The Nazi regime and local collaborators killed 800,000 Belorussian Jews, many of them parents or relatives of young Jews who survived the war. Thousands of young girls and boys were thus orphaned and struggled for survival on their own. This book is the first systematic account of young Soviet Jews' lives under conditions of Nazi occupation and genocide. These orphans' experiences and memories are rooted in the 1930s, when Soviet policies promoted and sometimes actually created interethnic solidarity and social equality. This experience of interethnic solidarity provided a powerful framework for the ways in which young Jews survived and, several decades after the war, represented their experience of violence and displacement. Through oral histories with several survivors, video testimonies, and memoirs, Anika Walke reveals the crucial roles of age and gender in the ways young Jews survived and remembered the Nazi genocide, and shows how shared experiences of trauma facilitated community building within and beyond national groups. Pioneers and Partisans uncovers the repeated transformations of identity that Soviet Jewish children and adolescents experienced, from Soviet citizens in the prewar years, to a target of genocidal violence during the war, to a barely accepted national minority in the postwar Soviet Union.

A pioneering work in oral history, this book tells the story of the rise and fall of the industrial revolution and the apogee and crisis of the labor movement through an oral history of Terni, a steel town in Central Italy and the seat of the first large industrial enterprise in Italy. This story is told through a combination of stories, songs, myths and memories from over 200 voices of five generations, woven with a wealth of archival material.

Landscapes, Sources and Intellectual Projects of the West African Past offers a comprehensive assessment of new directions in the historiography of West Africa. With twenty-four chapters by leading researchers in the study of West African history and cultures, the volume examines the main trends in multiple fields including the critical interpretation of Arabic sources; new archaeological surveys of trans-Saharan trade; the discovery of sources in Latin America relating to pan-Atlantic histories; and the continuing analysis of oral histories. The volume is dedicated to Paulo Fernando de Moraes Farias, whose work inspired the intellectual reorientations discussed in its chapters and stands as the clearest formulation of the book's central focus on the relationship between political conjunctures and the production of sources. Contributors are: Benjamin Acloque, Karin Barber, Seydou Camara, Mamadou Diawara, Paulo Fernando de Moraes Farias, Francois-Xavier Fauvelle, Nikolas Gestrich, Toby Green, Bruce Hall, Jan Jansen, Shamil Jeppie, Daouda Keita, Murray Last, Robin Law, Camille Lefebvre, Paul Lovejoy, Ghislaine Lydon, Carlos Magnavita, Sonja Magnavita, Kevin MacDonald, Thomas McCaskie, Ann McDougall, Daniela Moreau, Mauro Nobili, Insa Nolte, Abel-Wedoud Ould-Cheikh, Benedetta Rossi, Charles Stewart.

The Global Sixties are well known as a period of non-conformist lifestyles, experimentation with consumer products and technology, counterculture, and leftist politics. While the period has been well studied in the West and increasingly researched for the Global South, young people in the "Second World" too were active participants in these movements. The Iron Curtain was hardly a barrier against outside influences, and young people from students and hippies to mainstream youth in miniskirts and blue jeans saw themselves as part of the global community of like-minded people as well as citizens of Eastern Bloc countries. Drawing on Polish youth magazines, rural people's diaries, sex education manuals, and personal testimonies, Malgorzata Fidelis follows jazz lovers, university students, hippies, and young rural rebels. Fidelis colorfully narrates their everyday engagement with a dynamically changing world, from popular media and consumption to counterculture and protest movements. She delineates their anti-authoritarian solidarities and competing visions of transnationalism, with the West as well as the ruling communist regime. Even as youth demonstrations were violently suppressed, Fidelis shows, youth culture was not. By the early 1970s, the state incorporated elements of Sixties culture into their official vision of socialist modernity. From the perspective of youth, Malgorzata Fidelis argues, the post-1989 transition in Poland from communism to liberal democracy, often dubbed as "the return to Europe," was less of a breakthrough and more of a continuation of trends in which they participated. Indeed, they had already created new modes of self-expression and cultural spaces in which ideas of alternative social and political organization became imaginable.

