aristotle, Descartes, Hume, Locke, Kant, Hegel and others. He lays the foundation for philosophical inquiry for general readers and scholars.There are sixteen chapters: Appearance and Reality, The Existence of Matter, The Nature of Matter, Idealism, Knowledge by Acquaintance and Knowledge by Description, On Induction, On Our Knowledge Of General Principles, How A Priori Knowledge Is Possible, The World of Universals, On Our Knowledge of Universals, On Intuitive Knowledge, Truth and Falsehood, Knowledge, Error, and Probable Opinion, The Limits of Philosophical Knowledge, The Value of Philosophy. Russell also provides a short supplementary reading list.

Critical Semiotics provides long overdue answers to questions at the junction of information, meaning and 'affect'. The affective turn in cultural studies has received much attention: a focus on the pre-individual bodily forces, linked to automatic responses, which augment or diminish the body's capacity to act or engage with others. In a world dominated by information, how do things that seem to have diminished meaning or even no meaning still have so much power to affect us, or to carry on our ability to affect the world? Linguistics and semiotics have been accused of being adrift from the affective turn and not accounting for these visceral forces beneath or generally other from conscious knowing. In this book, Gary Genosko delivers a detailed refutation, with analyses of specific contributions to critical semiotic approaches to meaning and signification. People want to understand how other people are moved and to understand embodied social actions, feelings and passions at the same time as understanding how this takes place. Semiotics must make the affective turn.

This book offers a concise and accessible introduction to his work and thought, ideal for students coming to his philosophy for the first time. John Searle is one of the most important and influential analytic philosophers working today. He has made significant contributions to the fields of the philosophy of language and the philosophy of mind. This concise and accessible book provides a critical review of Searle's philosophical themes. While Searle began his career as a philosopher of language, this book proceeds thematically, starting with a review of Searle's general ontological commitments. His conception of the mental is then located within that general framework. A theory of intentionality sets the stage for Searle's accounts of action, rationality, freedom, language, and social reality. Searle weaves together this broad array of topics by means of a set of theoretical and methodological assumptions. Part of the task of this book is to articulate some of those unifying tendencies, while locating Searle within the history of analytic philosophy. In addition to comparing Searle's views to those of his interlocutors, the book also attempts to identify changes in those views, as articulated over the course of Searle's career. "The Continuum Contemporary American Thinkers" series offers concise and accessible introductions to the most important and influential thinkers at work in philosophy today. Designed specifically to meet the needs of students and readers encountering these thinkers for the first time, these informative books provide a coherent overview and analysis of each thinker's vital contribution to the field of philosophy. The series is the ideal companion to the study of these most inspiring and challenging of thinkers.

This volume features essays that detail the distinctive ways authors and researchers in Spanish speaking countries express their thoughts on contemporary philosophy of technology. Written in English but fully capturing a Spanish perspective, the essays bring the views and ideas of pioneer authors and many new ones to an international readership. Coverage explores key topics in the philosophy of technology, the ontological and epistemological aspects of technology, development and innovation, and new technological frontiers like nanotechnology and cloud computing. In addition, the book features case studies on philosophical queries. Readers will discover such voices as Miguel Angel Quintanilla and Javier Echeverria, who are main references in the current landscape of philosophy of technology both in Spain and Spanish speaking countries; Jose Luis Lujan, who is a leading Spanish author in research about technological risk; and Emilio Munoz, former head of the Spanish National Research Council and an authority on Spanish science policy. The volume also covers thinkers in American Spanish speaking countries, such as Jorge Linares, an influential researcher in ethical issues; Judith Sutz, who has a very recognized work on social issues concerning innovation; Carlos Osorio, who focuses his work on technological determinism and the social appropriation of technology; and Diego Lawler, an important researcher in the ontological aspects of technology.

The International Kierkegaard Commentary-For the first time in English the world community of scholars systematically assembled and presented the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian. This is volume 9 & 10 in a series of commentaries based upon the definitive translations of Kierkegaard's writings published by Princeton University Press, 1980ff.

