The Sunday Times bestseller 'Substantial, meticulous, depressing, hilarious, rude ... like flipping through a grotesque highlights album of the country's downfall' Dominic Minghella 'A wickedly funny, furious, fast-paced romp through a decade of governmental failures' Rosie Holt 'Buy it for relatives who read the Daily Mail. It might work as an antidote'Jemma ForteIn 2020 the United Kingdom reached a bewildering milestone: ten successive years of Conservative rule. In that decade there were three prime ministers, each in turn described as the worst leader we ever had; ministerial resignations by the hundred; and an unrelenting stream of ineffectual, divisive bum-slurry oozing from 10 Downing Street. The Decade in Tory is an inglorious, rollicking and entirely true account of ten years of demonstrable lies, relentless incompetence, epic waste, serial corruption, official police investigations, anti-democratic practices, abuse of power, dereliction of duty and hundreds of thousands of avoidable deaths. With his signature scathing wit, Russell Jones breaks down the government's interminable failures year by year, covering everything from David Cameron's pledge to tackle inequality - which reduced UK life expectancy for the first time since 1841 - through the bewildering storm of lies and betrayals that led to Brexit, devastating education cuts, serial mismanagement of the NHS and Boris Johnson's calamitous response to the Covid-19 pandemic. It will leave you gasping and wondering: can things possibly get any worse?

This is" "the only screenwriting guide by two guys who have actually done it (instead of some schmuck who just gives lectures about screenwriting at the airport Marriott); "These guys are proof that with no training and little education, ANYONE can make it as a screenwriter" (Paul Rudd).
Robert Ben Garant and Thomas Lennon's movies have made over a billion dollars at the box office--and now they show you how to do it yourself This book is full of secret insider information about how to conquer the Hollywood studio system: how to write, pitch, structure, and get drunk with the best of them. Well...maybe not the best of them, but certainly the most successful. (If you're aiming to win an Oscar, this is not the book for you ) But if you can type a little, and can read and speak English--then you too can start turning your words into stacks of money
This is the only screenwriting book you will ever need (because all other ones pretty much suck). In these pages, Garant and Lennon provide the kind of priceless tips you won't find anywhere else, including:
- The art of pitching
- Getting your foot in the door
- Taking notes from movie stars
- How to get fired and rehired
- How to get credit and royalties
And most important: what to buy with the huge piles of money you're going to make
"Writing Movies for Fun and Profit" will take you through the highs and lows of life as a professional screenwriter. From the highs of hugging Gisele Bundchen and getting kung fu punched by Jackie Chan to the soul-crushing lows of "Herbie: Fully Loaded."
Read this book and you'll have everything you need to make your first billion the old-fashioned way--by "selling out" in show business
A portion of the authors' proceeds from this book are being contributed to the USO of Metropolitan Washington, a private, nonprofit organization dedicated to serving active duty military members and their families in the greater Washington, DC, region.

Whether he's fighting fires, passing a kidney stone, hammering down I-80 in an 18-wheeler, or meditating on the relationship between cowboys and God, Michael Perry draws on his rural roots and footloose past to write from a perspective that merges the local with the global.

Ranging across subjects as diverse as lot lizards, Klan wizards, and small-town funerals, Perry's writing in this wise and witty collection of essays balances earthiness with poetry, kinetics with contemplation, and is regularly salted with his unique brand of humor.

For anyone who loved St Trinian's - old or new - or loves a cozy mystery on a grand estate filled with rather 'interesting' characters. When an American stranger turns up claiming to be the rightful owner of the school's magnificent country estate it could spell trouble for everyone at St Bride's . . . No one can believe it when the headmistress, Hairnet, instantly accepts the stranger's claim, not: the put-upon Bursar, ousted from his cosy estate cottage by the stranger the enigmatic Max Security, raring to engage in a spot of espionage the sensible Judith Gosling, who knows more about Lord Bunting than she's letting on the irrepressible Gemma Lamb, determined to keep the school open Only fickle maths teacher Oriana Bliss isn't suspicious of the stranger, after all she can just marry him and secure St Bride's future forever. That's if inventive pranks by the girls - and the school cat - don't drive him away first. Who will nab the stranger first? Oriana with the parson's noose? Gemma with sinister secrets? Or could this be the end of St Bride's? Previously published by Debbie Young as Stranger at St Bride's.