The World Religions Anthology: Faith, Worldview, Spirituality provides students with a thoughtful and insightful overview of some of the religions of the world and helps them identify both the differences between them and the underlying themes and values that connect them. The anthology is organized into nine chapters, the first of which gives students a foundational understanding of what constitutes religion and how to approach the study of sacred texts. Additional chapters explore what are often referred to as Eastern religions: Hinduism, Buddhism, Confucianism, Taoism, and Jainism. Students also learn about the Abrahamic religions, studying in turn Judaism, Christianity, and Islam. Each chapter includes an introduction and post-reading questions to provide context and facilitate learning, reflection, and discussion. The World Religions Anthology is an exemplary anthology for foundational courses in world religions and the study of religious texts.

Rumi's great book of wisdom-infused poetry contain myriad lessons on the importance of faith, with the culture and lessons of spiritual, Biblical and Islamic teachings featuring strongly. In authoring his masterwork, Rumi quoted the Qu'ran, the Bible and several spiritual forebears. Wishing to align his poetry in order to tell tales of man and man's place in the world, Rumi drew upon a variety of religious and spiritual sources to create a poetic compendium of supreme profundity and depth. The Masnavi was praised as one of the finest works of mystical literature ever seen. It is in the Masnavi that Persia's place between the spiritual cultures of Asia and the Middle East is evidenced. Rumi himself, while undoubtedly an Islamic scholar of great ability, did not feel confined to the faith; he saw spiritual value in a range of disciplines, and asserted that the light of Mohammed's prophecy does not leave faithful Christians, Jews, Zoroastrians or other denominations behind.

How it is possible that the story about Elisha's succession in 2 Kings 2:1-18 is now remembered as the story about Elijah's ascent? The intertextual answer is provided by the contrast between the number of references about the human heavenly ascension in the Hebrew Bible, and the popularity of this theme in the Ancient Near East. However, in this dissertation we focus on the more direct intratextual approach. We analyze the construction of the narrative in order to discern the features of style, structure, and symbolism which emphasize Elijah's ascent, rather than Elisha's succession. As a result, we can identify the proto-symbol of the narrative (Gilgal) which is interpreted by three elements (whirlwind, chariotry, and rolled mantle) referring to Elijah's ascent.

Through extensive textual analysis, this open access book reveals how various passages of the Qur'an define death and resurrection spiritually or metaphorically. While the Day of Resurrection is a major theme of the Qur'an, resurrection has largely been interpreted as physical, which is defined as bones leaving their graves. However, this book shows that the Qur'an sometimes alludes to death and resurrection in a metaphoric manner - for example, rebuilding a desolate town, typically identified as Jerusalem, and bringing the Israelite exiles back; thus, suggesting awareness and engagement with Jewish liturgy. Many times, the Qur'an even speaks of non-believers as spiritually dead, those who live in this world, but are otherwise zombies. The author presents an innovative theory of interpretation, contextualizing the Qur'an within Late Antiquity and traces the Qur'anic passages back to their Biblical, extra-biblical and rabbinic subtexts and traditions. The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

Michael Rand's The Evolution of al-Harizi's Tahkemoni investigates the stages whereby the text of al-Harizi's maqama collection as we currently know it, on the basis of manuscripts (and the editio princeps), came into being during al-Harizi's travels in the East over the course of approximately the last ten years of his life. The discussion is based on a close examination of the textual evidence, the investigation of a number of relevant literary motifs, and a comparison to al-Harizi's model, the Maqamat of al-Hariri. The book includes a catalogue of fragments of the Tahkemoni in the Genizah and Firkovitch IIA collections, and some previously unpublished material that can reasonably be claimed to belong to a heretofore unattested version of the Tahkemoni.

The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to "revealed" books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, "Bible," and a bibliographic one, "book." The Literary Imagination in Jewish Antiquity suggests ways of thinking about how Jews understood their own literature before these categories had emerged. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Mroczek tells an unfamiliar story about sacred writing not bound in a Bible. In many texts, we see an awareness of a vast tradition of divine writing found in multiple locations only partially revealed in available scribal collections. Ancient heroes like David are not simply imagined as scriptural authors, but multi-dimensional characters who come to be known as great writers and honored as founders of growing textual traditions. Scribes recognize the divine origin of texts like the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of material we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. While listening to the way ancient writers describe their own literature-their own metaphors and narratives about writing-this book also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions.

'Ali, son of Abi Talib, Muhammad's son-in-law and cousin, is the only Companion of the Prophet who has remained to this day the object of fervent devotion of hundreds of millions of followers in the lands of Islam, especially in the East. Based on a detailed analysis of several categories of sources, this book demonstrates that Shi'ism is the religion of the Imam, of the Master of Wisdom, just like Christianity is that of Christ, and that 'Ali is the first Master and Imam par excellence. Shi'ism can therefore be defined, in its most specific religious aspects, as the absolute faith in 'Ali: the divine Man, the most perfect manifestation of God's attributes, simultaneously spiritual refuge, model and horizon. With contributions by Orkhan Mir-Kasimov & Mathieu Terrier Translated from French by Francisco Jose Luis & Anthony Gledhill

Fully revised and updated, the second edition of The Wiley Blackwell Companion to the Qur' n offers an ideal resource for anyone who wishes to read and understand the Qur' n as a text and as a vital component of Muslim life. While retaining the literary approach to the subject, this new edition extends both the theological and philosophical approaches to the Qur' n. Edited by the noted authority on the Qur' n, Andrew Rippin, and Islamic Studies scholar Jawid Mojaddedi, and with contributions from other internationally renowned scholars, the book is comprehensive in scope and written in clear and accessible language. New to this edition is material on modern exegesis, the study of the Qur' n in the West, the relationship between the Qur' n and religions prior to Islam, and much more. The Wiley Blackwell Companion to the Qur' n is a rich and wide-ranging resource, exploring the Qur' n as both a religious text and as a work of literature.

This work offers a seminal research into Arabic translations of the Pentateuch. It is no exaggeration to speak of this field as a terra incognita. Biblical versions in Arabic were produced over many centuries, on the basis of a wide range of source languages (Hebrew, Syriac, Greek, or Coptic), and in varying contexts. The textual evidence for this study is exclusively based on a corpus of about 150 manuscripts, containing the Pentateuch in Arabic or parts thereof.