During the Vietnam War, the US Air Force secretly trained pilots from Laos, skirting Lao neutrality in order to bolster the Royal Lao Air Force and their own war efforts. Beginning in 1964, this covert project, "Water Pump," operated out of Udorn Airbase in Thailand with the support of the CIA. This Secret War required recruits from Vietnam-border region willing to take great risks-a demand that was met by the marginalized Hmong ethnic minority. Soon, dozens of Hmong men were training at Water Pump and providing air support to the US-sponsored clandestine army in Laos. Short and problematic training that resulted in varied skill levels, ground fire, dangerous topography, bad weather conditions, and poor aircraft quality, however, led to a nearly 50 percent casualty rate, and those pilots who survived mostly sought refuge in the United States after the war. Drawing from numerous oral history interviews, Fly Until You Die brings their stories to light for the first time-in the words of those who lived it.

"Highly recommended read." - SharedTroubles "What Ken is creating is something historians will be using centuries from now."- The Pathfinder Magazine This is the second oral history of the Northern Ireland troubles, following on from A Long, Long War (Helion, 2008), again told from the perspective of the ordinary British soldier. This book looks deeper into the conflict, with new contributors providing revealing stories of the troubles from the back streets of the Ardoyne to the bandit country of South Armagh. In researching this subject Ken Wharton, a former soldier, is now known and trusted by those who served and they are keen for their part in Britain's forgotten war to now be made public. For the first time, he tells the stories of the 'unseen victims'; the loved ones who sat and dreaded a knock at the door from the Army telling them that their loved one had been killed on the streets of Northern Ireland. There are more first hand accounts from the Rifleman, the Private, the Guardsman, the Driver, the Sapper and the Fusilier on the street as they recall the violence, the insults and the shock of seeing a comrade dying in front of them. There is an explosive interview with a soldier who killed an IRA gunman fresh from the murder of two Royal Artillerymen. Building on the huge success of Ken's first book, this second volume will provide plenty of new material for the reader to reconsider afresh the role of Britain's soldiers in Northern Ireland and the fate that so many suffered.

Oral histories of Mexican farm workers in the Philadelphia region.

This ground-breaking history of the UK Women's Liberation Movement shows why and how feminism's 'second wave' mobilized to demand not just equality but social and gender transformation. Oral history testimonies power the work, tracing the arc of a feminist life from 1950s girlhoods to late life activism today. Peppered with personal stories, the book casts new light on feminist critiques of society and on the lives of prominent and grassroots activists. Margaretta Jolly uses oral history as creative method, making significant use of Sisterhood and After: The Women's Liberation Oral History Project to animate still-unresolved controversies of race, class, sexuality, disability, and feminist identity. Women activists vividly recall a divisive education system, the unevenness of sexual liberation and the challenges of Thatcherism, Northern Ireland's Troubles and the policing of minority ethnic communities. They illuminate key campaigns in these wider contexts, and talk of the organizational and collaborative skills they struggled to acquire as they moved into local government, NGOs and even the business sector. Jolly provides fresh insight into iconic actions including the Miss World Protest, the fight to protect abortion rights, and the peace protest at Greenham Common. Her accounts of workplace struggles, from Ford and Grunwick to Women Against Pit Closures and Women and Manual Trades, show how socialist ideals permeated feminism. She explores men's violence and today's demands for trans-liberation as areas of continuing feminist concern. Jolly offers a refreshingly jargon-free exploration of key debates and theoretical trends, alongside an appreciation of the joyfully personal aspects of feminism, from families, homes, shopping and music to relationships, health, aging, death and faith. She concludes by urging readers to enter the archives of feminist memory to help map their own political futures. Her work will appeal to general readers, scholars and practitioners alike.

