Many scholars and church leaders believe that music and worship style are essential in stimulating diversity in congregations. Gerardo Marti draws on interviews with more than 170 congregational leaders and parishioners, as well as his experiences participating in worship services in a wide variety of Protestant, multiracial Southern Californian churches, to present this insightful study of the role of music in creating congregational diversity.
Worship across the Racial Divide offers a surprising conclusion: that there is no single style of worship or music that determines the likelihood of achieving a multiracial church. Far more important are the complex of practices of the worshipping community in the production and absorption of music. Multiracial churches successfully diversify by stimulating unobtrusive means of interracial and interethnic relations; in fact, preparation for music apart from worship gatherings proves to be just as important as its performance during services. Marti shows that aside from and even in spite of the varying beliefs of attendees and church leaders, diversity happens because music and worship create practical spaces where cross-racial bonds are formed.
This groundbreaking book sheds light on how race affects worship in multiracial churches. It will allow a new understanding of the dynamics of such churches, and provide crucial aid to church leaders for avoiding the pitfalls that inadvertently widen the racial divide.

The Church in Act explores the dynamics of ecclesial and liturgical theology, examining the body of Christ in action. Maxwell E. Johnson, one of the premier liturgical specialists in the field, provides in this volume historical and doctrinal thinking on a diversity of liturgical subjects under the umbrella of Lutheran liturgical theology and in ecumenical conversation. The topics under consideration range from baptismal spirituality to Eucharistic concerns, including real presence, pneumatology, and reservation; discussions on what constitutes liturgical normativity, the diverse hermeneutical approaches to the Revised Common Lectionary, and the place of Mary in ecumenical dialogue and culture (especially Latino-Hispanic); issues of full communion based on a liturgical reading of the Augsburg Confession VII; and specific questions related to liturgy and ecumenism today in light of recent translation changes in Roman Catholic practice. Together, the volume offers a robust account of the liturgical, sacramental, and spiritual practices of the church for scholars.

The Cross of Reality investigates Bonhoeffer's interpretation and use of Luther's theology in shaping his Christology. In this essay, H. Gaylon Barker uses the "theology of the cross" as a key to understanding the characteristic elements that make up Bonhoeffer's theology; he also shows how Bonhoeffer's conversation with his teachers and contemporaries, Karl Holland Karl Barth in particular, develops. Bonhoeffer's thought was indeed radical and revolutionary, but it was so precisely because of its adherence to the classical traditions of the church, especially Luther's theologia crucis. When his theology is understood in light of this tradition, his "nonreligious interpretation," which he set out to describe in his theological letters from Tegel prison, is not a radical departure from his earlier theology, but is the mature expression of his "theology of the cross." Bonhoeffer's Lutheran roots would not allow him to turn his back on the problems and tragedies of the world. In fact, because God had turned toward the world, had entered into the world and identified with suffering individuals, the only proper sphere for theological reflection was this world. Theology properly conceived, therefore, is very this-worldly. It is this worldly character that gives it its power to speak.

The Bohemian preacher and religious reformer Jan Hus has been celebrated as a de facto saint since being burned at the stake as a heretic in 1415. Patron Saint and Prophet analyzes Hus's commemoration from the time of his death until the middle of the following century, tracing the ways in which both his supporters and his most outspoken opponents sought to determine whether he would be remembered as a heretic or saint. Phillip Haberkern examines how specific historical conflicts and exigencies affected the evolution of Hus's memoryawithin the militant Hussite movement that flourished until the mid-1430s, within the Czech Utraquist church that succeeded it, and among sixteenth-century Lutherans who viewed Hus as a forerunner and even prophet of their reform. Using close readings of written sources such as sermons and church histories, visual media including manuscript illuminations and monumental art, and oral forms of discourse such as vernacular songs and liturgical prayers, this book offers a fascinating account of how changes in media technology complemented the shifting theology of the cult of saints in order to shape early modern commemorative practices. By focusing on the ways in which the invocation of Hus catalyzed religious dissent within two distinct historical contexts, Haberkern compares the role of memory in late medieval Bohemia with the emergence of history as a constitutive religious discourse in the early modern German land. In this way, he also provides a detailed analysis of the ways in which Bohemian and German religious reformers justified their dissent from the Roman Church by invoking the past.

This book relates the unique experiences of Lesbian, Gay, Bisexual, Transgender and Queer/Questioning (LGBTQ+) people in Australian Pentecostal-Charismatic Christian churches. Grounded in the theoretical contributions of Michel Foucault, Judith Butler, Lewis Coser, and others, the book exposes the discursive 'battleground' over the 'truth' of sex which underlies the participants' stories. These rich and complex narratives reveal the stakes of this conflict, manifested in 'the line' - a barrier restricting out LGBTQ+ people from full participation in ministry and service. Although some participants related stories of supportive-if typically conservative-congregations where they felt able to live out an authentic, integrated faith, others found they could only leave their formerly close and supportive communities behind, 'counter-rejecting' the churches and often the faith that they felt had rejected them.

This brilliant study opposes the Marxist concept of dialectical materialism and its view that change takes place through the conflict of opposites. Instead, Weber relates the rise of a capitalist economy to the Puritan determination to work out anxiety over salvation or damnation by performing good deeds - an effort that ultimately encouraged capitalism.

Religious Communication Association's Book of the Year
Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable.
In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen.
William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.

This book features a new perspective on a French religious diaspora. In ""From a Far Country"", Catharine Randall examines Huguenots and their less-known cousins the Camisards, offering a fresh perspective on the important role these French Protestants played in settling the New World. The Camisard religion was marked by more ecstatic expression than that of the Huguenots, not unlike differences between Pentecostals and Protestants. Both groups were persecuted and emigrated in large numbers, becoming participants in the broad circulation of ideas that characterized the seventeenth- and eighteenth-century Atlantic world. Randall vividly portrays this French Protestant diaspora through the lives of three figures: Gabriel Bernon, who led a Huguenot exodus to Massachusetts and moved among the commercial elite; Ezechiel Carre, a Camisard who influenced Cotton Mather's theology; and Elie Neau, a Camisard-influenced writer and escaped galley slave who established North America's first school for blacks. Like other French Protestants, these men were adaptable in their religious views, a quality Randall points out as quintessentially American. In anthropological terms they acted as code shifters who manipulated multiple cultures. While this malleability ensured that French Protestant culture would not survive in externally recognizable terms in the Americas, Randall shows that the culture's impact was nonetheless considerable.