This book upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno - not least amongst them, his supposed fatalism. Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today. On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world - above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God. By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.

Michael Payne introduces the principal writings of Roland Barthes, Michael Foucault and Louis Althusser by means of a detailed focus on their common interest in the forms and conditions of knowledge. His careful reading reveals their profound commitment to a critical understanding of how truth, meaning, and value are constituted in language and in non-verbal texts.

In his first three chapters, Payne examines in considerable detail brief texts by Barthes, Foucault, and Althusser that seem to be their own strategically designed introductions to their projects. The next three chapters take up the most important books by each of these writers: Foucault's "The Order of Things," Barthes's "S/Z," and Althusser's "Reading Capital." Chapter 7 examines a specific text by each author writing on one of the visual arts, in an effort to investigate the assumption that knowledge - whether as theory, enlightenment, vision, illumination, or insight - is in some sense visual. The last chapter briefly examines the work of Gilles Deleuze.

Payne writes here with the same lucidity and acuity to be found in his highly successful companion to this volume, "Reading Theory: An Introduction to Lacan, Derrida, and Kristeva" (1993).

The volume collects papers on central aspects of Alexius Meinong's Gegenstandstheorie (Theory of Objects) and its transformation in contemporary logic, semantics and ontology covering the impact of his views on grasping and representation, the status of nonexistent or inconsistent objects and their incorporation in theories like Noneism and Possible-World-Semantics. In addition it presents studies on Meinong's notion of probability and on Auguste Fischer, a student and collaborator of Meinong.

As an analyst, philosopher and militant, Felix Guattari anticipated decentralized forms of political activism that have become increasingly evident around the world since the events of Seattle in 1999. Lines of Flight offers an exciting introduction to the sometimes difficult and dense thinking of an increasingly important 20th century thinker. An editorial introduction by Andrew Goffey links the text to Guattari's long-standing involvement with institutional analysis, his writings with Deleuze, and his consistent emphasis on the importance of group practice - his work with CERFI in the early 1970s in particular. Considering CERFI's work on the 'genealogy of capital' it also points towards the ways in which Lines of Flight anticipates Guattari's later work on Integrated World Capitalism and on ecosophy. Providing a detailed and clearly documented account of his micropolitical critique of psychoanalytic, semiological and linguistic accounts of meaning and subjectivity, this work offers an astonishingly fresh set of conceptual tools for imaginative and engaged thinking about capitalism and effective forms of resistance to it.

This book is the first collection of essays to discuss Oscar Wilde's love and vast knowledge of philosophy. Over the past few decades, Oscar Wilde scholars have become increasingly aware of Wilde's love and intimate knowledge of philosophy. Wilde's "Oxford Notebooks" and his soon-to-be-published "Notebook on Philosophy" all point to Wilde not just as an aesthete, but also as a serious philosophical thinker. The aim of this collection is not to make the statement that Wilde was a philosopher, or that his works were philosophical tracts. Rather, it provides a space to explore any and all linkages between Wilde's works and philosophical thought. Addressing a broad spectrum of philosophical matter, from classical philology to Daoism, ethics to aestheticism, this collection enriches the literature on Wilde and philosophy alike.

Derrida's work is controversial, its interpretation hotly contested. Derrida: Ethics Under Erasure offers a new way of thinking about ethics from a Derridean perspective, linking the most abstract theoretical implications of his writing on deconstruction and on justice and responsibility to representations of the practice of ethical paradoxes in everyday life. The book presents the development of Derrida's thinking on ethics by demonstrating that the ethical was a focus of Derrida's work at every stage of his career. In connecting Derrida's earlier work on language with the ethics implicated in his later work on justice and responsibility, Nicole Anderson traverses literary, linguistic, philosophical and ethical interpretative movements, thus recontextualising Derrida's entire oeuvre for a contemporary readership. She explores the positive ethical implications of Derrida's work for representation and practice and asks the reader to consider how this new ethical reading of Derrida's work might be applied to concrete instances of his or her own ethical experience.

This book provides the first comprehensive account of Hume's conception of objects in Book I of "A" "Treatise of Human Nature." What, according to Hume, are objects? Ideas? Impressions? Mind-independent objects? All three? None of the above? Through a close textual analysis, Rocknak shows that Hume thought that objects are imagined ideas. But, she argues, he struggled with two accounts of how and when we imagine such ideas. On the one hand, Hume believed that we always and universally imagine that objects are the causes of our perceptions. On the other hand, he thought that we only imagine such causes when we reach a "philosophical" level of thought. This tension manifests itself in Hume's account of personal identity; a tension that, Rocknak argues, Hume acknowledges in the Appendix to the "Treatise." As a result of Rocknak's detailed account of Hume's conception of objects, we are forced to accommodate new interpretations of, at least, Hume's notions of belief, personal identity, justification and causality.

