In this book, Adrian Koopman describes the complex relationship between birds, the Zulu language and Zulu culture. A number of chapters look at the underlying meaning of bird names, and here we will find that the Zulu name of the Goliath Heron means ‘what gives birth to baby crocodiles’, the dikkop (umbangaqhwa) means ‘what causes frost’, and the African Hoopoe is a party-goer who wears a colourful blanket.

The book goes further than just Zulu names, exploring the underlying meanings of bird names from other South African languages and languages from Central and East Africa. Here we find birds with names that translate as ‘cool-porridge’, ‘kiss-banana-flower’ and ‘waiter-at-the-end-of-the furrow’.

A focus on Zulu traditional oral literature details the roles birds have played in Zulu praise poetry (including the praise poems of certain birds themselves) and in proverbs, riddles and children’s games. Also considered is traditional bird lore, examining the role played by various species as omens and portents, as indicators of bad luck and evil, as forecasters of rain and storm, and as harbingers of the seasons. Here we see that the Bateleur Eagle (ingqungqulu) is linked to war, the Southern Ground Hornbill (insingizi) to thunder and heavy rain, the Red-chested Cuckoo (uphezukokhono) to the start of the ploughing season, and the Jacobin Cuckoo (inkanku) to the start of summer.

Zulu Bird Names and Bird Lore discusses the Zulu Bird Name Project, a series of Zulu bird name workshops held between 2013 and 2017 with Zulu-speaking bird guides designed to confirm (or otherwise) all previously recorded Zulu names for birds, while at the same time devising new names for those without previously recorded names. The result has been a list of species-specific names for all birds in the Zulu-speaking region. Finally, the book turns to the role such new bird names can play in conservation education and in avi-tourism.

Emma van der Walt is ’n pastor, ’n ma en eggenoot, en ’n vrou met ’n hart vir God. Sy is ook die vreeslose stigter van die niewinsgewende organisasie, Brave to love.

Daagliks betree hulle die donker wêreld van die seksbedryf en mensehandel om jong vroue uit die kloue van euwel te red. Hierdie meisies word dan met liefde en leiding ’n nuwe begin gebied.

Emma en haar span werk sy-aan-sy met plaaslike en internasionale wetgewende instansies. Saam beveg hulle mensehandel en slawerny en vlek die korrupsie en ontsaglike lyding wat agter toe deure plaasvind, oop.

Hierdie is haar storie en die skokkende verhale van die gelukkiges wat gered kon word om die hel van mensehandel te oorleef.

It is never too late to become all that you envision. Your birth happens more than once so sink into each feeling of uncertainty and ride with the waves. From loneliness, fear, and change comes a breathtaking collection of poetry that inspires strength and self-healing during a time when we couldn't feel farther apart.

What the Moon Gave Her is a poetry collection born from self-discovery. The debut collection from Christi Steyn delves into themes of self-doubt, anxiety, and the unprecedented loss felt during the height of the pandemic. Beauty is found in every corner of this book's six dynamic chapters--"birth by the ocean", "youplucked too many petals," "how to grow wings," "dancing dolphins," "full moon/bloom" and "two trees intertwined"

What the Moon Gave Her is a moving collection about rebirth and the way we reconnect with the world around us through love.

‘Why can you not be friends anymore?’

It was the story of his country, he supposed. Perhaps they could have been friends. Perhaps they were once. The reasons were complex, full of feeling, disappointment, resentment. And, of course, betrayal. This was the Middle East after all.

Avi Dahan, a retired detective mourning his beloved wife in Tel Aviv, and Khalid Mansour, a Palestinian doctor confronting the precarious reality of living in Gaza City, are still reeling from the political fallout that jeopardised their delicate friendship. When a mysterious corpse scarred by history and forbidden love shows up in Khalid’s emergency room, he reaches out to Avi for help. Though the detective is the only one who might be able to assist, he is the last person on earth to agree …

The stage is set for Andrew Brown’s unforgettable new novel, The Bitterness of Olives.

Did it really matter? In the face of chaos, was it important how she had died? That was the guidance he needed from Avi now. He needed to understand that question: did it matter anymore? Was it of any significance, how you died in a war?

Life was good in early 1976. White South Africans’ favourite song was ABBA’s 'Dancing Queen'. Then came the Soweto student uprising of 16 June. It was the end of normal.

