This up-to-date edition makes Euripides' most famous and influential play accessible to students of Greek reading their first tragedy as well as to more advanced students. The introduction analyzes Medea as a revenge-plot, evaluates the strands of motivation that lead to her tragic insistence on killing her own children, and assesses the potential sympathy of a Greek audience for a character triply marked as other (barbarian, witch, woman). A unique feature of this book is the introduction to tragic language and style. The text, revised for this edition, is accompanied by an abbreviated critical apparatus. The commentary provides morphological and syntactic help for inexperienced students and more advanced observations on vocabulary, rhetoric, dramatic techniques, stage action, and details of interpretation, from the famous debate of Medea and Jason to the 'unmotivated' entrance of Aegeus and the controversial monologue of Medea.

This anthology is the companion volume to The Appreciation of Modern French Poetry, the aim of which was to give detailed preliminary help with the problems of poetic appreciation. The fourteen poets represented here provide a varied and exciting introduction to what is probably the richest century of French poetry, from 1850 to 1950. Hugo, the colossus of the nineteenth century, whose work gives new resonance and vitality to imaginative vision, opens the anthology, and Michaux, the most individual and 'modern' of twentieth-century poets in that he bridges the gap between poetry and contemporary science, closes it. Almost all the major poets of the period are included: Nerval, Baudelaire, Mallarme, Verlaine, Rimbaud and Laforgue from the second half of the nineteenth century; Valery, Apollinaire, Supervielle and Eluard in the twentieth. The lesser known Cros and Desnos, fresh and spontaneous poets with an immediate appeal, invite a new look at the lyric traditions of french verse and offer an attractive new avenue for study. The choice of poems, dictated above all by their individual poetic value, reflects also the trends of recent criticism and the tastes of present-day readers. The texts are all accompanied by full notes, which not only explain local difficulties of vocabulary, syntax and expression, but lead the reader directly into the heart of the richness of theme, style and interpretation. These will prove of value not only to the student who is grappling with the basics of french verse, or is anxious to give depth to his familiarity, but to the general reader seeking to rekindle his enjoyment of French poetry. In addition, there are introductions to each poet summarizing the essence of his art, useful suggestions for further reading, and groups of dicussion topics to stimulate comparative insights and a wider responsiveness.

"This play, by the winner of a Nobel Prize for Literature, asks: 'On the authority of what gods' the white aliens rupture the world. It puts exciting political theatre back on the agenda...a masterpiece of 20th century drama" (Guardian) Elesin Oba, the King's Horseman, has a single destiny. When the King dies, he must commit ritual suicide and lead his King's favourite horse and dog through the passage to the world of the ancestors. A British Colonial Officer, Pilkings, intervenes to prevent the death and arrests Elesin. The play is a set text for NEAB GCSE, NEAB A Level and NEAB A/S Level. "A transfixing work of modern world drama" (Independent); "clearly a masterpiece...he achieves the full impact of Greek tragedy" (Irving Wardle, Independent on Sunday); "the action of the play is as inevitable and eloquent as in Antigone: a clash of values and cultures so fundamental that tragedy issues: a tragedy for each individual, each tribe" (Michael Schmidt, Daily Telegraph)

A major revision of this classic revenge tragedy. The comprehensive introduction covers recent developments in criticism and key theatre productions, as well as relating the play to other early modern tragedies. The edition gives students and teachers a reliable, annotated text and a stimulating overview of the play's context, critical perspectives and an exploration of its stage history. An invaluable resource for study and performance.

