A beautiful collection of the most heartwarming, inspirational and hilarious quotes from Call the Midwife, accompanied by beautiful photographs throughout. 'Love is never the only answer. But it is always the best, the simplest, the one most likely to withstand the test of time. Love is the beginning. It should be the final word.' Narration by Jennifer, Series 8, Episode 4 Call the Midwife is loved across the world for its moving and intimate insights into the colourful world of midwifery and family life in the East End of London in the 1950s and 60s. The residents of Poplar and of Nonnatus House have brought comfort and joy to millions of people through their words and shared experiences. In this book you will find a collection of the best, most heart-warming and inspiring narrations and life-affirming quotes, taken from the original scripts by Heidi Thomas, alongside beautiful photographs from the show. There are lessons on love, friendship, motherhood, faith, family, home and much more - and we will hear from, among others, the voices of glamorous but vulnerable Trixie, forthright Nurse Crane, the delightfully witty Sisters Evangelina and Monica Joan and of course the wise and iconic narrations of Jennifer. The perfect book to see you through both hard and better times, this lovely collection will inspire and entertain in equal measure.

To double-track is to be both: counter-cultural and establishment, rich and poor, a bum with the keys to a country retreat, an exotic addition to the dinner table who still knows how to find their way around the silverware. In the 1970s Tom Wolfe located the apex of doubletracking as the art world, but today, it's a cornerstone of the middle classes, and a full-blown commonplace of contemporary life. At root, it's a state of mind born of an ambivalent relationship to privilege, that, when perfected, allows those with financial resources the economic benefits of leaning right, and the cultural benefits of leaning left. It curls around the vocal chords of private school alumni as they drop their consonants, sprays the can of legally sanctioned graffiti on the side of the pop-up container shopping mall, and tones the cores of sweaty executives attending weekly parkour classes, prancing about the concrete furniture of housing estates they do not live on. Comprising essays, fiction and art criticism, this is a merciless, witty satire of the middle classes - a venturesome, intelligent debut which cuts to the very core of our duplicitous lives.

"This soulful collection is perfect for fans of The Moth or Humans of New York." — Publishers Weekly People in San Antonio love to tell stories. Worth Repeating: San Antonio Stories is a collection of forty true tales, epic adventures, and intimate revelations from the heart of one of America’s fastest growing and most culturally diverse cities. There is the hilarious chronicle of being crowned Turkey Queen of Cuero, as well as stories of finding one’s place as an immigrant or refugee, the heartbreak of being on the AIDS epidemic’s front lines, and the redemption in writing My Little Pony fan fiction. From the birth of a Freedom Rider to the origins of a literary legend, from the search for a murdered mother’s memories to passing our abilities and disabilities along to our children, the pieces here are as varied and nuanced as the city its authors have called home at one time or another. They might not all take place in Texas, but every story has roots in its streets, suburbs, and history. Whether it’s an account of being stranded in Uganda, growing up in a Mexican border barrio, catching swine flu in Thailand, being among Harvard University’s first Black architecture students, growing up in Iran, or leaving India for a new life in Texas, each story has a soul that is puro San Antonio. From last chances to first tries, all of these personal narratives were originally performed in front of an audience at Worth Repeating, Texas Public Radio’s live storytelling series. Writers include Heather Armstrong, Tanveer Arora, Jennie Badger, Kiran Kaur Bains, Marion Barth, Sheila Black, Barbara Bowie, Norma Elia Cantú, Kelly Grey Carlisle, Cary Clack, Jess Elizarraras, Georgia Erck, Tiffany Farias-Sokoloski, Elizabeth Fauerso, Everett L. Fly, Larry Garza, Lorenzo Gomez III, Mike Knoop, David W. Lesch, Rey Lopez, Vanessa Martinez, Collin McGrath, Joaquin Muerte, Sanford Nowlin, Tori Pool, Wendy Rigby, Alex Rubio, Jonathan Ryan, Yara Samman, John Phillip Santos, Burgin Streetman, Whitley Strieber, Barbara S. Taylor, Michael Taylor, Kirsten Thompson, Clay Utley, Cristina Van Dusen, Eddie Vega, Ayon Wen-Waldron, and Bria Woods.

