A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.

In war, there is no easy victory. When troops invaded Iraq in 2003 to topple Saddam Hussein's regime, most people expected an easy victory. Instead, the gamble we took was a grave mistake, and its ramifications continue to reverberate through the lives of millions, in Iraq and the West. As we gain more distance from those events, it can be argued that many of the issues facing us today - the rise of the Islamic State, increased Islamic terrorism, intensified violence in the Middle East, mass migration, and more - can be traced back to the decision to invade Iraq. In The Iraq War, award-winning documentary maker James Bluemel collects first-hand testimony from those who lived through the horrors of the invasion and whose actions were dictated by such extreme circumstances. It takes in all sides of the conflict - working class Iraqi families watching their country erupt into civil war; soldiers and journalists on the ground; American families dealing with the grief of losing their son or daughter; parents of a suicide bomber coming to terms with unfathomable events - to create the most in-depth and multi-faceted portrait of the Iraq War to date. Accompanying a major BBC series, James Bluemel's book is an essential account of a conflict that continues to shape our world, and a startling reminder of the consequences of our past decisions.

This oral history of London's East End spans the period after World War I to the upsurge of prosperity at the beginning of the 1960s--a time period which saw fresh waves of immigrants in the area, the Fascist marches of the 1930s, and its spirited recovery after virtual obliteration during the Blitz. Piers Dudgeon has listened to dozens of people who remember this fiercely proud quarter to record their real-life experiences of what it was like before it was fashionable to buy a home in the Docklands. They talk of childhood and education, of work and entertainment, of family, community values, health, politics, religion, and music. Their stories will make you laugh and cry. It is people's own memories that make history real and this engrossing book captures them vividly.

In the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin's purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.

This is an oral history of a second-generation, urban-born woman who struggles to survive in the poor, Andean city of La Paz. It shows how her identity shifts over time, shaped by the major events in her life. Topics range fron social networks to magical interventions and clairvoyant dreaming.

This book is part of the Tempus Oral History series, which combines the reminiscences of local people with old photographs and archived images to show the history of various local areas in Great Britain, through their streets, shops, pubs, and people.

If you wish to retain your image of an 'Angel' as depicted on our Christmas cards, then to read this work may be ill-advised. However, if you would like to learn of their Real Activities, and astounding interactions with the Patriarchs, taken straight from the Old Testament, then this is the book for you. But be prepared for a shock. Gone are the heroes, the innocence and certainty the Wings (which were never there in the first place). You will learn of their ruthless activities, deciding who will live or die, the slaughter of humans in great numbers by flood, in the days of Noah and what sound like nuclear bombs when destroying the cities of the plain, i.e., Sodom and Gomorrah. Before Exodus, a 'destroying Angel' moved over the houses, murdering new born Egyptian children. After Exodus and before a battle, they instructed the army of Moses Let not a creature that breathes to live. They inseminated even barren women to produce a wonder child to do their bidding. They treated humankind as if their property. Their forebears came to earth from elsewhere, descended from our skies and decided, Let us make men in our image. They were extra-terrestrial by any definition. To the patriarchs, any creature that could descend from and ascend to the sky could only be coming from and returning to heaven in a Biblical interpretation. Today, they keep their distance in the knowledge that modern humans would not fall on their faces in awe, yet they remain in earth space because they have inherited a responsibility for humankind. An explanation for their continual abductions exists herein, which may not bode well for humankind. We are their 'Property.'

The Oral History Manual is designed to help anyone interested in doing oral history research to think like an oral historian. Recognizing that oral history is a research methodology, the authors define oral history and then discuss the methodology in the context of the oral history life cycle - the guiding steps that take a practitioner from idea through access/use. They examine how to articulate the purpose of an interview, determine legal and ethical parameters, identify narrators and interviewers, choose equipment, develop budgets and record-keeping systems, prepare for and record interviews, care for interview materials, and use the interview information. In this third edition, in addition to new information on methodology, memory, technology, and legal options incorporated into each chapter, a completely new chapter provides guidelines on how to analyze interview content for effective use of oral history interview information. The Oral History Manual provides an updated and expanded road map and a solid introduction to oral history for all oral history practitioners, from students to community and public historians.