This engaging and wide-ranging collection of essays is informed and unified by the conviction that philosophy can, and should, engage with real-world issues. Susan Haack's keen analytical skills and well-chosen illustrations illuminate a diverse range of cultural questions; and her direct style and wry sense of humor make complex ideas and subtle distinctions accessible to serious readers whatever their discipline or particular interests. "Putting Philosophy to Work" will appeal not only to philosophers but also to thoughtful scientists, economists, legal thinkers, historians, literary scholars, and humanists.
This new, expanded second edition includes several previously unpublished essays: a devastating critique of Karl Popper's highly (and dangerously) influential philosophy of science; a searching and thought-provoking analysis of scientism; and a groundbreaking paper on "academic ethics in a preposterous environment" that every professor, and would-be professor, should read.

Essays, articles, artworks, and documents taken from and inspired by the symposium on Reza Negarestani's Cyclonopedia: Complicity with Anonymous Materials, which took place on 11 March 2011 at The New School. Hailed by novelists, philosophers, artists, cinematographers, and designers, Cyclonopedia is a key work in the emerging domains of speculative realism and theory-fiction. The text has attracted a wide-ranging and interdisciplinary audience, provoking vital debate around the relationship between philosophy, geopolitics, geophysics, and art. At once a work of speculative theology, a political samizdat, and a philosophic grimoire, Cyclonopedia is a Deleuzo-Lovecraftian middle-eastern Odyssey populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, and the corpses of ancient gods. Playing out the book's own theory of creativity - "a confusion in which no straight line can be traced or drawn between creator and created - original inauthenticity" (191) - this multidimensional collection both faithfully interprets the text and realizes it as a loving, perforated host of fresh heresies. The volume includes an incisive contribution from the author explicating a key figure of the novel: the cyclone. CONTENTS: Robin Mackay, "A Brief History of Geotrauma" - McKenzie Wark, "An Inhuman Fiction of Forces" - Benjamin H. Bratton, "Root the Earth: On Peak Oil Apophenia" - Alisa Andrasek, "Dustism" - Zach Blas, "Queerness, Openness" - Melanie Doherty, "Non-Oedipal Networks and the Inorganic Unconscious" - Anthony Sciscione, "Symptomatic Horror: Lovecraft's 'The Colour Out of Space'" - Kate Marshall, "Cyclonopedia as Novel (a meditation on complicity as inauthenticity)" - Alexander R. Galloway, "What is a Hermeneutic Light?" - Eugene Thacker, "Black Infinity; or, Oil Discovers Humans" - Nicola Masciandaro, "Gourmandized in the Abattoir of Openness" - Dan Mellamphy & Nandita Biswas Mellamphy, "Phileas Fogg, or the Cyclonic Passepartout: On the Alchemical Elements of War" - Ben Woodard, "The Untimely (and Unshapely) Decomposition of Onto-Epistemological Solidity: Negarestani's Cyclonopedia as Metaphysics" - Ed Keller, ." . .Or, Speaking with the Alien, a Refrain. . ." - Lionel Maunz, "Receipt of Malice" - Oyku Tekten, "Symposium Photographs" - Reza Negarestani, "Notes on the Figure of the Cyclone" punctumbooks.com

This book offers a fascinating account of Heidegger's middle and later thought."Heidegger and Philosophical Atheology" offers an important new reading of Heidegger's middle and later thought. Beginning with Heidegger's early dissertation on the doctrine of categories in Duns Scotus, Peter S. Dillard shows how Heidegger's middle and later works develop a philosophical anti-theology or 'atheology' that poses a serious threat to traditional metaphysics, natural theology and philosophy of religion.Drawing on the insights of Scholastic thinkers such as St Thomas Aquinas and Duns Scotus, the book reveals the problematic assumptions of Heideggerian 'atheology' and shows why they should be rejected. Dillard's critique paves the way for a rejuvenation of Scholastic metaphysics and reveals its relevance to some contemporary philosophical disputes. In addition to clarifying the question of being and explaining the role of phenomenology in metaphysics, Dillard sheds light on the nature of nothingness, necessity and contingency. Ultimately the book offers a revolutionary reorientation of our understanding, both of the later Heidegger and of the legacy of Scholasticism.

