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Books > Arts & Architecture > General
For film buffs and literature lovers alike, Turner Classic Movies
presents an essential guide to 52 cinema classics and the literary
works that served as their inspiration. "I love that movie!" "But
have you read the book?" Within these pages, Turner Classic Movies
offers an endlessly fascinating look at 52 beloved screen
adaptations and the great reads that inspired them. Some films,
like Clueless-Amy Heckerling's interpretation of Jane Austen's
Emma-diverge wildly from the original source material, while
others, like One Flew Over the Cuckoo's Nest, shift the point of
view to craft a different experience within the same story. Author
Kristen Lopez explores just what makes these works classics of both
the page and screen, and why each made for an exceptional
adaptation-whether faithful to the book or exemplifying cinematic
creative license. Other featured works include: Children of Men ·
The Color Purple · Crazy Rich Asians · Dr. No · Dune ·
Gentlemen Prefer Blondes · Kiss Me Deadly · The Last Picture Show
· Little Women · Passing · The Princess Bride · The Shining ·
The Thin Man · True Grit · Valley of the Dolls · The Virgin
Suicides · Wuthering Heights
In the late 1990s and early 2000s, a wave of TV shows, first on
premium cable channels like HBO and then basic cable networks like
FX and AMC, dramatically stretched television's inventiveness,
emotional resonance and ambition. Shows such as The Wire, Breaking
Bad, The Sopranos, Mad Men, Deadwood, The Shield tackled issues of
life and death, love and sexuality, addiction, race, violence and
existential boredom. Television shows became the place to go to see
stories of the triumph and betrayals of the American Dream at the
beginning of the twenty-first century. This revolution happened at
the hands of a new breed of auteur: the all-powerful writer-show
runner. These were men nearly as complicated, idiosyncratic, and
"difficult" as the conflicted protagonists that defined the genre.
Given the chance to make art in a maligned medium, they fell upon
the opportunity with unchecked ambition. Difficult Men features
extensive interviews with all the major players, including David
Chase and James Gandolfini (The Sopranos), David Simon, Dominic
West and Ed Burns (The Wire), Vince Gilligan (Breaking Bad),
Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue,
Deadwood) and Alan Ball (Six Feet Under), in addition to dozens of
other writers, directors, studio executives and actors. Martin
takes us behind the scenes of our favourite shows, delivering
never-before-heard story after story and revealing how TV has
emerged from the shadow of film to become a truly significant and
influential part of our culture. Brett Martin is the author of The
Supranos: The Book(2007). His work has appeared in The New York
Times, The New Yorker, Food and Wine and Vanity Fair. Difficult Men
is an insightful history of popular US TV drama which traces the
emergence of shows such as The Sopranos, Breaking Bad, Mad Men and
The Wire, and explores their engagement with important social
issues around love, sexuality, race and violence.
Yugoslavia, Black Wave, film, polemics, socialism, The Sixties
Ways of Remembering tells a story about the relationship
between secular law and religious violence by studying the
memorialisation of the 2002 Gujarat pogrom—postcolonial India's
most litigated and mediatized event of anti-Muslim mass violence.
By reading judgments and films on the pogrom through a novel
interpretive framework, the book argues that the shared narrative
of law and cinema engenders ways of remembering the pogrom in which
the rationality of secular law offers a resolution to the
irrationality of religious violence. In the public's collective
memory, the force of this rationality simultaneously condemns
and normalises violence against Muslims while exonerating
secular law from its role in enabling the pogrom, thus keeping the
violent (legal) order against India's Muslim citizens intact. The
book contends that in foregrounding law's aesthetic dimensions we
see the discursive ways in which secular law organizes violence and
presents itself as the panacea for that very violence.
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Star Wars Storyboards
(Hardcover)
J. W. Rinzler; Introduction by Iain McCaig; Lucasfilm Ltd
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R1,079
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Discovery Miles 9 150
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In 1997, as George Lucas worked to complete early drafts for "Star
Wars: "Episode I "The Phantom Menace," he enlisted the talents of
some of the greatest storyboard artists of the modern era to
illustrate conceptual storyboards that would inform the development
of the final shooting script, as well as the finished film. Working
from Lucas's ideas for scenes and sequences, these artists produced
beautiful drawings that helped lay the foundations for the worlds,
characters, and shots of the "Star Wars" Prequel Trilogy. Together,
these conceptual storyboards show early takes on favorite scenes;
alternate, unused approaches to character designs and environments;
and entirely different approaches to key moments. Like wordless
comic books, they have an energy and rhythm all their own that is
fascinating to explore.
