James Stuart was an official in the Natal colonial civil service in the 1890s and early years of the twentieth century. In meticulously recorded conversations with some 200 interlocutors, the great majority of them Africans, he assembled a vast and unique collection of notes on the history and customs of the Zulu and other peoples of what is now the KwaZulu-Natal region. This sixth volume presents a further twenty-six sets of testimonies drawn from material in the James Stuart Collection of the Killie Campbell Africana Library in Durban. The testimonies published in the successive volumes of The James Stuart Archive represent edited, annotated and (where the original appears in Zulu) translated renderings of Stuart's notes and transcriptions. The testimonies that he recorded piecemeal have been arranged by the editors under the names of the interlocutors from whom they were obtained, and have been published in alphabetical name-order. The present volume carries the sequence from Socwatsha kaPhaphu to its ending with Zwayi kaMbombo, bringing to 185 the number of interlocutors whose testimonies have been published in the series. The previous five volumes of The James Stuart Archive were published successively in 1976, 1979, 1982, 1986 and 2001. Volume 7, which will carry the praises that were omitted from the previous six volumes, is in preparation.

Company towns are often portrayed as powerless communities, fundamentally dependent on the outside influence of global capital. Neil White challenges this interpretation by exploring how these communities were altered at the local level through human agency, missteps, and chance. Far from being homogeneous, these company towns are shown to be unique communities with equally unique histories.Company Towns provides a multi-layered, international comparison between the development of two settlements--the mining community of Mount Isa, Queensland, Australia, and the mill town of Corner Brook, Newfoundland, Canada. White pinpoints crucial differences between the towns' experiences by contrasting each region's histories from various perspectives--business, urban, labour, civic, and socio-cultural. Company Towns also makes use of a sizable collection of previously neglected oral history sources and town records, providing an illuminating portrait of divergence that defies efforts to impose structure on the company town phenomenon.

In 1946, after a series of stormy strikes and a mass occupation at Ford Motor Company's plant in Dagenham, Essex, thousands of workers came together in a new branch of the Transport and General Workers Union. Later, in the early 1980s, a band of dedicated workplace activists brought branch 1/1107 to explosive life with support for a number working-class causes, from equal opportunities to the stunningly effective boycott of parts for South Africa. "Notoriously Militant," which takes as its title a tabloid journalist's verdict on the branch, covers the history of Ford's Dagenham plant--and its roots in Henry Ford's early U.S. activities--from 20th-century shop-floor struggles to the 21st-century fight against plant closure. Based on original research and oral history, this study offers a primer for activists and analysts on the confrontation between worker militancy and the rigors of "Fordism." This book is a lively look at working-class history as made daily by so-called "ordinary" workers, the links between basic workplace struggles and revolutionary conflict, the pressures towards "cooperation" between union and management, and the interweaving of gender and ethnicity issues with the class-based structures of a major industrial workplace.

Presents a work of personal histories from the villages all around the Pontcysyllte Aqueduct. This book is a work of a collection of memories, and includes stories and photographs from the villages: Acrefair, Cefn Mawr, Froncysyllte, Garth, Newbridge, Pentre, Rhosymedre and Trevor.

Decree-making is a defining aspect of ancient Greek political activity: it was the means by which city-state communities went about deciding to get things done. This two-volume work provides a new view of the decree as an institution within the framework of fourth-century Athenian democratic political activity. Volume 1 consists of a comprehensive account of the literary evidence for decrees of the fourth-century Athenian assembly. Volume 2 analyses how decrees and decree-making, by offering both an authoritative source for the narrative of the history of the Athenian demos and a legitimate route for political self-promotion, came to play an important role in shaping Athenian democratic politics. Peter Liddel assesses ideas about, and the reality of, the dissemination of knowledge of decrees among both Athenians and non-Athenians and explains how they became significant to the wider image and legacy of the Athenians.

The early Middle Ages is not a period traditionally associated with free speech. It is still widely held that free speech declined towards the end of Antiquity, disappearing completely at the beginning of the Middle Ages, and only re-emerging in the Renaissance, when people finally learned to think and speak for themselves again. Challenging this tenacious image, Irene van Renswoude reveals that there was room for political criticism and dissent in this period, as long as critics employed the right rhetoric and adhered to scripted roles. This study of the rhetoric of free speech from c.200 to c.900 AD explores the cultural rules and rhetorical performances that shaped practices of delivering criticism from Antiquity to the Middle Ages, examining the rhetorical strategies of letters and narratives in the late antique and early medieval men, and a few women, who ventured to speak the truth to the powerful.

In 1948, shortly after settling with his family in the village of Blaxhall, Suffolk, George Ewart Evans started recording the conversations he had with neighbours, many of whom were born in the nineteenth century and had worked on farms before the arrival of mechanisation. He soon realised that below the surface of their stories were the remnants of an ancient, rural culture previously ignored by historians. In the detail of village architecture, the of superstitions of tree-planting and rituals house-building, in the esoteric practices of horse cults or the pagan habit of 'telling the bees', The Pattern Under the Plough unearths the rich seam of customs and beliefs that this old culture has brought to our communities. Even in modern societies, governed by science and technology, there are still traces of a civilisation whose beliefs were bound to the soil and whose reliance on the seasons was a matter of life or death.

