The culmination of a century-long dream to link the Great Lakes interior industrial hubs to the Atlantic Ocean, the St. Lawrence Seaway and Power Project stands as one of the largest and most important public works' initiatives of the twentieth century. Seen as vital to North American commerce and strategic in advancing America's position on the world stage, the billion dollar seaway and power dam were also a phenomenal feat of engineering involving an unprecedented level of cooperation between Canadian and American agencies and the unrelenting efforts of workers on both sides of the border. Dubbed the greatest construction show on earth, the largest waterway and hydro dam project ever jointly built by two nations consisted of seven locks, the widening of various canals, the taming of rapids, and the erection of the 3216-foot long, 195.5-foot high Robert Moses - Robert H. Saunders Power Dam. In this book, Claire Puccia Parham reveals the human side of the project in the words of its engineers, laborers, and carpenters. Drawing on firsthand accounts, she provides a vivid portrait of the lives of the men who built the seaway and the women who accompanied them. On the fiftieth anniversary of the dedication of the power dam and waterway, this book is a fitting tribute to the hard work and dedication of the project's 22,000 workers.

The term "Holocaust survivors" is often associated with Jewish communities in New York City or along Florida's Gold Coast. Traditionally, tales of America's Holocaust survivors, in both individual and cultural histories, have focused on places where people fleeing from Nazi atrocities congregated in large numbers for comfort and community following World War II. Yet not all Jewish refugees chose to settle in heavily populated areas of the United States. In This Is Home Now: Kentucky's Holocaust Survivors Speak, oral historian Arwen Donahue and photographer Rebecca Gayle Howell focus on overlooked stories that unfold in the aftermath of the Holocaust. They present the accounts of Jewish survivors who resettled not in major metropolitan areas but in southern, often rural, communities. Many of the survivors in these smaller communities did not even seek out the few fellow Jewish residents already there. Donahue transcribes the accounts as she heard them, keeping true to the voices of those she interviewed. One of the survivors who shares her tale, Sylvia Green, describes the pain and desolation of her experiences in the Nazi death camps with a voice that reveals both her German-Polish heritage and her subsequent small-town life in Winchester, Kentucky. The Hungarian-born Paul Schlisser has an equally complex voice, a mix of phrases learned in the U.S. Army in Vietnam and regional speech patterns acquired in his adopted home near Fort Knox. Donahue's collection of voices, accompanied by Howell's poignant photographs, identifies each storyteller as an American -- and as a Kentuckian. Like many others of diverse backgrounds before them, Holocaust survivors joined the "melting pot" as a haven from the suffering in their native lands, but they eventually came to regard America as home. Although they speak of atrocities, most often experienced when they were children and unable to fully comprehend the situation, they also emphasize the comfort of acceptance -- not just by Jewish communities but also by a state that has long equated "religion" with Christianity alone. Kentucky is not known for its cultural and religious diversity, yet these stories reveal one of the many ways that the state has become home to a wide spectrum of immigrants -- people who once were strangers but now are its own.

" "Tell me about the war" -- these words launched a ten-year project in oral history by a husband-and-wife team. Howard Hoffman fought in World War II from Cassino to the Elbe as a mortar crewman and a forward observer. His war experiences are of intrinsic interest to readers who seek a foot soldier's view of those historic events. But the principal purpose of this study was to explore the bounds of memory, to gauge its accuracy and its stability over time, and to determine the effects of various efforts to enhance it. Alice Hoffman, a historian, initiated the study because she recognized the critical role of memory in gathering oral history; Howard Hoffman, the subject, is an experimental psychologist. Alice's tape-recorded interviews with her husband over a period of ten years are the basic material of the study, which compares the events as recounted in the first phase of the interviews with later accounts of the same experiences and with the written records of his company as well as the memories of fellow soldiers and the evidence of photographs and other documents. This engrossing story of World War II breaks new ground for practitioners of oral history. The Hoffmans' findings indicate that a subset of human memory exists that is so permanent and resistant to change that it can properly be labeled "archival." In addition to describing some of the circumstances under which archival memories are formed, the Hoffmans describe the conditions that were found to influence their storage and retrieval.

