Dandelions Are Nice, But Roses Are Better tells about the humorous adventures of Eric and his wife Tina Kane who own a famous restaurant and belong to a motley group called the Springvine Irregulars in a small town in Georgia. With the help of Lotty Dotty, Hitching Post, Loony Evans, and other colorful friends with specific habits, they enjoy helping others and sticking up for one another.

Wisdoms and Frustrations of fly fishing in an irreverent poem, illustrated in color. If you've ever had a day you could not catch a fish, this gives you the reasons, and possibly the solutions. A few secret flies for the Bighorn River in Montana are pictured.

Contributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik Byrn Kohlert, Tahneer Oksman, Seamus O'Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet's and Bell's comics together in this volume housed in a series devoted to single-creator studies, the book shows how despite the importance of finding ""a place inside yourself"" to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.

Dear Mother is written as the memories of the author. By recounting the unusual happenings of his early years we find ourselves laughing at the behavior of this young man and wonder how did he live through it? Then strangely enough, readers see themselves in many similar situations. Dear Mother is completely fact as outrageous as it may seem. This book will make you laugh out loud and in the next chapter you will find your eyes watering. Dear Mother is the type of book that you do not have to think about while you are reading it. Just sit back and enjoy the author's style of telling his life story.

After several years of writing newspaper columns, comments from readers caused me to realize that a published book of these columns might be welcomed by readers who wanted to read them again or give them as gifts. My first two collections, J'Ever Notice? and 'Zat Right? were well received. It is my wish that these stories will bring my readers the same nostalgic entertainment and humor, both of which are wonderfully healing. Let me tell you more country stories about old tractors and cars, farming, kids, storms, time, early radio programs, some old scary stories, teachers, cotton gins, old diaries, how things were one hundred years ago, hard doings, dry times, going from boom to bust, horses, dogs, trail drives, and wash pots, as well as some others about reunions, cemetery workings, going to church in the country, families and kinfolks

This book follows the life of, Damien Shindelman and the bizarre series of events that shaped his unique personality and path to be coming a professional oboist. From his abusive grandmother, deplorable grade school years, to his early childhood adventures, his unique story is a cleverly woven saga that will leave you shocked, bemused, and openly laughing.

His jaded yet comical portrayals of all the instruments in the orchestra will give you a new perspective on life in the symphony orchestra. From fact to fiction, every instrument has it's roast, as well as the more interesting musicians in the ensemble.You will also be able to follow the history of the Phoenix Symphony with all its struggles, set backs, and triumphs, including all the varied conductors who have graced its stage over the past thirty years.

If you ever wanted to know the inside scoop on the Phoenix Symphony and the town itself, this is the book for you.

Tales From the Pushin Off brings to life the era of the 1940's and early 1950's--of what rural life was like for families and children of that time. The stories portray the lives of a close-knit, extended family and their children, during the times of the Depression Era, WWII, food rationing, and life in a small town atop a mountain, located in the Cumberland Mountains in Southern Middle Tennessee. Most of the stories describe the deeds, misdeeds, and escapades of the author and two of his first cousins, both of whom grew up with him.

TEAR DOWN THAT WALL OF GUILT

If you are trying to raise a respectful and respectable American family and are embarrassed by the liberal media's filth and perversion you and your children are subjected to on a daily basis, remember one thing: Liberalism is at its core, licentious, morally degrading and abusive to family life. To stop the abuse you must embrace the truth: Conservatism conserves and protects family values that have made America the shining beacon of Christian family life.

To preserve the American family you must make a decision not merely to eschew liberalism and degradation but to champion conservatism and our traditional American values.

To do so you must first TEAR DOWN THAT WALL OF GUILT You must know you are guilty of nothing that may have happened to a Negro, Indian, Asian or Jew at any time in our recent or ancient past, and you must stop bowing at the silly altar of political correctness. You must regain your dignity, your individuality and your moral certitude. You must rise up and be counted as an American heart and soul, in spirit and purpose; willing to sacrifice whatever it takes to preserve America as it was founded to be and for which so many fought and died for it to be. Your children are counting on you. They will not survive as free Americans without your courage and your resolve. TEAR DOWN THAT WALL OF GUILT LET THE RECLAMATION OF AMERICA BEGIN

Roger Dale Loring is a genuine baby boomer who finds his existence in the rapidly-changing world rather perplexing. In his latest book, he once again offers a collection of lighthearted essays about his dilemmas from the perspective of his current "if-they-don't-have-a-senior-discount, I'm-not-going-there" age. Realizing that the aging process evolved in a way that his adolescent mind never envisioned, Loring now finds that his views on life changes are disturbingly similar to the views of the old people of his youth, people he frequently characterized as old fogies. His essays highlight his humorous take on life that include opinions about issues such as cell phone upgrades; a man's attention span while operating a television remote; seasonal purse shopping; the differing conversation patterns of men and women; the three hardest part-time jobs in America; the crazy world of politics where preaching to the choir dominates all campaigns; and, of course, the trauma of buying toothpaste.