I Love You, Mum - I Promise I Won’t Die tells the tragic true story of the death of Daniel Spargo-Mabbs following an MDMA overdose. I hadn’t realised how much scope for creativity there was with a play taken completely from other people’s words. Jacob Spargo-Mabbs - Daniel’s elder brother. Fiona told her story like a piece of music. I remember crying as I related it to my wife - not because it was sad, but because it was brimful of love. Paul Ibbott - Composer of the underscore for the OYT production  This book offers a unique and fulsome guide for teaching/studying this play and includes a detailed scheme of work for teachers using the play as a set text in the GCSE Drama examination. When Harry (playing Dan) left the cast I remember thinking ‘What are we going to do now?’  The hoodie symbolising Dan was such an amazing concept to show everyone had a part of Dan in them and they were also a part of him and… Dan could be anyone. Alysha Jade Patis - OYT performer This poignant and eminently readable biography of the play is drawn from interviews with Dan’s family, friends and the OYT company.

The practices of visual artists can never be decontextualised from language. Firstly, artists are constantly in dialogue with their peers, dealers, critics, and audiences about their creative activities and these interactions impact on the work they produce. Secondly, artists' conceptualisations of what artistic practice encompasses are always shaped by wider social discourses. These discourses, however, and their manifestation in the language of everyday life are subject to continual change, and potentially reshape the way that artists conceptualise their practices. Using a 235,000-word diachronic corpus developed from artists' interviews and statements, this Element investigates shifts in artists' use of language to conceptualise their art practice from 1950 to 2019. It then compares these shifts to see if they align with changes in the wider English lexicon and whether there might be a relationship between everyday language change and the aesthetic and conceptual developments that take place in the art world.

'In Dog We Trust'. The autobiography of cult hero Duane 'Dog' Chapman, the world's most successful bounty hunter. Duane 'Dog' Chapman entertains and inspires millions on DOG THE BOUNTY HUNTER, his top-rated TV show, but there is more to his story. From troubled beginnings and tragedy to triumph and transformation, he reveals all in this no-holds-barred memoir. Dog spent the early years of his life on the wrong side of the law. In YOU CAN RUN BUT YOU CAN'T HIDE, he offers an inside look at his days as a gang member, his dark years of addiction and abuse, and how serving eighteen months in prison for a murder he says he didn't commit helped him recommit to his faith. The proprietor of Da Kine Bail Bonds in Hawaii, he also shares stories of some of his most dangerous and exciting bounty hunts, and the reasons why he brings such passion and commitment to his chosen profession. An incredible story of a man who, against all odds, turned his life around and went from ex-con to American icon.

The principal dancer of the Montreal-based company La La La Human Steps from 1981 to 1999, Louise Lecavalier was the single most iconic dancer of her generation, elevating the punk ballet art form to new heights. From a distinctly feminist angle, this critical study looks broadly at the figure of the dancer and their contributions to dance aesthetics and cultural politics. Importantly, this book prioritizes the dancer's voice and shines light on the generally unseen labour of (often women) dancers in producing the historical movements of the discipline. From a close examination of La La La Human Steps' and Lecavalier's evolving aesthetic, to a consideration of Lecavalier's public persona as rebel, conduit and saint, this study charts her growth as a dancer and as an icon. With analysis given to her appearance as bodyguard in Kathryn Bigelow's film Strange Days (1995), and her solo piece No No No I'm Not Mary Poppins (1982), Lecavalier’s work and legacy unfurls before the reader, highlighting the often-unrecognised presence of Africanist aesthetics in her company's repertoire. With extra materials, such as images of performance and street photography as well as a letter from the renowned dancer herself, Louise Lecavalier: Labour, Fandom and Cultural Politics is a celebratory and much-needed insight into the artistic motive and dancer's perspective.