As a young reporter, Max du Preez witnessed the first stones thrown and the first shots fired on the morning of 16 June. Raised in a conservative Afrikaner Christian Nationalist family in Kroonstad, it was also the end of his normal. He rebelled against his upbringing and, for the past half century, he’s had a front-row seat witnessing South Africa’s darkest and brightest moments.

In The End of Normal he explores how otherwise decent people – his own people – came to implement and support apartheid. He examines the long-term impact of 16 June and takes a hard look at attitudes today.

Tom David and Warren Handley are two South Africans who at 24 years-of-age took the first steps of a life-changing journey.

This is the honest, gripping account of climbing the highest mountain in Africa, Mount Kilimanjaro, and walking 6 000km through six countries on US$2 a day in aid of early childhood development.

In a story of extreme pain and even greater kindness, overcoming challenges and lessons learned, they have a message to share.

There is nothing unusual or remarkable about the Swart family, oh no, they resemble the family from the next farm and the one beyond that, just an ordinary bunch of white South Africans, and if you don’t believe it then listen to us speak ...

The many voices of The Promise tell a story in four snapshots, each one centered on a family funeral, each one happening in a different decade. In the background, a different president is in power, and a different spirit hangs over the country, while in the foreground the family fights over what they call their farm, on a worthless piece of land outside Pretoria.

Over large jumps in time, people get older, faces and laws and lives all change, while a brother and sister circle around a promise made long ago, and never kept ...

Selfies, Sexts, and Smartphones is the book every teenager (and their parents) should read. At least, that was true seven years ago. The digital world moves at breakneck speed. Today’s teens have to navigate AI, deep fakes, misinformation, and so much more. Meanwhile, the law struggles to keep up, leaving plenty of hidden legal pitfalls. If fully developed adult brains struggle with it, what hope does a teenager’s freshly baked prefrontal cortex have?

Enter Rorke and Emma. Emma is a continental digital-law specialist, and Rorke, an elder Gen Z, has the lived experience teens can relate to. Together, they break down the digital world’s biggest challenges and help teens to exist consciously – and, hopefully, safely – online. This book covers every topic: new laws, cyberbullying, sexting, sextortion, addiction, online safety, deep fakes, mental health, privacy, reputation, misinformation, scams, AI, ChatGPT, plagiarism, and much more – all in a South African context.

With real-life case studies from Emma’s work and unfortunate anecdotes from Rorke’s life in the digital trenches, we help today’s youth reap the benefits of the internet without ever needing to call the Digital Law Company.

Hiking the Fish is the ultimate planner for anyone wanting to embark on the Fish River Canyon Trail. Written by expert adventure guides, it combines practical advice, handy tips and full-colour photographs to bring this exhilarating five-day hike to life.

A detailed introduction to the canyon and its surrounds is followed by chapters that cover planning and preparation; bookings and accommodation; hiking, cooking and sleeping gear; nutrition and meal planning; and first aid.

A comprehensive day-by-day route description forms the core of the book.

Wanneer spraakstramme skaapboer Jada Olivier op sy Karooplaas Erfdeel met die bewustelose, gebroke liggaam van ’n vreemdeling aankom, sluit hy die ketting van die plaashek en raak ’n gevangene van sy besluit.

“Die Onsigbare is ’n rare spin van die tradisionele plaasroman . . . bevestigend, andersmakend en uiteindelik vierend.” – Frederik de Jager

“’n Mens moet dit verwelkom as ’n profetiese roman van ons tyd.” – Kerneels Breytenbach

In some settings, such as Ireland, contiguous Catholic and Protestant states are often not conducive to good relations or neighbourliness. In colonial and imperial southern Africa, formal inter-state arrangements took place at the expense of a third party - subjected African peoples.

Three Wise Monkeys explores some of the contradictions, silences and oversights, and working misunderstandings that arise when an emerging Anglophone, Protestant, industrial and urbanising state - South Africa - develops side by side with Mozambique - a Lusophone, Catholic, commercial, rural colony.

In three volumes, Charles van Onselen examines the intertwined relations between South Africa and Portugal's chronically weak east coast colony, as expressed through the migrant labour system, the tourist trade, the rise and fall of LM Radio and the extraordinary tale of the Lourenço Marques Lottery. These areas constituted zones of cross-cultural, transnational interaction that both states were reluctant to acknowledge formally, choosing instead to 'see no evil, speak no evil and hear no evil' for much of the 20th century.

Three Wise Monkeys presents a startling new way of viewing the entangled, often hidden, economic, political and social dynamics that informed the rise of 20th-century South Africa, often at the expense of neighbouring Mozambique.

