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Books > Sport & Leisure > Humour
"Mildred's Book Store" sounded like a catchy name for my collection
of book titles and authors. Mildred, to me, seemed like a good name
for an entrepreneur of a small business like an independent
bookstore. As in any such retail outlet, there are different
categories of books to appeal to any reader. As I began organizing
my collection, I was able to arrange them in eight general
categories, including a catch-all "Potpourri" section. Since they
are only titles and not whole books, I hope that the reader finds
favorites in all eight sections. I also hope that this will spur an
interest in some of these various fields that leads to purchases of
books in those fields. If, by having my collection published, it
both entertains and creates interest in new areas of life, I will
be completely satisfied.
Wisdoms and Frustrations of fly fishing in an irreverent poem,
illustrated in color. If you've ever had a day you could not catch
a fish, this gives you the reasons, and possibly the solutions. A
few secret flies for the Bighorn River in Montana are pictured.
Dandelions Are Nice, But Roses Are Better tells about the humorous
adventures of Eric and his wife Tina Kane who own a famous
restaurant and belong to a motley group called the Springvine
Irregulars in a small town in Georgia. With the help of Lotty
Dotty, Hitching Post, Loony Evans, and other colorful friends with
specific habits, they enjoy helping others and sticking up for one
another.
Possibly the most important anthology ever published, this
definitive collection features key works by such famous Australian
poets as Gavin Milton, Arnold Wordsworth, Sylvia Blath, Very Manly
Hopkins, R.A.C.V. Milne, and Dylan Thompson.
John Clarke is an Australian comedy genius--born, of course, in
New Zealand.
The HR chicks have many comical experiences working together. Well,
we think so. She has seen it all and has had to deal with many
unpleasant experiences. She had gotten to a point in her career
where work was just a job. Insert me here. I had experience, but
was not prepared for the environment I had walked in to. I was used
to a more "normal" environment so to speak. But let's be honest, is
normal really any fun anymore? Can you laugh at normal? Write a
book about it? No. I had decided early on I wanted to be involved
in HR or training of some sort. Why I will never know. Something
about the field has always drawn me in. Intrigued me so to speak,
but for this job, thank God I minored in Psychology. The HR chicks
clicked immediately. A mentor relationship was formed and work
became a playground that they both actually enjoyed going to. Well
let me rephrase, it became tolerable. She gave me the knowledge and
know-how to be successful, and I gave her a new perspective and my
wacky view on things to make the environment more enjoyable. Our
stories in this book are crazy, yes. Is it our perspective of the
situation, yes, but remember we are professionals, because WE are
the HR chicks.
Contributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan,
Sarah Hildebrand, Frederik Byrn Kohlert, Tahneer Oksman, Seamus
O'Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah
Richardson, Jessica Stark, and James Yeh In a self-reflexive way,
Julie Doucet's and Gabrielle Bell's comics, though often
autobiographical, defy easy categorization. In this volume, editors
Tahneer Oksman and Seamus O'Malley regard Doucet's and Bell's art
as actively feminist, not only because they offer women's
perspectives, but because they do so by provocatively bringing up
the complicated, multivalent frameworks of such engagements. While
each artist has a unique perspective, style, and worldview, the
essays in this book investigate their shared investments in formal
innovation and experimentation, and in playing with questions of
the autobiographical, the fantastic, and the spaces in between.
Doucet is a Canadian underground cartoonist, known for her
autobiographical works such as Dirty Plotte and My New York Diary.
Meanwhile, Bell is a British American cartoonist best known for her
intensely introspective semiautobiographical comics and graphic
memoirs, such as the Lucky series and Cecil and Jordan in New York.
By pairing Doucet alongside Bell, the book recognizes the
significance of female networks, and the social and cultural
connections, associations, and conditions that shape every work of
art. In addition to original essays, this volume republishes
interviews with the artists. By reading Doucet's and Bell's comics
together in this volume housed in a series devoted to
single-creator studies, the book shows how despite the importance
of finding ""a place inside yourself"" to create, this space seems
always for better or worse a shared space culled from and subject
to surrounding lives, experiences, and subjectivities.
After several years of writing newspaper columns, comments from
readers caused me to realize that a published book of these columns
might be welcomed by readers who wanted to read them again or give
them as gifts. My first two collections, J'Ever Notice? and 'Zat
Right? were well received. It is my wish that these stories will
bring my readers the same nostalgic entertainment and humor, both
of which are wonderfully healing. Let me tell you more country
stories about old tractors and cars, farming, kids, storms, time,
early radio programs, some old scary stories, teachers, cotton
gins, old diaries, how things were one hundred years ago, hard
doings, dry times, going from boom to bust, horses, dogs, trail
drives, and wash pots, as well as some others about reunions,
cemetery workings, going to church in the country, families and
kinfolks
This book follows the life of, Damien Shindelman and the bizarre
series of events that shaped his unique personality and path to be
coming a professional oboist. From his abusive grandmother,
deplorable grade school years, to his early childhood adventures,
his unique story is a cleverly woven saga that will leave you
shocked, bemused, and openly laughing.
His jaded yet comical portrayals of all the instruments in the
orchestra will give you a new perspective on life in the symphony
orchestra. From fact to fiction, every instrument has it's roast,
as well as the more interesting musicians in the ensemble.You will
also be able to follow the history of the Phoenix Symphony with all
its struggles, set backs, and triumphs, including all the varied
conductors who have graced its stage over the past thirty
years.
If you ever wanted to know the inside scoop on the Phoenix
Symphony and the town itself, this is the book for you.
Combining his signature curmudgeonly humor with, as Newsweek put
it, a "silly approach to upsetting topics," Tom Segura presents a
series of personal stories packed with the crazy characters and
strong opinions fans have come to know and love from his podcasts
and standup. The essays in I'd Like to Play Alone, Please feature
comedic tales from Tom's time on the road, his marriage, the trials
and tribulations of parenting young children and, perhaps most
memorably, his dad who, like any good Baby Boomer father, likes to
talk about his bowel movements and share graphic Vietnam stories at
inappropriate moments. It's enough to make anyone want some peace
and quiet. This book will have readers laughing out loud and
nodding in agreement with Segura's central message: in a world
where everyone is increasingly insane, sometimes you just need to
be alone.
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