Christoph Schlingensief (1960-2010) was a German film and theatre director, actor, artist and author. Starting as an independent underground filmmaker, Schlingensief later began staging productions for theatres and festivals, which often were accompanied by public controversies. Edited by his friends and associates Klaus Biesenbach, Anna-Catharina Gebbers, Aino Laberenz and Susanne Pfeffer, "Christoph Schlingensief" is an overview of the artist's works that includes over 500 pages of photographs from Schlingensief's films, plays and projects. In the preface the publication, the editors write: "Just how far ahead of his time Christoph Schlingensief was with regard to artistic, political and social themes and subjects is evident only in retrospect ... He still challenges and overwhelms viewers with his overflowing images, his deliberate confusion of fact and imagination, and the sociopolitical volatility of the issues he tackles."

Featuring hundreds of carefully hand-crafted illustrations by the internationally renowned production designer Hans Bacher, Sketchbook - Composition Studies for Film is a unique journey through the mind and creative process of one of the artistic legends in animation film design. Having shaped such films as The Lion King, Mulan and Beauty and the Beast to name a few, Hans’s work is a part of the very cultural fabric of our age. Here the artist puts on display the rarely discussed first part of image making for film, the conceptual thumbnail. Exquisitely beautiful in themselves, these small illustrations represent the birth of what eventually becomes the iconic images we experience on the silver screen. Essential to anyone interested in understanding the skeletal structure that exists underneath stunning imagery in all forms of media, this book is especially relevant today with the dramatic increase of interest in film and game design. Although students today have ready access to and an understanding of technical aspects of the craft using associated software, the area most lacking in accessible information is this quintessential first part of thumb-nailing an image. This unique book will provide the student and professional with the fundamentals of conceptualizing images, and how these can be used in composition in the related fields of illustration, graphic novels, 2D animation, 3D animation, photography and cinematography.

The star of Marvel’s first Asian superhero film, Shang-Chi and The Legend of the Ten Rings, tells his own origin story of being a Chinese immigrant, his battles with cultural stereotypes and his own identity, becoming a TV star, and landing the role of a lifetime. In this honest, inspiring and relatable memoir, Simu Liu chronicles his family's journey from China to the bright lights of Hollywood with wit and humour. As a child, Simu's parents left him in the care of his grandparents, bringing him to Canada when he was four. However, Simu soon senses that his new guardians lack the gentle touch of his grandparents, resulting in harsh words and hurt feelings between him and his parents, who find their son emotionally distant and difficult to relate to. Although they are related by blood, they are separated by culture, language, and values. As Simu grows up, he plays the part of the pious child flawlessly – he gets straight As, performs exceptionally in national math competitions and makes his parents proud. However, as time passes, he grows increasingly disillusioned with the path that has been laid out for him. Less than a year out of University, he is fired from his first job and hits rock bottom. He develops a determination centred around creating his own path. This leads him to not only succeeding as an actor, but also opens the door to reconciling with his parents. We Were Dreamers is a story about growing up between cultures, finding your family, and becoming the master of your own extraordinary circumstance.

WAR MAKES MONSTERS OF EVERYONE. Foolish Cur, once named Wen Alder, finds that his allies in the rebellion might cross any line if it means freedom from the Empire. But he can't overcome a foe as strong as Emperor Tenet alone. REBELLION HAS UNINTENDED CONSEQUENCES. Koro Ha, Foolish Cur's former tutor, discovers the Empire is not so forgiving of those who raise a traitor. And their suspicion may cost him and his people more than he can imagine. THE GODS ARE LURKING IN THE SHADOWS. As war against the Empire rages, Foolish Cur knows there is a greater threat. The emperor plans his own coup against the gods, and they will wreak destruction if he tries. To stop him, Foolish Cur might have to risk everything - and resort to ancient magics that could tear the world apart. This is perfect for fans of Robin Hobb and Shelley Parker-Chan.

Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Sp?¨nal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner's replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Café Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world's most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesús Franco, Lloyd Kaufman, Harry Kümel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

Arthur Szyk (pronounced “Shick�) was born in �ód´z, Poland, in 1894 and died in New Canaan, Connecticut, in 1951. He was considered the greatest miniaturist and painter-illuminator of his era, and the leading political artist in America during World War II. He was internationally recognized and celebrated, and his works of art continue to be exhibited worldwide. This catalogue of institutional holdings of Arthur Szyk’s art was created to provide the best jumping off point for those interested in surveying his originals for the purpose of research, scholarship, and curatorial possibilities. Arthur Szyk Preserved illustrates where Szyk’s work can be found today. Ultimately, this catalogue recognizes and celebrates the public institutions that serve as vital caretakers of Arthur Szyk’s art and legacy. It is hoped that this publication will encourage them to more fully promote public awareness of Szyk’s art and the breadth and beauty of his works in multiple and creative ways.

The first-ever comprehensive book devoted to helping educators use nature journaling as an inspiring teaching tool to engage young people with wild places. In their workshops, John Muir Laws and Emilie Lygren are often asked the how-tos of teaching nature journaling: how to manage student groups in the outdoors, teach drawing skills (especially from those who profess to have none), connect journaling to educational standards, and incorporate journaling into longer lessons. This book, expanding on the philosophy and methods of The Laws Guide to Nature Drawing and Journaling puts together curriculum plans, advice, and in-the-field experience so that educators of all stripes can leap into journaling with their students. The approaches are designed to work in a range of ecosystems and settings, and are suitable for classroom teachers, outdoor educators, camp counselors, and homeschooling parents. Full-color illustrations and sample journal pages from notable naturalists show how to put each lesson into practice. Field-tested by over a hundred educators, this book includes dozens of activities that easily support the Common Core and the Next Generation Science Standards—and, just as important, it will show kids and mentors alike how to recognize the wonder and intrigue in their midst.

Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, African-Caribbean, south Asian and east Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre in Britain was integrated from the 1960s to the 21st century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with nearly forty performers and directors, the book chronicles important productions that led to ground-breaking castings of Black and Asian actors in substantial Shakespearean roles including: · Zakes Mokae (Cry Freedom) as one of three black witches in William Gaskill’s 1966 production of Macbeth at the Royal Court Theatre. · Norman Beaton as Angelo in Michael Rudman’s 1981 production of Measure for Measure at the National Theatre – the first majority Black Shakespearean cast at the theatre. · Josette Simon as Isabella in Measure for Measure at the Royal Shakespeare Company in 1987. · Adrian Lester in the title role of Nicholas Hytner’s 2003 production of Henry V. · Iqbal Khan on his 2012 production of Much Ado About Nothing – the first production with an all south Asian cast at the Royal Shakespeare Company. · Alfred Enoch and Rakie Ayola as Edgar and Goneril in Talawa Theatre Company’s 2016 production of King Lear · Paapa Essiedu as Hamlet in Simon Godwin’s 2016 production for the Royal Shakespeare Company. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Josette Simon, Lolita Chakrabarti, Noma Dumezweni, Rakie Ayola, David Yip, Ray Fearon, Paterson Joseph, Alfred Enoch, Rudolph Walker and many more, this book is an invaluable history of Black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre.

This book offers 25 profiles of some of the most popular female action heroes throughout the history of film, television, comic books, and video games. Female action heroes, like other fictional characters, not only reveal a lot about society, but greatly influence individuals in society. It is no surprise that the gradual development and increase in the number of female action heroes coincides with societal changes and social movements, such as feminism. Nor is it a surprise that characteristics of female action heroes echo the progressive toughening of women and young girls in the media. Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television brings to the forefront the historical representation of women and girls in film, television, comic books, and video games. The book includes profiles of 25 of the most popular female action heroes, arranged in alphabetical order for easy reference. Each chapter includes sections on the hero's origins, her power suit, weapons, abilities, and the villains with whom she grapples. Most significantly, each profile offers an analysis of the hero's story—and her impact on popular culture.

This "Source Book" combines critical essays and visual notes compiled by the Canadian-born, Berlin-based sculptor, installation and sound artist, over the course of a collaboration with composer and musician George van Dam and a TV script written by Christine Lang and Christoph Dreher.