The Epic of Sumanguru Kante contains the Bamana text and English translation of griot Abdoulaye Sako's oral narrative of the life of Sumanguru, recorded in 1997 in Koulikoro (Mali), together with explanatory notes, a scholarly introduction, and sections on the Bamana language and musical accompaniment. Sumanguru is a familiar figure within Manding epic oral traditions about ancient Mali. But while these narratives generally focus on Sunjata Keita, Sako's oral poem is rare in according Sumanguru the central role. In so doing he includes hitherto undocumented episodes relating to Sumanguru's life and role as the ruler of Soso, the little known state said to have flourished in the western Sudan between the fall of ancient Ghana and rise of ancient Mali.

In Newspaper City, Phillip Gordon Mackintosh scrutinizes the reluctance of early Torontonians to pave their streets. He demonstrates how Toronto's two liberal newspapers, the Toronto Globe and Toronto Daily Star, nevertheless campaigned for surface infrastructure as the leading expression of modern urbanity, despite the broad resistance of property owners to pay for infrastructure improvements under local improvements by-laws. To boost paving, newspapers used their broadsheets to fashion two imagined cities for their readers: one overrun with animals, dirt, and marginal people, the other civilized, modern, and crowned with clean streets. However, the employment of capitalism to generate traditional public goods, such as concrete sidewalks, asphalt roads, regulated pedestrianism, and efficient automobilism, is complicated. Thus, the liberal newspapers' promotion of a city of orderly infrastructure and contented people in actual Toronto proved strikingly illiberal. Consequently, Mackintosh's study reveals the contradictory nature of newspapers and the historiographical complexities of newspaper research.

Angola's Colossal Lie. Forced Labor on a Sugar Plantation, 1913-1977 is the first in-depth study of forced labor on a Portuguese-owned sugar plantation in colonial Angola. A prominent Portuguese civil servant dubbed the labor system in Angola a "colossal lie" because the reality so contradicted the law. Using extensive oral history interviews with former forced laborers, Jeremy Ball explains how Angolans experienced forced labor. Ball also interviews former Portuguese administrators to provide multiple perspectives about the transition to independence and the nationalization of the plantation.

THE BOOK: "Recollections of an Argyllshire Drover" & Other West Highland Chronicles Eric Cregeen's groundbreaking research into the Argyll Estate Papers and into the oral tradition of the Scottish West Highlands are at the heart of this collection. During his appointment at the University of Edinburgh's School of Scottish Studies, Cregeen tape-recorded tradition bearers in both Gaelic and English, gathering information that is today priceless, such as the descriptions of the last Argyll drover. He was a founding member of the Scottish Oral History movement, but his tragically early death in 1983 robbed Scotland of a great scholar, social historian and folklorist and of other proposed books. This collection, selected and edited by Dr Margaret Bennett, will be welcomed by a wide range of readers, especially those who share Cregeen's enthusiasm for 'approaching the history of the Highlands with a mind alert to the claims of oral tradition.' The book begins with a masterful introductory essay by the editor and also includes a comprehensive bibliography of Cregeen's work. This edition brings invaluable and beautifully written material to a new generation keen to reconnect with Scotland's Highland history and tradition.

A small neighborhood in northern Frankfort, Kentucky, Crawfish Bottom was located on fifty acres of swampy land along the Kentucky River. "Craw's" reputation for vice, violence, moral corruption, and unsanitary conditions made it a target for urban renewal projects that replaced the neighborhood with the city's Capital Plaza in the mid-1960s. Douglas A. Boyd's Crawfish Bottom: Recovering a Lost Kentucky Community traces the evolution of the controversial community that ultimately saw four-hundred families displaced. Using oral histories and firsthand memories, Boyd not only provides a record of a vanished neighborhood and its culture but also demonstrates how this type of study enhances the historical record. A former Frankfort police officer describes Craw's residents as a "rough class of people, who didn't mind killing or being killed." In Crawfish Bottom, the former residents of Craw acknowledge the popular misconceptions about their community but offer a richer and more balanced view of the past.