Several of Descarte's most ground-breaking essays and philosophic treatises are contained in this quality edition. Written by Ren Descartes in the 17th century and counted among the first great philosophic works of Enlightenment era, these papers contain the philosopher's thoughts on physical objects, presence and being. Descartes describes a series of vivid dreams which, for their realism, leave him in doubt as to whether he does indeed possess a body or whether it is merely an illusion. Descartes reflects upon the nature of dreams, and wonders whether their strangeness is not a consequence of God playing a trick with his mind. Discounting God as the culprit, Descartes instead places responsibility of the illusion of reality at the feet of a 'malignant demon'. The translations present in this edition were composed by the Scottish poet and scholar of philosophy John Vietch, whose academic career at The University of St. Andrews in Fife provided a firm grounding in the philosophic disciplines.

Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what music is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. A fascinating idea which recurs throughout the book is that philosophers allow for a sort of a secret kinship between music and philosophy, as means to reveal complementary aspects of truth.

The Philosophy of Philip Kitcher contains eleven chapters on the work of noted philosopher Philip Kitcher, whose work is known for its broad range and insightfulness. Topics covered include philosophy of science, philosophy of biology, philosophy of mathematics, ethics, epistemology, and philosophy of religion. Each of the chapters is followed by a reply from Kitcher himself. This first significant edited volume devoted to examining Kitcher's work is an essential reference for anyone interested in understanding this important philosopher.

This book presents an anti-intellectualist view of how the cognitive-mental dimension of human intellect is rooted in and interwoven with our embodied-internal components including emotion, perception, desire, etc., by investigating practical forms of thinking such as deliberation, planning, decision-making, etc. With many thought-provoking statements, the book revises some classical notions of rationality with new interpretation: we are "rational animals", which means we have both rational capabilities, such as calculation, evaluation, justification, etc., and more animal aspects, like desire, emotion, and the senses. According to the traditional position of rationalism, we use well-grounded reason as the fundamental basis of our actions. But this book argues that we simply perform our practical intellect intuitively and spontaneously, just like playing music. By this the author turns the dominant metaphor of "architecture" in understanding of human rationality to that of "music-playing". This book presents a groundbreaking and compelling critique of today's pervasively reflective-intellectual culture, just as Bernard Williams, Charles Taylor and other philosophers diagnose, and makes any detached notion of rationality and formalized understanding of human intellect highly problematic.Methodologically, it not only reconciles the phenomenological-hermeneutic tradition with analytical approaches, but also integrates various theories, such as moral psychology, emotional studies, action theory, decision theory, performativity studies, music philosophy, tacit knowledge, collective epistemology and media theory. Further, its use of everyday cases, metaphors, folk stories and references to movies and literature make the book easy to read and appealing for a broad readership.

This volume documents the 17th Munster Lectures in Philosophy with Susan Haack, the prominent contemporary philosopher. It contains an original, programmatic article by Haack on her overall philosophical approach, entitled 'The Fragmentation of Philosophy, the Road to Reintegration'. In addition, the volume includes seven papers on various aspects of Haack's philosophical work as well as her replies to the papers. Susan Haack has deeply influenced many of the debates in contemporary philosophy. In her vivid and accessible way, she has made ground-breaking contributions covering a wide range of topics, from logic, metaphysics and epistemology, to pragmatism and the philosophy of science and law. In her work, Haack has always been very sensitive in detecting subtle differences. The distinctions she has introduced reveal what lies at the core of philosophical controversies, and show the problems that exist with established views. In order to resolve these problems, Haack has developed some 'middle-course approaches'. One example of this is her famous 'Foundherentism', a theory of justification that includes elements from both the rival theories of Foundationalism and Coherentism. Haack herself has offered the best description of her work calling herself a 'passionate moderate'.