Perhaps more than any other war in the twentieth century, the Spanish Civil War was seen as a 'writers' war' - names such as Hemingway and Orwell spring to mind. But the women who went to Spain and wrote about it have often been forgotten. This anthology is part of efforts to redress the balance. It includes writing by women from Britain, the United States, Australia and New Zealand - and from unsung nurses and relief workers as well as internationally celebrated writers. Bringing together extracts from memoirs, letters, diaries and poems, this collection provides a moving overview of the Spanish Civil War from the perspective of women participants. Contributors include Emma Goldman, Lillian Hellman, Jessica Mitford and Sylvia Townsend Warner.

Since the 1980s Chicana writers including Gloria Anzaldua, Cherrie Moraga, Sandra Cisneros, Ana Castillo, and Alma Luz Villanueva have reworked iconic Mexican cultural symbols such as mother earth goddesses and La Llorona (the Wailing Woman of Mexican folklore), re-imagining them as powerful female figures. After reading the works of Chicana writers who created bold, powerful, and openly sexual female characters, Debra J. Blake wondered how everyday Mexican American women would characterize their own lives in relation to the writers' radical reconfigurations of female sexuality and gender roles. To find out, Blake gathered oral histories from working-class and semiprofessional U.S. Mexicanas. In "Chicana Sexuality and Gender," she compares the self-representations of these women with fictional and artistic representations by academic-affiliated, professional intellectual Chicana writers and visual artists, including Alma M. Lopez and Yolanda Lopez.

Blake looks at how the Chicana professional intellectuals and the U.S. Mexicana women refigure confining and demeaning constructions of female gender roles and racial, ethnic, and sexual identities. She organizes her analysis around re-imaginings of La Virgen de Guadalupe, La Llorona, indigenous Mexica goddesses, and La Malinche, the indigenous interpreter for Hernan Cortes during the Spanish conquest. In doing so, Blake reveals how the professional intellectuals and the working-class and semiprofessional women rework or invoke the female icons to confront the repression of female sexuality, limiting gender roles, inequality in male and female relationships, and violence against women. While the representational strategies of the two groups of women are significantly different and the U.S. Mexicanas would not necessarily call themselves feminists, Blake nonetheless illuminates a continuum of Chicana feminist thinking, showing how both groups of women expand lifestyle choices and promote the health and well-being of women of Mexican origin or descent.

In the English language World War I has largely been analysed and understood through the lens of the Western Front. This book addresses this imbalance by examining the war in Eastern and Central Europe. The historiography of the war in the West has increasingly focused on the experience of ordinary soldiers and civilians, the relationships between them and the impact of war at the time and subsequently. This book takes up these themes and, engaging with the approaches and conclusions of historians of the Western front, examines wartime experiences and the memory of war in the East. Analysing soldiers' letters and diaries to discover the nature and impact of displacement and refugee status on memory, this volume offers a basis for comparison between experiences in these two areas. It also provides material for intra-regional comparisons that are still missing from the current research. Was the war in the East wholly 'other'? Were soldiers in this region as alienated as those in the West? Did they see themselves as citizens and was there continuity between their pre-war or civilian and military identities? And if, in the Eastern context, these identities were fundamentally challenged, was it the experience of war itself or its consequences (in the shape of imprisonment and displacement, and changing borders) that mattered most? How did soldiers and citizens in this region experience and react to the traumas and upheavals of war and with what consequences for the post-war era? In seeking to answer these questions and others, this volume significantly adds to our understanding of World War I as experienced in Central and Eastern Europe.