"An Unauthorized Biography of the World" explores the practice of engaged oral history: the difficult, sometimes dangerous work of recovering fragments of human story that have gone missing from the official versions.
Michael Riordon has thirty years' experience as a writer and broadcaster in the field. Readers will encounter a gallery of brave, passionate people who gather silenced voices and lost life stories. The canvas is broad, the stakes are high: the battles for First Nations lands in Canada; environmental justice in Chicago; genocide in Peru; homeless people organizing in Cleveland; September 11/01, and after, in New York City; gay survivors of electroshock in Britain; the struggle to preserve a people's identity in Newfoundland; peasant resistance to a huge transnational gold mine in Turkey.

As a child, Stacey Zembrzycki listened to her baba's stories about Sudbury's small but polarized Ukrainian community and about what it was like growing up ethnic during the Depression. According to Baba discloses with honesty and respect what happened when Stacey tried to capture the community's experiences through oral history research. Baba looms large in the narrative, wrestling authority in the interview process away from her granddaughter and then eventually coming to share it. Together, the two women lay the groundwork not only for an insightful and deeply personal social history of Sudbury's Ukrainian community but also for truly collaborative oral history research and writing.

THE BOOK: "Recollections of an Argyllshire Drover" & Other West Highland Chronicles Eric Cregeen's groundbreaking research into the Argyll Estate Papers and into the oral tradition of the Scottish West Highlands are at the heart of this collection. During his appointment at the University of Edinburgh's School of Scottish Studies, Cregeen tape-recorded tradition bearers in both Gaelic and English, gathering information that is today priceless, such as the descriptions of the last Argyll drover. He was a founding member of the Scottish Oral History movement, but his tragically early death in 1983 robbed Scotland of a great scholar, social historian and folklorist and of other proposed books. This collection, selected and edited by Dr Margaret Bennett, will be welcomed by a wide range of readers, especially those who share Cregeen's enthusiasm for 'approaching the history of the Highlands with a mind alert to the claims of oral tradition.' The book begins with a masterful introductory essay by the editor and also includes a comprehensive bibliography of Cregeen's work. This edition brings invaluable and beautifully written material to a new generation keen to reconnect with Scotland's Highland history and tradition.

Selected from a conference on Aboriginal oral traditions, these essays cover three broad subject areas: oral traditions and knowledge of the environment, economy, education, and/or health of communities; oral traditions and the continuance of language and culture; and the effects of intellectual property rights, electronic media, and public discourse on oral traditions.

A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.

Afterlives documents the lives and historical pursuits of the generations who grew up in Australia, Britain and Germany after the First World War. Although they were not direct witnesses to the conflict, they experienced its effects from their earliest years. Based on ninety oral history interviews and observation during the First World War Centenary, this pioneering study reveals the contribution of descendants to the contemporary memory of the First World War, and the intimate personal legacies of the conflict that animate their history-making. -- .

"Highly recommended read." - SharedTroubles "What Ken is creating is something historians will be using centuries from now."- The Pathfinder Magazine This is the second oral history of the Northern Ireland troubles, following on from A Long, Long War (Helion, 2008), again told from the perspective of the ordinary British soldier. This book looks deeper into the conflict, with new contributors providing revealing stories of the troubles from the back streets of the Ardoyne to the bandit country of South Armagh. In researching this subject Ken Wharton, a former soldier, is now known and trusted by those who served and they are keen for their part in Britain's forgotten war to now be made public. For the first time, he tells the stories of the 'unseen victims'; the loved ones who sat and dreaded a knock at the door from the Army telling them that their loved one had been killed on the streets of Northern Ireland. There are more first hand accounts from the Rifleman, the Private, the Guardsman, the Driver, the Sapper and the Fusilier on the street as they recall the violence, the insults and the shock of seeing a comrade dying in front of them. There is an explosive interview with a soldier who killed an IRA gunman fresh from the murder of two Royal Artillerymen. Building on the huge success of Ken's first book, this second volume will provide plenty of new material for the reader to reconsider afresh the role of Britain's soldiers in Northern Ireland and the fate that so many suffered.

In the 1980s, as China transitioned to the post-Mao era, a state-sponsored oral history project led to the publication of local, regional, and national histories. They took the form of written and transcribed personal testimonies of events that preceded the turmoil of both the Cultural Revolution and, in many cases, the Communist victory in 1949. Known as wenshi ziliao, these publications represent an intense process of historical memory production that has received little scholarly attention. Hitherto unexamined archival materials and oral histories reveal unresolved tensions in post-Cultural Revolution reconciliation and mobilization, informing negotiations between local elites and the state, and between Party and non-Party organizations. Taking the northeast Russia-Manchuria borderlands as a case study, Martin T. Fromm examines the creation of post-Mao identities, political mobilization, and knowledge production in China.

