In recent years, puppetry has enjoyed a huge revival on the stages of our theatres, dance venues and opera houses. Large-scale productions such as War Horse and The Lion King have revitalized age-old techniques to attract new audiences and develop the power of storytelling. Puppetry is now seen not only as a specialist art form that exists on its own, but also as a vital tool in the armoury of theatrical storytellers. A Practical Guide to Puppetry offers a comprehensive overview to this versatile art form, exploring established techniques and offering expert instruction on styles from shadow puppetry to group puppetry. Each method is illustrated with practical and accessible exercises, achievable either individually or in a group workshop or rehearsal. With over eighty exercises for improvising, training, designing and directing puppetry, accompanied by 400 illustrations, this new book gives a complete approach to puppeteering with objects, simple puppets and puppets with mechanisms.

One of the greatest films ever to be made in Scotland, The Wicker Man immediately garnered a cult following on its release for its intense atmosphere and shocking denouement. This book explores the roots of this powerful, enduring film. With contributors including The Wicker Man director Robin Hardy, it is a thorough and informative read for all fans of this indispensable horror masterpiece.

There are many different methods for teaching classical ballet - Bournonville, Vaganova, Cecchetti, and Royal Academy of Dancing being the most widely known. All of these methods are effective tools for presenting the technique and art of ballet. Knowing how to use these tools successfully requires more than being a devotee of the technique; it also requires the mastering of various skills. In Ballet Pedagogy, Rory Foster aims to share his extensive knowledge of how to teach rather than focus exclusively on what to teach. He argues that it is not enough for a ballet teacher to be well trained in technique, but that he or she must also know how to utilize pedagogical skills. Designed as both a manual for beginning teachers as well as a reference for experienced instructors, Ballet Pedagogy is appropriate for either followers of a single methodology or for those who have adopted a more eclectic approach to technique. Foster believes that effective teaching skills - proper demonstration, counting, correcting, musicality, anatomical approach, etc. - do not come automatically just because one has trained as a dancer. In this book, Foster - an expert in multiple ballet methods - covers all areas involving dance, from history to injury prevention, from anatomy and kinesiology to vocabulary and music. He even offers pragmatic advice on the business of starting a dance school. The result is an essential addition to every dance teacher's library.

An exciting, unexpected, and beautiful encounter with one collector’s deeply personal assemblage of works. Since the 1980s, Mickey Cartin has assembled a remarkable collection of objects and art—Renaissance and modernist paintings, master prints, sculptures, illuminated manuscripts, and more. Exploring the theory behind collecting art and how Cartin’s approach to collecting diverges from common practices, this publication offers a unique perspective on an intimate practice. Unconcerned with hewing to specific categories, time periods, or media, Cartin’s collection—which includes the likes of Josef Albers, Sol Lewitt, and Forrest Bess—creates active combinations and disrupts homogeneity, privileging the drive of curiosity. A documentation of the celebrated exhibition Seen in the Mirror: Things from the Cartin Collection at David Zwirner, New York, in 202, this catalogue includes additional artworks from Cartin’s trove along with views of his home, conveying how he lives with these various types of work. Cartin selected each work in the exhibition and catalogue as a reflection of his deep connections with the many artists represented therein. The conversation between Cartin and David Leiber illuminates the tensions between study and instinct, reading versus experiencing, as well as the influences and figures that inform his personal, curatorial practice. With an introduction by the curator of the Cartin Collection, Steven Holmes, and a text from the art historian Luke Syson, this inspiring volume is a spirited investigation of a very different method of and approach to collecting.