In Moral Creativity, John Wall argues that moral life and thought are inherently and radically creative. Human beings are called by their own primordially created depths to exceed historical evil and tragedy through the ongoing creative transformation of their world. This thesis challenges ancient Greek and biblical separations of ethics and poetic image-making, as well as contemporary conceptions of moral life as grounded in abstract principles or preconstituted traditions. Taking as his point of departure the poetics of the will of Paul Ricoeur, and ranging widely into critical conversations with Continental, narrative, feminist, and liberationist ethics, Wall uncovers the profound senses in which moral practice and thought involve tension, catharsis, excess, and renewal. In the process, he draws new connections between sin and tragedy, practice and poetics, and morality and myth. Rather than proposing a complete ethics, Moral Creativity is a meta-ethical work investigating the creative capability as part of what it means, morally, to be human. This capability is explored around four dimensions of ontology, teleology, deontology, and social practice. In each case, Wall examines a traditional perspective on the relation of ethics to poetics, critiques it using resources from contemporary phenomenology, and develops a conception of a more original poetics of moral life. In the end, moral creativity is a human capability for inhabiting tensions among others and in social systems and, in the image of a Creator, creating together an ever more radically inclusive moral world.

This book draws the philosophical contribution of Martin Heidegger together with theological-spiritual insights from the East, especially that of Nikolai Berdyaev. Thus, it brings into dialogue the West with the East, and philosophy with theology. By doing so, it offers Christian theology an existential-spiritual language that is relevant and meaningful for the contemporary reader. In particular, the work explores Heidegger's 'being towards death' (Sein zum Tode) as the basis for theological-philosophical thinking. Only the one who embraces 'being towards death' has the courage to think and poetize. This thinking, in turn, makes 'being towards death' possible, and in this circular movement of thinking and being, the mystery of being reveals itself and yet remains hidden. Since the work aims at demonstrating 'being towards death' through language, it transitions away from the common formulations and traditionally accepted ways of writing (dogmatic) theology towards an original, philosophical reflection on faith and spirituality. At different points, however, the work also retrieves the profound thoughts and theologies of the past, the insightful creativity of which cannot be denied.

For centuries debates about reason and its Other have animated and informed philosophy, art, science and politics throughout Western civilization - but nowhere, arguably as deeply and turbulently as in Germany. Reason, the legacy of the Enlightenment, has been claimed, rejected and redefined by influential German thinkers from Kant to Nietzsche to Habermas. In our own time - more than 200 years after Kant's Critique of Pure Reason - the status of reason and the irrational, what is and what should be excluded from reason, what qualifies as a critique of reason, are all still central philosophical issues in Germany as well as throughout the West.

"Contemporary Caribbean Writing and Deleuze" maps a new intellectual and literary history of postcolonial Caribbean writing and thought spanning from the 1930s surrealist movement to the present, crossing the region's language blocs, and focused on the interconnected principles of creativity and commemoration. Exploring the work of Rene Menil, Edouard Glissant, Wilson Harris, Derek
Walcott, Antonio Benitez-Rojo, Pauline Melville, Robert Antoni and Nalo Hopkinson, this study reveals the explicit and implicit engagement with Deleuzian thought at work in contemporary Caribbean writing.Uniting for the first time two major schools of contemporary thought - postcolonialism and post-continental philosophy - this study establishes a new and innovative critical discourse for Caribbean studies and postcolonial theory beyond the oppositional dialectic of colonizer and colonized. Drawing
from Deleuze's writings on Bergson, Nietzsche and Spinoza, this study interrogates the postcolonial tropes of newness, becoming, relationality and a philosophical concept of immanence that lie at the heart of a little-observed dialogue between contemporary Caribbean writers and Deleuze.

Michael Payne introduces the principal writings of Roland Barthes, Michael Foucault and Louis Althusser by means of a detailed focus on their common interest in the forms and conditions of knowledge. His careful reading reveals their profound commitment to a critical understanding of how truth, meaning, and value are constituted in language and in non-verbal texts.

In his first three chapters, Payne examines in considerable detail brief texts by Barthes, Foucault, and Althusser that seem to be their own strategically designed introductions to their projects. The next three chapters take up the most important books by each of these writers: Foucault's "The Order of Things," Barthes's "S/Z," and Althusser's "Reading Capital." Chapter 7 examines a specific text by each author writing on one of the visual arts, in an effort to investigate the assumption that knowledge - whether as theory, enlightenment, vision, illumination, or insight - is in some sense visual. The last chapter briefly examines the work of Gilles Deleuze.

Payne writes here with the same lucidity and acuity to be found in his highly successful companion to this volume, "Reading Theory: An Introduction to Lacan, Derrida, and Kristeva" (1993).