The volumes are:

• Volume 1: The Makings Of An African Economic Tragedy - Mozambique, circa 1500-1960
• Volume 2: Through The Turnstiles Of The Mind - White South Africans and the Freedoms Of Mozambique, circa 194-1975
• Volume 3: The Quest For Wealth Without Work - The Lourenco Marques Lottery, Protestant Panics and the South African White Working Classes , circa 1890-9165

The second, revised edition of Healing for Trauma: In The South African Context is an in-depth, comprehensive guide that is grounded in decades-long, first-hand experience in trauma counselling. The second edition has not only been updated and revised, but also contains new chapters, as well as passages on the effect of Covid-19.

Both trauma counsellors and victims will benefit from the accessible, relevant content, which contains general wisdom and spiritual guidance. Each chapter contains valuable guidelines on how to support people who have experienced specific forms of trauma within the South African context.

This updated edition will appeal to a wide variety of groups within the South African society. Although the book has been written from a Christian perspective, the trauma techniques are scientifically sound and can be used by a broader general market. Individual healing has a rippling effect on the community as a whole, and benefits everyone. Yvonne Retief's central message is one of hope: there is healing and hope for victims of trauma.

Die Kapenaars Hester Human en haar argitekman, André, het besluit om ’n verwaarloosde huis op ’n plattelandse dorp in Frankryk te koop en te restoureer as ’n vakansiehuis. ’n Jaar in Provence sal hulle en hul twee kinders, Manon en Emile, net goed doen.

Maar net voordat hul jaar in Provence aanbreek, gebeur daar iets tragies wat die Humans se lewe vir altyd verander.

Die huisrestourasie gaan voort, maar die gesin spartel om te verwerk wat gebeur het.

#FeesMustFall, the student revolt that began in October 2015, was an uprising against lack of access to, and financial exclusion from, higher education in South Africa. More broadly, it radically questioned the socio-political dispensation resulting from the 1994 social pact between big business, the ruling elite and the liberation movement.

The 2015 revolt links to national and international youth struggles of the recent past and is informed by Black Consciousness politics and social movements of the international Left. Yet, its objectives are more complex than those of earlier struggles. The student movement has challenged the hierarchical, top-down leadership system of university management and it’s ‘double speak’ of professing to act in workers’ and students’ interests yet enforce a regressive system for control and governance. University managements, while one one level amenable to change, have also co-opted students into their ranks to create co-responsibility for the highly bureaucratised university financial aid that stand in the way of their social revolution.

This book maps the contours of student discontent a year after the start of the #FeesMustFall revolt. Student voices dissect coloniality, improper compromises by the founders of democratic South Africa, feminism, worker rights and meaningful education. In-depth assessments by prominent scholars reflect on the complexities of student activism, its impact on national and university governance, and offer provocative analyses of the power of the revolt.

Willem Pretorius is een van ons voorste skilders wat die Suid-Afrikaanse platteland vasvat met soortgelyke patos as Walter Meyer, aan wie alle skilders in hierdie genre hulde bring. Sy skilderye is amper foto-realisties maar inspireer tog ʼn sekere gevoel van nostalgie na ʼn verlore onskuld, na die sogenaamde goeie ou dae wat nie vir almal goed was nie. Daar is ook ʼn afstandelikheid, ʼn gebrek aan kommentaar: Die landskap spreek vir homself.

Die boek bevat kleurafdrukke, professioneel gefotografeer, van sy 50 jongste werke, ʼn goeie mengsel van sy gebruiklike onderwerpe: huise, treine, versaakte swembaddens, landskappe, ou karre en gekrokte bakkies, plattelandse winkels, huise en dorpstonele, ensovoorts.

Elke skildery is begelei deur ʼn skryfsel van ʼn bekende skrywer, musikant, digter of skilder. Dis nie ʼn beskrywing of tegniese ontleding van die skildery nie, eerder vry assosiasie, ʼn kort kortverhaal, ʼn herinneringskets. Elk is ongeveer 500 woorde en beslaan dus nie meer as een bladsy nie; die bladsy langs die skildery wat dit geïnspireer het.

“We thank you for the inspiration and strength

That you have given to Madiba,

Enabling him, over so many years, to draw out the best in others,

rousing us always, by word and example,

to seek the highest good for every child of this nation.”

