In It's Not a Proper Job, TV legend Chris Tarrant regales the reader with hilarious and heart-warming stories from his stellar 50-year career in television and radio. With trademark wit and self-mockery, Chris not only recalls his behind-the-scenes capers with fellow celebrities, but also shows us how, as a man of the people, he has relished rubbing shoulders with ordinary folk on his way to becoming one of the nation's favourite TV faces. A former teacher and ATV newsreader, Chris soon established himself at the forefront of trailblazing telly as the host of Tiswas, and here recounts this 1970s, anarchic, flan-flinging children's show that spearheaded a fresh format and a new era for Saturday morning TV, packed with pranks, full of fun, and which remains a benchmark to this day. For later audiences, Chris will be more familiar as the face of yet another groundbreaking show, Who Wants to Be a Millionaire? which he presented for sixteen gripping years, and which grew into a global phenomenon exported to over one hundred countries. Here Chris remembers the joyous highs of contestants' life-changing winnings, the frustrating lows of loss, the cringing embarrassment of ignorance, and the infamous cheating of the 'Coughing Major'. Spanning five decades, Chris's television credits are the envy of aspirational TV stars, but reading his laugh-out-loud anecdotes - akin to having a chat with the man himself over a pint, or listening to one of his entertaining, after-dinner speeches - reveals a man still amused by life, by the people he meets, and by his own humble assertion that none of his glittering career can, in any way, be called 'a proper job'.

People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words – yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur. Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug. The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires. Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play. Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history. Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador Dalí, George Grosz and Fernand Léger, and the composers Arnold Schoenberg and Dmitri Shostakovich. The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art. With 61 illustrations

James Burstall runs one of the most successful TV production companies in the UK. But during his tenure at Argonon he has had to deal with a variety of existential crises. Through them all, he's managed to guide his team out the other side successfully. Whether it's been the credit crunch or terror attacks. Recessions. Natural disasters. Pandemics. The TV industry has felt the strain of these recurring events like all of us. And each time, James has put strategies in place in order to be prepared for the next time something like this happens: because it will happen again. Now you can be prepared as well. In 16 concise lessons, hard won from real-world experience, this book uses practical examples to demonstrate how we can turn disasters into opportunities. Though painful, shock events can actually be good for us. It is possible to turn venom into rocket fuel! We can survive crises and thrive. Rather than a dry 'to-do' list, this is a recognised thought leader's candid, personal account of steering a company through painful decisions, which resulted in successes that astonished the TV industry. It also highlights the experience of leaders in a range of industries including health, fitness, hospitality, travel, events and non-profit organisations. And despite the subject matter, the tone and message of his lessons are ultimately optimistic and uplifting as he takes readers on a journey through the darkest depths of crises to emerge fitter and stronger.

Beginning with early trailblazers like Different from the Others, Kyle Turner has selected 100 of cinema’s greatest queer films to guide you through the eras. From Hitchcock’s Rope and cult classic The Rocky Horror Picture Show through the New Queer Cinema movement of the 90s to the present day, where LGBTQIA+ narratives have increasingly made their way into the mainstream and dominated award seasons with films like Carol, Tangerine, and Moonlight. From scrappy auteurs to Academy Award winners, The Queer Film Guide celebrates LGBTQIA+ stories and artists, offering a fresh take on what defines great cinema, and lending a voice to the diverse creators and characters who have shaped the artform.

Historical Dictionary of Spanish Cinema covers Spanish cinema, its treasures its constant attempts to break through internationally, reaching out towards universal themes and conventions, and the specific obstacles and opportunities that have shaped the careers of filmmakers and stars. This book contains a chronology, an introduction, an appendix and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on titles, movements, filmmakers and performers, and genres (such as homosexuality, nuevo cine español or horror). This book is an excellent resource for students, researchers, and anyone wanting to know more about Spanish cinema.

In the decade before his death in 2011, John Hoyland began to reckon with mortality. Confronting his own demise, he painted elegies to departed artist friends and tributes to illustrious artistic forebears. Imagery of the void looms large, but it is a void faced with defiance and vitality, less a rumination on the end than a celebration of life. This publication explores the paintings Hoyland made in this decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding offer a rich and multifaceted account of a complex body of work. Hoyland’s veneration of Vincent van Gogh, his connections to J.M.W. Turner, the use of black as a colour, his deployment of risk and attempts to subvert his own taste, and his development of the cosmic visual language of the Abstract Expressionists are all discussed. Richly illustrated, the book extends our understanding of Hoyland’s late work within the story of modern painting as a whole.