The Twilight Zone has evolved from a groundbreaking speculative television series into a cultural phenomenon. The recently revived series on FOX averaged 4.6 million viewers on its first episode. Indeed, the title itself conjures up thoughts of fantastic stories that bridge several forms of fiction to create a unique genre of morality tales with a touch of irony, unlimited by the boundaries of conventional fiction. Broadcast from 1959 to 1964, the show has run ever since in syndication, making it one of the longest running television shows of all time, creating a new genre of shows similar to the X-Files and Twin Peaks. Five writers created the core of the show, and together these men fashioned the bulk of the 156 original episodes: Rod Serling, Richard Matheson, Charles Beaumont, George Clayton Johnson, and Earl Hamner. All went on to other projects in film, television, theater, and print, but their involvement in the Twilight Zone is well known to fans of the series. The Twilight Zone Scripts of Earl Hamner contains reprints of the eight episodes written by Hamner, along with Albarella's commentary on each story: The Hunt, "" ""A Piano in the House, "" ""Jess-Belle, "" ""Ring-a-Ding Girl, "" ""You Drive, "" ""Black Leather Jackets, "" ""Stopover in a Quiet Town, "" and ""The Bewitchin' Pool."" Also included is a ""lost"" Twilight Zone short story by Mr. Hamner and an interview with Albarella that covers the background details of how Hamner became involved in the series.""

In 1922, Rudolph Valentino was one of the most famous men alive. But few knew that the star had a dirty secret that he desperately wanted to bury. The lurid tale began a decade earlier when former Yale football star and notorious playboy Jack de Saulles made headlines across three continents by pursuing the beautiful young Chilean heiress Blanca Errázuriz, known as the Star of Santiago. After the birth of their son, though, the marriage soured. Jack was going after every chorus girl on Broadway, claiming that Blanca had banished him from their bed. By 1916, Blanca wanted a divorce, rare then and even more so in a wealthy, powerful Catholic family. Enter Valentino, then still known as Rodolfo Guglielmi, a professional dancer in New York City, famous for the Argentinean tango. Blanca discovered that her husband had been sleeping with Joan Sawyer, Rodolfo’s dance partner, so she set about cultivating the hungry young performer. Whether Blanca and Guglielmi became lovers remains unclear, but the ambitious Italian gave evidence on her behalf in divorce court. Furious, de Saulles had Guglielmi arrested on trumped-up vice charges, tarnishing the dancer’s reputation. But Blanca was fighting bigger battles. De Saulles’s family had been pulling strings, persuading the courts to grant him partial custody of their child. When it appeared that he wasn’t going to return the boy to his mother’s care, Blanca exploded. On a sweltering August night in 1917, she drove to Jack’s mansion and shot him dead. Several people witnessed the act, but Blanca’s family hired the best defense lawyer around, who salvaged de Saulles’s reputation and made Blanca out to be a saint. During the “most sensational trial of the decade,� millions devoured the juicy details of how a high-society marriage violently unraveled. Guglielmi, desperate to avoid further poisonous publicity, fled to California, changed his name to Rudolph Valentino, and the rest is Hollywood history.

Everyone has their favourite Monty Python sketches, often quoted almost verbatim, whether it is 'the Parrot Sketch', 'the Cheese Shop' or 'Blackmail' - amongst many. Likewise the Python films, the mere mention of which might solicit quotes like ‘Tis but a flesh wound’ or ‘He’s not the Messiah, he’s a very naughty boy’. But what lies beyond these well-remembered favourites? How many remember the 'Fresh Fruit Self Defence' sketch, or 'the Fish-Slapping dance'? Or even such almost-forgotten curios as 'Blancmanges Playing Tennis', 'The Olympic Hide And Seek Final' and 'The Batley Townswomen’s Guild Re-enacting Pearl Harbour'. This book will shine a light on all of these often-hilarious - but occasionally misfiring - curios. As well as the films and all 45 TV episodes, the record albums are also analyses for their content and how they differed from the TV show, as well as the books which came out as spin-off merchandise - but were never less than brilliantly entertaining for all that. How did Python come to be, what tensions were there between its stars, and what was the atmosphere like when the crew reunited to make the films long after they had left their TV show days behind them? All this will get an answer and much, much more... Now, do you want to read for five minutes, or the full half-hour?

Here is a classic collection of writings by the Surrealists on their mad love of moviegoing. Forty-odd theoretical, polemical, and poetical essays document Surrealism's scandalous and nonreductive take on film. The essayists include such names as Breton, Aragon, Desnos, Dali, Bunuel, and Man Ray, as well as many of the less famous, though equally fascinating figures of the movement.