Gender and Memory is the fourth volume of the International Yearbook of Oral History and Life Stories . Once again, its theme is a fundamental issue, the shaping of memory by gender. Are the different ways in which men and women are recalled in public and private memory, and also the differences in men's and women's own memories of similar experiences, simply reflections of unequal lives in gendered societies, or are they more deeply rooted? How early in childhood do girls and boys reveal differences in memory? How far does the character of memory change as gender roles evolve? The Special Editors of Gender and Memory , Selma Leydesdorff, Luisa Passerini, and Paul Thompson, draw on original contributions reflecting on the relationships between gender and memory in western and eastern Europe, China, Africa, Australia, the United States and Brazil. The aim of the International Yearbook is to increase our understanding of the recent past and the changing present. It sets out to present and interpret autobiographical testimony, whether in the firm of written autobiography, oral history, or life story interviews. Each issue forms a coherent volume focusing on a single theme. This book i

Travelling showfolk have been entertaining Scots for centuries and a visit to 'the shows' was a highlight of the year until recent memory. The Codonas are one of the longest and most established show families, having arrived from the continent in the late eighteenth century. The book is based almost entirely on original research and draws on interviews with three generations to give a vivid and richly anecdotal account of this ever-changing world. Illustrations, mostly previously unpublished, enhance the text. The interviews have been kept intact as much as possible, to keep the flow of overlapping individual life stories but are organised chronologically from the 1890s, when it enters living memory, up to the present. The hundred years from 1790 are described in a lively introduction including many first-hand accounts and following the family fortunes in the United Kingdom, the United States where members reached the top of the circus profession and as far afield as Hawaii.

The fateful days and weeks surrounding 6 June 1944 have been extensively documented in histories of the Second World War, but less attention has been paid to the tremendous impact of these events on the populations nearby. The Lost Paratroopers of Normandy tells the inspiring yet heartbreaking story of ordinary people who did extraordinary things in defense of liberty and freedom. On D-Day, when transport planes dropped paratroopers from the 82nd and 101st Airborne Divisions hopelessly off-target into marshy waters in northwestern France, the 900 villagers of Graignes welcomed them with open arms. These villagers - predominantly women - provided food, gathered intelligence, and navigated the floods to retrieve the paratroopers' equipment at great risk to themselves. When the attack by German forces on 11 June forced the overwhelmed paratroopers to withdraw, many made it to safety thanks to the help and resistance of the villagers. In this moving book, historian Stephen G. Rabe, son of one of the paratroopers, meticulously documents the forgotten lives of those who participated in this integral part of D-Day history.

What were the experiences of those in Africa who suffered from the practice of slavery, those who found themselves captured and sold from person to person, those who died on the trails, those who were forced to live in fear? And what of those Africans who profited from the slave trade and slavery? What were their perspectives? How do we access any of these experiences and views? This volume explores diverse sources such as oral testimonies, possession rituals, Arabic language sources, European missionary, administrative and court records and African intellectual writings to discover what they can tell us about slavery and the slave trade in Africa. Also discussed are the methodologies that can be used to uncover the often hidden experiences of Africans embedded in these sources. This book will be invaluable for students and researchers interested in the history of slavery, the slave trade and post-slavery in Africa.

Drawing from first-hand interviews, diaries and memoirs of those involved in the VE Day celebrations in 1945, VE DAY: The People's Story paints an enthralling picture of a day that marked the end of the war in Europe and the beginning of a new era. VE Day affected millions of people in countless ways, and the voices in this book - from both Britain and abroad, from civilians and service men and women, from the famous and the not-so-famous - provide a valuable social picture of the times. Mixed with humour as well as tragedy, rejoicing as well as sadness, regrets of the past and hopes for the future, VE Day is an inspiring record of one of the great turning points in history.

Over the last several decades, video testimony with aging Holocaust survivors has brought these witnesses into the limelight. Yet the success of these projects has made it seem that little survivor testimony took place in earlier years. In truth, thousands of survivors began to recount their experience at the earliest opportunity. This book provides the first full-length case study of early postwar Holocaust testimony, focusing on David Boder's 1946 displaced persons interview project. In July 1946, Boder, a psychologist, traveled to Europe to interview victims of the Holocaust who were in the Displaced Persons (DP) camps and what he called "shelter houses." During his nine weeks in Europe, Boder carried out approximately 130 interviews in nine languages and recorded them on a wire recorder. Likely the earliest audio recorded testimony of Holocaust survivors, the interviews are valuable today for the spoken word (that of the DP narrators and of Boder himself) and also for the song sessions and religious services that Boder recorded. Eighty sessions were eventually transcribed into English, most of which were included in a self-published manuscript. Alan Rosen sets Boder's project in the context of the postwar response to displaced persons, sketches the dramatic background of his previous life and work, chronicles in detail the evolving process of interviewing both Jewish and non-Jewish DPs, and examines from several angles the implications for the history of Holocaust testimony. Such early postwar testimony, Rosen avers, deserves to be taken on its own terms rather than to be enfolded into earlier or later schemas of testimony. Moreover, Boder's efforts and the support he was given for them demonstrate that American postwar response to the Holocaust was not universally indifferent but rather often engaged, concerned, and resourceful.

