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Shanti Naidoo is a typical Type-A personality. Always on the move, going out of her way to please people, and overcompensating for her perceived inadequacies by continually cooking up a storm in the kitchen. Her life would be just fine, except that her neighbour, Jennifer Kandasamy, always seems to hold the upper hand! Somehow, Jennifer seems to outdo whatever Shanti does, and life appears to be a constant battle of trying to keep up.
When Jennifer realises that her daughter is in love with Shanti's son, she is determined to break them up. But, in order to do that, she will have to enlist her rival’s help!
At the height of her journalism career, more than one million households across the country knew her name and her face. Her reportage on human suffering and triumph captivated viewers, and with it Vanessa Govender shot to fame as one of the first female Indian television news reporters in South Africa. Always chasing the human angle of any news story, Govender made a name for herself by highlighting stories that included the grief of a mother clutching a packet filled with the fragments of the broken bones of her children after they’d been hacked to death by their own father, and another story where she celebrated the feisty spirit of a little girl who was dying of old age, while holding onto dreams that would never be realised. Yet Govender, a champion for society’s downtrodden, was hiding a shocking story of her own. In Beaten But Not Broken, she finally opens up about her deepest secret – one that so nearly ended her career in broadcast journalism before it had barely kicked off.
She was a rookie reporter at the SABC in 1999. He was a popular radio disc jockey, the darling of the SABC’s Lotus FM, a radio station catering to nearly half a million Indian people across South Africa. They were the perfect pair, or so it seemed. And if anyone suspected the nature of the abusive relationship, Govender says, she doesn’t believe they knew the full extent of the horror that the popular DJ was inflicting on this intrepid journalist. The bruising punches, the cracking slaps, and the relentless episodes filled with beatings, kicking and strangling were as ferocious as the emotional and verbal abuse he hurled at her. No one would know the brutal and graphic details of Govender’s story … until now.
In Beaten But Not Broken, this Indian woman does the unthinkable, maybe even the unforgiveable, in breaking the ranks of a close-knit conservative community to speak out about her five-year-long hell in this abusive relationship. Her story also lays bare her heart-breaking experiences as a victim of childhood bullying and being ostracised by some in her community for being a dark-skinned Indian girl. Govender tells a graphic story of extreme abuse, living with the pain, and ultimately of how she was saved by her own relentless fighting spirit to find purpose and love. This is a story of possibilities and hope; it is a story of a true survivor.
After the events of Captain America: Civil War, King T’Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne from factions within his own country.
When two foes conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross and members of the Dora Milaje, Wakanadan special forces, to prevent Wakanda from being dragged into a world war.
(Academy Award winner for Best Costume Design, Best Production Design, Best Musical Score. Also nominated for: Best Picture, Best Sound Mixing, Best Sound Editing, Best Original Song)
A supernatural thriller starring Nicolas Cage as down-on-his-luck truck driver Joe who is haunted by the memory of his deceased wife and child.
Then Joe meets Julie, a spiritually gifted woman who enlists him in a desperate effort to find the lost soul of her comatose daughter, Billie. But the spirit of Joe's dead wife Mary proves stronger, possessing the young woman's body and determined to settle her unfinished business with the living.
Vaya the film is based on the lives of four young men from the Homeless Writer’s Project: David Majoka, Anthony Mafela, Madoda Ntuli and Tshabalira Lebakeng, and rooted in their experiences of coming to Johannesburg. Vaya the book brings you the people and stories that inspired the award-winning film.
The book provides a rare lens into life on the margins of Johannesburg. The stories are intimate and hard hitting, funny and heartbreaking, full of courage and humanity in a world that is both capricious and unforgiving. Stories of living on the street, of finding family and friendship in unusual places, and coming to the city full of hope and promise only to be betrayed by the very people one trusts most.
Mark Lewis’s haunting photographs bring into sharp focus life in the underbelly of the city.
Create the garden of your dreams with ideas and advice from a leading light in the gardening world, Melanie Walker.