Now, for the first time, Lucasfilm has opened its archives to
present the best of the conceptual storyboards for Episodes I, II,
and III. "Star Wars Storyboards: The Prequel Trilogy" collects the
best storyboards from all three films together in one striking
volume. Throughout this book, readers will find insight into how
these conceptual storyboards helped to contribute both to the
creation of the Prequel Trilogy and the expansion of the "Star
Wars" universe.
Praise for Stars Wars Storyboards:
"We had no idea the "Star Wars" prequels could have been this good
Overall, the book gave us a new appreciation for what could have
been . . . Plus it's exceptionally gorgeous, and you should check
it out." --i09
This book discusses the theatrical history of Talawa, the work of
Dr Yvonne Brewster OBE, her contribution to the genre of
contemporary black British theatre generally, and her founding and
subsequent directing of Talawa from 1986 to 2001. The analysis
details how Brewster's theatre helped forge a black British
identity in Britain, both on and off the British stage, through its
strategic presentation of black language and culture in
performance. Following explanations of definitions and
sociolinguistic methodology in Chapter One: Voicing an Identity,
Talawa's theatrical roots are shown in Chapter Two: Post Traumatic
Slavery Disorder, to have begun in Africa, developed in Jamaica and
further progressed by British Caribbean post war artists in
Britain. In Chapter Three: A Stanger in Non-Paradise, Brewster's
early life, her significant contribution to contemporary black
British theatre, her founding of Talawa and the company's three
year residency in the West End are discussed. Talawa's work is then
explored by genre as follows; Chapter Four: The Island Plays
highlights Talawa's Caribbean productions. These are; An Echo In
The Bone, Maskarade, The Black Jacobins, The Dragon Can't Dance,
The Lion and Beef No Chicken. In Chapter Five: The Black South,
Talawa's American productions; The Love Space Demands, From The
Mississippi Delta and Flyin' West point to the relevance of African
American work to Talawa's audience. Chapter Six: Stay in Your Box
illustrates Brewster's ground breaking work in the British
classical genre. The productions discussed are; Anthony and
Cleopatra, King Lear, Tis Pity She's a Whore, The Importance of
Being Earnest and Othello. The book ends with Chapter Seven: Don't
Tell Massa. Brewster and her work at Talawa are summed up, followed
by an insight into her final attempt to secure a permanent home for
black theatre in Britain.
More Doctor Who and Philosophy is a completely new collection of
chapters, additional to Doctor Who and Philosophy (2010), by the
same editors. Since that first Doctor Who and Philosophy, much has
happened in the Whoniverse: a new and controversial regeneration of
the Doctor, multiple new companions, a few creepy new enemies of
both the Doctor and planet Earth. New questions have been raised
and new questioners have come along, so there are plenty of new
topics for philosophical scrutiny. Is the "impossible" girl really
impossible? Is there anything wrong with an inter-species lesbian
relationship (the kids weren't quite ready for that in 1963, but no
one blinks an eye in 2015)? Can it really be right for the Doctor
to lie and to selectively forget? We even have two authors who have
figured out how to build a TARDIS -- instructions included! An
added feature of this awesome new volume is that the editors have
reached out to insiders of Who fandom, people who run hugely
successful Who conventions, play in Who-inspired bands, and run
wildly popular podcasts and websites, to share their privileged
insights into why the Doctor is so philosophically deep.
Parsley, sage, rosemary, and thyme. Ginger, cinnamon, cloves, and
more. Add some extra savour, zest, or zing to your correspondence
with these quality notecards, each of which is illustrated with a
different colour engraving of a herb or spice from 18th and 19th
century sources. The perfect stationery for the cook, gardener, or
gourmand in your life.