Whether we grow up with one, two, or several languages during our early years of life, many of us will learn a second, foreign, or heritage language in later years. The field of Second language acquisition (SLA, for short) investigates the human capacity to learn additional languages in late childhood, adolescence, or adulthood, after the first language --in the case of monolinguals-- or languages --in the case of bilinguals-- have already been acquired. Understanding Second Language Acquisition offers a wide-encompassing survey of this burgeoning field, its accumulated findings and proposed theories, its developed research paradigms, and its pending questions for the future. The book zooms in and out of universal, individual, and social forces, in each case evaluating the research findings that have been generated across diverse naturalistic and formal contexts for second language acquisition. It assumes no background in SLA and provides helpful chapter-by-chapter summaries and suggestions for further reading. Ideal as a textbook for students of applied linguistics, foreign language education, TESOL, and education, it is also recommended for students of linguistics, developmental psycholinguistics, psychology, and cognitive science. Supporting resources for tutors are available free at www.routledge.com/ortega.

This edition of the Pocket Oxford Latin Dictionary offers essential coverage of Latin words and grammar, as well as extra information on Roman history and culture. It takes account of the latest research into Latin, and is designed specifically to fit the needs of today's student. It covers over 45,000 words and phrases, including additions from the writings of Plautus and Terence, and from the study of Silver Latin. Common irregular verb parts are given as headwords for greater clarity, and boxed notes provide help with language usage, and with difficult words and constructions. There are appendices on historical, mythological, and geographical names; money, dates, times, weights and measures; plus poetic metre and medieval Latin. With a timeline of important dates, and biographies on Roman writers, this edition is packed with interesting and essential information on Roman history and culture. Also with pronunciation help and a guide to Latin grammar, this compact and affordable dictionary is a necessity for all students and adult learners of Latin.

Aesop's celebrated collection of fables has always been popular with both adults and children. These simple tales embody truths so powerful, the titles of the individual fables - the fox and the grapes, the dog in the manger, the wolf in sheep's clothing and many others - have entered the languages and idioms of most European tongues. This edition is beautifully illustrated in black and white by the great Arthur Rackham, and has an introduction by G.K. Chesterton.

This concise and practical volume guides the reader through the process of article writing for submission to scholarly journals. It provides helpful examples and clarification of the steps involved and will prove to be an invaluable resource for both novice and experienced researchers. Chapters include selecting a topic, proposal design, research design and methodological considerations, submitting an article for publication and the role of critical readers.

Topics in Morphology in the African language context presents a detailed description of a sub-discipline of linguistics, which has fascinated researchers in African languages ever since the analyses of these languages were first carried out. This is not at all surprising when one considers that these languages are agglutinating in nature, a characteristic which allows for countless observations to be made about the status and interrelationship of morphemes in words. The title presents an interesting survey of the most salient issues in morphology, with specific reference to the African language context, and from a research point of view, fills a need that has long been overdue. Although complex issues are sometimes associated with morphological phenomena, the author has adopted a user-friendly style which would be most appealing to students, and at the same time the approach used in the analysis would also provide valuable information to subject specialists. This is a title, and the author has satisfactory demonstrated her insightful knowledge and expertise in the handling of morphological data.

This is a reissue of this Methuen classic to tie in with a major new production. The republic of Andorra is invaded by totalitarian forces. The populace capitulates to the anti-Semitism of the aggressor and betrays Andri, the foundling son of the local schoolmaster. But Andri it seems, is not a Jew at all. Andorra explores the mechanism of racism with the story of a non-Jew brought up as a Jew, who falls victim to anti-Semitic hostility.

Kroniek uit die doofpot is die verhaal van 'n swart polisieman se soeke na geregtigheid en dis gebaseer op die werklikheid. Ten spyte van sy armoedige kinderlewe op 'n plaas in die Vrystaat, verwesenlik Tumelo John Moleko sy droom om by die polisie aan te sluit. En uiteindelik kan hy 'n huis en motor vir sy gesin bekostig en in sy eie tuin werk: Dus, die lewe van 'n gewone, eerbare man. Op 'n dag word Tumelo egter onregverdig beskuldig en 'n hou teen sy oor is die begin van doofheid en eindelose mediese probleme. Wanneer hy 'n klag le teen sy senior kollega, kolonel Van Niekerk, loop hy hom teen 'n muur van korrupsie en rassisme vas. In die nag van 30 November 1987 is polisieman Tumelo in sy huis met sy vrou Busi deur 'n paar oud-kollegas vermoor. Die roman is sober aangebied, maar die leser weet waarop dit onvermydelik afstuur – daarin le die spanning en tragiek.

