In the vein of The Soul of a New Machine, a dramatic chronicle of a new revolution in brain-mind science comes this accessible book on the scientists who are creating startling new theories of how the mind works as the forge a new kind of artificial intelligence called neural networks--or, the first thinking machines

From the author of "Perceiving Ordinary Magic, " this book proposes that both science and Buddhism offer powerful insights into human nature that can help to bring about profound changes in our lives and our society.
Jeremy Hayward argues that a radical uprooting of our beliefs about reality is necessary if we are to resolve our confusion about our world and ourselves. Only a profound examination of human perception--a process by which worlds and selves are created and re-created ever moment--will provide the clarity and confidence we seek.
"Shifting Worlds, Changing Minds " is an in-depth, non-technical analysis of the perceptual process, drawing on the latest data from cognitive science--the "new science of mind." Added to these are insights gained from the Buddhist practice of mindfulness-awareness meditation. The results of this analysis and practice can free us from dependence on belief systems. We are presented with a genuine revolution in the understanding of consciousness, and the possibilities for awareness and compassion are revealed.

Shared knowledge is indispensable to the practice of science, and the scientific paper-whether published in a journal or collation volume-is the chief means by which scientists communicate ideas and results to their colleagues. Mastering the genre is thus an essential element in every scientist's training. Using a published paper as a guide, Michael J. Katz takes the reader through every step of the writing process, including the use of standard formats (abstract, introduction, materials and methods, results, discussion, acknowledgments, and references), language (style and word usage), and publication (choosing the appropriate journal, the review process, and revising). Other chapters discuss figures (photographs, schematic diagrams, and graphs), writing with a computer, and numbers (algorithms and statistics). Nine appendices provide a handy reference to commonly needed information such as scientific abbreviations, non-technical words, and mathematic formulae. While recognizing that the scientific paper is constrained within a well-defined form, the book also stresses that the genre is narrative prose requiring a lucid, precise, and careful style. The elements of composition-gestation, diction, revision, and rewriting-are discussed in detail. Elements of the Scientific Paper is a useful handbook for young scientists and graduate students beginning their publishing careers, as well as for anyone wishing a review of or introduction to the elements of scientific style.

Tries to combine the biblical and scientific views of the universe's creation, and looks at how perception of the world has changed from biblical times to the present.

In 1500 few Europeans considered nature an object worthy of study, yet within fifty years the first museums of natural history had appeared, chiefly in Italy. Vast collections of natural curiosities - including living human dwarves, "toad-stones", and unicorn horns - were gathered by Italian patricians as a means of knowing their world. The museums built around these collections became the center of a scientific culture that over the next century and a half served as a microcosm of Italian society and as the crossroads where the old and new sciences met. In Possessing Nature, Paula Findlen vividly recreates the lost world of late Renaissance and Baroque Italian museums and demonstrates its significance in the history of science and culture. Based on exhaustive research into natural histories, letters, travel journals, memoirs, and pleas for patronage, Findlen describes collections and collectors great and small, beginning with Ulisse Aldrovandi, professor of natural history at the University of Bologna. Aldrovandi, whose museum was known as the "eighth wonder" of the world, was a great popularizer of collecting among the upper classes. From the universities, Findlen traces the spread of natural history in the seventeenth century to other learned sectors of society: religious orders, scientific societies, and princely courts. There was, as Findlen shows, no separation between scientific culture and general political culture in Renaissance and Baroque Italy. The community of these early naturalists was, in many ways, a mirror of the humanist "republic of letters". Archival documents point to the currying of patrons and the hierarchical nature of the scientific professions, characteristicscommon to the larger world around them. Examining anew the society and accomplishments of the first collectors of nature, Findlen argues that the accepted distinction between the "old" Aristotelian, text-based science and the "new" empirical science during the period is false. Rather, natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and collecting in order to develop new scholarship. In this way, as in others, the Scientific Revolution grew from the constant mediation between the old form of knowledge and the new. Possessing Nature is a unique cross-disciplinary study. Not only does its detailed description of the earliest natural history collections make an important contribution to museum studies and cultural history, but by placing these museums in a continuum of scientific inquiry, it also adds to our understanding of the history of science.

