Dishing Hollywood is a delightful and naughty romp through some of the biggest scandals that have rocked Hollywood - from the earlier part of the twentieth century to the present. Some of the stories appear here for the first time. Some you might think you've heard, but you haven't heard it all! To add a little spice to the story, the author includes a recipe with each "scoop" - favorite dishes, cocktails of choice, even some last meals, including... - Inger Stevens: C'mon, who kills herself while in the middle of snaking her favorite sandwich, a BLT with avocado? Mama Cass: That ham sandwich? Baloney! Robert Blake: His favorite restaurant named a dish after him to capitalize on his troubles. Debbie Reynolds: What did she fix her kids for dinner (on a budget) after that rat fink Eddie Fisher threw her over for Liz Taylor? Bobby Darin: He learned how to make his "Special Spinach" from his mother... or was that his grandmother? Many more stories are inside, each more scandalous and shocking than the next. So quit stallin - pull up a chair and check out the menu. And don't forget to tip the waitress.

Paperback release of 2003 holiday bestseller which offers behind the scenes info on this holiday classic as well as current info on stars from the show.

Author Stephen Cox and pop culture critic Kevin Marhanka have joined forces to present the complete film works of comedian Don Knotts in THE INCREDIBLE MR. DON KNOTTS, the very first book on Knott's movie career. The authors, who interviewed Knotts at length about specific films in which he starred, have gathered contributions from Andy Griffith, Ron Howard, Tim Conway, Ed Asner, and many co-stars from his forty feature-film career. Featuring more than 200 photographs--many rare and never before published--behind-the-scenes images, fascinating trivia, reviews, and a fantastic 16-page full-color insert, the movies of Don Knotts are fully explored in this collector's treasury.

This is a devilishly delightful collection of 1,814 questions and answers about the best and worst horror films ever made, from the silent movies of the 1920s to the scream queens of the 1990s.

'TV's Grooviest Variety Shows (of the '60s and '70s)' is an irresistible page-turning account of TV's greatest and goofiest variety shows of the psychedelic 1960s and '70s. Designed to be browser-friendly, the book covers the main shows of the era?Ed Sullivan, Lawrence Welk, Dean Martin, the Smothers Brothers, 'Laugh-In, ' Flip Wilson, 'Sonny and Cher, ' 'Midnight Special, ' classic 'Saturday Night Live' (1975-80), 'SCTV, ' and 'The Muppets.' Each of these key chapters is fast-moving and fun, with quick, easy-to-skim sidebars like "Memorable Moments," "Quotable Quotes," and "Bloopers & Breakups," plus a brisk narrative of the show's behind-the-scenes dramas, cast, and history.

The Boys provides new ways to view and evaluate the work of this famous comedy team. The initial chapter summarizes the critical reception of the two and compares Stan Laurel and Oliver Hardy to other contemporary comedians. Brief biographies analyze their early solo films and the development of the team. Special attention is given to the team's cinematic and comic style, use of camera techniques, early sound practice, and gag development. The comics' complex relationship is detailed and analyzed. A complete filmography, including a rating and an indication of contents, covers each film. The team's final film, Atoll K (1951), is discussed in depth. Throughout the text quotes from such persons as Laurel and Hardy themselves, Buster Keaton, George Stevens, Dick Van Dyke, and Woody Allen enlighten and entertain. Great stills and posters.

Filmmaker brothers Joel and Ethan Coen got their start in the independent film business in 1984 with their debut feature Blood Simple, which won the award of Best Dramatic Feature at Sundance in 1985 and was hailed as one of the best films of the year by the National Board of Review. Since their early success, the Coen Brothers have built a name for themselves and gone on to create other big-name movies such as Raising Arizona, Fargo, and The Big Lebowski. This book is a comprehensive account of these four films and Miller's Crossing, Barton Fink and The Hudsucker Proxy. Production information and in-depth analysis and critique are provided, as well as discussions on how each movie functions in the broader context of the Coens' work, and the themes, strategies, and motifs often utilized by the Coens.

Many people have fond memories of Friday nights and Saturday afternoons spent in theatres watching cowboys stars of the 1930s, 1940s, and 1950s chase villans across the silver screen or help a heroine out of harm's way. Over 2,600 Westerns were produced between 1930 and 1955 and they became a defining part of American culture. This work focuses on the idea that Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior, and thus examines the ways in which Western movies reflected American life and culture during this quarter century. Chapters discuss such topics as the ways that Westerns included current events in film plot and dialogue, reinforced the role of Christianity in American culture, reflected the emergence of a strong central government, and mirrored attitudes toward private enterprise. Also covered is how Westerns represented racial minorities, women, and Indians.