Whether you have a tiny urban courtyard or a roomy rural plot, Garden Style will inspire gardeners from every corner of South Africa to make the most of their garden and entertainment area.
Garden Style describes in detail how to achieve any of 19 distinct garden styles: from sweeping woodland and grassland gardens, through moon, rock and rose gardens, to compact courtyard and cottage gardens. It also covers the fundamentals of gardening, such as understanding garden habitats, basic design elements and water-wise gardening.
Each chapter includes sections on planning and planting, with a list of key plants suited to each style, plus lots of helpful tips and features on different aspects of gardening – and, of course, ample spectacular photos to inspire you.
The Last Hurrah describes in vivid detail a pivotal moment not just in the history of South Africa, that far-flung imperial outpost, but of the British Empire itself. The year 1947 marked the high-water mark of the British Empire in Africa, but also the very moment at which it began to unravel, ahead of the Afrikaner Nationalist victory in South Africa in 1948, which led inexorably to the Republic of South Africa in 1961 and its departure from the Commonwealth.
Graham Viney's book not only superbly captures a moment in the life of a fractious, recently formed 'nation', before its descent into nearly five decades of darkness, but also gives us an intimate and revealing portrait of the royal family - King George VI, Queen Elizabeth and the Princesses Elizabeth and Margaret - hard at work in support of the national interest. It seems clear that the present Queen Elizabeth must have learned a great deal from her father, but perhaps particularly her mother, about duty and statecraft in the course of this three-month tour, during which the then princess celebrated her twenty-first birthday.
Viney evocatively details the background to the 1947 royal tour of southern Africa, which took in not just the length and breadth of what was then the Union of South Africa, but its neighbours, too: Basutoland (now Lesotho), Bechuanaland (Botswana), Swaziland (very recently renamed the Kingdom of eSwatini), Southern Rhodesia (Zimbabwe) and Northern Rhodesia (Zambia). The royal family travelled ceaselessly, from February to April that year, on a specially commissioned, white-painted train, meeting thousands of people at every stop along the way.
The tour was a show of imperial solidarity and a recognition of South Africa's contribution to the Allied cause during the Second World War, specifically that of South African prime minister Jan Smuts, who, though once an adversary in the Boer War and Churchill's jailer, had served in both British war cabinets and been nicknamed 'the handyman of Empire'. Despite concerns and ongoing controversy, wherever the tour took the Royal Family, South Africans of all kinds turned out in their thousands to cheer and welcome them. But India was to gain independence later that same year and just one year later, Smuts had been ousted from power and South Africa set on the path to becoming a republic.
The Last Hurrah draws skilfully on many diverse sources, including the Royal Archive at Windsor, to explore not just the troubled politics of the time, but also local society and the royal visitors in richly textured, telling detail. The book includes many photographs of the royal family on tour not previously published, including stills from film footage unearthed in the South African Railway Museum archives.
Celebrating 25 years in show business, the iconic R&B vocal group Boyz II Men return with their new album Under The Streetlight, featuring a personal selection of timeless songs chosen by founding member Nathan Morris, tenor Shawn Stockman and Wanya Morris, plus one original song - all with a Boyz II Men twist.
Originating from the Swakopmund Post Office and running north for 108 miles, Namibia’s coast is dotted with mile markers. Weathered painted stones whose numbers have grown rich with meaning and legend, and are now inseparable from the places they signify.
David Higgs, co-owner of Marble restaurant, celebrated chef and co-presenter of My Kitchen Rules, grew up along this coastline. For him, Mile 8 is a special marker as it is where he caught his first fish and his food journey began. This is his story, beginning in the small, coastal town of Walvis Bay, through the cowboy kitchens of Cape Town in the 90’s, to the heart of South Africa’s lush winelands, and culminating at Marble, a culinary tour de force in the heart of Johannesburg.