The Vietnam War was a defining event for a generation of Americans. But for years, misguided cliches about its veterans have proliferated. Philip F. Napoli's "Bringing It All Back Home" strips away the myths and reveals the complex individuals who served in Southeast Asia. Napoli helped to create Tom Brokaw's The Greatest Generation, and in the spirit of that enterprise, his oral histories recast our understanding of a war and its legacy.
Napoli introduces a remarkable group of young New Yorkers who went abroad with high hopes only to find a bewildering conflict. We meet, for instance, a nurse who staged a hunger strike to promote peace while working at a field hospital and a black soldier who achieved an unexpected camaraderie with his fellow servicemen in racially tense times. Some of these soldiers became active opponents of the war; others did not. Tracing their journeys from the streets of Brooklyn and Queens to the banks of the Mekong, and back to the most glamorous corporations and meanest homeless shelters of New York City, Napoli uncovers the variety and surprising vibrancy of the ex-soldiers' experiences.

In this compelling collection of oral histories, more than seventy-five peacemakers describe how they say no to war-making in the strongest way possible--by engaging in civil disobedience and paying the consequences in jail or prison. These courageous resisters leave family and community and life on the outside in their efforts to direct U.S. policy away from its militarism. Many are Catholic Workers, devoting their lives to the works of mercy instead of the works of war. They are homemakers and carpenters and social workers and teachers who are often called "faith-based activists." They speak from the left of the political perspective, providing a counterpoint to the faith-based activism of the fundamentalist Right.

In their own words, the narrators describe their motivations and their preparations for acts of resistance, the actions themselves, and their trials and subsequent jail time. We hear from those who do their time by caring for their families and managing communities while their partners are imprisoned. Spouses and children talk frankly of the strains on family ties that a life of working for peace in the world can cause.

The voices range from a World War II conscientious objector to those protesting the recent war in Iraq. The book includes sections on resister families, the Berrigans and Jonah House, the Plowshares Communities, the Syracuse Peace Council, and Catholic Worker houses and communities.

The introduction by Dan McKanan situates these activists in the long tradition of resistance to war and witness to peace.

Fishing Talk: The Language of a Lost Industry is the outcome of a lifetime's research by Lowestoft author David Butcher. Over the years he has recorded many hours of interviews with the fishermen of the east coast of the British Isles and has compiled their stories and accounts of their working lives into several books. For this title, he explains the words and phrases they use in their accounts, some to be found in the common parlance, some only found in use on the working boats of the fishing industry. The sea-going men - and women who handled the catches, kept the homes together and frequently looked after the business aspect of the fishing life - gladly contributed their recollections. The mid and deep sea fisheries of East Anglia have passed into history but this publication preserves their vocabulary.

How do we engage difficult histories and the experiences of new immigrants displaced by war, genocide, and human rights violations? This book reconfigures the conventional relationship between those who have sought refuge and rebuilt their lives and those who seek to record, understand, and transmit these life stories. It offers an alternative model to traditional research practices based on the idea of shared authority, whereby communities become partners in the research. Drawing on the collaborative Montreal Life Stories project, this book has methodological and ethical implications for scholars of oral history, collaborative research, public history and memory studies, and refugee studies.

In 1946, after a series of stormy strikes and a mass occupation at Ford Motor Company's plant in Dagenham, Essex, thousands of workers came together in a new branch of the Transport and General Workers Union. Later, in the early 1980s, a band of dedicated workplace activists brought branch 1/1107 to explosive life with support for a number working-class causes, from equal opportunities to the stunningly effective boycott of parts for South Africa. "Notoriously Militant," which takes as its title a tabloid journalist's verdict on the branch, covers the history of Ford's Dagenham plant--and its roots in Henry Ford's early U.S. activities--from 20th-century shop-floor struggles to the 21st-century fight against plant closure. Based on original research and oral history, this study offers a primer for activists and analysts on the confrontation between worker militancy and the rigors of "Fordism." This book is a lively look at working-class history as made daily by so-called "ordinary" workers, the links between basic workplace struggles and revolutionary conflict, the pressures towards "cooperation" between union and management, and the interweaving of gender and ethnicity issues with the class-based structures of a major industrial workplace.