This is the first collection of original essays entirely devoted to a detailed study of the Pyrrhonian tradition. The twelve contributions collected in the present volume combine to offer a historical and systematic analysis of the form of skepticism known as "Pyrrhonism". They discuss whether the Pyrrhonist is an ethically engaged agent, whether he can claim to search for truth, and other thorny questions concerning ancient Pyrrhonism; explore its influence on certain modern thinkers such as Pierre Bayle and David Hume; and examine Pyrrhonian skepticism in relation to contemporary analytic philosophy.

This book challenges liberals and conservatives alike. Hook pierces to the heart of momentous issues: human rights, racial equality, cultural freedom, and the separation of ethical behaviour from religious belief.

In a short chapter of the Critique of Practical Reason entitled "On the Typic of the Pure Practical Power of Judgment," Kant addresses a crucial problem facing his theory of moral judgment: How can we represent the supersensible moral law so as to apply it to actions in the sensible world? Despite its importance to Kant's project, previous studies of the Typic have been fragmentary, disparate, and contradictory. This book provides a detailed commentary on the Typic, elucidating how it enables moral judgment by means of the law of nature, which serves as the 'type', or analogue, of the moral law. In addition, the book situates the Typic, both historically and conceptually, within Kant's theory of symbolic representation. While many commentators have assimilated the Typic to the aesthetic notion of 'symbolic hypotyposis' in the third Critique, the author contends that it has greater continuities with the theoretical notion of 'symbolic anthropomorphism' in the Prolegomena. As the first comprehensive, book-length study of the Typic that critically engages with the secondary literature, this monograph fills an important gap in the research on Kant's ethics and aesthetics and provides a starting point for further inquiry and debate.

The Metaphysical Presuppositions of Being-in-the-World brings St. Thomas Aquinas and Martin Heidegger into dialogue and argues for the necessity of Christian philosophy. Through the confrontation of Heideggerian and Thomist thought, it offers an original and comprehensive rethinking of the nature of temporality and the origins of metaphysical inquiry. The book is a careful treatment of the inception and deterioration of the four-fold presuppositions of Thomistic metaphysics: intentionality, causality, finitude, ananke stenai. The analysis of the four-fold has never before been done and it is a central and original contribution of Gilson's book. The four-fold penetrates the issues between the phenomenological approach and the metaphysical vision to arrive at their core and irreconcilable difference. Heidegger's attempt to utilize the fourfold to extrude theology from ontology provides the necessary interpretive impetus to revisit the radical and often misunderstood metaphysics of St. Thomas, through such problems as aeviternity, non-being and tragedy.

How can we take history seriously as real and relevant? Despite the hazards of politically dangerous or misleading accounts of the past, we live our lives in a great network of cooperation with other actors; past, present, and future. We study and reflect on the past as a way of exercising a responsibility for shared action. In each of the chapters of Full History Smith poses a key question about history as a concern for conscious participants in the sharing of action, starting with "What Is Historical Meaningfulness?" and ending with "How Can History Have an Aim?" Constructing new models of historical meaning while engaging critically with perspectives offered by Ranke, Dilthey, Rickert, Heidegger, Eliade, Sartre, Foucault, and Arendt, Smith develops a philosophical account of thinking about history that moves beyond postmodernist skepticism. Full History seeks to expand the cast of significant actors, establishing an inclusive version of the historical that recognizes large-scale cumulative actions but also encourages critical revision and expansion of any paradigm of shared action.

This book is the first critical genealogy of Jacques Derrida's philosophy of technology. It traces the evolution of what Derrida calls "originary technicit"' via an appraisal of his own philosophy of technology together with that of key interlocutors including Marx, Freud, Lacan, Heidegger and Bernard Stiegler.

This book presents a posthumous collection of previously uncollected works of political theory written by Whittle Johnston. Johnston believed that both the liberal tradition of political thought and the realist tradition of international thought had contributed much to humanity's store of political wisdom, but that each had limitations that could most easily be recognized by its encounter with the other. His method of accomplishing this task was to examine the liberal conception of political life in general and international political life in particular and then to explore the realist critique of the liberal view, particularly as it was expressed by three great twentieth-century realist thinkers, all of whom were, in their various ways, skeptical of liberal assumptions: Reinhold Niebuhr, Hans Morgenthau, and E. H. Carr. In doing so, Johnston reveals the power of the realist outlook, but also the areas in which it remains insufficient, and insufficient particularly where it underestimates the complexity and prudence that liberalism is capable of displaying. There have been studies of both liberalism and realism, but no other work has put them into conversation with each other in the way that this book does.