Table of Contents: Available light / Paul Hammond

Some surrealist advice / The Surrealist Group
War letter / Jacques Vache
On decor / Louis Aragon
Cinema U.S.A. / Philippe Soupault
Battlegrounds and commonplaces / Rene Crevel
Against commercial cinema / Benjamin Peret
Buster Keaton's College / Luis Bunuel
Abstract of a critical history of the cinema / Salvador Dali

The marvelous is popular / Ado Kyrou

As in a wood / Andre Breton
Picture palaces / Robert Desnos
Plan for a cinema at the bottom of a lake / Bernard Roger
The lights go up / Jacques Brunius
Surrealism and cinema / Jean Goudal
Introduction to black-and-white magic / Albert Valentin
Crossing the bridge / Jacques Brunius
Sorcery and cinema / Antonin Artaud
The screen's prestige / Jacques Brunius
Remarks on cinematic oneirism / Robert Benayoun
The cinema, instrument of poetry / Luis Bunuel
Malombra, aura of absolute love / The Romanian Surrealist Group
Data toward the irrational enlargement of a film: The Shanghai Gesture / The Surrealist Group

The film and I / Ado Kyrou
Cinemage / Man Ray
Another kind of cinema / Marcel Marien
Intention and surprise / Nora Mitrani
The ideal summa / Petr Kral
Turkey broth and unlabeled love potions / Gerard Legrand
The fantastic - the marvelous / Ado Kyrou
Concerning King Kong / Jean Ferry
Larry Semon's message / Petr Kral
Hands off love / The Surrealist Group
Chaplin, the copper's nark / Jean-Louis Bedouin
Manifesto of the Surrealists concerning L'ge d'orr / The Surrealist Group

Zaroff; or, The prosperities of vice / Robert Benayoun
Eroticism / Robert Desnos
Eroticism = love / Ado Kyrou
Au repas des guerrieres / Nelly Kaplan
Female x film =

Film magazine Little White Lies invites you to relive 300 movie moments – from the iconic to the downright filthy – in this hilarious new party game for film lovers.   Simply pick a quote and ask your friends to transform it by filling in the blank with a phrase from another classic film. The funniest movie mash-up wins! As seen in Total Film

As the inward-winding labyrinth, it constitutes the hero s journey to the still center where the secret of life is found. As the spherical vortex, spiraling through its own center, it combines the inward and outward directions of movement. In this original and engrossing book, Jill Purce traces the significance of one man s central symbols from the double spirals of Stone Age art and the interlocking spirals of the Chinese Yin Yang symbol to the whorls of Celtic crosses, Maori tattoos and the Islamic arabesque. Many of the superb images here were intended as objects of contemplation; for the spiral is a cosmic symbol. Art and Imagination series These large-format, gloriously-illustrated paperbacks cover Eastern and Western religion and philosophy, including myth and magic, alchemy and astrology. The distinguished authors bring a wealth of knowledge, visionary thinking and accessible writing to each intriguing subject.

Kirk Douglas's skilful and passionate autobiography charts the rise of the son of an illiterate Russian-Jewish ragman who became one of the last surviving legends from Hollywood's golden era, who died aged 103 in February 2020. With unflinching humour and frankness he reveals the inside story of more than forty years of stardom, working alongside Frank Sinatra, Burt Lancaster, John Wayne and Laurence Olivier - and his relationships with movie goddesses like Joan Crawford, Rita Hayworth and Marlene Dietrich. He starred in numerous films that have gone on to become enduring classics, such as Spartacus, The Glass Menagerie, Lust for Life, Paths of Glory and Gunfight at the OK Corral. He was nominated for an Oscar three times, and won a lifetime achievement Oscar in 1996. He campaigned against the Hollywood blacklist, giving opportunities to young directors such as Stanley Kubrick and, after starring in the play One Flew Over The Cuckoo's Nest, he gave the film rights to his son Michael Douglas, who produced the Oscar-winning movie that followed. Rich in unforgettable anecdotes that capture the true spirit of the golden years of Hollywood and Broadway, this is an autobiography that reads like a novel, narrated by the unmistakable voice of a true superstar.