Cities are synonymous with the production and consumption of
culture. It is their material and human cultural infrastructure
that also makes them archives and works of art. The Cultural
Infrastructure of Cities critically re-examines the relationship
between the urban and its cultures. It expands our understanding of
the concept of urban cultural infrastructure and highlights the
foundational role of culture to the materiality and sociality of
urban life and the governance of cities. The book begins with a
theoretical overview of the cultural and infrastructural turns in
urban studies scholarship. It then explores definitions of cultural
infrastructure and its “hard” and “soft” dimensions before
critically considering the vulnerabilities generated in the
cultural sector by the Covid-19 pandemic. Chapters are organised in
four thematic sections focusing on aspects of producing,
performing, consuming and collecting culture, which feature
detailed case studies from 17 cities across the global North and
South. This book will be of interest not only to students and
scholars of urban studies, but also to policy-makers planning and
creating cultural infrastructures as well as those working in
cultural institutions and creative industries.
As an invitation to interrogate the secular modality of art, the
book unsettles both the categories of 'art' and 'secular' in their
theoretical and historical implications It questions the temporal,
spatial, and cultural binaries between the 'sacred' and the
'secular' that have shaped art historical scholarship as well as
artistic practice. Thinking from the south, all the essays here are
anchored in a conception of a region – one fissured by histories
of partition, state formations, and religious nationalisms but
still offering a collective site from which to speak to the
disciplines of art and the knowledge worlds in which they are
embedded. The book asks: How do we complicate the religious
designations of pre-modern art and architecture and the new forms
of their resurgence in contemporary iconographies and monuments?
How do we re-conceptualize the public and the political, as fiery
contestations and new curatorial practices reconfigure the meaning
of art in the proliferating spaces of museums, galleries, biennales
and festivals? How do we understand South Asian art's deep
entanglements with the politics of the present?
Immersing the audience in sound and light Nikita Gale's END OF
SUBJECT subverts understandings of viewership by prompting
spectators to question their subjecthood within 52 Walker's
site-specific installation. Creating an aurally and visually rich
environment, Gale engages with the architecture of the surrounding
space, stimulating all senses through site-specific installation
and muses on the boundaries of performance art. Considering and
fracturing the physical space of the installation, the artist
employs abolitionist ideology and institutional critique to
simultaneously rupture and rebuild facets of the art institution.
With an introduction by Ebony L. Haynes and a suite of poems by
Harmony Holiday, this publication considers Gale's
multidisciplinary approach to address historical hierarchies of
visibility. A text by the esteemed artist Andrea Fraser offers
reflections on the various interventions at play during a gathering
held in the exhibition.
Philip Guston always had eminent artist friends. Tireless in his
quest for the unknown, the still undiscovered, Guston engaged poets
and literati in intense dialogues that, starting in the sixties,
led to fruitful collaborations - including the creation of numerous
illustrations and cover images for works by poets such as William
Corbett, Bill Berkson, and Clark Coolidge. In his "poempictures,"
Guston ultimately turned to producing interactions of text and
drawings - as responses to poems by his writer friends or as
independent works that incorporated selected lines of poetry.
The Designer’s Dictionary of Color provides an in-depth look at
30 colors key to art and graphic design. Organized by spectrum, in
color-by-color sections for easy navigation, this book documents
each hue with charts showing color range and palette variations.
Chapters detail each color’s creative history and cultural
associations, with examples of color use that extend from the
artistic to the utilitarian—whether the turquoise on a Reid Miles
album cover or the avocado paint job on a 1970s Dodge station
wagon. A practical and inspirational resource for designers and
students alike, The Designer’s Dictionary of Color opens up the
world of color for all those who seek to harness its incredible
power.
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Censored
(Paperback)
Tiane Doan Na Champassak
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R1,387
Discovery Miles 13 870
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Autumn
(Hardcover)
Kirsteen McSwein
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R280
R258
Discovery Miles 2 580
Save R22 (8%)
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Following Tate’s recent Winter (2019) publication, this new
selection of works examines of the most beautiful, transformative
and amusing expressions of the autumn season drawn from Tate’s
collection. Divided into key themes – ‘Fields of Gold’, ‘A
Bountiful Harvest’, ‘Leisure’, ‘Symbolism’, ‘Bump in
the Night’ and ‘Abstraction’ – this little book considers
how the traditional season of harvest and falling leaves has
influenced artists over centuries. Works of art – including
paintings, drawings, sculptures, illustrations and installations
– are punctuated by brief captions adding background detail or
additional information about the art, artists and their subjects.
