"This soulful collection is perfect for fans of The Moth or Humans of New York." — Publishers Weekly People in San Antonio love to tell stories. Worth Repeating: San Antonio Stories is a collection of forty true tales, epic adventures, and intimate revelations from the heart of one of America’s fastest growing and most culturally diverse cities. There is the hilarious chronicle of being crowned Turkey Queen of Cuero, as well as stories of finding one’s place as an immigrant or refugee, the heartbreak of being on the AIDS epidemic’s front lines, and the redemption in writing My Little Pony fan fiction. From the birth of a Freedom Rider to the origins of a literary legend, from the search for a murdered mother’s memories to passing our abilities and disabilities along to our children, the pieces here are as varied and nuanced as the city its authors have called home at one time or another. They might not all take place in Texas, but every story has roots in its streets, suburbs, and history. Whether it’s an account of being stranded in Uganda, growing up in a Mexican border barrio, catching swine flu in Thailand, being among Harvard University’s first Black architecture students, growing up in Iran, or leaving India for a new life in Texas, each story has a soul that is puro San Antonio. From last chances to first tries, all of these personal narratives were originally performed in front of an audience at Worth Repeating, Texas Public Radio’s live storytelling series. Writers include Heather Armstrong, Tanveer Arora, Jennie Badger, Kiran Kaur Bains, Marion Barth, Sheila Black, Barbara Bowie, Norma Elia Cantú, Kelly Grey Carlisle, Cary Clack, Jess Elizarraras, Georgia Erck, Tiffany Farias-Sokoloski, Elizabeth Fauerso, Everett L. Fly, Larry Garza, Lorenzo Gomez III, Mike Knoop, David W. Lesch, Rey Lopez, Vanessa Martinez, Collin McGrath, Joaquin Muerte, Sanford Nowlin, Tori Pool, Wendy Rigby, Alex Rubio, Jonathan Ryan, Yara Samman, John Phillip Santos, Burgin Streetman, Whitley Strieber, Barbara S. Taylor, Michael Taylor, Kirsten Thompson, Clay Utley, Cristina Van Dusen, Eddie Vega, Ayon Wen-Waldron, and Bria Woods.

At the request of UNESCO, Jiri Toman, Acting Director of the Henry Dunant Institute in Geneva has written this detailed analysis of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict - still the only universal legal instrument in this field. The author has used the materials that emerged from the preparatory work for the Convention and has taken numerous examples from UNESCO's records about the application of the Convention in conflicts over the last 40 years to illustrate this article-by-article commentary on the Convention itself, the Regulations for its Execution, and its Protocol. The author establishes parallels with other international legal instruments such as the 1977 Protocols Additional to the 1949 Geneva Conventions or the other UNESCO conventions relating to cultural heritage and puts forward ideas for a more general study of the protection of cultural property in the event of armed conflict and the legal and practical ways of achieving this. This work should satisfy the expectations of politicians and those responsible for culture in the countries that are States Parties to the Convention, now numbering more than 80, and of those that are considering becoming parties to it, given the increasing calls being made for the international community to have greater powers to defend the cultural heritage from attacks to which it is too often exposed in armed conflicts today.

I Love You, Mum - I Promise I Won’t Die tells the tragic true story of the death of Daniel Spargo-Mabbs following an MDMA overdose. I hadn’t realised how much scope for creativity there was with a play taken completely from other people’s words. Jacob Spargo-Mabbs - Daniel’s elder brother. Fiona told her story like a piece of music. I remember crying as I related it to my wife - not because it was sad, but because it was brimful of love. Paul Ibbott - Composer of the underscore for the OYT production  This book offers a unique and fulsome guide for teaching/studying this play and includes a detailed scheme of work for teachers using the play as a set text in the GCSE Drama examination. When Harry (playing Dan) left the cast I remember thinking ‘What are we going to do now?’  The hoodie symbolising Dan was such an amazing concept to show everyone had a part of Dan in them and they were also a part of him and… Dan could be anyone. Alysha Jade Patis - OYT performer This poignant and eminently readable biography of the play is drawn from interviews with Dan’s family, friends and the OYT company.