With over 90 dishes and 150 recipes influenced by the journey of Higgs’ career, Mile 8 is a culinary adventure bringing together the unique and interesting flavours of Southern Africa. Impala Tartare, Snoek & Apricot, Amadumbe & Chakalaka, and his version of the classic Malva Pudding are just some of the delights to be found in this wonderfully illustrated book.
Brought together by their shared love of music, ten years on Liam and Natalie are at breaking point. In their case opposites attract but don't necessarily work long-term.
Making the difficult decision to separate, they must split their prized music library. But the sound track that defined their relationship keeps pulling them back together.
Provides learners with sufficient knowledge, skills and attitudes that will enable them to identify and explain the impact of human activities on the physical environment on the global, regional and local scales and measures that can be taken to reduce environmental degradation.
Key themes explored in the course include environmental worldviews, ecosystems, biodiversity, waste, renewable and non-renewable energy.
200 women from a variety of backgrounds are asked the same five questions. Their answers are inspiring human stories of success and courage, love and pain, redemption and generosity. From well-known activists, artists, and innovators to everyday women whose lives are no less exceptional for that, each woman shares her unique replies to questions like “What really matters to you?” and “What would you change in the world if you could?” Interviewees include US Supreme Court Justice Ruth Bader Ginsburg, actor and human rights activist Alfre Woodard, and Nobel laureate Jodi Williams, along with those who are making a difference behind the scenes around the world, such as Marion Wright Edelman, head of the Children’s Defense Fund.
Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image — and global in its scope and resonance. This landmark book is published to coincide with an immersive travelling exhibition and an interactive website, building on this remarkable, ever-evolving project. With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength inviting us to bring positive change at a time when so many are fighting for basic freedom and equality.
Local interviewees include Graça Machel, Caster Semenya, Zelda la Grange, Mpho Tutu van Furth, Hlubi Mboya, Sahm Venter, Joanne Fedler, Ingrid le Roux, Gillian Slovo and Zoleka Mandela, among others.
A minimum of 10% of the project’s revenue will be distributed to organisations devoted to protecting and advancing the rights of women. Each interviewee can nominate an organisation (or themselves if they are in financial need) to receive their portion of the charitable pool or they can select the principal charitable partner, the Graça Machel Trust.
Based on the inspiring true story of salesman-turned-pastor Michael Spurlock, the tiny church he was ordered to shut down, and a group of refugees from Southeast Asia.
Together, they risked everything to plant seeds for a future that might just save them all.
The world’s most renowned female director, Claire Denis (Beau Travail, White Material), delivers a refreshingly honest tale of a middle-aged woman’s quest for love in her witty and heart-warming new film.
Isabelle is a stylish and accomplished artist living in Paris. Divorced and looking to find true love at last, she meets a handsome, kind and intelligent younger man who she thinks might finally be the one. But when he calls their affair a mistake and returns to his wife, Isabelle must again face the issue of mid-life loneliness.
Sifting through former lovers, new admirers, jealous friends and chance encounters, will she find a fulfilling match? Or will she discover a new path to happiness along the way?
Led by an outstanding performance by the incomparable Juliette Binoche, and featuring a scene-stealing appearance by Gérard Depardieu, Let The Sunshine In is a truly unique, touching and beautifully relatable piece of cinema from one of the world’s greatest living filmmakers.
In the South African House of Assembly, on 6 September 1966, Dimitri Tsafendas stabbed to death Prime Minister Hendrik Verwoerd. Afterwards, Tsafendas was declared to be a schizophrenic who believed a tapeworm lived inside him which controlled his actions, and that he had no political motive for assassinating Verwoerd. Pronounced unfit to stand trial, Tsafendas went down in history as a deranged parliamentary messenger. For fifty years, this story prevailed. However, this book now reveals the truth about Tsafendas; that he was deeply political from an early age.