When written sources are scarce, historians often turn to oral histories for evidence. Bodies of Evidence: The Practice of Queer Oral History is the first book to provide serious scholarly insight into the methodological practices that shape lesbian, gay, bisexual, transgender, and queer oral histories. The volume opens up a critical dialogue on the challenges of creating an archive of queer lives. Highlighting the work of fourteen authors who focus their research on queer community history, culture, and politics, each chapter pairs an oral history excerpt with an original essay in which the oral historian addresses his or her methods and practices. With an afterword by the preeminent scholar in the field, John D'Emilio, this collection enables readers to examine both a series of oral histories and analysis of the role memory, desire, sexuality, and gender play in documenting LGBTQ communities and cultures. The historical themes addressed within include lesbian bar history in San Francisco (c. 1940s, 1950s); early homophile organizing and social activism in Los Angeles (c. 1950s and 1960s); Third World Liberation and feminist antiwar activism in the U.S. and Canada (c. 1960s, 1970s); electoral politics and the career of Harvey Milk, the first openly gay elected official in San Francisco (1970s); Latino AIDS memory and activism in San Francisco (1980s, 1990s); and the war in Iraq (2000s). The methodological themes addressed in this book that are relevant to the practice of oral history include questions of sexual self-disclosure and voyeurism in the uses of oral history methods by queer studies scholars; the intimacy between researcher and narrator negotiated through multiple oral history interviews and on-going casual conversations; the production of comparative racial and sexual identities within the context of oral history interviews; the production of in-group mythology by same-sexuality interviewing-and the possible benefits of cross-sexuality and cross-ideology interviewing; what heterosexually-identified narrators can tell us about LGBTQ life and death; the silences imposed by repressive U.S. government policy about sexual self-disclosure and the limits of permissible speech in highly politicized discourses such as "gays in the military." These themes provide new and insightful structures for thinking about oral history methods-both in general and in relation to the production of LGBTQ history.

Despite acute labour shortages during the Second World War, Canadian employers--with the complicity of state officials--discriminated against workers of African, Asian, and Eastern and Southern European origin, excluding them from both white collar and skilled jobs. Jobs and Justice argues that, while the war intensified hostility and suspicion toward minority workers, the urgent need for their contributions and the egalitarian rhetoric used to mobilize the war effort also created an opportunity for minority activists and their English Canadian allies to challenge discrimination.Juxtaposing a discussion of state policy with ideas of race and citizenship in Canadian civil society, Carmela K. Patrias shows how minority activists were able to bring national attention to racist employment discrimination and obtain official condemnation of such discrimination. Extensively researched and engagingly written, Jobs and Justice offers a new perspective on the Second World War, the racist dimensions of state policy, and the origins of human rights campaigns in Canada.

The history of the 1947 Indian/Pakistani partition is one of separation: a country and people newly divided. However, in telling this story, Anindya Raychaudhuri, the son of a partition participant, looks to unity, joining for the first time the public and private memory narratives of this pivotal moment in time. Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on a direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways this event is remembered, re-interpreted, and reconstructed-and the narrator's role in this process. These stories also reflect on the themes of home, family, violence, childhood, trains, and rivers within these public and private narratives. Crucially, Raychaudhuri is the first writer to use oral history in addressing the Bengal/Punjab partition as part of this same event, examining the memorial legacy in both the Bengali and Punjabi communities.

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tones of voice especially-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. Indeed, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.

Combining archival research with ethnographic fieldwork, The Boundary of Laughter explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.