This book explores the discourse by and about refugees and asylum seekers in relation to memory with a particular focus on the United Kingdom. A series of studies using different analytical approaches is undertaken, and together the studies shed light on this overlooked area of research. The studies or 'facets' presented in the monograph cover a range of contexts and discursive genres: a joint BBC/refugee-authored television documentary, refugees' oral histories, creative life writing by asylum seekers, parliamentarians' debates, a reworking of canonical texts and sites in a protest campaign, and non-fiction testimonies and fictional works by later generations of refugee background. The monograph introduces 'facet methodology' to memory studies, arguing that this approach could encourage interdisciplinary research in the field.

Jo-ann Archibald worked closely with Coast Salish Elders and storytellers, who shared both traditional and personal life-experience stories, in order to develop ways of bringing storytelling into educational contexts. Indigenous Storywork is the result of this research and it demonstrates how stories have the power to educate and heal the heart, mind, body, and spirit. It builds on the seven principles of respect, responsibility, reciprocity, reverence, holism, interrelatedness, and synergy that form a framework for understanding the characteristics of stories, appreciating the process of storytelling, establishing a receptive learning context, and engaging in holistic meaning-making.

Spoken word is the Western world's oldest form of literary expression. Spoken word is where poetry begins. Spoken word has changed the world. In 2009, at only twenty years old, Joshua Bennett was invited by President Barack Obama to recite a poem at the White House. With Spike Lee and Saul Williams among the audience, this event turned out to be the very same one where Lin-Manuel Miranda first performed the opening lines of a work-in-progress that revolutionised theatre - Hamilton. With passion, wit and erudition, in Spoken Word Bennett takes us on his own electrifying coming-of-age journey as a writer, alongside the rise of spoken-word poetry and its origins in America. Blending memories of his personal encounters with influential figures, his path to becoming an award-winning poet and his academic insight into the history that shaped the scene, he tells the story of how a handful of visionaries created spaces for underrepresented artists to experiment with new forms of art. Taking us back to the early days of spoken-word poetry through to Amanda Gorman, Common, Jill Scott, Dave Chappelle, DMX and Kanye West reciting their original poems on television, Bennett shows how a few passionate artists sparked a movement that forever changed the world.

The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa. Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.

Few cultural activities speak more powerfully to international histories of the modern world than football. In the late nineteenth century, this cheap and simple sport emerged as a major legacy of Britain's formal and informal empires and spread quickly across Europe, South America, and Africa. Today, football (known to many as soccer) is arguably the world's most popular pastime, an activity played and watched by millions of people around the globe. Contested Fields introduces readers to key aspects of the global game, synthesizing research on football's transnational role in reflecting and shaping political, socio-economic, and cultural developments over the past 150 years. Each chapter uses case studies and cutting-edge scholarship to analyze an important element of football's international story: migration, money, competition, gender, race, space, spectatorship, and confrontation.

Even the Women Must Fight

"Karen Turner and Phan Thanh Hao have brought scholarship and compassion to a long-neglected aspect of the Vietnam War—the contributions of Vietnamese women to the independence struggle of their nation and the terrible price they paid for their courage and patriotism."—Neil Sheehan, author of A Bright Shining Lie: John Paul Vann and America in Vietnam.

A searing chronicle of wartime experiences, Even the Women Must Fight probes the cultural legacy of North Vietnam's American War. Unflinching in its portrayal of hardship, valor, and personal sacrifice, this wrenching account is nothing short of a revelation, banishing in one bold stroke the familiar image of Vietnamese women as passive onlookers, war brides, prostitutes, or helpless refugees.

"Karen Turner has given us a book that will change our understanding of the Vietnam War—and of Vietnam today. I found it enthralling." —Cynthia Enloe, author of The Morning After:

• Sexual Politics at the End of the Cold War.

  "A first-rate book that will add substantially to our understanding of the human tragedy associated with one of the most bloody conflicts in recent history."—Robert Brigham, Professor of History, Vassar College.

Since the publication of Vansina's earlier book, oral traditions have now become widely accepted as a legitimate source of history. Although written by a leading historian of Africa, Vansina's work on oral traditions ranges far beyond Africa, so has a wider relevance. Vansina explains not only how oral traditions have been used in the past but also how they should be used by historians in their research. North America: University of Wisconsin Press; Kenya: EAEP

In this provocative study, Stephen Howe traces the sources and ancestries of the Afrocentric movement, and closely analyses the writings of its leading proponents. Hard-hitting yet subtle and scholarly in its appraisal of Afrocentric ideas, and based on wide-ranging research in the histories both of Afro-America and of Africa itself, Afrocentrism not only demolishes the mythical "history" taught by black ultra-nationalists but suggests paths towards a true historical consciousness of Africa and its diaspora.