The first-ever comprehensive book devoted to helping educators use nature journaling as an inspiring teaching tool to engage young people with wild places. In their workshops, John Muir Laws and Emilie Lygren are often asked the how-tos of teaching nature journaling: how to manage student groups in the outdoors, teach drawing skills (especially from those who profess to have none), connect journaling to educational standards, and incorporate journaling into longer lessons. This book, expanding on the philosophy and methods of The Laws Guide to Nature Drawing and Journaling puts together curriculum plans, advice, and in-the-field experience so that educators of all stripes can leap into journaling with their students. The approaches are designed to work in a range of ecosystems and settings, and are suitable for classroom teachers, outdoor educators, camp counselors, and homeschooling parents. Full-color illustrations and sample journal pages from notable naturalists show how to put each lesson into practice. Field-tested by over a hundred educators, this book includes dozens of activities that easily support the Common Core and the Next Generation Science Standards—and, just as important, it will show kids and mentors alike how to recognize the wonder and intrigue in their midst.

In creating and developing the new genre of the televised novela, a one-hour long dramatic serial, the Brazilian television industry grew, in less than 15 years, from an insignificant player in the international market to one of the largest, most influential in the world. In the first book in English to explore the phenomenon of the telenovela Michele and Armand Mattelart challenge accepted views of the world dominance of United States television and probe the socioeconomic impact of this new genre on a third world country. Using the telenovela and its impact on the medium world-wide, the authors document the important changes in the international circulation of television programs and in the way television is perceived theoretically as a subject of research. The book traces the development of the novela in a country that, in the early 1960s, did not have any nationwide media and later--from 1964 to the 1970s--was ruled by a military dictatorship. It further analyzes the formation of the genre and its mode of production, placing the novela's appearance and development in its cultural, institutional, and economic context. The authors look at the peculiar contradictory relation between the genre's creators and developers--generally left wing intellectuals--and the manipulations required to construct a television industry in a highly competitive marketplace.

The book begins with a description of the economic, institutional, and cultural context which produced the genre. It explores the world of soap operas, the development of a national television industry, and the beginnings of an urban consumer society in Brazil. The authors include a valuable and detailed study of the mode of production of the telenovela, placing both the form and content of the genre in their specific economic and institutional context. The book goes on to examine the relationship between the genre and its wider social and cultural environment, explaining its immense popularity and the social function it fulfills. Finally, the authors link the study of Brazilian television to wider debates in media and cultural studies.

This practical and inspirational book introduces readers to the value of storytelling throughout life, discussing the importance of traditional tales, and how they can transform our lives from childhood through to old age. Children develop emotional intelligence by being immersed in stories that deal with the challenges they face in growing up. Josie Felce discusses the use of stories in the Steiner-Waldorf school curriculum, and hopes to pass on this wisdom to a wider audience. She goes on to discuss the therapeutic value of stories throughout our adult lives, how they help us to approach challenges creatively, giving examples of how stories can be used in group development sessions. Felce considers the difference between telling and reading a story, offering practical advice on body language and presentation skills. Throughout the book she recommends suitable stories for different age groups and situations, with examples of how to adapt stories and tailor them for your audience.

The countries surrounding the Baltic Sea - Denmark, Estonia, Latvia, Finland, Germany, Lithuania, Poland, Russia, and Sweden - have experienced immense social and political change, from the territorial maneuverings of Sweden, Russia, and Denmark, the reunification of Germany, to more recent moves towards independence of Eastern Bloc countries as the Soviet Union crumbled. Tensions surrounding the Baltic Sea have not dissipated but rather new challenges and contentions have emerged, resulting in a multicultural and multilingual region. Dance in the region has been tightly interwoven with political trends and events, yet the dance history of the region to date has focused almost entirely on state sponsored folk and classical dance. Dance, Diversity and Difference presents contemporary stories of dance, revealing the diverse voices of dance practitioners and demonstrating the ways in which dance has connections with families, societies, governments, the economy and can offer fresh insights into cultural and political change.

Everything from early conceptual work through performance and touring are covered in this how-to book for dance management. Dancers will create a fictional company and follow it through a myriad of steps and complexities necessary for a successful production and troupe. After establishing a mission statement; holding auditions; and considering the specific needs of music, sound, lighting, costuming, and make up, the manual provides would-be dance directors with basic theater terminology and the skills needed when planning marketing and public relations campaigns.