This is a compassionate and insightful study of Hungarian women who lived through the Holocaust, with an appendix containing their complete stories.""Sister in Sorrow"" offers a glimpse into the world of Hungarian Holocaust survivors through the stories of fifteen survivors, as told by thirteen women and two spouses presently living in Hungary and Israel. Analyzing the accounts as oral narratives, author Ilana Rosen uses contemporary folklore studies methodologies to explore the histories and the consciousness of the narrators as well as the difficulty for present-day audiences to fully grasp them. Rosen's research demonstrates not only the extreme personal horrors these women experienced but also the ways they cope with their memories.In four sections, Rosen interprets the life histories according to two major contemporary leading literary approaches: psychoanalysis and phenomenology. This reading encompasses both the life spans of the survivors and specific episodes or personal narratives relating to the women's identity and history. The psychoanalytic reading examines focal phases in the lives of the women, first in pre-war Europe, then in World War II and the Holocaust, and last as Holocaust survivors living in the shadow of loss and atrocity. The phenomenological examination traces the terms of perception and of the communication between the women and their different present-day non-survivor audiences. An appendix contains the complete life histories of the women, including their unique and affecting remembrances.Although Holocaust memory and narrative have figured at the center of academic, political, and moral debates in recent years, most works look at such stories from a social science perspective and attempt to extend the meaning of individual tales to larger communities. Although Rosen keeps the image of the general group - be it Jews, female Holocaust survivors, Israelis, or Hungarians - in mind throughout this volume, the focus of ""Sister in Sorrow"" is the ways the individual women experienced, told, and processed their harrowing experiences. Students of Holocaust studies and women's studies will be grateful for the specific and personal approach of ""Sister in Sorrow"".

One of the main water resources for Florida, Alabama, and Georgia, the Apalachicola River begins where the Chattahoochee and Flint rivers meet at Lake Seminole and flow unimpedted for 106 miles, through the red hills and floodplains of the Florida panhandle into the Gulf of Mexico. "Voices of the Apalachicola "is a collection of oral histories from more than thirty individuals who have lived out their entire lives in this region, including the last steamboat pilot on the river system, sharecroppers who escaped servitude, turpentine workers in Tate's Hell, sawyers of "old-as-Christ" cypress, beekeepers working the last large tupelo stand, and a Creek chief descended from a 200-year unbroken line of chiefs.

Do, Die, or Get Along weaves together voices of twenty-six people who have intimate connections to two neighboring towns in the southwestern Virginia coal country. Filled with evidence of a new kind of local outlook on the widespread challenge of small community survival, the book tells how a confrontational ""do-or-die"" past has given way to a ""get-along"" present built on coalition and guarded hope. St. Paul and Dante are six miles apart; measured in other ways, the distance can be greater. Dante, for decades a company town controlled at all levels by the mine owners, has only a recent history of civic initiative. In St. Paul, which arose at a railroad junction, public debate, entrepreneurship, and education found a more receptive home. The speakers are men and women, wealthy and poor, black and white, old-timers and newcomers. Their concerns and interests range widely, including the battle over strip mining, efforts to control flooding, the 1989-90 Pittston strike, the nationally acclaimed Wetlands Estonoa Project, and the grassroots revitalization of both towns led by the St. Paul Tomorrow and Dante Lives On organizations. Their talk of the past often invokes an ethos, rooted in the hand-to-mouth pioneer era, of short-term gain. Just as frequently, however, talk turns to more recent times, when community leaders, corporations, unions, the federal government, and environmental groups have begun to seek accord based on what will be best, in the long run, for the towns. The story of Dante and St. Paul, Crow writes, ""gives twenty-first-century meaning to the idea of the good fight."" This is an absorbing account of persistence, resourcefulness, and eclectic redefinition of success and community revival, with ramifications well beyond Appalachia.

Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.

