The first half of the book of Daniel contains world-famous stories like the Writing on the Wall. These stories have mostly been transmitted in Aramaic, not Hebrew, as has the influential apocalypse of Daniel 7. This Aramaic corpus shows clear signs of multiple authorship. Which different textual layers can we tease apart, and what do they tell us about the changing function of the Danielic material during the Second Temple Period? This monograph compares the Masoretic Text of Daniel to ancient manuscripts and translations preserving textual variants. By highlighting tensions in the reconstructed archetype underlying all these texts, it then probes the tales' prehistory even further, showing how Daniel underwent many transformations to yield the book we know today.

For the first time, the dramatic changes the Qur'anic code underwent during the Umayyad period (660-750 C.E.) are analysed and presented on the basis of a selection of material in good part unpublished. In Qur'ans of the Umayyads, Francois Deroche offers a chronology of the various developments which marked the period, in an approach combining philology, art history, codicology and palaeography. The conclusions he reaches challenge the traditional account about the writing down of the Qur'an and throw a new light on the role of the Umayyads in its handwritten diffusion. Winner of 23rd I.R. Iran World Award for the Book of the Year 2016!

This collection presents innovative research by scholars from across the globe in celebration of Gabriele Boccaccini's sixtieth birthday and to honor his contribution to the study of early Judaism and Christianity. In harmony with Boccaccini's determination to promote the study of Second Temple Judaism in its own right, this volume includes studies on various issues raised in early Jewish apocalyptic literature (e.g., 1 Enoch, 2 Baruch, 4 Ezra), the Dead Sea Scrolls, and other early Jewish texts, from Tobit to Ben Sira to Philo and beyond. The volume also provides several investigations on early Christianity in intimate conversation with its Jewish sources, consistent with Boccaccini's efforts to transcend confessional and disciplinary divisions by situating the origins of Christianity firmly within Second Temple Judaism. Finally, the volume includes essays that look at Jewish-Christian relations in the centuries following the Second Temple period, a harvest of Boccaccini's labor to rethink the relationship between Judaism and Christianity in light of their shared yet contested heritage.

For millennia, the spiritual science known as Kabbalah has not only been skewed towards men and their issues, but women have literally been forbidden to study it - and in many cases, still are. Now, Karen Berg, co-director of The Kabbalah Centre, the largest international organization devoted to teaching and promoting Kabbalah wisdom, breaks this barrier. God Wears Lipstick contains the tools for women to dramatically increase their sense of fulfillment, passion, communication, and understanding of life. The author covers such subjects as what it means to be a woman, the meaning of life and love, transforming potential, attracting the perfect mate, and how to create a better sex life. The book is structured around Kabbalistic "tools" - the Sharing Tool, the Conflict Tool, the Effort Tool - which makes its ancient lessons intelligible and inspiring to modern readers.

The study of the Books of Chronicles has focused in the past mainly on its literary relationship to Historical Books such as Samuel and Kings. Less attention was payed to its possible relationships to the priestly literature. Against this backdrop, this volume aims to examine the literary and socio-historical relationship between the Books of Chronicles and the priestly literature (in the Pentateuch and in Ezekiel). Since Chronicles and Pentateuch (and also Ezekiel) studies have been regarded as separate fields of study, we invited experts from both fields in order to open a space for fruitful discussions with each other. The contributions deal with connections and interactions between specific texts, ideas, and socio-historical contexts of the literary works, as well as with broad observations of the relationship between them.

Winner of the 2020 Award for Excellence in the Study of Religion: Historical Studies In her groundbreaking investigation from the perspective of the aesthetics of religion, Isabel Laack explores the religion and art of writing of the pre-Hispanic Aztecs of Mexico. Inspired by postcolonial approaches, she reveals Eurocentric biases in academic representations of Aztec cosmovision, ontology, epistemology, ritual, aesthetics, and the writing system to provide a powerful interpretation of the Nahua sense of reality. Laack transcends the concept of "sacred scripture" traditionally employed in religions studies in order to reconstruct the Indigenous semiotic theory and to reveal how Aztec pictography can express complex aspects of embodied meaning. Her study offers an innovative approach to nonphonographic semiotic systems, as created in many world cultures, and expands our understanding of human recorded visual communication. This book will be essential reading for scholars and readers interested in the history of religions, Mesoamerican studies, and the ancient civilizations of the Americas. "This excellent book, written with intellectual courage and critical self-awareness, is a brilliant, multilayered thought experiment into the images and stories that made up the Nahua sense of reality as woven into their sensational ritual performances and colorful symbolic writing system." - David Carrasco, Harvard University