Sylvain Chomet is a multifaceted French artist best known for his feature animation films The Triplets of Belleville and The Illusionist. Although the films have a highly recognized artistic value, the relevant literature is limited to a modest number of articles. This open access book provides the first in-depth analysis of his animation films and his contribution to contemporary animation. Sylvain Chomet’s Distinctive Animation examines important elements of the artist’s life, his studies and previous works, along with his influences and important collaborations. Special attention is also paid to the production processes, as well as the historical and socioeconomic context in which they have been created, in order to provide the reader not only with a comprehensive study of the films, but also to highlight their contribution to the advancement of contemporary animation. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com.

Featuring hundreds of carefully hand-crafted illustrations by the internationally renowned production designer Hans Bacher, Sketchbook - Composition Studies for Film is a unique journey through the mind and creative process of one of the artistic legends in animation film design. Having shaped such films as The Lion King, Mulan and Beauty and the Beast to name a few, Hans’s work is a part of the very cultural fabric of our age. Here the artist puts on display the rarely discussed first part of image making for film, the conceptual thumbnail. Exquisitely beautiful in themselves, these small illustrations represent the birth of what eventually becomes the iconic images we experience on the silver screen. Essential to anyone interested in understanding the skeletal structure that exists underneath stunning imagery in all forms of media, this book is especially relevant today with the dramatic increase of interest in film and game design. Although students today have ready access to and an understanding of technical aspects of the craft using associated software, the area most lacking in accessible information is this quintessential first part of thumb-nailing an image. This unique book will provide the student and professional with the fundamentals of conceptualizing images, and how these can be used in composition in the related fields of illustration, graphic novels, 2D animation, 3D animation, photography and cinematography.

With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression. Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form. Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete manner, core features and problems of shared human life. Filmed Thought examines questions of morality in Almod var's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All that Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In a Lonely Place and in the Dardennes' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (paying special attention to the role of cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human.

Swiss artist Silvie Defraoui, born in 1935, is a pioneer of video art and art education in Switzerland. Beginning in 1975, she worked in collaboration with her husband Chérif Defraoui (1932–1994). Together they developed the Archives du Futur, a reflection on images, their status, and potential for memory and the future. The two artists also founded the legendary Atelier Médias Mixtes at Geneva’s École supérieure des Beaux-Arts (now HEAD—Genève). Since 1995, Defraoui has pursued a practice using various forms of expression, including projection, installation, ceramics, and serigraphy. This book is part of the new On Words series that presents conversations with contemporary women artists. Through them, readers come to understand the sources from which they draw inspiration, the themes in their work, and their view of the world. Edited by Julie Enckell, Federica Martini, and Sarah Burkhalter and bringing together a wide range of viewpoints, the On Words series adds a new narrative to polyphonic art history as told by those who actively shape it. Text in English and French.

Natalie Wood and “lovely� Richard Beymer, to the mercurial Jerome Robbins and “passionate� Rita Moreno, with whom Chakiris remains friends. “I know exactly where my gratitude belongs,� Chakiris writes, “and I still marvel at how, unbeknownst to me at the time, the joyful path of my life was paved one night in 1949 when Jerome Robbins sat Leonard Bernstein and Arthur Laurents down in his apartment and announced, ‘I have an idea.’"

Political humor and satire are, perhaps, as old as comedy itself, and they are crucial to our society and our collective sense of self. Satire is confrontational. It's about push back, descent, discord, disappointment, and demonstrating the absurdity of the status quo. This book is an attempt to explore the sane foundations of satire in our lives. Aristotle famously said that humans are naturally political animals. We need political community to flourish and live good lives. But politics also always entails unpopular decisions and power struggles. Satire is a form of humor that allows us to reflect on the irrational, incomprehensible, and intolerable nature of our lives without becoming totally despondent or depressed. In a poignant, pithy, but not a ponderous manner, Al Gini and Abraham Singer delve into the history of satire to rejoice in its triumphs and watch its development from ancient graffiti to the latest late night TV talk show.