So prayed Archbishop Thabo Makgoba with Nelson Mandela in his home in 2009 at the request of Graca Machel. This marked the start of an unusual relationship between southern Africa’s Anglican leader and Mandela in his quietening years. Join Makgoba in his journey towards faith, from his boyhood in Alex as the son of a ZCC pastor to Bishopscourt and praying with Mandela. He shares his feelings about his pastoral approach to the world icon, and how they influenced his thinking on ministering to church and nation in the current era. What did praying with those nearest and dearest to Mandela mean? What was his spirituality? In trying to answer these questions, Makgoba opens a window on South Africa’s spiritual make-up and life.

Saam met die sterwe van die ou Suid-Afrika het ook “Afrikaner Volkskapitalisme” gesneuwel, wat veral gekenmerk is deur die einde van die eens magtige Sanlam en sy eweknie in die Noorde, Volkskas, wat eers deel van Rembrandt en toe later deel van Barclays van Brittanje geword het. Hierdie twee organisasies het vir dekades die dinamo van Afrikaner-sake aan die gang gehou.

Terwyl Afrikaner-kapitalisme oor die laaste dekade of wat byna krampagtig gesoek het na nuwe suurstof om te kan oorleef, is daar stil-stil ’n nuwe grondslag gelê vir ’n nuwe geslag Afrikaner-kapitaliste. Nuwe mijardêrs is orals geskep deur aandele-pryse wat ten hemele gejaag is en in die proses het dit in die jongste tyd begin lyk of van hierdie bate-spirale op baie dun ys gebou is en dalk ook groot sarsies bedrog.

Hierdie boek bespreek die huidige ekonomiese klimaat op ‘n interessante en toeganklike manier.

The enemy is in our waters . . .

July 1941

Having left England to join his father in the South Africa, Lieutenant Jack Pembroke has found a new home – and a new love – in Cape Town and is put in command of a small, anti-submarine flotilla at the Royal Navy base in Simonstown. He has precious little time to train his men, and prepare his ships, for the arrival of deadly Nazi wolf packs – U-boats sent by Admiral Dönitz from bases in France to cripple the Cape convoy route. With the Mediterranean all-but closed to maritime traffic, and Rommel’s forces rampaging through North Africa, this sea route is vital to supplying Allied forces in Egypt at a critical point in World War II.

Everything will hang in the balance with the arrival of the enemy in South African waters. Gruppe Savanne comprises five long-range Uboats under the command of Fregattenkapitän Wolfgang Brand, a hardened veteran, who will stretch the Cape’s defences to the limit. On board he carries a South African spy and ardent Nazi, who is to be landed on the West Coast to start a campaign of sabotage, assassination and rebellion bent on toppling the pro-British government of Prime Minister Jan Smuts.

With the spy safely ashore, and the Cape Peninsula under attack, Jack must now escort a convoy to Durban with the U-boat pack lying in wait. So begins a cat-and-mouse game that will push Jack and his men to breaking point. The Wolf Hunt is the second book in the thrilling Jack Pembroke series, each of which is a stand-alone story.

This is indeed a story of mercy - and the redemption it offers.

On the eve of his retirement, Spokes Moloi, a police officer of spotless integrity, investigates one final crime: the possible murder of Emil Coetzee, head of the sinister Organisation of Domestic Affairs, who disappears on the same day a ceasefire is declared and the country's independence beckons. In following the tangled threads of Coetzee's life, Spokes raises and resolves conundrums that have haunted him, and his country, for decades under colonial rule. In all this, he is staunchly supported by his paragon spouse, Loveness, and his unofficially adopted daughter, the unorthodox postman Dikiledi.

In her most magnificent novel yet, award-winning author Siphiwe Gloria Ndlovu showcases the history of a country transitioning from a colonial to a postcolonial state with a deft touch and a compassionate eye for poignant detail. Linked to The Theory of Flight and The History of Man, Ndlovu's novel nevertheless stands alone in its evocation of life in the City of Kings and surrounding villages. Dickensian in its scope, with the proverbial bustling cast of colleagues both good and bad, villagers, guerrillas, neighbours, ex-soldiers, suburban madams, shopkeepers, would-be politicians and more, The Quality of Mercy proposes that ties of kinship and affiliation can never be completely broken - and that love can heal even the most grievous of wounds.

In this haunting tale of love and learning, the existential chaos of a life ravaged by circumstance takes on a rhythm of its own, one bound by loss and loneliness, but also an intelligent awareness of self. Sometimes melancholy, sometimes brutal, occasionally funny and infuriating, a journalist-comrade-lover caught up in the shade and shadow of politics and social injustice faces treachery and betrayal on every level.

