This bilingual volume focuses on the teachings, experiences, and practical wisdom of expert Native orators as they instruct a younger generation about their place in the world. In carefully crafted presentations, Yup'ik elders speak about their "rules for right living"-values, beliefs, and practices-which illuminate the enduring and still-relevant foundations of their culture today. While the companion volume, Wise Words of the Yup'ik Peopleweaves together hundreds of statements by Yup'ik elders on the values that guide human relationships, Yup'ik Words of Wisdom, highlights the words of expert orators and focuses on key conversations that took place among elders and younger community members as the elders presented their perspectives on the moral underpinnings of Yup'ik social relations. The orators in this volume-including Frank Andrew from Kwigillingok, David Martin from Kipnuk, and Nelson Island elders Paul John and Thersea Moses-were raised in isolated Yup'ik communities in Alaska and were educated much like their parents and grandparents. Translated, edited, and organized for a general audience, this bilingual edition is for those who want to know not only what the elders have to say but also how they say it. A new introduction explores this book's impact over the past decade.

Designed as a city dwelling for the modern age, Dolphin Square opened in London's Pimlico in 1936. Boasting 1,250 hi-tech flats, a swimming pool, restaurant, gardens and shopping arcade, the complex quickly attracted a long list of the affluent and influential. But behind its veneer of respectability, the Square has become one of the country's most notorious addresses; a place where the private lives of those from the highest of high society and the lowest depths of the underworld have collided and played out over the best part of a century. This is the story of the Square and its people, an ever-evolving cast of larger-than- life characters who have borne witness to, and played pivotal roles in, some of the most scandalous episodes of the twentieth and twenty-first centuries. From Oswald Mosley and the Carry On gang to allegations of systematic sexual abuse, it is a saga replete with mysterious deaths, exploitation, espionage, illicit love affairs and glamour, shining a light on the changing nature of British politics and society in the modern age.

The Women's Royal Naval Service (WRNS) was created in 1917, re-formed in 1938 and maintained after 1945. This book determines for the first time the reasons for the expansion and contraction of the service and the impact key individuals had on it and in turn the influence it had on its members. Hannah Roberts offers new insights into a previously little studied British military institution, which celebrates its centenary in 2017. She shows how political and military decision-making within the fluctuating national security situation, coupled with a growing cultural acceptability of women taking on military roles, allowed for the growth of the service in World War II into realms never expected of women. Although it shared a similar pattern in its formation to the Auxiliary Territorial Service (ATS) and had a similar ethos to its Air Force counterpart, the WAAF, the WRNS took on a wider-ranging role in the war, in part due to the latitude afforded to the service because of its uniquely independent origins. From 1941 onward the WRNS spread internationally and subverted the combat taboo by adopting semi-combatant roles. Using twenty-one new oral histories and a multitude of archived personal documents, this book demonstrates the pivotal importance of the Women's Royal Naval Service in both the world wars.

Discover the true value and exciting possibilities of oral history in the library: learn new and compelling ways to engage your patrons by sharing personal and community history with them. Have you thought about creating a collection to capture the experiences of your community? Perhaps you already have an oral history collection, but it's gathering dust. In either case, this book can help. After outlining what it means to effectively create oral history content, the author discusses how to establish public access to your collection, how to promote the content to your community, and how to use oral history in your library programs. Collaborating with other organizations, working with volunteers, and funding initiatives are a few of the other topics covered. Brimming with ideas and practical advice, the guide is meant to inspire and empower, taking the hassle out of oral history and replacing it with embracing oral history's power and the tools to bring it into your library. If you have an oral history collection, this book will help you to maximize its potential. If you don't have one, this book will show you how your library could benefit from one, what it can help your library to accomplish, and how to get started. If you're seeking a path to community engagement, start here. Shows librarians how to realize the potential of oral history collections Goes beyond content creation to cover creating access to and promoting oral history as well as using it to enhance library programming Provides public librarians a targeted way to engage with their communities

This bilingual volume focuses on the teachings, experiences, and practical wisdom of expert Native orators as they instruct a younger generation about their place in the world. In carefully crafted presentations, Yup'ik elders speak about their "rules for right living"-values, beliefs, and practices-which illuminate the enduring and still-relevant foundations of their culture today. While the companion volume, Wise Words of the Yup'ik Peopleweaves together hundreds of statements by Yup'ik elders on the values that guide human relationships, Yup'ik Words of Wisdom, highlights the words of expert orators and focuses on key conversations that took place among elders and younger community members as the elders presented their perspectives on the moral underpinnings of Yup'ik social relations. The orators in this volume-including Frank Andrew from Kwigillingok, David Martin from Kipnuk, and Nelson Island elders Paul John and Thersea Moses-were raised in isolated Yup'ik communities in Alaska and were educated much like their parents and grandparents. Translated, edited, and organized for a general audience, this bilingual edition is for those who want to know not only what the elders have to say but also how they say it. A new introduction explores this book's impact over the past decade.