Professors Murphy and Choi use postmodern philosophy to expose an important source of racism and cultural domination. They examine foundationalism, which they see at the core of the Western intellectual tradition and which is shown to foster a metaphysics of domination. By contrast, postmodernism undermines this root of racism.

They demonstrate that foundationalism is not needed to support identity, institutions, or political order. Indeed, they assert that true pluralism is possible once foundationalist approaches to knowledge and order are set aside. Special attention is directed to two current modes of discrimination: institutional racism and symbolic violence. Murphy and Choi provide an intriguing look at ways to undercut the justification for racism and other threats to cultural difference. This volume will be of particular interest to scholars and other researchers in the areas of race relations, cultural studies, and political theory.

Despite the recent upsurge of interest in Theodor Adorno's work, his literary writings remain generally neglected. Yet literature is a central element in his aesthetic theory. Building on the current emergent interest in modern philosophical aesthetics, this book offers a wide-ranging account of the literary components of Adorno's thinking. Bringing together original essays from a distinguished international group of contributors, it offers the reader a user-friendly path through the major areas of Adorno's work in this area. It is divided into three sections, dealing with the concept of literature, with poetry and poetics, and with modernity, drama and the novel respectively. At the same time, the book provides a clear sense of the unique qualities of Adorno's philosophy of literature by critically relating his work to a number of other influential theorists and theories including contemporary postmodernist thought and cultural studies.

This volume brings together critical review papers, many specially commissioned, on key themes and questions in the work of the political scientist, philosopher and religious thinker Eric Voegelin (1901-1985). Areas covered include: (1) Political science: 'Political Religions': manifestations in Nazi Germany and in contemporary European and North American nationalism; (2) International relations: the 'Cold War' in critical perspective; (3) Philosophy: Plato and Aristotle in the reading of Eric Voegelin: contemporary assessments; (4) Sociology: Correspondence of Voegelin and Alfred Sch++tz; (5) New Testament studies and Christology: questions and developments for Voegelin's interpretations; (6) Old Testament studies: questions and developments from Voegelin's Israel and Revelation; (7) Historical sociology: Revelation and order in axial-age societies; (8) Philosophy of history: Voegelin and Toynbee in contrast; (9) Literary studies: Voegelin in contrast with contemporary literary theory; critical readings of Milton, Greek tragedy.

The papers in this volume present some of the most recent results of the work about contradictions in philosophical logic and metaphysics; examine the history of contradiction in crucial phases of philosophical thought; consider the relevance of contradictions for political and philosophical actuality. From this consideration a common question emerges: the question of the irreducibility, reality and productive force of (some) contradictions.

This book presents a systematic reconstruction of Leibniz's dynamics project (c. 1676-1700) that contributes to a more comprehensive understanding of the concepts of physical causality in Leibniz's work and 17th century physics. It argues that Leibniz's theory of forces privileges the causal relationship between structural organization and physical phenomena instead of body-to-body mechanical causation. The mature conception of Leibnizian force is not the power of one body to cause motion in another, but a kind of structural causation related to the configuration of integral systems of bodies in physical evolution. By treating the immanent philosophy of Leibniz's dynamics, this book makes explicit the systematic aims and inherent limits of Leibniz's physical project, in addition to providing an alternative vision of the scientific understanding of the physical world in the late 17th and early 18th century.

How can we invent new certain knowledge in a methodical manner? This question stands at the heart of Salomon Maimon's theory of invention. Chikurel argues that Maimon's contribution to the ars inveniendi tradition lies in the methods of invention which he prescribes for mathematics. Influenced by Proclus' commentary on Elements, these methods are applied on examples taken from Euclid's Elements and Data. Centering around methodical invention and scientific genius, Maimon's philosophy is unique in an era glorifying the artistic genius, known as Geniezeit. Invention, primarily defined as constructing syllogisms, has implications on the notion of being given in intuition as well as in symbolic cognition. Chikurel introduces Maimon's notion of analysis in the broader sense, grounded not only on the principle of contradiction but on intuition as well. In philosophy, ampliative analysis is based on Maimon's logical term of analysis of the object, a term that has yet to be discussed in Maimonian scholarship. Following its introduction, a new version of the question quid juris? arises. In mathematics, Chikurel demonstrates how this conception of analysis originates from practices of Greek geometrical analysis.

Is self-consciousness a condition of possibility for knowledge? Does Kant's theory of self-consciousness commit us to transcendental idealism? How convincing is Kant's theory of self-consciousness? How should we understand transcendental idealism? What is Hegel's alternative? How do Kant and Hegel conceive of the beautiful? How do their conceptions of beauty relate to their metaphysics? In this volume, some of the world's most renowned Kant and Hegel scholars seek to provide answers.