From the memories of everyday experience, "Living Atlanta" vividly recreates life in the city during the three decades from World War I through World War II--a period in which a small, regional capital became a center of industry, education, finance, commerce, and travel. This profusely illustrated volume draws on nearly two hundred interviews with Atlanta residents who recall, in their own words, "the way it was"--from segregated streetcars to college fraternity parties, from moonshine peddling to visiting performances by the Metropolitan Opera, from the growth of neighborhoods to religious revivals. The book is based on a celebrated public radio series that was broadcast in 1979-80 and hailed by Studs Terkel as "an important, exciting project--a truly human portrait of a city of people." "Living Atlanta" presents a diverse array of voices--domestics and businessmen, teachers and factory workers, doctors and ballplayers. There are memories of the city when it wasn't quite a city: "Back in those young days it was country in Atlanta," musician Rosa Lee Carson reflects. "It sure was. Why, you could even raise a cow out there in your yard." There are eyewitness accounts of such major events as the Great Fire of 1917: "The wind blowing that way, it was awful," recalls fire fighter Hugh McDonald. "There'd be a big board on fire, and the wind would carry that board, and it'd hit another house and start right up on that one. And it just kept spreading." There are glimpses of the workday: "It's a real job firing an engine, a darn hard job," says railroad man J. R. Spratlin. "I was using a scoop and there wasn't no eight hour haul then, there was twelve hours, sometimes sixteen." And there are scenes of the city at play: "Baseball was the popular sport," remembers Arthur Leroy Idlett, who grew up in the Pittsburgh neighborhood. "Everybody had teams. And people--you could put some kids out there playing baseball, and before you knew a thing, you got a crowd out there, watching kids play." Organizing the book around such topics as transportation, health and religion, education, leisure, and politics, the authors provide a narrative commentary that places the diverse remembrances in social and historical context. Resurfacing throughout the book as a central theme are the memories of Jim Crow and the peculiarities of black-white relations. Accounts of Klan rallies, job and housing discrimination, and poll taxes are here, along with stories about the Commission on Interracial Cooperation, early black forays into local politics, and the role of the city's black colleges. Martin Luther King, Sr., historian Clarence Bacote, former police chief Herbert Jenkins, educator Benjamin Mays, and sociologist Arthur Raper are among those whose recollections are gathered here, but the majority of the voices are those of ordinary Atlantans, men and women who in these pages relive day-to-day experiences of a half-century ago.

The valuable interviews conducted by Nebraska judge Eli S. Ricker with Indian eyewitnesses to the Wounded Knee massacre, the Little Big Horn battle, the Grattan incident, and other events and personages of the Old West are finally made widely available in this long-awaited volume. In the first decade of the twentieth century, as the Old West became increasingly distant and romanticized in popular consciousness, Eli S. Ricker (1843-1926) began interviewing those who had experienced it firsthand, hoping to write a multi-volume series about its last days. Among the many individuals he interviewed were American Indians, mostly Sioux, who spoke extensively about a range of subjects, some with the help of an interpreter. For years Ricker traveled across the northern Plains, determinedly gathering information on and off reservations, in winter and in summer. Judge Ricker never wrote his book, but his interviews are priceless sources of information about the Old West that offer more balanced perspectives on events than were accepted at the time. Richard E. Jensen brings together all of Ricker's interviews with American Indians, annotating the conversations and offering an extensive introduction that sets forth important information about Ricker, his research, and the editorial methodology guiding the present volume. Richard E. Jensen retired as a senior research anthropologist at the Nebraska State Historical Society. He is the editor of Charles Allen's From Fort Laramie to Wounded Knee: In the West That Was and Rolf Johnson's Happy As a Big Sunflower: Adventures in the West, 1876-1880, both available in Bison Books editions. Also available from the University of Nebraska Press: Voices of the American West, Volume 2: The Settler and Soldier Interviews of Eli S. Ricker, 1903-1919.

""
In this second volume of interviews conducted by Nebraska judge Eli S. Ricker, he focuses on white eyewitnesses and participants in the occupying and settling of the American West in the nineteenth century.
In the first decade of the twentieth century, as the Old West became increasingly distant and romanticized in popular consciousness, Eli S. Ricker (1842-1926) began interviewing those who had experienced it firsthand, hoping to write a multivolume series about its last days, centering on the conflicts between Natives and outsiders. For years Ricker traveled across the northern Plains, gathering information on and off reservations, in winter and in summer. Judge Ricker never wrote his book, but his interviews are priceless sources of information about that time and place, and they offer more balanced perspectives on events than were accepted at the time.
Richard E. Jensen brings together all of Ricker's interviews with those men and women who came to the American West from elsewhere--settlers, homesteaders, and veterans. These interviews shed light on such key events as the massacre at Wounded Knee, the Little Bighorn battle, Beecher Island, Lightning Creek, the Mormon cow incident, and the Washita massacre. Also of interest are glimpses of everyday life at different agencies, including Pine Ridge, Yellow Medicine, and Fort Sill School; brief though revealing memoirs; and snapshots of cattle drives, conflicts with Natives, and the construction of the Union Pacific Railroad.