Barbadians were among the thousands of British West Indians who migrated to Cuba in the early twentieth century in search of work. They were drawn there by employment opportunities fuelled largely by US investment in Cuban sugar plantations. Tell My Mother I Gone to Cuba: Stories of Early Twentieth-Century Migration from Barbados is their story. The migrants were citizens of the British Empire, and their ill-treatment in Cuba led to a diplomatic tiff between British and Cuban authorities. The author draws from contemporary newspaper articles, official records, journals and books to set the historical contexts which initiated this intra-Caribbean migratory wave. Through oral histories, it also gives voice to the migrants' compelling narratives of their experience in Cuba. One of the oral histories recorded in the book is that of the author's mother, who was born in Cuba of Barbadian parents.

The Americanist community played a vital role in the Cold War, as well as in large part directing the cultural consumption of Soviet society and shaping perceptions of the US. To shed light onto this important, yet under-studied, academic community, Sergei Zhuk here explores the personal histories of prominent Soviet Americanists, considering the myriad cultural influences - from John Wayne's bravado in the film Stagecoach to Miles Davis - that shaped their identities, careers and academic interests. Zhuk's compelling account draws on a wide range of understudied archival documents, periodicals, letters and diaries as well as more than 100 exclusive interviews with prominent Americanists to take the reader from the post-war origins of American studies, via the extremes of the Cold War, thaw and perestroika, to Putin's Russia. Soviet Americana is a comprehensive insight into shifting attitudes towards the US throughout the twentieth century and an essential resource for all Soviet and Cold War historians.

Starting from its original conception and design by the owners and naval architects at the White Star Line through construction at Harland and Wolff's shipyards in Belfast, Nick Barratt explores the pre-history of the Titanic. He examines the aspirations of the owners, the realities of construction and the anticipation of the first sea-tests, revealing that the seeds of disaster were sown by the failure to implement sealed bulkheads - for which the original plans are now available. Barratt then looks at what it was like to embark on the Titanic's maiden voyage in April 1912. The lives of various passengers are examined in more detail, from the first class aristocrats enjoying all the trappings of privilege, to the families in third-class and steerage who simply sought to leave Britain for a better life in America. Similarly, the stories of representatives from the White Star Line who were present, as well as members of the crew, are told in their own words to give a very different perspective of the voyage. Finally, the book examines the disaster itself, when Titanic struck the iceberg on 14 April and sunk hours later. Survivors from passengers and crew explain what happened, taking you back in time to the full horror of that freezing Atlantic night when up to 1,520 people perished. The tragedy is also examined from the official boards of enquiry, and its aftermath placed in a historic context - the damage to British prestige and pride, and the changes to maritime law to ensure such an event never took place again. The book concludes by looking at the impact on those who escaped, and what became of them in the ensuing years; and includes the words of the last living survivor, Millvina Dean.

"This book serves as a window into the rich and revealing lives and self-representations of the particular individuals who have produced the life histories. In so doing, it makes very important broader points about the use of life histories in social science research in general and in the study of South Asian social-cultural life in particular." Sarah Lamb

Life histories have a wide, if not universal, appeal. But what does it mean to narrate the story of a life, whether one s own or someone else s, orally or in writing? Which lives are worth telling, and who is authorized to tell them? The essays in this volume consider these questions through close examination of a wide range of biographies, autobiographies, diaries, and oral stories from India. Their subjects range from literary authors to housewives, politicians to folk heroes, and include young and old, women and men, the illiterate and the learned.

Contributors are David Arnold, Stuart Blackburn, Sudipta Kaviraj, Barbara D. Metcalf, Kirin Narayan, Francesca Orsini, Jonathan P. Parry, Jean-Luc Racine, Josiane Racine, David Shulman, and Sylvia Vatuk."

Oral epic poetry is still performed by Turkic singers in Central Asia. On trips to the region, Karl Reichl collected heroic poems from the Uzbek, Kazakh, and Karakalpak oral traditions. Through a close analysis of these Turkic works, he shows that they are typologically similar to heroic poetry in Old English, Old High German, and Old French and that they can offer scholars new insights into the oral background of these medieval texts.