'A wholly delightful novel' Allan Massie, Scotsman Lily Crawford and Jeanie Taylor, from very different backgrounds, are firm friends from their childhoods in Kirkcudbright. They share their ambitions for their futures, Lily to be an artist, Jeanie to be a dancer. The two women's eventful lives are intertwined. In the years before the First World War, the girls lose touch when Jeanie runs away from home and joins a dance company, while Lily attends The Mack, Glasgow's famous school of art designed by Charles Rennie Mackintosh. A chance meeting reunites them and together they discover a Glasgow at the height of its wealth and power as the Second City of the Empire - and a city of poverty and overcrowding. Separated once again after the war, Lily and Jeanie find themselves on opposite sides of the world. Lily follows her husband to Shanghai while Jeanie's dance career brings her international fame. But the glamour and dissolution of 1920s Shanghai finally lead Lily into peril. Her only hope of survival lies with her old friend Jeanie, as the two women turn to desperate measures to free Lily from danger. Inspired by the eventful and colourful lives of the pioneering women artists The Glasgow Girls, particularly that of Eleanor Allen Moore, Daisy Chain is a story of independence, women's art, resilience and female friendship, set against the turbulent background of the early years of the 20th century.

In 1974, "The Wall Street Journal" called this movie "grotesque, sadistic, irrational, obscene, incompetent," while "New York Magazine" declared it "a catastrophe." Upon its initial release, Sam Peckinpahs notorious work took a critical and commercial nosedive, but in later years, the work was heralded as a demented masterpiece--a violent, hallucinatory autobiography and a brilliant example of "pure Peckinpah." This study revisits the making of this controversial film, as well as its original reception and subsequent reassessment. It reads the project as an auteur work, a genre film, a confession, and a bizarre self-parody.

In the decades since the Second World War, the teenage witch has emerged as a major American cultural trope. Appearing in films, novels, comics and on television, adolescent witches have long reflected shifting societal attitudes towards the teenage demographic. At the same time, teen witches have also served as a means through which adolescent femininity can be conceptualised, interrogated and reimagined. Drawing on a wide theoretical framework - including the works of Deleuze and Foucault as well as recent new materialist philosophies - this book explores how the adolescent witch has evolved over the course of more than seventy years. Moving from the birth of the bobby soxer in the 1940s through to twenty-first-century teenage engagements with fourth-wave feminism, this book treats a range of themes including embodiment, agency, identity, violence and sexuality.

Sweden's place in film history is secure and prominent. Swedish films are associated internationally with Ingmar Bergman's successful and high quality works. However, another breed of Swedish film is notorious for its laissez-faire attitude towards nudity, relaxed sexuality, drugs, and shocking violence. Produced in the backyard of the Swedish film industry, these sexually daring films join countless sensational Swedish movies dealing with shocking or taboo subjects--street punks, space aliens, hard drugs, and drunken vikings. Other efforts are simply too strange and Swedish to ignore. Once again, "Swedish Death Metal" author Daniel Ekeroth delves into the arcane culture of his homeland, returning with the first comprehensive overview of "Sensationsfilms"--Swedish Exploitation Cinema.

A deluxe, hardbound, episode-by-episode guide to every aspect of the On Cinema Universe, from the flagship show to all the incarnations of the hit spin-off action series, Decker. Incisive commentary and analysis of the show made famous by its incisive commentary and analysis. Includes rare On Cinema, Decker, and Dekkar documents, photographs, and ephemera. Sure to thrill the rabid fanbase and introduce rabid neophytes as well!

French film noir has long been seen as a phenomenon distinct from its Hollywood counterpart. This book - an innovative departure from conventional noir scholarship - now adopts a biocultural approach to exploring the French genre through the years 1941-1959. Chapters reveal noir as a product of the social and cultural factors at play in occupied, liberated and post-war France: marked by malaise at military defeat, Nazi collaboration and the impact of industrialisation. Furthermore, the book uncovers the evolutionary mechanisms of sexuality and reproduction beneath the national context that drive gendered behaviour on screen. During this period, for example, the emerging urgent demand for population growth, coupled with the severe shortage of eligible males, rendered the mating game particularly perilous for traditional women beginning to enter the workplace. This explains the cynical yet seductive behaviour of the femme fatale. Deborah Walker-Morrison focuses on the dangerous, often deadly, desires of an array of male and female character-types: moving past the celebrated, fatal `femme' to tragic heroines, psychopathic narcissists, fatal `hommes' and gangster anti-heroes. The book re-examines productions by directors such as Henri-Georges Clouzot, Jacques Becker and Jules Dassin and pulls together strands of sociological, biological, psychological and evolutionary science to create an illuminating study of the cut-throat world of noir.