He was arrested numerous times, starting in Mozambique, the country of his birth. In Portugal, the security police opened a file on him in 1938, when he was aged only twenty. After the assassination, Tsafendas volunteered a series of incontestable political reasons for killing Verwoerd, but these, along with details of his political past, were never allowed to see the light of day. This book reveals the extent of the cover-up by South Africa’s authorities and the desperate lengths they went to conceal the existence of Tsafendas’s opposition to apartheid. The book exposes one of the great lies in South African history, that Verwoerd was murdered by a mad man. It also offers for the first time a complete biography of this extraordinary man.
Advocate George Bizos characterised Dousemetzis’s work on Tsafendas and Verwoerd’s assassination as ‘monumental’ and of being ‘of major historical importance for South Africa and as to our understanding of Verwoerd’s assassination’. Professor John Dugard said ‘South African history should know the truth about Tsafendas. Dousemetzis has done South Africa a service by correcting the historical record.’
SAICA Student Volume 2.
Covers the following:
The purpose of this book is to set out the principles and conceptual issues of consolidated financial statements as based on International Financial Reporting Standards (IFRSs).
Viceroy’s House in Delhi was the home of the British rulers of India. After 300 years, that rule was coming to an end.
For 6 months in 1947, Lord Mountbatten, great grandson of Queen Victoria, assumed the post of the last Viceroy, charged with handing India back to its people. The film’s story unfolds within that great House.
Upstairs lived Mountbatten together with his wife and daughter; downstairs lived their 500 Hindu, Muslim and Sikh servants. As the political elite - Nehru, Jinnah and Gandhi - converged on the House to wrangle over the birth of independent India, conflict erupted. A decision was taken to divide the country and create a new Muslim homeland: Pakistan.
It was a decision whose consequences reverberate to this day.
What’s not to love about sheet pan cooking? It is super- convenient, healthy, easy on the washing up and, as Liz Franklin proves here in 101 inspired meat-free recipes, big on flavour!
More and more of us are cutting out animal protein and products from our diets, or at very least reducing them. Liz Franklin reveals how all manner of truly scrumptious dishes can be created when oven, sheet pan and vegetables conspire. Most of the recipes are built on a rainbow of roasted vegetables, grains, cheese and vegan sources of protein, but there are also recipes for things you might not associate with oven cooking too, such as fabulous fritters, glorious soups and the best- ever baked porridge.
Taking their lead from dishes enjoyed all around the world, recipes include delicious dishes from the Mediterranean, Middle East, Africa and the Americas as well as ideas designed to showcase your own local seasonal produce.
The healing power of life writing, one shared story at a time
This Is How It Is a “refreshing, poignant and wide-ranging” (Helen Moffett) collection of real life experiences: 52 stories, prose and poetry, that tell of a man who is anxious about an HIV test; a child with an alarming nose for gossip and a girl who is saved by the enemy in a war zone. Some of the writers are grieving the loss of a child or struggling with addiction, abuse, bullying or betrayal. Most of these writers have never been published before. They wrote these stories primarily to bear witness to their lives and the troubled times in which we live. Putting traumatic experiences down on paper can help people work through shame, guilt and fear, releasing them from the traps they lay. Writing is sometimes able to turn a painful incident into something more manageable, even beautiful.
Sharing stories can also heal both the writer and the reader. When we first meet a stranger, we make assumptions about them. When we hear of their life in their own words, we find that many of our negative assumptions are wrong. Often we discover that we are more alike than we are different. Our magnificent world is in trouble, much of it because we are not paying attention to what is right in front of us. When the facts don’t stir us to reconsider, story can. This anthology invites us to become curious and reflective rather than fearful and defensive. It encourages us to climb down from the ladder of hierarchy and competition and to join the circle of relationship and humanity by becoming vulnerable enough to share and listen to our own and each other’s half-hidden stories.
But equally importantly, Bongani Kona, 2016 Caine Prize finalist, reminds us: “We forget that the most daring thing we can do is to allow ourselves to be seen. To stand before the world and to say this is who I am. This is how it is.”