Reichl draws on his research in Central Asia to discuss questions regarding performance as well as the singers' training, role in society, and repertoire. He asserts that heroic poetry and epic are primarily concerned with the interpretation of the past in song: the courageous deeds of ancestors, the search for tribal and societal roots, and the definition and transmission of cultural values. Reichl finds that in these traditions the heroic epic is part of a generic system that includes historical and eulogistic poetry as well as heroic lays, a view that has diachronic implications for medieval poetry.

Singing the Past reminds readers that because much medieval poetry was composed for oral recitation, both the Turkic and the medieval heroic poems must always be appreciated as poetry in performance, as sound listened to, as words spoken or sung.

In the spring of 1935, at Snaketown, Arizona, two Pima Indians recounted and translated their entire traditional creation narrative. Juan Smith, reputedly the last tribesman with extensive knowledge of the Pima version of this story, spoke and sang while William Smith Allison translated into English and Julian Hayden, an archaeologist, recorded Allison's words verbatim. The resulting document, the "Hohokam Chronicles", is the most complete natively articulated Pima creation narrative ever written and a rare example of a single-narrator myth. Now this extraordinary work, composed of thirty-six separate stories, is presented in its entirety for the first time. Beautifully expressed, the narrative constitutes a kind of scripture for a native church, beginning with the creation of the universe out of the void and ending with the establishment in the sixteenth century of present-day villages. Central to the story is the murder/resurrection of a god-man, Siuuhu, who summoned the Pimas and Papagos (Tohono O'odham) as his army of vengeance and brought about the conquest of his murderers, the ancient Hohokam. Donald Bahr extensively annotates the text and supplements it with other Pima-Papago versions of similar stories. Important as a social and historic document, this book adds immeasurably to the growing body of Native American literature and to our knowledge of the development of Pima-Papago culture.

The world's first women combat pilots were members of the Soviet Army Air Force, flying fighters and bomber aircraft opposite the Luftwaffe. Thirty women flyers received Hero of the Soviet Union awards, one of that nation's highest honors.

During three visits to Moscow during and after the collapse of the Soviet Union, Anne Noggle interviewed more than seventy of these veteran pilots. Freed by glasnost to speak openly of their experiences, they told of flying flimsy aircraft and watching many of their friends -- as well as foes -- fall to earth in flames.

But equally courageous were the women's efforts to show the Red Army that they were adequate to the great role they sought. The women had to grapple with deep distrust from male pilots and officers, against whom they eventually prevailed. War, Stalin-era politics, and human emotion mix in these gripping, first-person accounts.

Our Portion of Hell: Fayette County, Tennessee: An Oral History of the Struggle for Civil Rights offers an unrivalled account of how a rural Black community drew together to combat the immense forces aligned against them. Author Robert Hamburger first visited Fayette County as part of a student civil rights project in 1965 and, in 1971, set out to document the history of the grassroots movement there. Beginning in 1959, Black residents in Fayette County attempting to register to vote were met with brutal resistance from the white community. Sharecropping families whose names appeared on voter registration rolls were evicted from their homes and their possessions tossed by the roadside. These dispossessed families lived for months in tents on muddy fields, as Fayette County became a "tent city" that attracted national attention. The white community created a blacklist culled from voter registration rolls, and those whose names appeared on the list were denied food, gas, and every imaginable service at shops, businesses, and gas stations throughout the county. Hamburger conducted months of interviews with residents of the county, inviting speakers to recall childhood experiences in the "Old South" and to explain what inspired them to take a stand against the oppressive system that dominated life in Fayette County. Their stories, told in their own words, make up the narrative of Our Portion of Hell. This reprint edition includes twenty-nine documentary photographs and an insightful new afterword by the author. There, he discusses the making of the book and reflects upon the difficult truth that although the civil rights struggle, once so immediate, has become history, many of the core issues that inspired the struggle remain as urgent as ever.

Hollywood: The Oral History covers the history of Hollywood from the Silent era up to the 21st century. What makes this book unique from any other survey of Hollywood's history is that it is the history of an art form through the words of those people who created it - from Harold Lloyd to Katharine Hepburn to Warren Beatty to Jane Fonda and beyond, including directors, writers, producers, editors, designers of sets and costumes. As such, the authenticity of the text is irrefutable. The material in the book - gathered over the decades by the American Film Institute - has never been published before, has never been heard before. It is comprehensive - a monument that will never age nor be surpassed.