In 1993, Scott McCloud tore down the wall between high and low culture with the acclaimed international hit Understanding Comics, a massive comic book that explored the inner workings of the worlds most misunderstood art form. Now, McCloud takes comics to the next level, charting twelve different revolutions in how comics are created, read, and perceived today, and how they're poised to conquer the new millennium.

Part One of this fascinating and in-depth book includes:

• The life of comics as an art form and as literature
• The battle for creators' rights
• Reinventing the business of comics
• The volatile and shifting public perceptions of comics
• Sexual and ethnic representation on comics

Then in Part Two, McCloud paints a breathtaking picture of comics' digital revolutions, including:

• The intricacies of digital production
• The exploding world of online delivery
• The ultimate challenges of the infinite digital canvas

Laurent Durieux is a famous Belgian illustrator who is well known by pop culture fans and collectors for his cult movie poster reinterpretations. Every one of his American exhibitions was sold out on opening night and attended by thousands of enthusiastic fans. This book will be his first monograph and will cover his entire career, with particular focus on his most iconic alternative movie posters (including Jaws, The Birds, Vertigo, and The Master). The book includes a 6-page section of rejected and unpublished poster art and a foreword by filmmaker and Durieux collector Francis Ford Coppola.

Beyond the stereotypical expectation of glitter and sequins, comes a personal and inspirational journey of overcoming fear, rejection and insecurity. This story isn't solely about a drag-queen, but rather, it's a journey of real life experiences which many of us have faced throughout life, written by a gay man who happens to be a drag-queen. It's a story which is relevant in today's society, regardless of one's own sexuality. This book was written to bring inspiration and hope to anyone who may need positive affirmation to love the life they live, or for anyone who needs to understand first-hand what it can be like to fight, a sometimes losing battle, for self acceptance. Whoever the reader, it shows that it is possible to overcome extreme adversity and survive those horrendous experiences which seem determined to destroy us. "In a world where society dictates 'right' from 'wrong', a young boy struggles with the pressure of living up to the expectations of others. Desperately seeking acceptance and finding only rejection, he is isolated and on the brink of despair. There seems to be no escape from the years of relentless school-ground bullying and victimization he suffers, which at times, is almost too much to bear. He feels as though his spirit has been crushed, but this young scared boy still harbors a burning desire to break free and be true to himself. Later in life, a tremendous gut-wrenching loss would set him on another course, and a journey of true self-discovery. Armed with the knowledge of his past experiences, his eyes are opened to a wonderland of pleasures, and through determination and sacrifice, he leaves a life of secrecy and sexual defiance behind him. Discovering the world of drag, he becomes more of a man than he thought he would be, and more of a woman than he thought he ever could be. From Darkness to Diva is an empowering tale of overcoming fear and insecurity, with an uplifting message of triumph."

This is the first full-length biography of the American dancer, singer and actress Gwen Verdon (1925-2000). Winner of four successive Tony Awards for her work in the theatre, she also appeared in films and on television. The book covers her life as well as her career, as an individual and also in her collaborations with choreographers Jack Cole and Bob Fosse, who was also her husband. A brief appendix of her work is supplied, with information about DVD and video availability.

Surfing has fascinated filmmakers since Thomas Edison shot footage of Waikiki beachboys in 1906. Before the 1950s surf craze, surfing showed up in travelogues or as exotic background for studio features. The arrival of Gidget (1959) on the big screen swept the sport into popular culture, but surfer-filmmakers were already featuring the day's best surfers in self-narrated two-reelers. Hollywood and independent filmmakers have produced about three dozen surf films in the last half-century, including the frothy Beach Party movies, Point Break (1991) and Chasing Mavericks (2012). From Bud Browne's earliest efforts to The Endless Summer (1966), Riding Giants (2004) and today's brilliant videos, over 1,000 ""surfing movies"" have celebrated the ""stoke."" This first full-length study of surf movies gives critical attention to hundreds of the most important films.

Dark-haired siren Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage camp in Come Fly with Me (1963), For Those Who Think Young (1964) and The Pleasure Seekers (1964). After landing a sexy adult role in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1965), The Fifth Cord (1971) and Deaf Smith & Johnny Ears. Stardom eluded her, though she remains a 60s cult icon. This thoroughly researched career retrospective pays tribute to Tiffin, adored by critics and hailed by James Cagney for her ""remarkable flair for comedy."" Interviews offer a behind-the-scenes look at her most popular films.