Few cultural activities speak more powerfully to international histories of the modern world than football. In the late nineteenth century, this cheap and simple sport emerged as a major legacy of Britain's formal and informal empires and spread quickly across Europe, South America, and Africa. Today, football (known to many as soccer) is arguably the world's most popular pastime, an activity played and watched by millions of people around the globe. Contested Fields introduces readers to key aspects of the global game, synthesizing research on football's transnational role in reflecting and shaping political, socio-economic, and cultural developments over the past 150 years. Each chapter uses case studies and cutting-edge scholarship to analyze an important element of football's international story: migration, money, competition, gender, race, space, spectatorship, and confrontation.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

This book uses oral history methodology to record stories of people who experienced the brunt of racist forced removals in the city of Cape Town, South Africa. Through life stories and community case studies, it traces the human impact of this disruptive, often violent feature of apartheid's social engineering.

This book demonstrates how oral history can provide a valuable way of understanding locality, which is important in light of major issues facing the world today, including global environmental concerns.

This book brings together fascinating testimonies from thirty inhabitants of the 'Kommunalka,' the communal apartments that were the norm in housing in the cities of Russia during the whole history of the Soviet Union.

Among sources on the Holocaust, survivor testimonies are the least replaceable and most complex, reflecting both the personality of the narrator and the conditions and perceptions prevailing at the time of narration. Scholars, despite their aim to challenge memory and fill its gaps, often use testimonies uncritically or selectively-mining them to support generalizations. This book represents a departure, bringing Holocaust experts Atina Grossmann, Konrad Kwiet, Wendy Lower, Jurgen Matthaus, and Nechama Tec together to analyze the testimony of one Holocaust survivor. Born in Bratislava at the end of World War I, Helen "Zippi" Spitzer Tichauer was sent to Auschwitz in 1942. One of the few early arrivals to survive the camp and the death marches, she met her future husband in a DP camp, and they moved to New York in the 1960s. Beginning in 1946, Zippi devoted many hours to talking with a small group of scholars about her life. Her wide-ranging interviews are uniquely suited to raise questions on the meaning and use of survivor testimony. What do we know today about the workings of a death camp? How willing are we to learn from the experiences of a survivor, and how much is our perception preconditioned by standardized images? What are the mechanisms, aims, and pitfalls of storytelling? Can survivor testimonies be understood properly without guidance from those who experienced the events? This book's new, multifaceted approach toward Zippi's unique story combined with the authors' analysis of key aspects of Holocaust memory, its forms and its functions, makes it a rewarding and fascinating read."

An oral-history-based biography of a seminal Asian-American activist. The book traces Embrey's life from her youth in the Little Tokyo section of Los Angeles, to her harrowing experiences in the Japanese internment camps, to her many decades of passionate advocacy on behalf of her fellow internees.

Celebrating Israel--past, present, and future

"A singular achievement that captures Israel's past, present, and future with compelling words and vivid photographs....More than a handsome volume, the Strobers have made an extraordinary contribution to understanding today's Middle East."
--Rabbi A. James Rudin, Senior Interreligious Advisor, American Jewish Committee

"Deborah and Gerald Strober have done it once again. Israel at Sixty is a fine oral history about a brilliant and noble moment in Jewish history--and human history."
--Ben J. Wattenberg, Senior Fellow, American Enterprise Institute

Based on the authors' extensive interviews with Israelis and others throughout the world who have participated in the many events encompassing the Jewish state's sixty years of nationhood and who represent a broad spectrum of views, Israel at Sixty offers a balanced, comprehensive understanding of this constantly changing nation. Through the medium of oral history, combined with extensive background and factual data, this exquisite commemorative volume re-creates the most important moments of Israel's past through the eyes of those who lived it, and looks forward to new challenges that await this vibrant and dynamic nation in the future.

"An Unauthorized Biography of the World" explores the practice of engaged oral history: the difficult, sometimes dangerous work of recovering fragments of human story that have gone missing from the official versions.
Michael Riordon has thirty years' experience as a writer and broadcaster in the field. Readers will encounter a gallery of brave, passionate people who gather silenced voices and lost life stories. The canvas is broad, the stakes are high: the battles for First Nations lands in Canada; environmental justice in Chicago; genocide in Peru; homeless people organizing in Cleveland; September 11/01, and after, in New York City; gay survivors of electroshock in Britain; the struggle to preserve a people's identity in Newfoundland; peasant resistance to a huge transnational gold mine in Turkey.