Point Saint-Charles, a historically white working-class neighbourhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighbourhood that is home to the city's English-speaking Black community, face each other across Montreal's Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. Deindustrializing Montreal challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Fundamentally, deindustrialization is a process of physical and social ruination as well as part of a wider political project that leaves working-class communities impoverished and demoralized. The structural violence of capitalism occurs gradually and out of sight, but it doesn't play out the same for everyone. Point Saint-Charles was left to rot until it was revalorized by gentrification, whereas Little Burgundy was torn apart by urban renewal and highway construction. This historical divergence had profound consequences in how urban change has been experienced, understood, and remembered. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings these communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. The urban neighbourhood has never been a settled concept, and its apparent innocence masks considerable contestation, divergence, and change over time. Deindustrializing Montreal thinks critically about locality, revealing how heritage becomes an agent of gentrification, investigating how places like Little Burgundy and the Point acquire race and class identities, and questioning what is preserved and for whom.

Parliament is Britain's most important political institution, yet its workings remain obscure to academics and the wider public alike. MPs are often seen as 'out of touch' or 'all the same' and their individual motivations, achievements and regrets remain in the background of party politics. In this book, Emma Peplow and Priscila Pivatto draw on the History of Parliament Trust's collection of oral history interviews with postwar British MPs to highlight their diverse political experiences in Parliament. Featuring extracts from a collection of interviews with over 160 former MPs who sat from the 1950s until the 2000s, The Political Lives of Postwar British MPs gives a voice to those MPs' stories. It explores why they became interested in politics, how they found their seat and fought election campaigns, what it felt like to speak in the chamber and how their class or gender dictated their experiences at Westminster. In the process, readers will be given rare glimpse into the spaces inhabited by MPs, the political rivalries and friendships and the rising and falling of their careers. With accounts from MPs of all political stripes, from the well-known like David Owen and Ann Taylor to those who sat for just a few years such as Denis Coe; from old political families like Douglas Hurd to those like Maria Fyfe who felt themselves outsiders, this book provides deep insight into the political lives of MPs in our age.

Decree-making is a defining aspect of ancient Greek political activity: it was the means by which city-state communities went about deciding to get things done. This two-volume work provides a new view of the decree as an institution within the framework of fourth-century Athenian democratic political activity. Volume 1 consists of a comprehensive account of the literary evidence for decrees of the fourth-century Athenian assembly. Volume 2 analyses how decrees and decree-making, by offering both an authoritative source for the narrative of the history of the Athenian demos and a legitimate route for political self-promotion, came to play an important role in shaping Athenian democratic politics. Peter Liddel assesses ideas about, and the reality of, the dissemination of knowledge of decrees among both Athenians and non-Athenians and explains how they became significant to the wider image and legacy of the Athenians.

'An extraordinary book . . . vivid and heart-breaking' The Jewish Chronicle Through the discovery of a precious friendship album which belonged to 12-year-old Alie, a Jewish schoolgirl in Amsterdam, Claudia Carli has traced and preserved the lives of an entire class of girls, most of whom did not survive the War. Alie and her friends are brought touchingly and vividly to life, along with their writings, in this extraordinary book. Their everyday hopes, pleasures and longings are offset by the constant fear of a knock on the door, a missing friend from class, a family member taken away. Alie and her mother were to die in Sobibor in 1943. Alie's sister Gretha survived Auschwitz and kept her promise to her sister to preserve the friendship album so long as she hoped to live. This book will sit alongside Anne Frank's diary and The Cutout Girl as a unique window into occupied Amsterdam and the girls who will now never be forgotten.

Ce volume presente un recit oral par le griot celebre Djemory Kouyate de Nyagassola (actuelle Guinee) (decede en 2019). Il traite de la facon dont on se souvient de l'epoque qui relie la fondation de la societe mandingue par Soundiata jusqu'a aujourd'hui. This volume features an oral account by the acclaimed griot Djemory Kouyate from Nyagassola (present-day Guinee) (d. 2019). It deals with the way the era that bridges the foundation of their society by Sunjata to their present-day society, called Manding, is remembered.

The Second World War is famed for being the conflict that changed the face of warfare, and it is the last that changed the face of the world. In addition to remembering those who passed away in those dark days of war, a sincere debt of gratitude is owed to all those now in their twilight years who gave all that they had for King and Country. In this new and revised second edition, Gary Bridson-Daley presents forty-three of over a hundred interviews he conducted with veterans over recent years, adding to the history books the words and the original poetry of those who fought and supported the war effort to ensure freedom, peace and prosperity for generations to come. From each corner of the British Isles and every armed service, from Dam Buster George 'Johnny' Johnson through to riveter Susan Jones: heroes, all.