The Nazi regime and local collaborators killed 800,000 Belorussian Jews, many of them parents or relatives of young Jews who survived the war. Thousands of young girls and boys were thus orphaned and struggled for survival on their own. This book is the first systematic account of young Soviet Jews' lives under conditions of Nazi occupation and genocide. These orphans' experiences and memories are rooted in the 1930s, when Soviet policies promoted and sometimes actually created interethnic solidarity and social equality. This experience of interethnic solidarity provided a powerful framework for the ways in which young Jews survived and, several decades after the war, represented their experience of violence and displacement. Through oral histories with several survivors, video testimonies, and memoirs, Anika Walke reveals the crucial roles of age and gender in the ways young Jews survived and remembered the Nazi genocide, and shows how shared experiences of trauma facilitated community building within and beyond national groups. Pioneers and Partisans uncovers the repeated transformations of identity that Soviet Jewish children and adolescents experienced, from Soviet citizens in the prewar years, to a target of genocidal violence during the war, to a barely accepted national minority in the postwar Soviet Union.

They Taught Us Skills for Life: We are the Engineers! Scotland's labour history has been the subject of many important studies, surveys, articles and books. Some of those published represent the invaluable collection of local groups and amateur historians, while others have been, and are, produced by academics and labour officials. The general expectation, even in Scotland, is that these works should be written in Standard English, regardless of the everyday speech of the workforce. For this publication, however, it seemed more important to transcribe, as recorded, the voices of folk whose vitality of language and expression gives a brighter reflection of their experiences during work and leisure.This book has grown out of an oral history project, 'The End of the Shift', which aims to record the working practices and conditions of skilled workers in Scotland's past industries. Publicity about the project caught the interest of a group of retired engineers, who had all served apprenticeships with a prestigious Kirkcaldy firm, Melville-Brodie Engineering Company.Having lived through times when Scotland seemed blighted by industrial closures, the engineers could identify with 'the end of the shift' as they had experienced the effect of closing down Melville-Brodie Engineering Company. The entire workforce was dispersed, and with it, the skills, expertise and wisdom of generations. Kirkcaldy also lost a company that had been the pride of Scottish engineering.Over the years, as the retired engineers reflected on the radical changes that have taken place since their 'second to none' training, they began to realise the importance of recording knowledge and skills for posterity. They also wanted to remember the firm that trained them, and so they planned a memorial to be erected on the site of Melville-Brodie Engineering works. It was to be designed and made by the men themselves, and in May 2014,the group had the satisfaction of seeing the plaque unveiled by Mrs June Shanks, daughter of the celebrated engineer, Robert Burt Brodie. Standing beside her were the two oldest Melville- Brodie 'boys' (aged 94 and 89), Bob Thomson and Willie Black, and the Secretary of the Melville-Brodie Retired Engineers' Club, Dougie Reid.Councillor for Kirkcaldy East, Kay Carrington, who supported the project, represented Fife Council as she addressed the audience and the media:This is a really exciting project because it shows our past history, how we made a difference, not just in Kirkcaldy, but in the wider world. Melville-Brodie engineers did everything that we're proud of in Scotland. We need to keep the story alive to enable us to take that forward to children and grandchildren in the future.

This book is a fabulous collection of stories, memories and recollections by a varied group of Cork inhabitants. Including those who have lived in Cork for generations as well as all sorts of newer migrants to Cork, from all over Ireland and abroad, this book charts the evolution of Cork and its changes. It touches on past-times, food, childhood and favourite Cork places and sparkles in the wit and vivacity of the Republic of Cork's people.