About THE LIFE RIGHTING COLLECTIVE: The Life Righting Collective (LRC) runs courses for anyone who wants to learn to write about their experiences. The approach promotes self-discovery, self-recovery and more effective communication. It raises funds to make courses available to those in need of sponsorship and to provide platforms for these life stories to be published. Sharing experiences with a wide readership can help reduce discrimination and promote mutual understanding. Visit the website: www.liferighting.com
Vier vriende hou 'n partytjie kort na Johannes Kerkorrel se selfmoord in 2002. So kan hulle weer hulle studentedae op Stellenbosch in die tyd van die Voelvry-ioer herleef.
Hulle was deurdrenk van die protesmusiek van Kerkorrel, Andre Letoit en Bernoldus Niemand. Toe was hulle jonk, dronk en rebels. Nou is hulle voorstedelik en ontnugter. Die dood van hulle universiteitsvriend Johnny bly egter nog 'n raaisel - iets wat al vier steeds na al die jare teister.
Dit is 'n vernuftig gekonstrueerde stuk waarin die onstuimige laat tagtigerjare in Suid-Afrika oortuigend uitgebeeld word. Dit was die tyd toe die Afrikaanse jeug polities bewus geraak het en toe die grensoorlog 'n verwoestende uitwerking op duisende jong dienspligtiges gehad het.
A secret torment for some, a proud responsibility for others, ‘black tax’ is a daily reality for thousands of black South Africans. In this thought-provoking and moving anthology, a provocative range of voices share their deeply personal stories.
With the majority of black South Africans still living in poverty today, many black middle-class households are connected to working-class or jobless homes. Some believe supporting family members is an undeniable part of African culture and question whether it should even be labelled as a kind of tax. Others point to the financial pressure it places on black students and professionals, who, as a consequence, struggle to build their own wealth. Many feel they are taking over what is essentially a government responsibility. The contributions also investigate the historical roots of black tax, the concept of the black family and the black middle class.
In giving voice to so many different perspectives, Black Tax hopes to start a dialogue on this widespread social phenomenon.
Welcome to the SuzelleDIY Recipe Book! These pages are full of my favourite recipes that I have gathered and created over the years, from my Ouma’s old classics to my own creative recipes that will get everyone talking at your next dinner party! You will find scrumptious desserts, easy dinners, fun and delicious twists on South African favourites (bobotie balls anyone?) as well as a few wonderful recipes from special guests who also wanted their recipes in the book, shame.
This cookbook is for everybody! If you are a master chef or a mini chef, if you only know how to use the microwave or even if your meals always come out looking a little bit rustic, there’s something in this book for you.
So pop on your aprons people! It’s time to use your own creativity and make some delicious kitchen magic happen. DIY? Because anybody can!
The presidential campaign in the USA grabbed the global imagination. It also grabbed the feminist imagination, presenting the hope that if a woman could become the president of the USA, women throughout the world would finally break through the reinforced glass ceiling. However, when it didn’t happen, the lost opportunity became the metaphorical kick in the feminist gut on a global scale. Through the subsequent misogyny, vulgarity, lewd comments, the pussy grabbing video, and the threats of the erosion of feminist activism in the trenches, worldwide a deep mourning arose from the feminist community. It was the name calling of “nasty women” that really smarted. Initial feelings of anger gave rise to empowerment of women — those who talk back to patriarchy — to embrace the label of “nasty women”.
The idea for the collection was born, cradled and nurtured between friends who wanted to create a space for writing and thinking about the marches. The group of feminists who contributed to this collection used the marches and the posters inspired by the marches as a vehicle which galvanised women into action to put pen to paper and show fervour for ongoing feminist activism.
The nexus of this beautifully written and evocatively illustrated collection is telling narratives that link very personal stories with deeply political issues. These are the stories told by nasty women who are making the personal political, who are seeking to live their lives in ways that resist and challenge patriarchy. Through their very intimate nature these are stories that speak to the creation of a different kind of social order, one based on equity, the promotion of human rights and social justice.
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