A deluxe, hardbound, episode-by-episode guide to every aspect of the On Cinema Universe, from the flagship show to all the incarnations of the hit spin-off action series, Decker. Incisive commentary and analysis of the show made famous by its incisive commentary and analysis. Includes rare On Cinema, Decker, and Dekkar documents, photographs, and ephemera. Sure to thrill the rabid fanbase and introduce rabid neophytes as well!

Christoph Schlingensief (1960-2010) was a German film and theatre director, actor, artist and author. Starting as an independent underground filmmaker, Schlingensief later began staging productions for theatres and festivals, which often were accompanied by public controversies. Edited by his friends and associates Klaus Biesenbach, Anna-Catharina Gebbers, Aino Laberenz and Susanne Pfeffer, "Christoph Schlingensief" is an overview of the artist's works that includes over 500 pages of photographs from Schlingensief's films, plays and projects. In the preface the publication, the editors write: "Just how far ahead of his time Christoph Schlingensief was with regard to artistic, political and social themes and subjects is evident only in retrospect ... He still challenges and overwhelms viewers with his overflowing images, his deliberate confusion of fact and imagination, and the sociopolitical volatility of the issues he tackles."

Arthur Szyk (pronounced “Shick�) was born in �ód´z, Poland, in 1894 and died in New Canaan, Connecticut, in 1951. He was considered the greatest miniaturist and painter-illuminator of his era, and the leading political artist in America during World War II. He was internationally recognized and celebrated, and his works of art continue to be exhibited worldwide. This catalogue of institutional holdings of Arthur Szyk’s art was created to provide the best jumping off point for those interested in surveying his originals for the purpose of research, scholarship, and curatorial possibilities. Arthur Szyk Preserved illustrates where Szyk’s work can be found today. Ultimately, this catalogue recognizes and celebrates the public institutions that serve as vital caretakers of Arthur Szyk’s art and legacy. It is hoped that this publication will encourage them to more fully promote public awareness of Szyk’s art and the breadth and beauty of his works in multiple and creative ways.

Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Sp?¨nal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner's replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Café Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world's most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesús Franco, Lloyd Kaufman, Harry Kümel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

‘Like seeing the Strictly curse play out in real time…seriously sexy’ OK! Magazine ‘Romantic, sexy and full of drama…absolutely sizzling!’ – Sunday Times bestselling author Melanie Blake There’s about to be fire on – and off – the dance floor… ï¸�ï¸�ï¸�ï¸�ï¸� Kate Wareing is astonished when she secures a place in a televised dance competition. Especially as it means she’ll be paired with a professional dancer to compete for a life-changing cash prize. When she’s matched with gorgeous French dancer Merle it quickly becomes clear that he’s just as keen to work on their chemistry as their routine. But when the competition is rocked by a scandal, Kate’s forced to switch to a new partner, Aleksis, who is just as devastatingly attractive as Merle – but seems to hate her. With the odds stacked against them, Kate and Aleksis embark on a showmance to try and win over the public. But what happens when Kate’s feelings for her fake boyfriend become all too real? And how far will Merle go to sabotage her chances – both in the competition and in love? Funny, feel-good and oh-so-steamy, this is the perfect read for the Strictly-obsessed and anyone who loved The Spanish Love Deception and The Love Hypothesis Don’t miss out on the spiciest read of summer 2023! ‘The Dance Deception is a breezy, sexy romance filled with passion, intricate dance moves, and a hero and heroine you can really root for. The perfect summer read!’ Kimberly Ash ‘A steamy yet heart-warming romance that will make your heart and temperature soar!' Emily Houghton ‘I loved it so much that I lived vicariously through this book throughout my entire read. It was perfect! Cute and witty characters, entertaining story and a sweet romance. Going to recommend to all romcom lovers.’ Reader review ï¸� ‘A feel-good and steamy read with lots of funny moments. The chemistry is electric, and the dance and reality show concepts add an extra layer of excitement to the story.’ Reader review ï¸� ‘A well written, entertaining story. I had a blast reading it. I instantly fell in love with the characters and found them very relatable. The chemistry between the two love interests practically sizzled off the page and there were so many laugh out loud moments as well.’ Reader review ï¸� ‘Sexy, intriguing, and well-paced…will keep you entertained!’ Reader review ï¸� ‘Lots of drama and steamy scenes. This was so good I stayed up late to finish reading’ Reader review ï¸�

The star of Marvel’s first Asian superhero film, Shang-Chi and The Legend of the Ten Rings, tells his own origin story of being a Chinese immigrant, his battles with cultural stereotypes and his own identity, becoming a TV star, and landing the role of a lifetime. In this honest, inspiring and relatable memoir, Simu Liu chronicles his family's journey from China to the bright lights of Hollywood with wit and humour. As a child, Simu's parents left him in the care of his grandparents, bringing him to Canada when he was four. However, Simu soon senses that his new guardians lack the gentle touch of his grandparents, resulting in harsh words and hurt feelings between him and his parents, who find their son emotionally distant and difficult to relate to. Although they are related by blood, they are separated by culture, language, and values. As Simu grows up, he plays the part of the pious child flawlessly – he gets straight As, performs exceptionally in national math competitions and makes his parents proud. However, as time passes, he grows increasingly disillusioned with the path that has been laid out for him. Less than a year out of University, he is fired from his first job and hits rock bottom. He develops a determination centred around creating his own path. This leads him to not only succeeding as an actor, but also opens the door to reconciling with his parents. We Were Dreamers is a story about growing up between cultures, finding your family, and becoming the master of your own extraordinary circumstance.

WAR MAKES MONSTERS OF EVERYONE. Foolish Cur, once named Wen Alder, finds that his allies in the rebellion might cross any line if it means freedom from the Empire. But he can't overcome a foe as strong as Emperor Tenet alone. REBELLION HAS UNINTENDED CONSEQUENCES. Koro Ha, Foolish Cur's former tutor, discovers the Empire is not so forgiving of those who raise a traitor. And their suspicion may cost him and his people more than he can imagine. THE GODS ARE LURKING IN THE SHADOWS. As war against the Empire rages, Foolish Cur knows there is a greater threat. The emperor plans his own coup against the gods, and they will wreak destruction if he tries. To stop him, Foolish Cur might have to risk everything - and resort to ancient magics that could tear the world apart. This is perfect for fans of Robin Hobb and Shelley Parker-Chan.

This book offers 25 profiles of some of the most popular female action heroes throughout the history of film, television, comic books, and video games. Female action heroes, like other fictional characters, not only reveal a lot about society, but greatly influence individuals in society. It is no surprise that the gradual development and increase in the number of female action heroes coincides with societal changes and social movements, such as feminism. Nor is it a surprise that characteristics of female action heroes echo the progressive toughening of women and young girls in the media. Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television brings to the forefront the historical representation of women and girls in film, television, comic books, and video games. The book includes profiles of 25 of the most popular female action heroes, arranged in alphabetical order for easy reference. Each chapter includes sections on the hero's origins, her power suit, weapons, abilities, and the villains with whom she grapples. Most significantly, each profile offers an analysis of the hero's story—and her impact on popular culture.

‘I’ll put you in my diary!’ comedian Kenneth Williams was known to threaten on occasion, although tantalisingly he kept the journal to himself during his lifetime. Here at last, in one spellbinding volume, are four million words of it. For more than forty years, from his sixteenth birthday until the eve of his unexpected death in 1988, the beloved actor and outrageous ‘Carry On’ star Kenneth Williams kept a candid diary. Devastatingly honest about himself, he is equally unsparing in his verdicts on his fellow man. In his descriptions of Tony Hancock, Maggie Smith, Joe Orton and countless others, his waspish sense of humour, love of anecdote and ear for dialogue are given full rein. Malicious, hilarious and harrowing, ‘The Kenneth Williams Diaries’ are a unique portrait of one of Britain’s most popular – and most misunderstood – performers.

This three-staged memory game invites you to observe masterpieces closely. Historically, a masterpiece was a work of a very high standard, produced in order to obtain membership of a guild or academy. Since the author never went to art school, her untrained eye wondered: "How should I look at art in order to fully appreciate it?" Trying to answer this question, she decided to design a system of observation based on different steps: games and activities following a set scheme that triggers the player to look at a masterpiece on a different scale. Pixel-Art Game allows you to zoom into these Dutch Masterpieces. Match the original image with its pixelated copies by zooming into Vermeer's famous The Milkmaid. The painter's colour and use of light are emphasised through the pixels of the digitalised image, taking art into our contemporary digital language. With light packaging, perfect to take along with you, the Pixel-Art Game offers several games in one set. Each of these 3 games is a step towards understanding the artwork better, and they can be played with multiple players.