Set against the backdrop of a cityscape that taunts and tantalises, this is where love fails and passion wanes, “where suffering has no meaning”, where an individual escapes death only to find himself confronted with choices wrought by remorse and retribution, by conscience and character. And yet, with all trauma, there is a distinct musicality to the lyrical unpacking that follows a string of small things …

Their love story was one of the greatest of our times.

Ruth Williams was a middle-class Londoner who loved ballroom dancing and ice skating when she met Seretse Khama. He was chief designate of the most powerful tribe in Bechuanaland, today Botswana, on the borders of apartheid South Africa. Their union sparked outrage, fear and anger. Ruth’s father barred her from their family home, she was hounded by the global media and shunned by white people in Seretse’s village of Serowe. The couple was humiliated, tricked and eventually exiled to England. But, despite all these tribulations, their love triumphed over the politics and prejudice of the time.

This is the story Ruth Khama told well-known journalist and author Sue Grant-Marshall ‒ the story of an extraordinary woman, who had the courage of her convictions in marrying the man she loved and accepting his country and people as her own.

Allegations of treason, real or imagined, always rankle. So much more when a life and death struggle of a nation is perceived to be at stake. Yet treason is common in warfare and accusations of sedition abound in any war.

While this book focuses specifically on the intricacies of alleged Afrikaner treason during a particularly volatile period, the analysis is also informed by an awareness of treason in the wider context.

Wat wag daar om ontdek te word net vyf en twintig trappe na benede?

Wanneer Renée Verster-Roux haar swart gewaad, donker grimering en skarlaken lipstif aansit, klim sy trap vir trap af na die wêreld van haar alterego. As Lisbé is sy nie meer die swartskaapdogter van die ryk Versters nie, maar ʼn bedrewe knoeier wat haar voordoen as ʼn waarsêer om haar trust fonds aan te vul.

Vir haar is Janine Oosterhuis, ʼn doktersvrou wat oortuig is haar man wil haar vermoor, presies die tipe kliënt wat sy soek: skatryk en paranoïes. Maar die dag toe dié vrou met die groot diamante en bang oë haar huis binnestap, het alles verander.

Hoe kon sy voorsien dat iemand die vrou werklik sou vermoor? Terwyl Renée ondersoek instel, veg sy teen nuwe herinneringe en teisterende nagmerries van die dag toe haar driejarige broertjie dood is. Hoe meer sy probeer uitrig hoe groter raak haar ma, Melisandré, se afksu. En dan is daar haar ontwikkelende gevoelens jeens Hermann, die onweerstaanbare polisieman.

Wat het daardie dag met haar boetie gebeur? Is dit waarom haar ma haar herhaaldelik straf en oënskynlik haat? En waarom bly sy droom van die kelder in hulle Bayswaterhuis? Wat wag daar om ontdek te word, net vyf en twintig trappe na benede? Renée móét onthou as sy haar lewe wil terug hê.

Captain Albertus Beeslaarhas had enough of the Kalahari. He is about to hand in his resignation, but before doing so he is sent into the heart of an ancient San community: an elder has died after being released from police custody and the San blame the police.

The small town of Witdraaiborders on the world-famous KgalagadiTransfrontierPark, where the last of the Kalahari San eke out a living. A violent attack on a German tourist has unsettled the whole town –a case that is rubbing up Beeslaar’snew colleague, Colonel KoekoesMentoor, the wrong way. She wants to turn her back on Witdraaiand the bad memories the place holds for her.

As the heat rises, all hell breaks loose: a policeman is murdered; deep-seated corruption is threatening a major land-restitution plan for the San; and a mysterious killer is prowling the red dunes. Amid all the controversy, KytieRooi, a cleaner at a luxury guesthouse in Upingtonand self-appointed protector of a strange street child, is fleeing into the deadly heat of the desert with her charge. In this world, places of safety are dangerously elusive.

Homeland is the translation of the Number One Bestseller Tuisland, Karin Brynard’s critically acclaimed and most ambitious novel to date.

Zapiro comes of age in this 21st annual.

Zuma once again takes centre stage for all the wrong reasons along with his cronies the Guptas and his nemesis Malema. It’s the year of the hashtag. #RhodesMustFall begat #FeesMustFall, also #Racism/#Sexism and #ZumaMustFall. With Nenegate and SARS wars, it’s the rand that’s really falling. Meanwhile, Pravin and Thuli fight the good fight.

Each cartoon is worth a thousand words and helps us make sense of our crazy, beautiful country where fact is indeed stranger than fiction.