This ground-breaking history of the UK Women's Liberation Movement shows why and how feminism's 'second wave' mobilized to demand not just equality but social and gender transformation. Oral history testimonies power the work, tracing the arc of a feminist life from 1950s girlhoods to late life activism today. Peppered with personal stories, the book casts new light on feminist critiques of society and on the lives of prominent and grassroots activists. Margaretta Jolly uses oral history as creative method, making significant use of Sisterhood and After: The Women's Liberation Oral History Project to animate still-unresolved controversies of race, class, sexuality, disability, and feminist identity. Women activists vividly recall a divisive education system, the unevenness of sexual liberation and the challenges of Thatcherism, Northern Ireland's Troubles and the policing of minority ethnic communities. They illuminate key campaigns in these wider contexts, and talk of the organizational and collaborative skills they struggled to acquire as they moved into local government, NGOs and even the business sector. Jolly provides fresh insight into iconic actions including the Miss World Protest, the fight to protect abortion rights, and the peace protest at Greenham Common. Her accounts of workplace struggles, from Ford and Grunwick to Women Against Pit Closures and Women and Manual Trades, show how socialist ideals permeated feminism. She explores men's violence and today's demands for trans-liberation as areas of continuing feminist concern. Jolly offers a refreshingly jargon-free exploration of key debates and theoretical trends, alongside an appreciation of the joyfully personal aspects of feminism, from families, homes, shopping and music to relationships, health, aging, death and faith. She concludes by urging readers to enter the archives of feminist memory to help map their own political futures. Her work will appeal to general readers, scholars and practitioners alike.

Like an old-fashioned hymn sung in rounds, Something's Rising gives a stirring voice to the lives, culture, and determination of the people fighting the destructive practice of mountaintop removal in the coalfields of central Appalachia. Each person's story, unique and unfiltered, articulates the hardship of living in these majestic mountains amid the daily desecration of the land by the coal industry because of America's insistence on cheap energy. Developed as an alternative to strip mining, mountaintop removal mining consists of blasting away the tops of mountains, dumping waste into the valleys, and retrieving the exposed coal. This process buries streams, pollutes wells and waterways, and alters fragile ecologies in the region. The people who live, work, and raise families in central Appalachia face not only the physical destruction of their land but also the loss of their culture and health in a society dominated by the consequences of mountaintop removal. Included here are oral histories from Jean Ritchie, "the mother of folk," who doesn't let her eighty-six years slow down her fighting spirit; Judy Bonds, a tough-talking coal-miner's daughter; Kathy Mattea, the beloved country singer who believes cooperation is the key to winning the battle; Jack Spadaro, the heroic whistle-blower who has risked everything to share his insider knowledge of federal mining agencies; Larry Bush, who doesn't back down even when speeding coal trucks are used to intimidate him; Denise Giardina, a celebrated writer who ran for governor to bring attention to the issue; and many more. The book features both well-known activists and people rarely in the media. Each oral history is prefaced with a biographical essay that vividly establishes the interview settings and the subjects' connections to their region. Written and edited by native sons of the mountains, this compelling book captures a fever-pitch moment in the movement against mountaintop removal. Silas House and Jason Howard are experts on the history of resistance in Appalachia, the legacy of exploitation of the region's natural resources, and area's unique culture and landscape. This lyrical and informative text provides a critical perspective on a powerful industry. The cumulative effect of these stories is stunning and powerful. Something's Rising will long stand as a testament to the social and ecological consequences of energy at any cost and will be especially welcomed by readers of Appalachian studies, environmental science, and by all who value the mountain's majesty -- our national heritage.

Living in the shadow of state is not a dark, static and silent world. It was the world in full radiance, involving multiple process of reenactment to life, lifeways and relationship. If state and history demonized the hill people as the 'pest' and 'nuisance' to civilization, and the hill practices as the 'relics' of the 'primitive', the hillmen's narratives celebrated them as their core cultural collective. Against State, Against History is a radical reevaluation of the dominant civilizational narratives on the 'tribe' and attempts to recast their history in the light of recent historiography that presents the hillmen as state evading population. Bringing together both conventional and oral narratives, and from the counter-perspectives of the margin, the book explores the conditions in which section of valley population escaped to the hills, their migration history, how they reenact their space, society, culture and economy in the hills. Their physical dispersion in the highland terrain, choosing an independent village polity, defended by trained warriors, fortressed at the top of hills, connected by repulsive pathways, following jhum economy, and adopting a pliable social, cultural, ethnic and gender formations, are their counter cultural collective at the margins of state. They were reenacted to prevent state control and the emergence of domination relations in the hills. This process is understood as unstate involving the process of disowning state and becoming an egalitarian society where freedom of individuals was located at the core of their cultural collective.