THE BOOK: "Recollections of an Argyllshire Drover" & Other West Highland Chronicles Eric Cregeen's groundbreaking research into the Argyll Estate Papers and into the oral tradition of the Scottish West Highlands are at the heart of this collection. During his appointment at the University of Edinburgh's School of Scottish Studies, Cregeen tape-recorded tradition bearers in both Gaelic and English, gathering information that is today priceless, such as the descriptions of the last Argyll drover. He was a founding member of the Scottish Oral History movement, but his tragically early death in 1983 robbed Scotland of a great scholar, social historian and folklorist and of other proposed books. This collection, selected and edited by Dr Margaret Bennett, will be welcomed by a wide range of readers, especially those who share Cregeen's enthusiasm for 'approaching the history of the Highlands with a mind alert to the claims of oral tradition.' The book begins with a masterful introductory essay by the editor and also includes a comprehensive bibliography of Cregeen's work. This edition brings invaluable and beautifully written material to a new generation keen to reconnect with Scotland's Highland history and tradition.

The nineteenth-century ""cult of curability"" engendered the optimistic belief that mental illness could be cured under ideal conditions-removal from the stresses of everyday life to asylum, a pleasant, well-regulated environment where healthy meals, daily exercise, and social contact were the norm. This utopian view led to the reform and establishment of lunatic asylums throughout the United States. The Texas State Lunatic Asylum (later called the Austin State Hospital) followed national trends, and its history documents national mental health practices in microcosm.Drawing on diverse sources-patient records from the nineteenth century, papers and reports of the institution's various superintendents, transcripts of interviews of former employees, newspaper accounts, personal memoirs, and interviews-Sarah C. Sitton has recreated what life in ""our little town"" was like from the institution's opening in 1861 to its de-institutionalization in the 1980s and 1990s.For more than a century, the asylum community resembled a self-sufficient village complete with its own blacksmith shop, icehouse, movie theater, brass band, baseball team, and undertakers. Beautifully landscaped grounds and gravel lanes attracted locals for Sunday carriage drives. Patients tended livestock, tilled gardens, helped prepare meals, and cleaned wards. Their routines might include weekly dances and religious services, as well as cold tubs, paraldehyde, and electroshock. Employees, from the superintendent on down, lived on the grounds, and their children grew up ""with inmates for playmates."" While the superintendent exercised almost feudal power, deciding if staff could date or marry, a multigenerational ""clan"" of several interlinked families controlled its day-to-day operations for decades.With the current emphasis on community-based care for the mentally ill and the negative consequences of de-institutionalization increasingly apparent, the debate on how best to care for the state's-and the nation's-mentally ill continues.This examination offers historical and practical insights which will be of interest to practitioners and policy makers in the field of mental health as well as to individuals interested in the history of the state of Texas.

In this insightful and provocative volume, Ramey reveals spirituals and slave songs to be a crucial element in American literature. This book shows slave songs' intrinsic value as lyric poetry, sheds light on their roots and originality, and draws new conclusions on an art form long considered a touchstone of cultural imagination.