In the early years of the 21st century, a number of Muslim women have achieved positions of influence. Women who care about the society in which they live and bring up their children are increasingly finding a voice and working together to make things happen. There's some way to go in harnessing the potential that lies at the heart of this change, but there is plenty of evidence that Muslim women are paving the way forward in new dynamic, challenging and creative ways. This book is all about women who have shown courage, dignity and strength; pioneers who have recognized their potential in the public and private realms of society, who have struggled, made sacrifices, taken pride in their multiple identities and who are committed to positive and peaceful change in the UK. This book presents the stories of 20 women from Bradford between the ages of 14 and 80, from their own perspectives. Based on a broader project called OurLives, which was designed to explore the insights and experiences of over a hundred women in Bradford, it belongs to a long tradition of oral history, where practical knowledge is passed from generation to generation. The book offers an intricate mosaic of the experiences, views and hopes of these women and in so doing emphasises the power of people's lives to aid deeper debate and understanding and gives voice to an important and often marginalised group. It will be fascinating to a range of people with an interest in Muslim women's lives and views and of wider interest to students, academics, policy-makers and professionals .

As a child, Stacey Zembrzycki listened to her baba's stories about Sudbury's small but polarized Ukrainian community and about what it was like growing up ethnic during the Depression. According to Baba discloses with honesty and respect what happened when Stacey tried to capture the community's experiences through oral history research. Baba looms large in the narrative, wrestling authority in the interview process away from her granddaughter and then eventually coming to share it. Together, the two women lay the groundwork not only for an insightful and deeply personal social history of Sudbury's Ukrainian community but also for truly collaborative oral history research and writing.

THE NEW YORK TIMES BESTSELLER "Incredibly evocative and compelling." - The Washington Post "The most moving and chilling oral history you will read." - The Times "Astonishing book about an astonishing, terrifying atrocity, relived in real time by those who were there. I read it in one sitting & was utterly gripped from start to finish." - Piers Morgan "The most vivid portrait of 9/11 I've ever read."- Mike Morell, former deputy director of the CIA ** Updated 20th Anniversary edition with additional content ** The Only Plane in the Sky is the first comprehensive oral history of 9/11, deftly woven and told in the voices of ordinary people grappling with extraordinary events. It begins predawn, where we meet airport staff who unknowingly usher terrorists onto their flights. From a secret bunker beneath the White House, Dick Cheney and Condoleezza Rice watch for incoming planes on radar. At the Pentagon, officials feel a violent tremor as they come under attack. We hear the stories of the father and son working on separate floors in the North Tower; the firefighter who rushes there to search for his wife; the phone operator who keeps her promise to share a passenger's last words with his family; the chaplain who stays on the scene to perform last rites, losing his own life when the Twin Towers collapse. In New York, first responders confront a scene of unimaginable chaos. At the Pentagon generals break down and weep when they are barred from rushing into the burning building to try and rescue their colleagues. Drawing on never-before-published transcripts, declassified documents and interviews from nearly five hundred people, award-winning historian Garrett Graff skilfully tells the story of the day that changed all of our lives - as it was lived. The Only Plane in the Sky is a unique, profound, and searing exploration of humanity on a day that changed the course of history, and all of our lives, 20 years ago.

A journalist pulls a random day in history from a hat to see if he can make a worthwhile news story from what happened. The result is One Day, a deeply illuminating and affecting exploration of the quiet dramas and human interaction that make a seemingly insignificant day - December 28th, 1986 - into an important, poignant part of American history.

On New Year’s Day 2013, two-time Pulitzer Prize winner Gene Weingarten asked three strangers to, literally, pluck a day, month, and year from a hat. That day—chosen completely at random—turned out to be Sunday, December 28, 1986, by any conventional measure a most ordinary day. Weingarten spent the next six years proving that there is no such thing.

That Sunday between Christmas and New Year’s turned out to be filled with comedy, tragedy, implausible irony, cosmic comeuppances, kindness, cruelty, heroism, cowardice, genius, idiocy, prejudice, selflessness, coincidence, and startling moments of human connection, along with evocative foreshadowing of momentous events yet to come. Lives were lost. Lives were saved. Lives were altered in overwhelming ways. Many of these events never made it into the news; they were private dramas in the lives of private people. They were utterly compelling.

One Day asks and answers the question of whether there is even such a thing as “ordinary” when we are talking about how we all lurch and stumble our way through the daily, daunting challenge of being human.