Every word in this book by John Seed is drawn from Henry Mayhew's writings on London, published in the 'Morning Chronicle' from 1849 to 1850, then in 63 editions of his own weekly paper, 'London Labour and the London Poor' between December 1850 and February 1852, and then again in the four-volume work of the same title. From the thousands of pages of Mayhew's investigations, John Seed has selected a few hundred extracts from those passages where he attempted to record the voices of London's working people. He has cut and rearranged the source texts, and has re-set them as poetry, splitting the lines in such a way as to make them both more easily readable and less easily, or quickly read, in an attempt to get closer to the original voices. The author likens this process to a sound engineer editing a tape to try to get rid of interfenernce or distortion. The final shape of the poem-sequence, and the form of the poems themselves, show the influence of American models such as Charles Reznikoff and William Carlos Williams, who both attempted to record common speech.' Pictures from Mayhew' is published simultaneously with a large collection of John Seed's original poetry, most of which has been oput of print or hard to find for many years. John Seed lives in London and has published four collection of his poetry since the 1970s. His work was also featured in the seminal anthology 'A Various Art' (ed. Crozier & Longville, Carcanet 1987).

"This book serves as a window into the rich and revealing lives and self-representations of the particular individuals who have produced the life histories. In so doing, it makes very important broader points about the use of life histories in social science research in general and in the study of South Asian social-cultural life in particular." Sarah Lamb

Life histories have a wide, if not universal, appeal. But what does it mean to narrate the story of a life, whether one s own or someone else s, orally or in writing? Which lives are worth telling, and who is authorized to tell them? The essays in this volume consider these questions through close examination of a wide range of biographies, autobiographies, diaries, and oral stories from India. Their subjects range from literary authors to housewives, politicians to folk heroes, and include young and old, women and men, the illiterate and the learned.

Contributors are David Arnold, Stuart Blackburn, Sudipta Kaviraj, Barbara D. Metcalf, Kirin Narayan, Francesca Orsini, Jonathan P. Parry, Jean-Luc Racine, Josiane Racine, David Shulman, and Sylvia Vatuk."

Over a decade in the making, Medieval Folklore is your A-to-Z guide to the mundane and supernatural lore of the Middle Ages. Definitive and lively articles focus on the great myths and legends of the age-daily and nightly customs and activities; religious beliefs of pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastic.

Especially remarkable are the surveys of the major medieval traditions, included among them Arab-Islamic (Ulrich Marzolph), Baltic (Thomas A. DuBois), English (John McNamara and Carl Lindahl), Finno-Ugric (Thomas A. DuBois), French (Francesca Canade Sautman), Hispanic (Samuel G. Armistead), Hungarian (Eva Pocs), Irish (Joseph Falaky Nagy), Italian (Giuseppe C. Di Scipio), Jewish (Eli Yassif), Scandinavian (Stephen A. Mitchell), Scottish (John McNamara), Slavic (Eve Levin), and Welsh (Elissa R. Henken and Brynley F. Roberts).

For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place.

The interviews in this book were conducted for the Nordic Africa Institute 's research project National Liberation in Southern Africa The role of the Nordic countries . Around 80 representatives of the Southern African liberation movements, as well as Swedish and other opinion makers, administrators and politicians, reflect on the Nordic support to these struggles. Prominent contemporary leaders among them Joaquim Chissano from Mozambique, Kenneth Kaunda from Zambia and Thabo Mbeki from South Africa give their views on a relationship that largely developed outside the public arena and of which there is scant evidence in open sources. The book is a reference source to a unique North-South relationship in the Cold War period.