Vir Paul van Zyl is sy standerdvyfjaar 'n grootwordjaar. Hy leer dat mens die verlede nie kan terugroep nie. Dat dit wat verby is, onherroeplik en vir ewig verby is. Dat dit wat gedoen is, ewe onherroeplik gedaan is. Hy leer om afskeid te neem, en om verantwoordelikheid te neem vir wat hy gedoen het. Maar bowenal leer hy aanvaarding.

German-language approaches to translation have been revolutionized by the theory of action (Handlungstheorie) and the related theory of translation's goal or purpose (Skopstheorie). Both these approaches are functionalist: they seek to liberate translators from servitude to the source text, seeing translation as a new communicative act that must be purposeful with respect to the translator's client and readership. As one of the leading figures in this field, Christiane Nord gives the first full survey of functionalist approaches in English. She explains the complexities of the theories and their terms, using simple language with numerous examples. The book includes an overview of how the theories developed, illustrations of the main ideas, and specific applications to translator training, literary translation, interpreting and ethics. The survey concludes with a concise review of the criticisms that have been made of the theories, together with perspectives for the future development of functionalist approaches.

Vir baie jare daarna het die mense nog gegis en gegons oor wat presies gebeur het. Gerda was op die voorblad van al wat 'n koerant en tydskrif was. Verslaggewers het tougestaan om 'n persoonlike onderhoud met haar te kry. Sy was beroemd! Selfs die oorsese koerante het die vreemde verhaal vertel. Die naam Gerda Marais was op almal se lippe. En dit het alles begin daardie oggend ... daardie Donderdagoggend...Gerda Marais was 'n doodgewone kind wat haar vaalbruin hare in twee boksterte gedra het. Sy was nie besonder mooi of slim nie. Sy was nie besonder mooi of slim nie. Sy was nie besonder goed in sport nie en kon nie bolmakiese slaan soos die meeste ander maats in haar klas nie. Sy het 'n paar goeie maats gehad met wie sy pouses en smiddae gesels en gekuier het. En sy kon wortels nie verdra nie. Dit het nie saak gemaak wat haar ma gedoen het nie, sy het geweier om wortels te eet. Sy het net gese: "Wortels maak my naar," en dit was dit. Dit moet in die nag gebeur het, maar toe Gerda wakker geword het, het sy nog geen onraad vermoed nie...'n Haas moet doen wat 'n haas moet doen is 'n sprankelende fantasieverhaal vol spanning en humor.

A superb novel by an award-winning author.

The background is the Eastern Cape, where in the 1850s, a 16-year-old prophetess, Nongqawuse, instructed the Xhosa nation to kill all their cattle and destroy their crops. She foretold that on an appointed day, the dead would arise, the kraals would be full of cattle, the silos full of fresh grain, and the white colonists and others who did not believe in her would be swept into the sea.

Mda weaves a captivating story about a family caught up in the events of the 1850s, and their descendants' continuing feud in the 1990s.

This "Companion" provides a comprehensive introduction to key topics in the study of ancient history.
Examines the forms of evidence, problems, approaches, and major themes in the study of ancient history
Comprises more than 40 essays, written by leading international scholars
Moves beyond the primary focus on Greece and Rome with coverage of the various cultures within the ancient Mediterranean
Draws on the latest research in the field
Provides an essential resource for any student of ancient history

Effective scientific communication is a skill highly-prized by potential employers, and is central to success during postgraduate study. Communication Skills for the Biosciences is a straightforward, practical guide to the skills you should master to get the most out of your study and research, to pave the way to a successful career. Focusing on the three key modes of communication - written, oral, and visual - the book also includes valuable advice on associated topics, including peer review, data sharing, data ownership, plagiarism, critical review of scientific information and the role of e-technology. Uniquely, the book incorporates annotated examples, bringing to life the guidance and explanations presented in the text, and helping you to master best practice in all areas of science communication. Communication Skills for the Biosciences is a must-have companion throughout your postgraduate career. Online Resource Centre The Online Resource Centre to accompany Communication Skills for the Biosciences features: For registered adopters of the book: Figures from the book in electronic format, ready to download. PowerPoint slides that can be adapted and used as the basis for workshops or lectures. For students: Examples of best practice in the use of Powerpoint, and preparation of posters.