The nineteenth-century ""cult of curability"" engendered the optimistic belief that mental illness could be cured under ideal conditions-removal from the stresses of everyday life to asylum, a pleasant, well-regulated environment where healthy meals, daily exercise, and social contact were the norm. This utopian view led to the reform and establishment of lunatic asylums throughout the United States. The Texas State Lunatic Asylum (later called the Austin State Hospital) followed national trends, and its history documents national mental health practices in microcosm.Drawing on diverse sources-patient records from the nineteenth century, papers and reports of the institution's various superintendents, transcripts of interviews of former employees, newspaper accounts, personal memoirs, and interviews-Sarah C. Sitton has recreated what life in ""our little town"" was like from the institution's opening in 1861 to its de-institutionalization in the 1980s and 1990s.For more than a century, the asylum community resembled a self-sufficient village complete with its own blacksmith shop, icehouse, movie theater, brass band, baseball team, and undertakers. Beautifully landscaped grounds and gravel lanes attracted locals for Sunday carriage drives. Patients tended livestock, tilled gardens, helped prepare meals, and cleaned wards. Their routines might include weekly dances and religious services, as well as cold tubs, paraldehyde, and electroshock. Employees, from the superintendent on down, lived on the grounds, and their children grew up ""with inmates for playmates."" While the superintendent exercised almost feudal power, deciding if staff could date or marry, a multigenerational ""clan"" of several interlinked families controlled its day-to-day operations for decades.With the current emphasis on community-based care for the mentally ill and the negative consequences of de-institutionalization increasingly apparent, the debate on how best to care for the state's-and the nation's-mentally ill continues.This examination offers historical and practical insights which will be of interest to practitioners and policy makers in the field of mental health as well as to individuals interested in the history of the state of Texas.

Oral and Literate Culture in England, 1500-1700 explores the rich oral culture of early modern England. It focuses upon dialect speech and proverbial wisdom, "old wives' tales" and children's lore, historical legends and local customs, scurrilous versifying and scandalous rumour-mongering. Adam Fox demonstrates the extent to which this vernacular world was fundamentally structured by written and printed sources over the course of the period.

In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.

Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.

Advocating nuclear war, attempting communication with dolphins and taking an interest in the paranormal and UFOs, there is perhaps no greater (or stranger) cautionary tale for the Left than that of Posadism. Named after the Argentine Trotskyist J. Posadas, the movement's journey through the fractious and sectarian world of mid-20th century revolutionary socialism was unique. Although at times significant, Posadas' movement was ultimately a failure. As it disintegrated, it increasingly grew to resemble a bizarre cult, detached from the working class it sought to liberate. The renewed interest in Posadism today - especially for its more outlandish fixations - speaks to both a cynicism towards the past and nostalgia for the earnest belief that a better world is possible. Drawing on considerable archival research, and numerous interviews with ex- and current Posadists, I Want to Believe tells the fascinating story of this most unusual socialist movement and considers why it continues to capture the imaginations of leftists today.

What really occurred in Spain's Forgotten War? Years of research were necessary to dig out long-concealed informat ion about that desperate anti-Franco guerrilla conflict. Though the events recounted in this book occurred more than half a century ago, they have never been more relevant than today as Spain struggles to come to terms with its recent history.

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tones of voice especially-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. Indeed, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.

Among the classics of ancient Greek and Jewish literature, the story of Luke-Acts has few rivals. Yet we moderns miss much of the meaning of Luke's two-part drama because we read it like any other text and not as it would have been "heard" by ancient listeners -- in public performance by a skilled storyteller.

"The Way according to Luke" unlocks the big picture of Jesus' mission by attending to the repetition, patterns, and other clues of oral narrative. In this single volume Paul Borgman lays out a holistic view of the organic unity between Luke and Acts while demonstrating that the meaning of Luke-Acts is uniquely embedded in its narrative. Borgman's distinctive work makes available both the satisfying pleasure of reading the Bible as great literature and the rewarding insight gained from receiving Scripture as it was originally delivered.

"The Dust of Life" is a collection of vivid and devastating oral histories of Vietnamese Amerasians. Abandoned during the war by their American fathers, discriminated against by the victorious Communists, and ignored for many years by the American government, they endured life in impoverished Vietnam. Their stories are sad, sometimes tragic, but they are also testimonials to the strength of human resiliency.

Robert S. McKelvey is a former marine who served in Vietnam in the late 1960s. Now a child psychiatrist, he returned to Vietnam in 1990 to begin the long series of interviews that resulted in this book. While allowing his subjects to speak for themselves, McKelvey has organized their narratives around themes common to their lives: early maternal loss, the experience of prejudice and discrimination, coping with adversity, dealing with shattered hopes for the future, and, for some, adapting to the alien environment of the United States.

While unique in many respects, the Vietnamese Amerasian story also illustrates themes that are tragically universal: neglect of the human by-products of war, the destructiveness of prejudice and racism, the pain of abandonment, and the horrors of life amidst extreme poverty, hostility, and neglect.

Combining archival research with ethnographic fieldwork, The Boundary of Laughter explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.

Jo-ann Archibald worked closely with Coast Salish Elders and storytellers, who shared both traditional and personal life-experience stories, in order to develop ways of bringing storytelling into educational contexts. Indigenous Storywork is the result of this research and it demonstrates how stories have the power to educate and heal the heart, mind, body, and spirit. It builds on the seven principles of respect, responsibility, reciprocity, reverence, holism, interrelatedness, and synergy that form a framework for understanding the characteristics of stories, appreciating the process of storytelling, establishing a receptive learning context, and engaging in holistic meaning-making.

The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa. Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.