Gedo's pathbreaking exploration of the psychology of creativity incorporates first-hand material drawn from his extensive clinical work with artists, musicians, and other exceptionally creative individuals. Using this body of clinical knowledge as conceptual anchorage, he then offers illuminating reassessments of the artistic productivity of van Gogh, Picasso, Gauguin, and Caravaggio, and the literary productivity of Nietzsche, Jung, and Freud.

Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, African-Caribbean, south Asian and east Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre in Britain was integrated from the 1960s to the 21st century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with nearly forty performers and directors, the book chronicles important productions that led to ground-breaking castings of Black and Asian actors in substantial Shakespearean roles including: · Zakes Mokae (Cry Freedom) as one of three black witches in William Gaskill’s 1966 production of Macbeth at the Royal Court Theatre. · Norman Beaton as Angelo in Michael Rudman’s 1981 production of Measure for Measure at the National Theatre – the first majority Black Shakespearean cast at the theatre. · Josette Simon as Isabella in Measure for Measure at the Royal Shakespeare Company in 1987. · Adrian Lester in the title role of Nicholas Hytner’s 2003 production of Henry V. · Iqbal Khan on his 2012 production of Much Ado About Nothing – the first production with an all south Asian cast at the Royal Shakespeare Company. · Alfred Enoch and Rakie Ayola as Edgar and Goneril in Talawa Theatre Company’s 2016 production of King Lear · Paapa Essiedu as Hamlet in Simon Godwin’s 2016 production for the Royal Shakespeare Company. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Josette Simon, Lolita Chakrabarti, Noma Dumezweni, Rakie Ayola, David Yip, Ray Fearon, Paterson Joseph, Alfred Enoch, Rudolph Walker and many more, this book is an invaluable history of Black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre.

(BH Piano). New collection featuring works by the most prominent Boosey & Hawkes composers, including Bernstein, Britten, Carter, Copland, Ginastera, Kats-Chernin, Lees, Stravinsky, Thomson, and others. With previously unpublished works by Argento and Gorecki. Ideal for advanced high school and college players.

To double-track is to be both: counter-cultural and establishment, rich and poor, a bum with the keys to a country retreat, an exotic addition to the dinner table who still knows how to find their way around the silverware. In the 1970s Tom Wolfe located the apex of doubletracking as the art world, but today, it's a cornerstone of the middle classes, and a full-blown commonplace of contemporary life. At root, it's a state of mind born of an ambivalent relationship to privilege, that, when perfected, allows those with financial resources the economic benefits of leaning right, and the cultural benefits of leaning left. It curls around the vocal chords of private school alumni as they drop their consonants, sprays the can of legally sanctioned graffiti on the side of the pop-up container shopping mall, and tones the cores of sweaty executives attending weekly parkour classes, prancing about the concrete furniture of housing estates they do not live on. Comprising essays, fiction and art criticism, this is a merciless, witty satire of the middle classes - a venturesome, intelligent debut which cuts to the very core of our duplicitous lives.

Between 1967 and 1970 Italian auteur Giovanni 'Tinto' Brass directed four feature films in London, each starring a woman as the main character. Exploring the political, cultural and sexual ideas of their time, often in a deliberate pop-art style, they contain much priceless footage of now forgotten neighbourhoods, galleries, clubs and events as well as an abundance of contemporary music. Free Your Mind! describes the films, their stars, how they were made, and their influence on the social history, pop culture, cinema, music and TV of the time.

Hong Kong cinema began attracting international attention in the 1980s. By the early 1990s, Hong Kong had become "Hollywood East" as its film industry rose to first in the world in per capita production, was ranked second to the United States in the number of films it exported, and stood third in the world in the number of films produced per year behind the United States and India. This second edition of Historical Dictionary of Hong Kong Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on directors, producers, writers, actors, films, film companies, genres, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about Hong Kong cinema.