On the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock's 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philosophers, and so it is also much more. Even as he provides detailed readings of each scene in the film, and its story of obsession and fantasy, Pippin reflects more broadly on the modern world depicted in Hitchcock's films. Hitchcock's characters, Pippin shows us, repeatedly face problems and dangers rooted in our general failure to understand others--or even ourselves--very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, Pippin argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness. A bold, brilliant exploration of one of the most admired works of cinema, The Philosophical Hitchcock will lead philosophers and cinephiles alike to a new appreciation of Vertigo and its meanings.

This is a wonderful overview of the remarkable range of dog portraits--there are no human sitters--produced over the last 250 years. It features well-known works such as Rosa Bonheur's Brizo, (one of the best-loved portraits in The Wallace Collection), George Stubbs' Turk, Thomas Gainsborough's portrait of his two dogs Tristram and Fox, Lucian Freud's oil painting of Pluto, his pet whippet, and David Hockney's dachshunds Stanley and Boodgie.Over 50 works, arranged by theme, are drawn from major British collections, including the Royal Collection, the V & A, Tate Britain, the British Museum, and a wealth of regional museums and private collections. In addition memorabilia and souvenirs-bronzes, photos, brooches, and Faberge works, many relating to the British royals, especially Queen Victoria and her children- all evoke the sense of a cabinet of curiosities. This is a must-have for dog lovers.

William Castle, for instance, was a master promoter. In one scheme involving The Tingler, Vincent Price warns in the movie that "the only way to stop the monster is to scream. That's the signal to the projectionist to throw the switch. Under ten or twelve seats were some electric motors, war surplus things that Castle got a bargain on. The motors vibrated the seat, in the hope of scaring a scream out of someone. Just in case it didn't Castle planted someone in the audience to get the screams rolling." This book is about flamboyant promotion, the con artist side of the movie world--everything the ballyhoo boys did to separate the customer from the price of a movie ticket—Emergo, HypnoVista, 3-D, Wide Screen, Cinemagic, Duo-Vision, Dynamation, Smell-O-Vision, plenty more. Supporting the text are 107 photos and illustrations, some never-before-published, and a filmography.

Taboo breakers and trendsetters, shameless hucksters and famous directors. Exploitation filmmaking has seen it all. Fred Olen Ray made his first movie for $298. In 1936 Marijuana-Weed with Roots in Hell showed drug use and nudity on screen in an effort to "educate the public." Kroger Babb, the man behind Mom and Dad, spliced color medical footage of a babys birth into his black and white "classic." Russ Meyer, John Waters, Andy Milligan, Doris Wishman, and many others are covered. "Classic" films such as The Immoral Mr. Teas, The Texas Chainsaw Massacre, and Nude on the Moon are examined. Production techniques and innovations are also discussed.

The "live era" or "golden age"of television drama originating from New York, 1946 through 1951, was an exciting time of creative and commercial accomplishment. This is a complete history and reference guide to the live dramas that aired during those six years. Extensive coverage is given to the NBC anthologies Kraft Television Theatre and Philco Television Playhouse, and the CBS anthologies Ford Theater and Studio One, as well as to "he competitors"--the 28 new anthologies that appeared in the prime time schedule during 1950 and 1951. Appendices comprehensively list the day-by-day program logs for BBC, CBS and NBC dramas from 1946 through 1951.

This collection of essays (first published in Big Reel) lovingly recalls the glory days of the movie serial. The primary focus is on the fans of the serials--what they thought of them in their heyday, what they think of them now, and why these episodic tales are still so popular. Preceding each article is a brief commentary about the essay explaining why the topic was chosen and the reader response it evoked when first published.

During the Depression years, the comedy team of Bert Wheeler and Robert Woolsey were second only to Laurel and Hardy at the box office. Each of their over 20 comedies are analyzed in detail here; full filmographic data, production notes, plot synopses, and critical commentary are provided. The research is supplemented by an interview with Bert Wheeler.