How did a Catholic priest who died a failure become one of the world’s greatest poets? Discover in his own words the struggle for faith that gave birth to some of the best spiritual poetry of all time. Gerard Manley Hopkins deserves his place among the greatest poets in the English language. He ranks seventh among the most frequently reprinted English-language poets, surpassed only by Shakespeare, Donne, Blake, Dickinson, Yeats, and Wordsworth. Yet when the English Jesuit priest died of typhoid fever at age forty-four, he considered his life a failure. He never would have suspected that his poems, which would not be published for another twenty-nine years, would eventually change the course of modern poetry and influence such poets as W. H. Auden, Dylan Thomas, Robert Lowell, John Berryman, Geoffrey Hill, and Seamus Heaney. Like his contemporaries Walt Whitman and Emily Dickinson, Hopkins revolutionized poetic language. And yet we love Hopkins not only for his literary genius but for the hard-won faith that finds expression in his verse. Who else has captured the thunderous voice of God and the grandeur of his creation on the written page as Hopkins has? Seamlessly weaving together selections from Hopkins’s poems, letters, journals, and sermons, Peggy Ellsberg lets the poet tell the story of a life-long struggle with faith that gave birth to some of the best poetry of all time. Even readers who spurn religious language will find in Hopkins a refreshing, liberating way to see God’s hand at work in the world.

William Castle, for instance, was a master promoter. In one scheme involving The Tingler, Vincent Price warns in the movie that "the only way to stop the monster is to scream. That's the signal to the projectionist to throw the switch. Under ten or twelve seats were some electric motors, war surplus things that Castle got a bargain on. The motors vibrated the seat, in the hope of scaring a scream out of someone. Just in case it didn't Castle planted someone in the audience to get the screams rolling." This book is about flamboyant promotion, the con artist side of the movie world--everything the ballyhoo boys did to separate the customer from the price of a movie ticket—Emergo, HypnoVista, 3-D, Wide Screen, Cinemagic, Duo-Vision, Dynamation, Smell-O-Vision, plenty more. Supporting the text are 107 photos and illustrations, some never-before-published, and a filmography.

Taboo breakers and trendsetters, shameless hucksters and famous directors. Exploitation filmmaking has seen it all. Fred Olen Ray made his first movie for $298. In 1936 Marijuana-Weed with Roots in Hell showed drug use and nudity on screen in an effort to "educate the public." Kroger Babb, the man behind Mom and Dad, spliced color medical footage of a babys birth into his black and white "classic." Russ Meyer, John Waters, Andy Milligan, Doris Wishman, and many others are covered. "Classic" films such as The Immoral Mr. Teas, The Texas Chainsaw Massacre, and Nude on the Moon are examined. Production techniques and innovations are also discussed.

"An important addition to the literature on Italian Commedia dell'Arte."--"Choice"

This best-selling PAJ volume presents over 250 comedy routines used by commedia performers in Europe from 1550 to 1750. Includes an introduction, two complete commedia scenarios, and a glossary of commedia characters.

The "live era" or "golden age"of television drama originating from New York, 1946 through 1951, was an exciting time of creative and commercial accomplishment. This is a complete history and reference guide to the live dramas that aired during those six years. Extensive coverage is given to the NBC anthologies Kraft Television Theatre and Philco Television Playhouse, and the CBS anthologies Ford Theater and Studio One, as well as to "he competitors"--the 28 new anthologies that appeared in the prime time schedule during 1950 and 1951. Appendices comprehensively list the day-by-day program logs for BBC, CBS and NBC dramas from 1946 through 1951.

This collection of essays (first published in Big Reel) lovingly recalls the glory days of the movie serial. The primary focus is on the fans of the serials--what they thought of them in their heyday, what they think of them now, and why these episodic tales are still so popular. Preceding each article is a brief commentary about the essay explaining why the topic was chosen and the reader response it evoked when first published.

During the Depression years, the comedy team of Bert Wheeler and Robert Woolsey were second only to Laurel and Hardy at the box office. Each of their over 20 comedies are analyzed in detail here; full filmographic data, production notes, plot synopses, and critical commentary are provided. The research is supplemented by an interview with Bert Wheeler.