The works from Daniel Bernoulli's youth contained in this first volume of his Collected Works bear witness above all of his versatility; they deal with subjects as different as physiology, formal logic, mathematical analysis, hydrodynamics and positional astronomy. Daniel Bernoulli's contacts with Italian scientists gave rise to several controversies. The present volume documents both sides in each of these debates, which culminated with the publication of Bernoulli's first book Exercitationes mathe- maticae in 1724. The discussions with the renowned mathematician Jacopo Riccati on second-order differential equations and on the Newtonian theory of the out-flow of fluids from vessels deserve particular interest. A third group of texts goes back to the time Bernoulli spent at the newly- founded Academy of Sciences in St. Petersburg, where he had been appointed in 1725. There he worked out two more contributions to physiological research - on muscle movement and on the blind spot in the human eye - as well as his only paper in positional astronomy. This last work - suggested by a prize question of the Paris Academie des Sciences - became the occasion for a vehement conflict; the present volume documents these "Zankereien" (squabbles) and also reproduces three competing treatises. To complete the documentation of Daniel Bernoulli's work on physiology, the volume also includes his academic ceremonial speech De Vita of 1737, where he sketches for the first time the circulation of the work done by the human heart, and its elaboration by Bernoulli's student Daniel Passavant.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. This classic handbook provides the major formulas, calculations, cost estimating techniques, and safety procedures needed for specific die operations and performance evaluations BETTER PERFORMANCE IN EVERY PHASE OF DIE DESIGN AND MANUFACTURINGThe classic reference on metal-stamping die design and operations just got better. Twenty-year-plus engineering veteran Ivana Suchy's Second Edition of the Handbook of Die Design now adds to its comprehensive coverage new ways to improve processes and reduce costs, from design through manufacturing. Whatever you blank, pierce, punch, bend, form, draw, or otherwise fabricate, this reference gives you the hands-on guidance and use-it-now data you need to do it better, faster, safer. It's loaded with at-a-glance charts, step-by-step guidelines, rules of thumb, and up-to-the-minute techniques for ensuring precision design for every type of sheet metal pressworking. It's the essential on-the-job tool for engineers, designers, and technicians in die design and the pressworking range of operations looking for better evaluations and greater job satisfaction. NEW WAYS TO IMPROVE PROCESSES AND CUT COSTS Useful new hardware and specialized hardware Custom-made automated systems New types of pressroom equipment Illustrations and specifications for rotary bending techniques New coating processes to increase tool durability and prevent galling Additional strip samples and actual die design/manufacturing problems More detail on strain hardening of material and its effect on drawing, forming, and bending operations, and the tooling involved Illustrated explanations of the use of nitrogen cylinders and air springs in die manufacture U.S. symbols added to metric for all dimensions and math applications, including tolerance ranges DIE DESIGN, INSIDE OUT: Basic Die Design and Die-Work Influencing Factors * The Theory of Sheet-Metal Behavior * Metal Stamping Dies and Their Function * Metal Stamping Dies: Their Construction and Assembly * Metalworking Machinery * Blanking and Piercing Operations * Blank Calculation or Flat Layout * Bending and Forming Operations * Drawn Parts * Practical Die Design * Die Process Quality and Automation, and Die Maintenance * Springs: Their Design and Calculations * Spring Washers * Materials and Surface Finish * Die Cost Estimating

Richard Feynman once quipped that "Time is what happens when nothing else does." But Julian Barbour disagrees: if nothing happened, if nothing changed, then time would stop. For time is nothing but change. It is change that we perceive occurring all around us, not time. Put simply, time does not exist.

In this highly provocative volume, Barbour presents the basic evidence for a timeless universe, and shows why we still experience the world as intensely temporal. It is a book that strikes at the heart of modern physics. It casts doubt on Einstein's greatest contribution, the spacetime continuum, but also points to the solution of one of the great paradoxes of modern science, the chasm between classical and quantum physics. Indeed, Barbour argues that the holy grail of physicists--the unification of Einstein's general relativity with quantum mechanics--may well spell the end of time.

Barbour writes with remarkable clarity as he ranges from the ancient philosophers Heraclitus and Parmenides, through the giants of science Galileo, Newton, and Einstein, to the work of the contemporary physicists John Wheeler, Roger Penrose, and Steven Hawking. Along the way he treats us to enticing glimpses of some of the mysteries of the universe, and presents intriguing ideas about multiple worlds, time travel, immortality, and, above all, the illusion of motion.

The End of Time is a vibrantly written and revolutionary book. It turns our understanding of reality inside-out.