Looking over the great prairie in the early 1880s, Nellie Buchanan said, "I knew I would never be contented until I had a home of our own in the wonderful West." Some were not so sanguine. Mary Cox described the prairie as "the most barren, forsaken country that we had ever seen." Like the others whose stories appear in this book, these women were describing their own thoughts and experiences traveling to and settling in what became Colorado. Sixty-seven of their original, first-person narratives, recounted to Civil Works Administration workers in 1933 and 1934, are gathered for the first time in this book.
"The First We Can Remember" presents richly detailed, vivid, and widely varied accounts by women pioneers during the late nineteenth century. Narratives of white American-born, European, and Native American women contending with very different circumstances and geographical challenges tell what it was like to settle during the rise of the smelting and mining industries or the gold rush era; to farm or ranch for the first time; to struggle with unfamiliar neighbors, food and water shortages, crop failure, or simply the intransigent land and unpredictable weather. Together, these narratives--historically and geographically framed by Lee Schweninger's detailed introduction--create a vibrant picture of women's experiences in the pioneering of the American West.

The valuable interviews conducted by Nebraska judge Eli S. Ricker with Indian eyewitnesses to the Wounded Knee massacre, the Little Big Horn battle, the Grattan incident, and other events and personages of the Old West are finally made widely available in this long-awaited volume. In the first decade of the twentieth century, as the Old West became increasingly distant and romanticized in popular consciousness, Eli S. Ricker (1843-1926) began interviewing those who had experienced it firsthand, hoping to write a multi-volume series about its last days. Among the many individuals he interviewed were American Indians, mostly Sioux, who spoke extensively about a range of subjects, some with the help of an interpreter. For years Ricker traveled across the northern Plains, determinedly gathering information on and off reservations, in winter and in summer. Judge Ricker never wrote his book, but his interviews are priceless sources of information about the Old West that offer more balanced perspectives on events than were accepted at the time. Richard E. Jensen brings together all of Ricker's interviews with American Indians, annotating the conversations and offering an extensive introduction that sets forth important information about Ricker, his research, and the editorial methodology guiding the present volume.

Made famous in the 1976 documentary Harlan County USA, this pocket of Appalachian coal country has been home to generations of miners-and to some of the most bitter labor battles of the 20th century. It has also produced a rich tradition of protest songs and a wealth of fascinating culture and custom that has remained largely undiscovered by outsiders, until now. They Say in Harlan County is not a book about coal miners so much as a dialogue in which more than 150 Harlan County women and men tell the story of their region, from pioneer times through the dramatic strikes of the 1930s and '70s, up to the present. Alessandro Portelli draws on 25 years of original interviews to take readers into the mines and inside the lives of those who work, suffer, and often die in them-from black lung, falling rock, suffocation, or simply from work that can be literally backbreaking. The book is structured as a vivid montage of all these voices-stoic, outraged, grief-stricken, defiant-skillfully interwoven with documents from archives, newspapers, literary works, and the author's own participating and critical voice. Portelli uncovers the whole history and memory of the United States in this one symbolic place, through settlement, civil war, slavery, industrialization, immigration, labor conflict, technological change, migration, strip mining, environmental and social crises, and resistance. And as hot-button issues like mountain-top removal and the use of "clean coal" continue to hit the news, the history of Harlan County-especially as seen through the eyes of those who lived it-is becoming increasingly important. With rare emotional immediacy, gripping narratives, and unforgettable characters, They Say in Harlan County tells the real story of a culture, the resilience of its people, and the human costs of coal mining.

In this second volume of interviews conducted by Nebraska judge Eli S. Ricker, he focuses on white eyewitnesses and participants in the occupying and settling of the American West in the nineteenth century. In the first decade of the twentieth century, as the Old West became increasingly distant and romanticized in popular consciousness, Eli S. Ricker (1842-1926) began interviewing those who had experienced it firsthand, hoping to write a multivolume series about its last days, centering on the conflicts between Natives and outsiders. For years Ricker traveled across the northern Plains, gathering information on and off reservations, in winter and in summer. Judge Ricker never wrote his book, but his interviews are priceless sources of information about that time and place, and they offer more balanced perspectives on events than were accepted at the time. Richard E. Jensen brings together all of Ricker's interviews with those men and women who came to the American West from elsewhere-settlers, homesteaders, and veterans. These interviews shed light on such key events as the massacre at Wounded Knee, the Little Bighorn battle, Beecher Island, Lightning Creek, the Mormon cow incident, and the Washita massacre. Also of interest are glimpses of everyday life at different agencies, including Pine Ridge, Yellow Medicine, and Fort Sill School; brief though revealing memoirs; and snapshots of cattle drives, conflicts with Natives, and the construction of the Union Pacific Railroad.