The first monograph on the architectural sculptor and installation artist and long-time collaborator with the New York School poets Best known for creating large-scale installation work inspired by American vernacular architecture, Dennis finds beauty in places shaped by ordinary people, which become repositories for memory and feelings. Her seemingly familiar yet often darkly mysterious sites evoke memories, encourage reflection, and allude to the transient nature of life. This book contextualizes Dennis's work within contemporary art and the women's movements and traces the arc of her career, tracing the evolution of her architectural sculpture over more than forty years, exploring her artistic collaborations with poets, and presenting her most recent work, a series of gouaches and dioramas, for the first time. A conversation between Dennis and painter Rackstraw Downes brings to life the artist's influences through her own words. With insightful text by feminist art scholar Helaine Posner, plus commentary from Dennis on the sources and process of creating the work, this book is an essential addition to the libraries of collectors and art historians interested in the architectural sculpture movement of the 1970s, and all those interested in feminism in art.

On October 3, 1960, The Andy Griffith Show began its eight-year reign as one of the top-ten television shows in the country. Now, almost 50 years later, the original 249 episodes still remain among the most frequently watched syndicated shows on television. In 1991, Neal Brower began to write a regular column called "Professor Brower's Class" in The Bullet, the newsletter for the show's fan club, The Andy Griffith Show Rerun Watchers Club. The Bullet, which was published three times a year, was distributed to approximately 15,000 members of the 1,000 worldwide chapters. In his column, Brower focused on one of the show's episodes. Through interviews with writers, directors, producers, actors, and other people associated with the show, Brower offered insights into the scriptwriting, production, photography, casting, and musical scoring. Although Brower's first few columns consisted primarily of his personal observations and comments about the episode, later columns concentrated on letting the participants tell the Mayberry story. Brower realized that the pace of writing only three episodes a year was too slow a process. The stories that he discovered needed to be told before the memories faded. This book resulted from the need to tell the story in a more timely format. In this volume, Brower focuses on the 79 episodes written by Harvey Bullock, Everett Greenbaum, Sam Bobrick, and their partners. These writers were responsible for such popular episodes as "Opie the Birdman," "Mr. McBeevee," "My Fair Ernest T. Bass," "The Pickle Story," "A Date for Gomer," and "The Darlings Are Coming." When asked if he would help with this project, writer Everett Greenbaum responded, "Neal, I will be glad to answer your questions because I feel it is important to keep the memories alive." Thanks to Everett and all who shared their observations, Mayberry 101 now preserves a behind-the-scenes peak at the Mayberry story. Neal Brower, a United Methodist minister, teaches a ten-week course about The Andy Griffith Show at community colleges throughout North Carolina. Since 1988, he has taught the course over twenty times at six colleges. He is a native of Asheboro, North Carolina.

Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in early Greek plays and looking at occasional works produced before the twentieth century, Purcell then identifies the key players and productions that have emerged over the last several decades. This book covers the heyday of the second wave feminist movement—which saw the growth of female-centric theatre groups—and highlights the work of playwrights such as Caryl Churchill, Pam Gems, and Wendy Wasserstein. Other prominent artists discussed here include playwrights Paula Vogel Lynn and Tony-award winning directors Garry Hynes and Julie Taymor. The volume also examines diversity in contemporary feminist theatre—with discussions of such playwrights as Young Jean Lee and Lynn Nottage—and a look toward the future. Purcell explores the very nature of feminist theater—does it qualify if a play is written by a woman or does it just need to feature strong female characters?—as well as how notable activist work for feminism has played a pivotal role in theatre. An engaging survey of female artists on stage and behind the scenes, From Aphra Behn to Fun Home will be of interest to theatregoers and anyone interested in the invaluable contributions of women in the performing arts.

The first-ever comprehensive book devoted to helping educators use nature journaling as an inspiring teaching tool to engage young people with wild places. In their workshops, John Muir Laws and Emilie Lygren are often asked the how-tos of teaching nature journaling: how to manage student groups in the outdoors, teach drawing skills (especially from those who profess to have none), connect journaling to educational standards, and incorporate journaling into longer lessons. This book, expanding on the philosophy and methods of The Laws Guide to Nature Drawing and Journaling puts together curriculum plans, advice, and in-the-field experience so that educators of all stripes can leap into journaling with their students. The approaches are designed to work in a range of ecosystems and settings, and are suitable for classroom teachers, outdoor educators, camp counselors, and homeschooling parents. Full-color illustrations and sample journal pages from notable naturalists show how to put each lesson into practice. Field-tested by over a hundred educators, this book includes dozens of activities that easily support the Common Core and the Next Generation Science Standards—and, just as important, it will show kids and mentors alike how to recognize the wonder and intrigue in their midst.