Written while Machiavelli was in exile for allegedly plotting against the Medici clan, "The Mandrake" or "Mandragola" details the corruption of Italian society in a series of increasingly comical scenes that culminate in the cuckolding of a powerful Florentine aristocrat. The author depicts human nature just as he has come to know it, and the sinister fruits of his studies have delighted audiences to this day, for we recognize our own failures in Machiavelli's creations--characters too quick to compromise personal ethics in order to accommodate a corrupt and demeaning world, too easily persuaded to lie, cheat, swindle, and deceive, or close their eyes to deception, in order to ensure some small improvement in their miserable lives, always espousing the mantra that "the end justifies the means." "The Mandrake" is a powerful comic treatise on immorality, a diagnosis of cultural disease, and perhaps the finest surviving example of the Italian Renaissance comedy of intrigue.

Newly translated by Gregory Rabassa and superbly edited by Enylton de Sá Rego and Gilberto Pinheiro Passos, this Library of Latin America edition brings to English-speaking readers a literary delight of the highest order.

Although their themes are borrowed from Greek drama, these exuberant and often macabre plays focus on action rather than moral concerns and are strikingly different in style from Seneca's prose writing. This collection includes Phaedra, Oedipus, Thyestes, and The Trojan Women.

Where the rainbow ends (2nd edition): now bigger and better! Features: 27 new poems, from Shakespeare and Frost to Banoobhai and Gaokgwathe; introduction shows clear links to the new curriculum, fulfilling all the literature requirements; more activities to use in class or as homework practice; excellent vocabulary help throughout; wide range of styles, including sonnet, elegy, ballad, epic, free verse, lyric, and haiku; poems are grouped by topic and focus on the interests of young people across southern Africa.

Flip Lochner is a weary and disillusioned newspaper crime reporter. Curious to find out more about the origins of a casual acquaintance, he descends into Devil's Valley where, like Dante's Virgil, he encounters a bewildering array of mysterious characters and events that lead him to reevaluate the world in which he lives and which he thought he knew. Fusing invention and reality, magic realism and earthy humour, Lochner's adventures in the valley centre around the journey he undertakes to discover the truth about the elusive and erotic figure of Emma, one of Brink's most remarkable creations.

Apollonius used the manner and matter of epics but wrote from a personal viewpoint, as a critical observer, in his Argonautica, the fullest surviving account of Jason’s voyage in quest of the Golden Fleece.

In Pampas reis Elvira vroeg in die vorige eeu na Argentinie, waar sy in aanraking kom met vreemde mense en 'n vreemde landskap. Die ruimte van die vlakte wat haar alkante omring, die roerende glinstering van die skuinsgewaaide gras, vul haar oe, haar kop, haar hande, haar lyf. In afsondering, haar eensaamheid ver sterk deur 'n liefdelose huwelik, word sy gekonfronteer met die grense in haarself, kom sy te staan voor die beperkinge van haar menslikheid en worstel sy met die onherroeplikheid van haar keuse. In Klooster vertrek Helena saam met drie mans op 'n soektog na 'n verlore manuskrip. Maar tussen die bonkige mure van 'n massiewe vesting en teen die hange van 'n berg wat uitstyg bo die wye woestynlandskap, onderneem sy haar eie ontdekkingstog - 'n fisieke en spirituele reis, gevoer tot 'n evokatiewe hoogtepunt.