This volume is an edited collection of critical essays on British Asian theatre. It includes contributions from a number of researchers who have been active in the field for a substantial period of time. This title is complemented by British South Asian Theatres: A Documented History by the same authors, also available from University of Exeter Press.

A small neighborhood in northern Frankfort, Kentucky, Crawfish Bottom was located on fifty acres of swampy land along the Kentucky River. "Craw's" reputation for vice, violence, moral corruption, and unsanitary conditions made it a target for urban renewal projects that replaced the neighborhood with the city's Capital Plaza in the mid-1960s. Douglas A. Boyd's Crawfish Bottom: Recovering a Lost Kentucky Community traces the evolution of the controversial community that ultimately saw four-hundred families displaced. Using oral histories and firsthand memories, Boyd not only provides a record of a vanished neighborhood and its culture but also demonstrates how this type of study enhances the historical record. A former Frankfort police officer describes Craw's residents as a "rough class of people, who didn't mind killing or being killed." In Crawfish Bottom, the former residents of Craw acknowledge the popular misconceptions about their community but offer a richer and more balanced view of the past.

The term "Holocaust survivors" is often associated with Jewish communities in New York City or along Florida's Gold Coast. Traditionally, tales of America's Holocaust survivors, in both individual and cultural histories, have focused on places where people fleeing from Nazi atrocities congregated in large numbers for comfort and community following World War II. Yet not all Jewish refugees chose to settle in heavily populated areas of the United States. In This Is Home Now: Kentucky's Holocaust Survivors Speak, oral historian Arwen Donahue and photographer Rebecca Gayle Howell focus on overlooked stories that unfold in the aftermath of the Holocaust. They present the accounts of Jewish survivors who resettled not in major metropolitan areas but in southern, often rural, communities. Many of the survivors in these smaller communities did not even seek out the few fellow Jewish residents already there. Donahue transcribes the accounts as she heard them, keeping true to the voices of those she interviewed. One of the survivors who shares her tale, Sylvia Green, describes the pain and desolation of her experiences in the Nazi death camps with a voice that reveals both her German-Polish heritage and her subsequent small-town life in Winchester, Kentucky. The Hungarian-born Paul Schlisser has an equally complex voice, a mix of phrases learned in the U.S. Army in Vietnam and regional speech patterns acquired in his adopted home near Fort Knox. Donahue's collection of voices, accompanied by Howell's poignant photographs, identifies each storyteller as an American -- and as a Kentuckian. Like many others of diverse backgrounds before them, Holocaust survivors joined the "melting pot" as a haven from the suffering in their native lands, but they eventually came to regard America as home. Although they speak of atrocities, most often experienced when they were children and unable to fully comprehend the situation, they also emphasize the comfort of acceptance -- not just by Jewish communities but also by a state that has long equated "religion" with Christianity alone. Kentucky is not known for its cultural and religious diversity, yet these stories reveal one of the many ways that the state has become home to a wide spectrum of immigrants -- people who once were strangers but now are its own.

The charivari is a loud, late-night surprise house-visiting custom from members of a community, usually to a newlywed couple, accompanied by a qu?te (a request for a treat or money in exchange for the noisy performance) and/or pranks. Up to the first decades of the twentieth century, charivaris were for the most part enacted to express disapproval of the relationship that was their focus, such as those between individuals of different ages, races, or religions. While later charivaris maintained the same rituals, their meaning changed to a welcoming of the marriage.

Make the Night Hideous explores this mysterious transformation using four detailed case studies from different time periods and locations across English Canada, as well as first-person accounts of more recent charivari participants. Pauline Greenhill's unique and fascinating work explores the malleability of a tradition, its continuing value, and its contestation in a variety of discourses.