This catalogue accompanies an international exhibition, "First Kings of Europe," and another volume also published by the Cotsen Institute, First Kings of Europe: From Farmers to Rulers in Prehistoric Southeastern Europe, that examine the artifacts and cultures of this area from the Neolithic to the Iron Age. Over several millennia, early agricultural villages gave rise to tribal kingdoms and monarchies, replacing smaller, more egalitarian social structures with complex state organizations led by royal individuals invested with power. Several hundred objects and artifacts in the exhibition are portrayed in the catalog, accompanied by introductory text and detailed entries for each item. The spectacular and highly detailed color photographs introduce us to the gold and silver ornaments, bronze and iron weaponry, rich metal hoards and magnificent ceremonial vessels that are masterpieces from this period of history. Many of them have never left their countries of origin, making the two volumes documenting them an opportunity not to miss.

The financial collapse of 2008 extended and deepened a prolonged, multilayered crisis that has transformed, often in unexpected ways, how we think about all aspects of social life. Amid these turbulent times, film studies scholars have begun to ask new questions and create fresh strategies in order to integrate intellectual and political work in ways that directly address our current predicament. This timely volume reconsiders the relationships between cinema and society at a time when neoliberal policies threaten not only civic culture but also nearly every aspect of human life. Screening the Crisis brings together established authors as well as brilliant young scholars in the field of film studies to explore the ways in which new tendencies in US cinema enhance awareness of the complexity of the problems facing contemporary society. The issues addressed include economic inequality, shifts in gender roles, racial conflicts, immigration, surveillance practices, the environmental crisis, the politics of housing, and the fragility of nationhood. These questions are explored through in-depth studies and contextualized analyses of a wide variety of recent films, genres, and filmmakers. With its ample range of topics and perspectives, this collection provides an essential reference work for those who want to research how US cinema has responded to the manifold interconnected crises that characterize our current times.

The Politics of Nordsploitation takes a transnational approach to exploring Nordic ‘exploitation’ films in their industrial contexts, viewing them as not only political manifestations of domestic considerations but also to position Nordic film cultures in a global context. Incorporating a wide range of films, from international cult classics like They Call Her One Eye (1974), homegrown martial arts films like The Ninja Mission (1984) to contemporary crowd-sourced fan productions like Iron Sky (2012), this volume examines the remarkable diversity of genre-based, commercially and culturally exploitative film production throughout the Nordic countries – emphasized here through the term ‘Nordsploitation’. This volume provides a historical exposition of largely ignored marginal films and film cultural patterns. It also outlines how influential these films have been in shaping the development of Nordic cinema. The effects are visible in the films of the new millennium as previously marginalized practices now enter the mainstream. With sharp insights and new research, The Politics of Nordsploitation redefines the concept of ‘exploitation’ and its role in small nation cinemas.

After the death of Marion Morrison, known as John Wayne, in 1979, President Jimmy Carter said that Wayne "was bigger than life. In an age of few heroes, he was the genuine article. But he was more than a hero; he was a symbol of many of the qualities that made America great." The first section of this study concentrates on Waynes style of work and sphere of action as an actor: The man who works for a living and is concerned with his audience and the constraints of his immediate environment. The second section examines the artist: the man who lives in his art, who disappears into his character as an archetype of human fears and desires. Analyses of films that have made Wayne a hero are presented in the third section. A comprehensive filmography and numerous photographs are included.

Contents:
1. Philosophy: Victor Cousin (1792-1867) John Marenbon. Pierre Duhem (1861-1947) John E. Murdoch. Martin Grabmann (1875-1949), Philipp W. Rosemann. Etienne Gilson (1884-1947) Edward A. Synan. Harry Austryn Wolfson (1887-1974) Arthur Hymans. Philotheus Boehner, O.F.M. (1901-1955) Fr. Gedeon Gal, O.F.M.
2. Musicology: Introduction. Henry Julius Wetenhall Tillyard (1881-1960) Diane Touliatos. Egon Wellesz (1885-1974) Milos Velimirovic. Bruon Stablein (1895-1978) Charles Atkinson. Gustav Reese (1899-1977) Theodore Karp.
3: Art History: Introduction. Alois Riegel (1858-1905) Margaret Olin. Henri Focillon (1881-1943) Walter Cahn. Arthur Kingsley Porter (1883-1933) Linda Seidel.