The stories of Kaua'i's ruling chiefs were passed from generation to generation in songs and narratives recited by trained storytellers either formally at the high chief's court or informally at family gatherings. Their chronology was ordered by a ruler's genealogy, which, in the case of the pua ali'i (flower of royalty), was illustrious and far reaching and could be traced to one of the four great gods of Polynesia - Kane, Ku, Lono, and Kanaloa. In these legends, Hawaiians of old sought answers to the questions ""Who are we?"" ""Who are our ancestors and where do they come from?"" ""What lessons can be learned from their conduct?"" Na Pua Ali'i o Kaua'i presents the stories of the men and women who ruled the island of Kaua'i from its first settlement to the final rebellion against Kamehameha I's forces in 1824. Only fragments remain of the nearly two-thousand-year history of the people who inhabited Kaua'i before the coming of James Cook in 1778. Now scattered in public and private archives and libraries, these pieces of Hawai'i's precontact past were recorded in the nineteenth century by such determined individuals as David Malo, Samuel Kamakau, and Abraham Fornander. All known genealogical references to the Kaua'i ali'i nui (paramount chiefs) have been gathered here and placed in chronological order and are interspersed with legends of great voyages, bitter wars, courageous heroes, and passionate romances that together form a rich and invaluable resource.

Smuggling has been a way of life in Galicia for millennia. The Romans considered its windswept coast the edge of the world. To the Greeks it was from where Charon ferried souls to the Underworld. Since the Middle Ages, its shoreline has scuppered thousands of pirate ships. But the history of Cape Finisterre is no fiction and by the late twentieth century a new and exotic cargo flooded the cape's ports and fishing villages. In Snow on the Atlantic, the book the Spanish national court tried to ban, intrepid investigative journalist Nacho Carretero tells the incredible story of how a sleepy, unassuming corner of Spain became the cocaine gateway into Europe, exposing a new generation of criminals, cartels and corrupt officials, more efficient and ruthless than any who came before.

Until the 1960s and the advent of African independence, African history was rarely concerned with African lives. Africans were not considered fitting subjects or authoritative sources for historical research and their voices and experiences were largely absent from the continent's history. Efforts to restore African expression to African history have characterized much of postcolonial historical research and writing, but questions about the use of oral sources in the quest for truth continue to plague interpreters and interpretations of the African past. This analysis reveals African historians involved with and committed to developing unique methodologies for dealing with history on their own terms. African historians from North America, Europe and Africa confront questions such as the relationship between a community's oral and written history, the role of personal histories, the effects of racism and colonialism, the suppression of facts, and how historians should mediate and interpret research data.; Focusing on all areas of Sub-Saharan Africa, the essays brought together here seek to reflect the extraordinary range of engagement that represents the state-of-the-art of African h

Inspired by the question of "what's next?" in the field of Canadian women's and gender history, this broadly historiographical volume represents a conversation among established and emerging scholars who share a commitment to understanding the past from intersectional feminist perspectives. It includes original essays on Quebecois, Indigenous, Black, and immigrant women's histories and tackles such diverse topics as colonialism, religion, labour, warfare, sexuality, and reproductive labour and justice. Intended as a regenerative retrospective of a critically important field, this collection both engages analytically with the current state of women's and gender historiography in Canada and draws on its rich past to generate new knowledge and areas for inquiry.

In this poignant collection of oral histories, four Indian elders recount their life stories in their own quiet but uncompromising words. Growing up and living in Minnesota and the Dakotas, Stella Pretty Sounding Flute and Iola Columbus (Dakota)and Celane Not Help Him and Cecelia Hernandez Montgomery (Lakota) share recollections of early family life interrupted by years at government boarding schools designed to eradicate tribal culture. Recounting their complex lives, the grandmothers reveal how they survived difficult circumstances to become activists in Indian politics, reconciling urban with reservation life and Christianity with native spirituality. Particularly memorable is one grandmother's detailed family account of the tragic events and consequences of the Wounded Knee Massacre of 1890. Defying stereotypes, these clear and forthright voices are unforgettable. As the traditional teachers and bearers of culture, the grandmothers also share their concern for future generations.

Coauthor Erich Friedrich won the Iron Cross fighting the Soviets. But when he refused to give the Nazi salute and criticized Hermann Goring, he was charged with subversion and thrown into a cell. With him were a suspected spy, two accused deserters, a Jehovah's Witness, a draft dodger, and a leftist. To try to push back the terror of the unknown, each man took a turn telling why he was awaiting torture and possibly death. Friedrich vowed to remember their remarkable stories forever.