In creating and developing the new genre of the televised novela, a one-hour long dramatic serial, the Brazilian television industry grew, in less than 15 years, from an insignificant player in the international market to one of the largest, most influential in the world. In the first book in English to explore the phenomenon of the telenovela Michele and Armand Mattelart challenge accepted views of the world dominance of United States television and probe the socioeconomic impact of this new genre on a third world country. Using the telenovela and its impact on the medium world-wide, the authors document the important changes in the international circulation of television programs and in the way television is perceived theoretically as a subject of research. The book traces the development of the novela in a country that, in the early 1960s, did not have any nationwide media and later--from 1964 to the 1970s--was ruled by a military dictatorship. It further analyzes the formation of the genre and its mode of production, placing the novela's appearance and development in its cultural, institutional, and economic context. The authors look at the peculiar contradictory relation between the genre's creators and developers--generally left wing intellectuals--and the manipulations required to construct a television industry in a highly competitive marketplace.

The book begins with a description of the economic, institutional, and cultural context which produced the genre. It explores the world of soap operas, the development of a national television industry, and the beginnings of an urban consumer society in Brazil. The authors include a valuable and detailed study of the mode of production of the telenovela, placing both the form and content of the genre in their specific economic and institutional context. The book goes on to examine the relationship between the genre and its wider social and cultural environment, explaining its immense popularity and the social function it fulfills. Finally, the authors link the study of Brazilian television to wider debates in media and cultural studies.

This practical and inspirational book introduces readers to the value of storytelling throughout life, discussing the importance of traditional tales, and how they can transform our lives from childhood through to old age. Children develop emotional intelligence by being immersed in stories that deal with the challenges they face in growing up. Josie Felce discusses the use of stories in the Steiner-Waldorf school curriculum, and hopes to pass on this wisdom to a wider audience. She goes on to discuss the therapeutic value of stories throughout our adult lives, how they help us to approach challenges creatively, giving examples of how stories can be used in group development sessions. Felce considers the difference between telling and reading a story, offering practical advice on body language and presentation skills. Throughout the book she recommends suitable stories for different age groups and situations, with examples of how to adapt stories and tailor them for your audience.

The countries surrounding the Baltic Sea - Denmark, Estonia, Latvia, Finland, Germany, Lithuania, Poland, Russia, and Sweden - have experienced immense social and political change, from the territorial maneuverings of Sweden, Russia, and Denmark, the reunification of Germany, to more recent moves towards independence of Eastern Bloc countries as the Soviet Union crumbled. Tensions surrounding the Baltic Sea have not dissipated but rather new challenges and contentions have emerged, resulting in a multicultural and multilingual region. Dance in the region has been tightly interwoven with political trends and events, yet the dance history of the region to date has focused almost entirely on state sponsored folk and classical dance. Dance, Diversity and Difference presents contemporary stories of dance, revealing the diverse voices of dance practitioners and demonstrating the ways in which dance has connections with families, societies, governments, the economy and can offer fresh insights into cultural and political change.

Everything from early conceptual work through performance and touring are covered in this how-to book for dance management. Dancers will create a fictional company and follow it through a myriad of steps and complexities necessary for a successful production and troupe. After establishing a mission statement; holding auditions; and considering the specific needs of music, sound, lighting, costuming, and make up, the manual provides would-be dance directors with basic theater terminology and the skills needed when planning marketing and public relations campaigns.

Sylvain Chomet is a multifaceted French artist best known for his feature animation films The Triplets of Belleville and The Illusionist. Although the films have a highly recognized artistic value, the relevant literature is limited to a modest number of articles. This open access book provides the first in-depth analysis of his animation films and his contribution to contemporary animation. Sylvain Chomet’s Distinctive Animation examines important elements of the artist’s life, his studies and previous works, along with his influences and important collaborations. Special attention is also paid to the production processes, as well as the historical and socioeconomic context in which they have been created, in order to provide the reader not only with a comprehensive study of the films, but also to highlight their contribution to the advancement of contemporary animation. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com.