How do different artistic and cultural practices develop in the contemporary consumer culture? Providing a new direction in cultural studies as well as a vigorous defence of the field, Angela McRobbie's new collection of essays considers the social consequences of cultural proliferation and the social basis of aesthetic innovation.
In the wake of postmodernism, McRobbie offers a more grounded and even localised account of key cultural practices, from the new populism of young British artists, including Damien Hirst and Tracy Emin, to the underground London sounds of drum'n'bass, discussing music by artists such as Tricky, Talvin Singh and Goldie; from the new sexualities in girls' and women's magazines like More! and Sugar to the dynamics of fashion production and consumption.
Throughout the essays the author returns to issues of livelihoods and earning a living in the cultural economy, while at the same time pressing the issue of cultural value.

WITH A FOREWORD BY NIGEL McCRERY, CREATOR OF SILENT WITNESS

Going beyond the popular TV show, this is the true story of forensic science from those who solve crimes without witnesses.

How do you identify a serial killer?

What are the tell-tale signs of guilt?

Can we now solve the unsolvable?

Since even before the first season of Silent Witness in 1996, forensic science has played an increasingly important role in the investigation of violent crimes.

With a boom in cold-blooded cases throughout the 1980s, police began to rely on DNA evidence to help them find perpetrators and since then forensic science has taken off as a powerful tool in solving murders. Bestselling true crime author Wensley Clarkson takes us beyond the headlines to examine the real-life stories where forensics have played a crucial role. He speaks to experts who have worked on the most gruesome, most chilling and most shocking crime scenes and explains how notorious criminal cases from across the world were solved.

And he shows how the silent witness is often the one who screams the loudest.

The over-arching theme for this new collection of essays by Angela McRobbie is the `aestheticisation of everyday life'. In Gender adn Popular Culture the author examines the cultural significance of young British artisits, the politics of dance music, fashion as a social phenomenon and the impact of feminism on popular culture. While strongly defending cultural studies against its critics, the author argues for new perspectives in cultural studies. These inlcude the cultural economy as a labour market, and issues of cultural policy.

Apocalyptic Bodies traces the biblical notions of the end of the world as represented in ancient and modern texts, art, music and popular culture, for example the paintings of Bosch. Tina Pippin addresses the question of how far we, in the late twentieth century, are capable of reading and responding to the 'signs of the times'. It will appeal not only to those studying religion, but also to those fascinated with interpretations of the end of the world.

As we approach the new millennium there is a growing interest within western religion in the apocalypse. In "Apocalyptic Bodies" Tina Pippin traces the biblical notions of end times as represented in ancient and modern texts, art, music and popular culture, and addresses the question of how we, in the late twentieth century, are to be competent and ethical readers of and responders to the " signs of the times." "Apocalyptic Bodies" presents a postmodern reading of the biblical texts and offers new ways of thinking about the bible and the end of the world.

This is a devilishly delightful collection of 1,814 questions and answers about the best and worst horror films ever made, from the silent movies of the 1920s to the scream queens of the 1990s.

'TV's Grooviest Variety Shows (of the '60s and '70s)' is an irresistible page-turning account of TV's greatest and goofiest variety shows of the psychedelic 1960s and '70s. Designed to be browser-friendly, the book covers the main shows of the era?Ed Sullivan, Lawrence Welk, Dean Martin, the Smothers Brothers, 'Laugh-In, ' Flip Wilson, 'Sonny and Cher, ' 'Midnight Special, ' classic 'Saturday Night Live' (1975-80), 'SCTV, ' and 'The Muppets.' Each of these key chapters is fast-moving and fun, with quick, easy-to-skim sidebars like "Memorable Moments," "Quotable Quotes," and "Bloopers & Breakups," plus a brisk narrative of the show's behind-the-scenes dramas, cast, and history.