Filled with true stories, legends, and descriptions of traditional Dakota Sioux life, this book is a unique record of a people whose existence was engulfed and forever changed by the westward expansion of the United States. It is also the story of the Deloria family. Vine Deloria's grandfather, Chief Tipi Sapa (Philip Joseph Deloria), provided the detailed portrait of the Yankton band of the Dakota Nation that is the centerpiece of this book. In 1917 this great 19th-century leader told the story of the Yankton people to an informant, drawing both on his own experiences and on the accounts passed down by other elders of the Yankton band. In addition to describing spiritual beliefs, rituals, and traditions of all kinds, he recounted the stories and songs that bound the community together.

Vine Deloria has expanded the story of the Dakota people with material handed down in his family. In his introductory chapters, Deloria revisits ancestral territory, telling the life stories of his grandfather and his greatgrandfather Saswe (Francois des Laurier), a medicine man whose vision experience would have profound effects on his descendants. Both men played prominent roles in the religious life of the Yankton and Standing Rock Sioux. The Deloria family stories help us understand the revolutionary changes the Sioux were experiencing during this period, and they offer a poignant contrast to Tipi Sapa's descriptions of a distinctive way of life that was already lost to the on rush of history.

Over the years, the phrase ""southern oratory"" has become laden with myth; its mere invocation conjures up powerful images of grandiloquent antebellum patriarchs, enthusiastic New South hucksters, and raving wild-eyed demagogue politicians. In these essays, Waldo Braden strips away the myths to expose how the South's orators achieved their rhetorical effects and manipulated their audiences. The Oral Tradition in the South begins with two essays that trace the roots of the South's particular identification with oratory. In The Emergence of the Concept of Southern Oratory, 1850- 1950, Braden suggests that it was through the influence of southern scholars that southern oratory gained its renown. The second essay, The Oral Tradition in the Old South, focuses on antebellum times to reveal the several factors that combined to make the region a fertile ground for oratory. Braden further explores the antebellum oratorical tradition in The 1860 Election Campaign in Western Tennessee, analyzing speeches made in Memphis by such national figures as William L. Yancey, Andrew Johnson, and Stephen A. Douglas, and revealing the nature of political canvassing in that era. Shifting his discussion to the years that followed the Civil War, Braden examines, in Myths in a Rhetorical Context, how such speakers as General John B. Gordon and Henry Grady worked to restore the shattered self-esteem of the region by spinning myths of the Old South and the Lost Cause and by proclaiming the hopeful era of the New South. The fifth essay, The Rhetoric of Exploitation, probes the rhetorical strategies of the demagogue politicians of the twentieth century-strategies such as ""plain folks"" appeals and race-baiting. In the final essay, The Rhetoric of a Closed Society Braden analyzes the movement opposing racial integration in Mississippi. Showing how the White Citizens' Council, Governor Ross Barnett, and other leaders manipulated the public to make the state a closed society from 1954 to 1964. Although he takes pains to establish the historical context in each of these essays, Braden's emphasis as a rhetorical critic is always on the speeches themselves. He pays close attention to the kinds of appeals found in the words of the speeches and to the individual speaker's use of images and phrases to evoke particular myths. But Braden looks beyond the texts of the speeches to take into account the full context of the event. ""What the reader finds in the printed version of the text,"" he explains, ""might be only a small part of the myth, a tiny hint of what grinds inside frustrated listeners. Sometimes the trigger for the myth does not even appear in the printed version, because face-to-face the listeners and the speaker, feeling a oneness, evoke the myth without verbal expression."" To account for this nonverbal dimension of oratory, these essays assess the impact of the location and atmosphere of the gathering, the audience's expectations, and the speaker's use of ritual, symbolic gestures, and props. During the nearly forty years of his career, Waldo Braden has been a pioneer in the serious study of oratory. A landmark work, The Oral Tradition in the South is the capstone to a distinguished career, a comprehensive and authoritative study of the subject Braden has so innovatively researched.