A Forest of Time is the first introduction for undergraduates and graduates, Western and Indian history buffs, and general readers to the notion that American Indian societies had vital interests in interpreting and transmitting their own ways for themselves. Through separate discussions of legends and oral histories, creation stories and folktales, it illustrates how various Indian peoples related and commented upon their changing times. Drawing upon his own varied research as well as sampling the latest in scholarship from ethnohistory, anthropology, folklore and Indian Studies, Dr. Nabokov offers dramatic examples of how native peoples put rituals and material culture, landscape, prophecies, and even the English language to the urgent task of keeping the past alive and relevant. Throughout these lively chapters, we also witness the American Indian historical imagination deployed as a coping skill and survival strategy. This book surveys the latest integrating ideas while offering a useful bibliography that opens up, and demands that we engage with, alternative chronicles for America's multi-cultural past. Peter Navokov is Professor in the Department of World Arts and Cultures and American Indian Studies Program at UCLA. He is the author of several books, including Native American Architecture, (Oxford, 1991, co-author Robert Easton) which won the American Institue of Architects honor award and the Bay Area Book Reviewer Association Award. His book Native American Testimony (Thomas Y. Crowell, 1978) was named the American Library Association's Best Book for Young Adults and Library School Journal Best Book 1978 in addition to receiving the Carter G. Woodson Award. His work as a journalist in 1967 earned him prizes from the Albuquerque Press Association and the New Mexico Press Association.

Stretches the field of history and memory into family history, but takes both and international and political dimension, adding a new viewing point for readers and expanding the way students can look at the subject History and Memory is a big focus for research and teaching at the moment and growing, and family history in this is very en pointe (with lots of people increasingly interested in family history) - but it's not usually looked at with the perspective of international and political dimensions No other volumes depict family memory in this more comprehensive, broad and international way

Stretches the field of history and memory into family history, but takes both and international and political dimension, adding a new viewing point for readers and expanding the way students can look at the subject History and Memory is a big focus for research and teaching at the moment and growing, and family history in this is very en pointe (with lots of people increasingly interested in family history) - but it's not usually looked at with the perspective of international and political dimensions No other volumes depict family memory in this more comprehensive, broad and international way

Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly changing electronic landscape of today.

Showcases practical approaches to doing oral history work in qualitative educational research Considers how to best do both methodology and output of oral history research Written in the editors' typical accessible style with a range of contributing voices, making it particularly suitable for early career researchers

Part anthropological history and part memoir, this book is a unique study of the polity of the colonial-princely state of Kanker in central India. The author, a scion of the erstwhile ruling family of Kanker, delves into the oral accounts given in the ancestral deity practices of the mixed tribe-caste communities of the region to highlight popular narratives of its historical polity. As he struggles with his own dilemmas as ethnographer-king, what comes into view is a polity where the princely state is drawn out amidst a terrain of gods and spirits as much as that of law courts and magistrates, and political power is divided, contested and shared between the raja/state and the people. This study constitutes not only an intervention in the larger debate on the relationship between state formations and tribal peoples, but also on the very nature of history as a knowledge practice, especially the understandings of power, authority and sovereignty in it. Combining intensive ethnography, complementary archival work and crucial theoretical questions engaging social scientists worldwide, the author charts an unusual explanatory path that can allow us to obtain a meaningful understanding of societies/peoples that have historically been marginalized and seen as different. This book will be of interest to students and researchers of history, anthropology, politics, religion, tribal society and Modern South Asia.

In the late 1960s and early 1970s, Soviet philologist, literary dissident, and university professor Viktor Duvakin made it his mission to interview the members of the artistic avant-garde who had survived the Russian Revolution, Stalin's purges, and the Second World War. Based on archival materials held at the Moscow State University Library, Russian Modernism in the Memories of the Survivors catalogues six interviews conducted by Duvakin. The interviewees talk about their most intimate life experiences and give personal accounts of their interactions with famous writers and artists such as Vsevolod Meyerhold, Sergei Eisenstein, and Marina Tsvetaeva. They offer insights into the world of Russian emigrants in Prague and Paris, the uprising against the Communist government, what it was like to work at the United Nations after the Second World War, and other important aspects of life in the Soviet Union and Europe during the first half of the twentieth century. Archival photographs, as well as hundreds of annotations to the text, are included to help readers understand the historical and cultural context of the interviews. The unique and previously unpublished materials in Russian Modernism in the Memories of the Survivors will be of great interest to anyone who wants to learn more about this fascinating period in Soviet history.

Elderly Southeast Asians experienced great changes in their lives - of war and violence, of the imposition of the nation-state, of economic development - and remember them in different ways. Their oral histories may bear the influence of state-sanctioned narratives, attempt to speak truth to power or reconcile individual and official memories. By taking an inter-disciplinary approach, "Oral History in Southeast Asia: Memories and Fragments" considers the relationship of these fragments of memory to dominant accounts; it unravels the complex ways through which people remember and make sense of their pasts.