Over a decade in the making, Medieval Folklore is your A-to-Z guide to the mundane and supernatural lore of the Middle Ages. Definitive and lively articles focus on the great myths and legends of the age-daily and nightly customs and activities; religious beliefs of pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastic.

Especially remarkable are the surveys of the major medieval traditions, included among them Arab-Islamic (Ulrich Marzolph), Baltic (Thomas A. DuBois), English (John McNamara and Carl Lindahl), Finno-Ugric (Thomas A. DuBois), French (Francesca Canade Sautman), Hispanic (Samuel G. Armistead), Hungarian (Eva Pocs), Irish (Joseph Falaky Nagy), Italian (Giuseppe C. Di Scipio), Jewish (Eli Yassif), Scandinavian (Stephen A. Mitchell), Scottish (John McNamara), Slavic (Eve Levin), and Welsh (Elissa R. Henken and Brynley F. Roberts).

For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place.

Produced between 1850 and 1862, London Labour and the London Poor is one of the most significant examples of nineteenth century oral history. The collection teems with the minute particulars of the everyday-bits and pieces of London lives assembled into a precarious whole by the author, editor, and principal investigator, Henry Mayhew. Mayhew was interested in the social fabric of people's lives, their labour and earnings, but also their families, education, leisure time, and religious beliefs. What gives his "case studies" such immediacy is that they seem to flow unprompted and uninterrupted from the mouths of his subjects: street sellers, dock labourers, musicians, rat catchers, vagrants, chimney sweeps, thieves, and prostitutes. All are captured in this newly annotated and abridged edition of Mayhew's four-volume work. Historical appendices include a contemporary map of London, reviews of London Labour, and other slum journalism from the period. Key features The only edition with appendices

6 June, 1944. 156,000 troops from 12 different countries, 11,000 aircraft, 7,000 naval vessels, 24 hours. D-Day - the beginning of the Allied invasion of Hitler's formidable 'Fortress Europe' - was the largest amphibious invasion in history. There has never been a battle like it, before or since. But beyond the statistics and over sixty years on, what is it about the events of D-Day that remain so compelling? The courage of the men who fought and died on the beaches of France? The sheer boldness of the invasion plan? Or the fact that this, Rommel's 'longest day', heralded the beginning of the end of World War II? One of the defining battles of the war, D-Day is scored into the imagination as the moment when the darkness of the Third Reich began to be swept away. This is the story of D-Day, told through the voices of over 1,000 survivors - from high-ranking Allied and German officers, to the paratroopers who landed in Normandy before dawn, the infantry who struggled ashore and the German troops who defended the coast. Cornelius Ryan captures the horror and the glory of D-Day, relating in emotive and compelling detail the years of inspired tactical planning that led up to the invasion, its epic implementation and every stroke of luck and individual act of heroism that would later define the battle. In the words of its author, The Longest Day is a story not of war, but of the courage of men.

For over fifty years, Kevin C. Kearns trekked the rough-and-tumble streets of the heart of Dublin, hoping to record and preserve the city's vanishing oral history. Armed only with a Sony tape recorder, the ordinary people he encountered - street traders, dockers, factory workers, tram drivers, housewives and midwives, children and grandparents - shared private stories of hardship, joy, sorrow, suffering, survival and triumph. In Our Day is the culmination of a life's work - a treasure trove bursting with whispers from the past - 450 vignettes, memories and recollections gathered to present an evocative, poignant portrait of a forgotten Dublin. 'Without Kevin, the lives of ordinary decent Dubliners would be forgotten. This book is a celebration of them.' Joe Duffy

This is an oral history of a second-generation, urban-born woman who struggles to survive in the poor, Andean city of La Paz. It shows how her identity shifts over time, shaped by the major events in her life. Topics range fron social networks to magical interventions and clairvoyant dreaming.