En Grande Grèce, le bel Adonis a largement inspiré les peintres, en majorité apuliens, qui ont illustré les différents épisodes du mythe, dont la remontée des Enfers, assimilable au renouveau de la végétation, thème en rapport avec la destination funéraire des vases. Hormis l'arbre à myrrhe, qui lui a donné naissance, trois plantes sont particulièrement associées à Adonis, le myrte, le laurier et le grenadier. Leur représentation est le sujet de cette étude.

Many thousands of persons here and abroad have been introduced to authentic Indian dancing through the Laubin's dance concerts, lectures, and seminars. Their admirers, as well as other dancers, anthropologists, historians, students of Indian culture, and Indians themselves, will welcome this informative and richly illustrated book. It is based upon a lifetime of study and research, including years the authors spent living with the Indians on or near their reservations (they are adopted Sioux). The authors have been told by the old chiefs, "You know exactly the real Indian ways." These survivors of the Buffalo Days appreciated the Laubins' interest and asked them to learn and preserve the rituals, since their own young people no longer knew all their traditions. This book is the result. In addition to descriptions of the dances, the costumes, the body decorations, and the musical accompaniment, the Laubins give the cultural background of Indian dancing and a wealth of related detail. They enrich their text with many personal experiences and observations. They may have been the first non-Indians to appreciate fully the integral role of dancing in the traditional life patterns of the Indians, a role only recently recognize by scholars in the field. Through their deep understanding of their adopted people the Laubins clear way through misinterpretation and prejudice to a new appreciation of the American Indian.

The Red Lion production of Love and Miss Harris is booked to tour America, opening in Manhattan. On arrival the group finds that it’s not the Manhattan with the Great White Way of Broadway at its glittering heart, but the part between the Bowery and the East River, on the Lower East Side, in a vaudeville venue owned by a local mobster. And when members of a rival gang decide to disrupt the play, the action shifts from the theatre’s state to its auditorium… Determined to fulfil the rest of their tour dates, the company heads west from New York. Try as they might to shake it off, trouble seems to follow them wherever they go.  What readers are saying about LOVE AND MISS HARRIS (The Company of Fools, Book 1) ‘A cast of wonderful characters brings this story of life and love, and all the troubles that brings with it to magical fruition in this wonderful story. I highly recommend this to anyone who likes stories that engage and entertain.’ ‘The writing is smart and witty. The author describes details including scenery, clothing and food beautifully... makes me want to be amongst the beauty again.’ ‘A very pleasant and interesting story about days gone by.’

Buñuel in the Labyrinth of the Turtles depicts a decisive moment in the life of the great Spanish filmmaker Luis Buñuel: the moment when he doubted surrealism and contemplated embracing a more social type of cinema. At this crucial turning point in his career, he wanted to change the world by showing the hidden heart of reality. Buñuel was deeply affected by the harshness of Las Hurdes and the extreme misery of the people who live in this remote region, so with his friend, the movie producer Ramón Acín, he began work on the pseudo-documentary Land Without Bread. But in the mind of the great surrealist, reality inevitably clashed with dreams and childhood memories, threatening both the film and his friendship with Acín. It is at this moment that the Buñuel of the future was born.

Made for young readers, six and up, this book features portraits that celebrate the diverse beauty of human skin. By depicting people from all over the world against a background that matches their skin tone, Angelica Dass shows us how wonderfully colorful humans really are, questioning the concept of race and the limited categories we use to describe each other. These ideas are simply too small for a world that contains so many beautiful colors and people. The book asks us to consider how we see ourselves and others, through both similarities and differences. Kids also discover how to mix their own skin color with paint. Through a playful and dynamic layout, The Colors We Share encourages looking, questioning, and thinking bigger--inviting us to think about race, and our common humanity, in a new way.

Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou's signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou's art. The convoluted history of Taiwan in the last century has often rendered fixed social and political categories irrelevant. Changing circumstances have forced the people in Taiwan to be hyperaware of how imaginary identity-above all, national identity-is. Hou translates this larger state of affairs in such masterpieces as City of Sadness, The Puppetmaster, and Flowers of Shanghai, which capture and perhaps even embody the elusive, slippery contours of the collective experience of the islanders. Making extensive uses of Chinese sources from Taiwan, the author shows how important the local matters for this globally recognized director. In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015. Hou breaks new ground in turning the classic wuxia genre into a vehicle to express his unique insight into the working of history. The unconventional approach to conventions is quintessential Hou Hsiao-hsien.