Featured artists include: Barbara Hepworth, Salvador Dalí, Peter
Brook, Jeff Wall, Vanessa Bell, Stanley Spencer, Winifred
Nicholson, John SInger Sargent, Eileen Agar and Edward Burra.
Sometimes traditional, sometimes contemporary, often beautiful and
occasionally telling, placed together these beautiful images create
a fascinating and enlightening journey through the visual portrayal
of autumn in Western art.
Model of a Summer Camp is an intriguing object with a range of stories to tell. Originating in the Sakha (Yakutia) region of far northeastern Russia, it depicts a yhyakh celebration – a festival of huge cultural importance to the region. This concise book takes a detailed look at the object, revealing the intricacies of the yhyakh and the model’s fascinating journey from Siberia to the British Museum. The recent resurgence of interest around the model is also explored, where creative responses and research have enriched our understanding of its stories.
This book gives readers the opportunity to learn about a unique object in the British Museum’s Collection and the rich heritage of Sakha (Yakutia).
Chart the history of Star Wars in this stunning guide, from the
time before the High Republic to the end of the First Order. An
indispensable companion for all Star Wars fans, this premium
quality book displays visual timelines that chronologically map key
events, characters, and developments, and mark their significance.
Track crucial conflicts across the years that affect the galaxy in
profound ways. Follow the Skywalker lightsaber as it passes through
the generations and witness the evolution of the iconic TIE fighter
across different eras. Trace the movement of the Death Star plans
over the years and uncover multiple branching timelines that break
down important battles. See essential events at a glance arranged
by era and drill down into details to discover major and minor
events, key dates, and fascinating insights all chronologically
arranged. Pore over intricate timelines on nearly every page. Soar
into Star Wars Timelines to explore: • Chronological approach
divides Star Wars history into seven eras: Early History, The High
Republic, The Fall of the Jedi, The Reign of the Empire, The Age of
Rebellion, The New Republic, and The Rise of the First Order A
must-have addition to the library of all fans of Star Wars, Star
Wars Timelines is sure to thrill.
Like other filmmakers in post-WWII Hollywood, John Ford (already a
three-time Best Directing Oscar winner), longed for the freedom and
independence to make his own films, away from the dictates of
studio executives. Then, in 1946, Ford and producer Merian C.
Cooper (King Kong) decided to form their own production company,
Argosy Productions. But their first venture was a financial flop,
burdening the new company with heavy debt. Ford turned to the
Western genre to help his flagging company, adapting James Warner
Bellah’s short story, “Massacre.” Fort Apache, released in
1948, starring John Wayne, Henry Fonda and Shirley Temple, was
popular at the box office and with film critics. The following
year, She Wore a Yellow Ribbon, was released to a positive critical
reception a brisk business at the box office. This film was the
only one in the cavalry trilogy shot in Technicolor, going on to
win the Academy Award for Best Cinematography. Rio Grande (1950),
the final film in the triad, was produced by Republic Pictures (the
first of a three-picture deal with Argosy Productions) and marked
the first pairing of John Wayne and Maureen O’Hara. Because of
the film’s box office success, Republic Pictures greenlit
Ford’s dream project, The Quiet Man (1952). John Ford’s cavalry
trilogy is considered some of his finest work, although Ford always
claimed he never intended to make a trilogy. The reality is the
first two films were produced to financially help his company,
while the final one served as a means to getting his dream project
produced. John Ford’s Cavalry Trilogy illuminates how each film
was made, from pre-production to its theatrical release. Along the
way, readers learn why Ford loved his favorite location (Monument
Valley), how various stunts were achieved, and how Ford used his
unique style in various scenes (called a “Fordian touch” by
film critics and scholars). In addition, each film includes an
analysis of Ford’s scene construction and character development.
Illustrated with numerous behind-the-scenes photographs, many which
have never been published before, and screen captures from the
cutting room floor, this book is the ultimate gift for John Ford
fans and readers who love to discover the grit and glamour of
Hollywood’s Golden Age.
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