Contemporary African art has grown out of the diverse histories and cultural heritage of the African continent and its diaspora. It is not characterized by any particular style, technique or theme, but by a bricolage-like attitude towards art-making, incorporating and building upon the structures from which older, precolonial and colonial genres were made. In this revised and updated edition of Contemporary African Art, Sidney Littlefield Kasfir examines the major themes, developments and accomplishments in African art of the 20th and 21st centuries. Organized thematically, the book includes new chapters on the history of African photography and the growth of the global art market, alongside significant discussions of patronage and mediation, artistic training and national and diaspora identities.

The financial collapse of 2008 extended and deepened a prolonged, multilayered crisis that has transformed, often in unexpected ways, how we think about all aspects of social life. Amid these turbulent times, film studies scholars have begun to ask new questions and create fresh strategies in order to integrate intellectual and political work in ways that directly address our current predicament. This timely volume reconsiders the relationships between cinema and society at a time when neoliberal policies threaten not only civic culture but also nearly every aspect of human life. Screening the Crisis brings together established authors as well as brilliant young scholars in the field of film studies to explore the ways in which new tendencies in US cinema enhance awareness of the complexity of the problems facing contemporary society. The issues addressed include economic inequality, shifts in gender roles, racial conflicts, immigration, surveillance practices, the environmental crisis, the politics of housing, and the fragility of nationhood. These questions are explored through in-depth studies and contextualized analyses of a wide variety of recent films, genres, and filmmakers. With its ample range of topics and perspectives, this collection provides an essential reference work for those who want to research how US cinema has responded to the manifold interconnected crises that characterize our current times.

Relive the greatest laugh-out-loud moments featuring Jerry, Elaine, George, and Kramer in this one-of-a-kind trivia game and book set celebrating the quintessential modern sitcom, Seinfeld. This deck includes: About this item: - Everything From the Show about Nothing: The characters, food, quotable lines, funny moments, Kramer's schemes, and George's embarrassments are featured in this one-of-a-kind trivia collection. - Who is the Master of the Seinfeld Domain: Gather your gang of friends for lightning round of trivia with a set of 50 cards featuring 200 questions. - Book Included: The Seinfeld A to Z Guide is packed with encyclopaedic entries on the show's characters, props, places, situations, and yadda yadda yadda, featuring full-colour photography and illustrations throughout. This paperback book is 3 x 5 inches and 88 pages. - Collectible Packaging: The cards and book are housed in a full-colour printed magnetic closure box. - Officially Licensed: An official Seinfeld trivia game. Copyright © 2023 Castle Rock Entertainment. SEINFELD and all related characters and elements © & TM Castle Rock Entertainment. WB SHIELD: © & TM WBEI. (s23)

The Politics of Nordsploitation takes a transnational approach to exploring Nordic ‘exploitation’ films in their industrial contexts, viewing them as not only political manifestations of domestic considerations but also to position Nordic film cultures in a global context. Incorporating a wide range of films, from international cult classics like They Call Her One Eye (1974), homegrown martial arts films like The Ninja Mission (1984) to contemporary crowd-sourced fan productions like Iron Sky (2012), this volume examines the remarkable diversity of genre-based, commercially and culturally exploitative film production throughout the Nordic countries – emphasized here through the term ‘Nordsploitation’. This volume provides a historical exposition of largely ignored marginal films and film cultural patterns. It also outlines how influential these films have been in shaping the development of Nordic cinema. The effects are visible in the films of the new millennium as previously marginalized practices now enter the mainstream. With sharp insights and new research, The Politics of Nordsploitation redefines the concept of ‘exploitation’ and its role in small nation cinemas.

WITH A FOREWORD BY NIGEL McCRERY, CREATOR OF SILENT WITNESS

Going beyond the popular TV show, this is the true story of forensic science from those who solve crimes without witnesses.

How do you identify a serial killer?

What are the tell-tale signs of guilt?

Can we now solve the unsolvable?

Since even before the first season of Silent Witness in 1996, forensic science has played an increasingly important role in the investigation of violent crimes.

With a boom in cold-blooded cases throughout the 1980s, police began to rely on DNA evidence to help them find perpetrators and since then forensic science has taken off as a powerful tool in solving murders. Bestselling true crime author Wensley Clarkson takes us beyond the headlines to examine the real-life stories where forensics have played a crucial role. He speaks to experts who have worked on the most gruesome, most chilling and most shocking crime scenes and explains how notorious criminal cases from across the world were solved.