Unlock the transformative power of movement as a life-changing spiritual practice. "If you're thinking 'But I’m not a dancer’ or ‘I feel awkward,’ I hope to reassure you. You don’t need a special talent to move. You don’t need to be ‘graceful’ or especially coordinated. You don’t need a body that’s ‘in shape.’ Dancing helps us embrace all this humanity. Dance connects us to the holy of life." —from the Introduction Seize the joy and healing power of dance! Drawing from her years of experience as a dance and movement teacher, and as cofounder of the international dance organization InterPlay, Cynthia Winton-Henry helps you overcome your embarrassment or anxiety and discover in dance a place of solace and restoration, as well as an energizing spiritual force. She taps into the spirit of dancing throughout history and in many world cultures to provide detailed exercises that will help you learn to trust your body and interpret its physical and spiritual intentions. For both newcomers and seasoned movers alike, she encourages you to embrace dance as a spiritual tool to: Celebrate your unique spirituality and get in touch with your emotions Unify your body and mind, and push your personal boundaries Work through trauma or crisis and restore spiritual well-being Deepen your relationships and strengthen your community Find spiritual direction … and much more!

When Richard M. Hollingshead Jr. first projected a movie onto a white bedsheet stretched between two trees at his home in Camden, New Jersey, in 1933, little did he know that he was on the verge of creating an entirely new entertainment industry. With America just beginning its romance with the automobile, it's no surprise that the general public found this new form of moviegoing irresistible. Fun and affordable, the drive-in quickly gained popularity among families with young children. And, of course, the local drive-in was a favorite weekend hangout for teenagers: a place where they could go just to meet friends or take a sweetheart for a romantic evening of movies under the stars. Although drive-ins are no longer as popular as they once were, in many communities a devoted following still seeks out the open-air theaters at twilight. Cinema Under the Stars"" is a reminder of those wonderful times, as well as a recounting of the history of the drive-in experience. Here is the story, and here are the memories: B movies, concession stands loaded with goodies, screen towers, ticket booths, scratchy speakers, speaker poles, and intermission. It is all here - a nostalgic look at one of America's all-time favorite pastimes.""

Author Stephen Cox and pop culture critic Kevin Marhanka have joined forces to present the complete film works of comedian Don Knotts in THE INCREDIBLE MR. DON KNOTTS, the very first book on Knott's movie career. The authors, who interviewed Knotts at length about specific films in which he starred, have gathered contributions from Andy Griffith, Ron Howard, Tim Conway, Ed Asner, and many co-stars from his forty feature-film career. Featuring more than 200 photographs--many rare and never before published--behind-the-scenes images, fascinating trivia, reviews, and a fantastic 16-page full-color insert, the movies of Don Knotts are fully explored in this collector's treasury.

Paperback release of 2003 holiday bestseller which offers behind the scenes info on this holiday classic as well as current info on stars from the show.

Dishing Hollywood is a delightful and naughty romp through some of the biggest scandals that have rocked Hollywood - from the earlier part of the twentieth century to the present. Some of the stories appear here for the first time. Some you might think you've heard, but you haven't heard it all! To add a little spice to the story, the author includes a recipe with each "scoop" - favorite dishes, cocktails of choice, even some last meals, including... - Inger Stevens: C'mon, who kills herself while in the middle of snaking her favorite sandwich, a BLT with avocado? Mama Cass: That ham sandwich? Baloney! Robert Blake: His favorite restaurant named a dish after him to capitalize on his troubles. Debbie Reynolds: What did she fix her kids for dinner (on a budget) after that rat fink Eddie Fisher threw her over for Liz Taylor? Bobby Darin: He learned how to make his "Special Spinach" from his mother... or was that his grandmother? Many more stories are inside, each more scandalous and shocking than the next. So quit stallin - pull up a chair and check out the menu. And don't forget to tip the waitress.