This open access book is unique in presenting the first oral history of individuals with an intellectual disability and their families in China. In this summary volume and the two accompanying volumes that follow, individuals with an intellectual disability tell their life stories, while their family members, teachers, classmates, and co-workers describe their professional, academic, and family relationships. Besides interview transcripts, each volume provides observations and records in real time the daily experiences of people with an intellectual disability. Drawing on the methodologies of sociology and oral history, the summary volume provides an unprecedented account of how people with intellectual disabilities in China understand themselves while also examining pertinent issues of public policy and civil society that have ramifications beyond the field of disability itself.

Most discussions of oral history method are rooted in abstract ideas about what interviewing should be and should achieve. However, interviews are ultimately personal interactions between human beings, and as such they rarely conform to a methodological ideal. Nonetheless, oral history's complex, capricious nature is rarely addressed by its practitioners when they share their work with the world. The struggles and negotiations interviewers face while conducting interviews - ethical, political, personal - either go unacknowledged or are discussed only with trusted colleagues in informal settings. This groundbreaking collection shows that a full account of oral history methodology must include honest and rigorous analyses of actual practice, allowing us to embrace the uncertainties and remarkable opportunities that define a human-centered methodology. Here, fourteen practitioners draw connections between vastly different areas of study, including Holocaust memories, work with Aboriginal communities, Islamic studies, immigration, and conflict studies. All are united by the shared experience of encountering complex individuals with messy, difficult, and ultimately illuminating stories to tell.

Oral history provides a valuable way of understanding locality. This volume considers the importance of working closely with the specifics of place in the context of global issues including environmental concerns and new communication technologies. Developing interdisciplinary connections between oral history, literary studies, and geography, essays in this collection focus on how both oral and written narratives engage with particular places, ranging from Dartmoor and "the clay country" to the River Ouse, from London to the polar regions. Further, this collection considers how oral history interviews themselves--the sounds of voices--are recorded and listened to in particular places: on walks, in theatres, at home on the internet. In doing so, this volume highlights the importance of thinking methodically about place not only in terms of the content of interviews, but also their creation, dissemination, and reception.

Why are we so obsessed with the 90s? This is an insightful political reckoning with an anomalous decade.

The 1990s were a cultural watershed, marking a turning point in popular music, television, cinema, literature and fashion. Nestled between the fall of the Berlin Wall and the 9/11 attacks, the decade witnessed the ‘end of history’ and the birth of the internet, the consolidation of neoliberalism, and a political urgency embodied by the anti-globalisation movement. Now in the rearview mirror, this pivotal decade appears as a time to be reckoned with, its history yet to be written, and we have only begun to come to terms with its lasting significance.

This anthology dives into the contemporary fascination with the ’90s. Plotting a playful course between sociology and cultural studies on the one hand, and giddy nostalgia on the other, the book charts decisive developments of the decade to fully apprehend its resonances today.

Covering everything from ‘girl power,’ Star Trek and hip-hop, to queer cinema, anarchist counterculture and the erotic thriller, The Return of the ’90s excavates key moments in ’90s culture and uncovers its multiple reckonings in the present.

This open access book contains the oral histories that were inspired by the work of the Special Olympics in conjunction with the 50th anniversary of its founding. The foreword and prefatory materials provide an overview of the Special Olympics and its growth in the People's Republic of China. The sections that follow record interview transcripts of individuals with intellectual disabilities living in Shanghai. In addition to chronicling the involvement of these individuals and their families in the Special Olympics movement, the interview transcripts also capture their daily lives and how they have navigated school and work.

This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dadakuada in Ilorin, and of Ilorin in Dadakuada the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dadakuada's relationship with Islam and discusses how the Dadakuada singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.

The Vietnam War has had many long-reaching, traumatic effects, not just on the veterans of the war, but on their children as well. In this book, Weber examines the concept of the war as a social monad, a confusing array of personal stories and public histories that disrupt traditional ways of knowing the social world for the second generation.

The appalling story of Hitler's murderous policies aimed at the disabled including tens of thousands of children killed by their doctors. Between 1939 and 1945 the Nazi regime systematically murdered thousands of adults and children with physical and mental disabilities as part of its 'euthanasia' policy. These programmes were designed to eliminate all people with disabilities who, according to Nazi ideology, threatened the health and purity of the German race. Hitler's Forgotten Victims explores the development and workings of this nightmarish process, a relatively neglected aspect of the Holocaust. Suzanne Evans's account draws on the rich historical record, as well as scores of exclusive interviews with disabled Holocaust survivors. It begins with a description of the Children's Killing Programme, in which tens of thousands of children with physical and mental disabilities were murdered by their doctors, usually by starvation or lethal injection. The book goes on to recount the AktionT4 programme, in which adults with disabilities were disposed of in six official centres, and the development of the Sterilisation Law, which allowed the forced sterilisation of at least half a million young adults with disabilities.

Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of the society, culture and literature among indigenous peoples. This book, the fourth in a five-volume series, deals with the two key concepts of language and orality of indigenous peoples from Asia, Australia, North America and South America. With contributions from renowned scholars, activists and experts from across the globe, it looks at the intricacies of oral transmission of memory and culture, literary production and transmission, and the nature of creativity among indigenous communities. It also discusses the risk of a complete decline of the languages of indigenous peoples, as well as the attempts being made to conserve these languages. Bringing together academic insights and experiences from the ground, this unique book, with its wide coverage, will serve as a comprehensive guide for students, teachers and scholars of indigenous studies. It will be essential reading for those in social and cultural anthropology, tribal studies, sociology and social exclusion studies, politics, religion and theology, cultural studies, literary and postcolonial studies, and Third World and Global South studies, as well as activists working with indigenous communities.

Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of the society, culture and literature among indigenous peoples. This book, the fourth in a five-volume series, deals with the two key concepts of language and orality of indigenous peoples from Asia, Australia, North America and South America. With contributions from renowned scholars, activists and experts from across the globe, it looks at the intricacies of oral transmission of memory and culture, literary production and transmission, and the nature of creativity among indigenous communities. It also discusses the risk of a complete decline of the languages of indigenous peoples, as well as the attempts being made to conserve these languages. Bringing together academic insights and experiences from the ground, this unique book, with its wide coverage, will serve as a comprehensive guide for students, teachers and scholars of indigenous studies. It will be essential reading for those in social and cultural anthropology, tribal studies, sociology and social exclusion studies, politics, religion and theology, cultural studies, literary and postcolonial studies, and Third World and Global South studies, as well as activists working with indigenous communities.

Offering a roadmap for practicing verbatim theatre (plays created from oral histories), this book outlines theatre processes through the lens of oral history and draws upon oral history scholarship to bring best practices from that discipline to theatre practitioners. This book opens with an overview of oral history and verbatim theatre, considering the ways in which existing oral history debates can inform verbatim theatre processes and highlights necessary ethical considerations within each field, which are especially prevalent when working with narrators from marginalised communities. It provides a step-by-step guide to creating plays from interviews and contains practical guidance for determining the scope of a theatre project: identifying narrators and conducting interviews, developing a script from excerpts of interview transcripts and outlining a variety of ways to create verbatim theatre productions. By bringing together this explicit discussion of oral history in relationship to theatre based on personal testimonies, the reader gains insight into each field and the close relationship between the two. Supported by international case studies that cover a wide range of working methods and productions, including The Laramie Project and Parramatta Girls, this is the perfect guide for oral historians producing dramatic representations of the material they have sourced through interviews, and for writers creating professional theatre productions, community projects or student plays.

Offering a roadmap for practicing verbatim theatre (plays created from oral histories), this book outlines theatre processes through the lens of oral history and draws upon oral history scholarship to bring best practices from that discipline to theatre practitioners. This book opens with an overview of oral history and verbatim theatre, considering the ways in which existing oral history debates can inform verbatim theatre processes and highlights necessary ethical considerations within each field, which are especially prevalent when working with narrators from marginalised communities. It provides a step-by-step guide to creating plays from interviews and contains practical guidance for determining the scope of a theatre project: identifying narrators and conducting interviews, developing a script from excerpts of interview transcripts and outlining a variety of ways to create verbatim theatre productions. By bringing together this explicit discussion of oral history in relationship to theatre based on personal testimonies, the reader gains insight into each field and the close relationship between the two. Supported by international case studies that cover a wide range of working methods and productions, including The Laramie Project and Parramatta Girls, this is the perfect guide for oral historians producing dramatic representations of the material they have sourced through interviews, and for writers creating professional theatre productions, community projects or student plays.

This book analyzes the spread of American female consumer culture to Italy and its influence on Italian women in the postwar and Cold War periods, eras marked by the political, economic, social, and cultural battle between the United States and Soviet Union. Focusing on various aspects of this culture-beauty and hygiene products, refrigerators, and department stores, as well as shopping and magazine models-the book examines the reasons for and the methods of American female consumer culture's arrival in Italy, the democratic, consumer capitalist messages its products sought to "sell" to Italian women, and how Italian women themselves reacted to this new cultural presence in their everyday lives. Did Italian women become the American Mrs. Consumer? As such, the book illustrates how the modern, consuming American woman became a significant figure not only in Italy's postwar recovery and transformation, but also in the international and domestic cultural and social contests for the hearts and minds of Italian women.

The abrupt loss of Soviet financial support in 1989 resulted in the near-collapse of the Cuban economy, ushering in the almost two decades of austerity measures and severe shortages of food and basic consumer goods referred to as the Special Period. Through the innovative framework of individual and collective memory, Daliany Jeronimo Kersh brings together analysis of press sources and oral histories to offer a compelling portrait of how Cuban women cleverly combined various forms of paid work to make ends meet. Disproportionately impacted by the economic crisis given their role as primary caregivers and household managers and unable to survive on devalued state salaries alone, women often employed informal and illegal earning strategies. As she argues, this regression into gendered work such as cooking, sewing, cleaning, reselling, and providing sexual services precipitated by the post-Soviet crisis to a large extent marked a return to pre-revolutionary gendered divisions of labor.

An oral-history-based biography of a seminal Asian-American activist. The book traces Embrey's life from her youth in the Little Tokyo section of Los Angeles, to her harrowing experiences in the Japanese internment camps, to her many decades of passionate advocacy on behalf of her fellow internees.