And he shows how the silent witness is often the one who screams the loudest.

After the death of Marion Morrison, known as John Wayne, in 1979, President Jimmy Carter said that Wayne "was bigger than life. In an age of few heroes, he was the genuine article. But he was more than a hero; he was a symbol of many of the qualities that made America great." The first section of this study concentrates on Waynes style of work and sphere of action as an actor: The man who works for a living and is concerned with his audience and the constraints of his immediate environment. The second section examines the artist: the man who lives in his art, who disappears into his character as an archetype of human fears and desires. Analyses of films that have made Wayne a hero are presented in the third section. A comprehensive filmography and numerous photographs are included.

In the late 1960s specialty bookstores selling magazines under the counter were replaced by sex shops, or "adult bookstores" in the U.S., at which point every subject, with few exceptions, was freely available. It started with Swedish Private and its shockingly explicit covers. Denmark's Theander brothers countered with Rodox and Color Climax, with equally explicit content. Soon they were supplying most of Northern Europe, with the Netherlands pitching in. In the U.S. Reuben Sturman was hailed King of Porn, with affiliates churning out hardcore of every kind to fill his 800 bookstores. Suddenly men used to taking what was offered could be picky. Lesbian dominance? Hot housewives? Black and Asian women? Hippie nudists espousing free love and drug use? Hairy women? Shaved women? Shaved women giving hairy women enemas? It was all there. For the kinky, every fetish was represented: spanking titles Zap and Smack cuddled up to dominance titles Bitch and Aggressive Gals, and to Wet Dreams, Diapered and Dominated and Enema Pick ups. For rubberists there was quirky Atomage, and even quirkier Belly Button. Yes, Belly Button. Are you familiar with the name Edw. Wood, Jr., called the world's worst film director? Then you'll enjoy his little-known porn magazines, including Balling, Skin & Bones and Party Time. What a decade. Warning: everything in this volume is uncensored and for mature adults only. The photos do not represent the majority. Volume 6 features over 600 covers and photos from Sweden, Denmark, the Netherlands, and the U.S. with the usual, amusing text.

Contents:
1. Philosophy: Victor Cousin (1792-1867) John Marenbon. Pierre Duhem (1861-1947) John E. Murdoch. Martin Grabmann (1875-1949), Philipp W. Rosemann. Etienne Gilson (1884-1947) Edward A. Synan. Harry Austryn Wolfson (1887-1974) Arthur Hymans. Philotheus Boehner, O.F.M. (1901-1955) Fr. Gedeon Gal, O.F.M.
2. Musicology: Introduction. Henry Julius Wetenhall Tillyard (1881-1960) Diane Touliatos. Egon Wellesz (1885-1974) Milos Velimirovic. Bruon Stablein (1895-1978) Charles Atkinson. Gustav Reese (1899-1977) Theodore Karp.
3: Art History: Introduction. Alois Riegel (1858-1905) Margaret Olin. Henri Focillon (1881-1943) Walter Cahn. Arthur Kingsley Porter (1883-1933) Linda Seidel.

How do different artistic and cultural practices develop in the contemporary consumer culture? Providing a new direction in cultural studies as well as a vigorous defence of the field, Angela McRobbie's new collection of essays considers the social consequences of cultural proliferation and the social basis of aesthetic innovation.
In the wake of postmodernism, McRobbie offers a more grounded and even localised account of key cultural practices, from the new populism of young British artists, including Damien Hirst and Tracy Emin, to the underground London sounds of drum'n'bass, discussing music by artists such as Tricky, Talvin Singh and Goldie; from the new sexualities in girls' and women's magazines like More! and Sugar to the dynamics of fashion production and consumption.
Throughout the essays the author returns to issues of livelihoods and earning a living in the cultural economy, while at the same time pressing the issue of cultural value.

The over-arching theme for this new collection of essays by Angela McRobbie is the `aestheticisation of everyday life'. In Gender adn Popular Culture the author examines the cultural significance of young British artisits, the politics of dance music, fashion as a social phenomenon and the impact of feminism on popular culture. While strongly defending cultural studies against its critics, the author argues for new perspectives in cultural studies. These inlcude the cultural economy as a labour market, and issues of cultural policy.