Aole no nui na moolelo i kakau a i hoolaha ia no Niihau. He puke keia e hoike ana i na moolelo oiaio o ka ohana Niihau. O ka mea i okoa ai o Niihau, he aina ku okoa oia nona iho, no ka olelo, ka noho ana, a me na moolelo o ka aina, pela i okoa ai. Ua kakau ia keia puke e ke kupa i hanai ia ma Niihau no iwakaluakumakahi mau makahiki. O na moolelo i kakau ia i loko o keia puke, he mau moolelo no na Niihau a mai ka waha pololei mai o na kupuna i aloha nui i ka aina a me na haku aina o Niihau. He puke keia no ka hoohanohano ana i na kupuna o Niihau, ka poe hoi no lakou ia mau moolelo i lohe mua ole ia e ka poe ma waho ae o Niihau. Ma o keia puke e ola mau ai ka leo ao o na kupuna no kakou a me na hanauna e hiki mai ana.Not much has been written or published about the island of Niihau. Mai Pukaiki Kula Maniania a Puuwai Aloha o ka Ohana showcases authentic stories of the place, ones previously known only to that island's people. Niihau has a unique history and a self-sufficient community who speaks a distinct dialect of Hawaiian language. Annette Kuuipolani Kanahele Wong, a former resident of Niihau who lived there for the first twenty-one years of her life, has recorded stories passed down orally by Niihau's people, who cherished their land and respected the owners. By writing these stories, Wong hopes to perpetuate the voices of her ancestors whose remarkable tales teach us and the following generations about life on the island.

Black Theater Is Black Life fills a critical gap in the history of African American culture in Chicago. Through interviews with prominent producers, directors, choreographers, designers, dancers, and actors, Young and Zabriskie create a portrait of a diverse, dynamic artistic community between 1970 and 2010. They frame this history with helpful guides, including a chronology of key events, a glossary of names, and an appendix of leading performing arts institutions in Chicago.

The Liberian civil wars of the 1990s and 2000s became notorious for their atrocities, and for the widespread use of child soldiers. Girls and young women accounted for up to 40 per cent of these soldiers, but their unique perspective and experiences have largely been excluded from accounts of the conflict. In Liberia's Women Veterans, Leena Vastapuu uses an innovative auto-photographic methodology to tell the story of two of Africa's most brutal civil wars through the eyes of 133 female former soldiers. Incorporating their testimonies alongside a series of vivid illustrations by Emmi Nieminen, the book provides an in-depth account of these women's experiences of trauma, stigma, and the challenges of reintegration into post-war society, as well as their hopes and aspirations for the future. Vastapuu argues that these women, too often been perceived merely as passive victims of the conflict, can in fact play an important role in post-war reconciliation and peace-building. Overturning gendered perceptions of warfare and militarism, the book provides a unique take on humanitarian practices and post-conflict societies, making essential reading for policymakers as well as students and scholars across the humanities and social sciences.

A city of over one million people caught between volcanic eruptions and armed conflict, Goma has come to embody the 'tragedy' that is the Democratic Republic of Congo. Often portrayed by outsiders as a living hell, Goma is nevertheless a city of opportunity for others. Drawing on a rich tapestry of personal narratives, from taxi driver to market trader, doctor to local humanitarian worker, Goma: Stories of Strength and Sorrow from Eastern Congo provides an engaging and unconventional portrait of an African city. In contrast to the bleak pessimism which dominates much of the writing on Congo, Trefon and Kabuyaya instead emphasise the resilience, pragmatism and ingenuity which characterises so much of daily life in Goma. Resigned and hardened by struggle, the protagonists of the book give the impression that life is neither beautiful nor ugly, but an unending skirmish with destiny. In doing so, they offer startling insights into the social, cultural and political landscape of this unique city.

En presentant une perspective sud-orientale et matrifocale sur le Kaabu (16e - 19e siecle), Les memoires de Maalan Galisa, editees et commentees par Cornelia Giesing et Denis Creissels, completent d'autres versions 'patriarcales' orientees sur le modele de l'epopee de Sunjata. The Memoires of Maalan Galisa, edited and commented by Cornelia Giesing et Denis Creissels, offer a south-eastern and often matrifocal viewpoint on the state of Kaabu (16th - 19th centuries A.D.) as a counterpart to other versions moulded after the Sunjata Epic.