This volume is a collection of fresh essays in honor of Professor John T. Townsend. It focuses on the interpretation of the common Jewish and Christian Scripture (the Hebrew Bible/Old Testament) and on its two off-shoots (Rabbinic Judaism and the New Testament), as well as on Jewish-Christian relations. The contributors, who are prominent scholars in their fields, include James L. Crenshaw, Goeran Eidevall, Anne E. Gardner, Lawrence M. Wills, Cecilia Wassen, Robert L. Brawley, Joseph B. Tyson, Eldon J. Epp, Yaakov Elman, Rivka Ulmer, Andreas Lehnardt, Reuven Kimelman, Bruce Chilton, and Michael W. Duggan. "an engaging and impressive scholarly work." - Zev Garber, Los Angeles Valley College, The Catholic Biblical Quarterly 81.3 (2019)

This work presents to the scholarly world the hitherto unpublished trove of over 500 catchwords that were attached to Masoretic doublet notes in the Leningrad Codex. All the doublets with their catchwords are listed both in the chronological order of their first appearance in the Bible and again on their second appearance. The nature of the catchwords, their purpose, and their relation to other Masoretic notes are described in detail, and suggestions are made how they can be of value to biblical scholars.

Nagarjuna's Vigrahavyavartani is an essential work of Madhyamaka Buddhist philosophical literature. Written in an accessible question-and-answer style, it contains Nagarjuna's replies to criticisms of his philosophy of the "Middle Way." The Vigrahavyavartani has been widely cited both in canonical literature and in recent scholarship; it has remained a central text in India, Tibet, China, and Japan, and has attracted the interest of greater and greater numbers of Western readers.
In The Dispeller of Disputes, Jan Westerhoff offers a clear new translation of the Vigrahavyavartani, taking current philological research and all available editions into account, and adding his own insightful philosophical commentary on the text. Crucial manuscript material has been discovered since the earlier translations were written, and Westerhoff draws on this material to produce a study reflecting the most up-to-date research on this text. In his nuanced and incisive commentary, he explains Nagarjuna's arguments, grounds them in historical and textual scholarship, and explicitly connects them to contemporary philosophical concerns.

The disengagement of recent academic biblical study from church and synagogue has been widely noted. Even within the discipline, there are those who suggest it has lost its way. As the discipline now stands, is it mainly concerned with studying and listening to the texts, or with dissecting them in order to examine hypothetical sources or situations or texts that might lie behind them. Christopher Bryan seeks to address scholars and students who do not wish to avoid the challenges of the Enlightenment, but do wish to relate their work to the faith and mission of the people of God. Is such a combination still possible? And if so, how is the task of biblical interpretation to be understood? Bryan traces the history of modern approaches to the Bible, particularly "historical criticism," noting its successes and failures-and notably among its failures, that it has been no more able to protect its practitioners from (in Jowett's phrase) "bringing to the text what they found there" than were the openly faith-based approaches of earlier generations. Basing his work on a wide knowledge of literature and literary critical theory, and drawing on the insights of the greatest literary critics of the last hundred years, notably Erich Auerbach and George Steiner, Bryan asks, what should be the task of the biblical scholar in the 21st century? Setting the question within this wider context enables Bryan to indicate a series of criteria with which biblical interpreters may do their work, and in the light of which there is no reason why that work cannot relate faithfully to the Church. This does not mean that sound biblical interpretation can ignore the specificity of scientific or historical questions, or dragoon its results into conformity with a set of ecclesial propositions. It does mean that in asking those questions, interpreters of the biblical text will not ignore its setting-in-life in the community of faith; and they will concede that although textual interpretation has scientific elements, it is finally an exercise in imagination: an art, and not a science.