The book uses an innovative prism of interorality that powerfully reevaluates Caribbean orality and innovatively casts light on its overlooked and fundamental epistemological contribution into the formation of Caribbean philosophy. It defines the innovative prism of interorality as the systematic transposition of previously composed storytales into new and distinct tales. The book offers a powerful consideration of the interconnections between Caribbean orality and Caribbean philosophy, especially as this pertains to aesthetics and ethics. This is a new area of thought, a new methodological approach and a new conceptual paradigm and proposition to scholars, students, writers, artists and intellectuals who conceive and examine intellectual and cultural productions in the Black Atlantic world and beyond.

What role does memory play in migrants' adaption to the emotional challenges of migration? How are migrant selfhoods remade in relation to changing cultural myths? This book, the first to apply Popular Memory Theory to the Irish Diaspora, opens new lines of critical enquiry within scholarship on the Irish in modern Britain. Combining innovative use of migrant life histories with cultural representations of the post-war Irish experience, it interrogates the interaction between lived experience, personal memory and cultural myth to further understanding of the work of memory in the production of migrant subjectivities. Based on richly contextualised case studies addressing experiences of emigration, urban life, work, religion, and the Troubles in England, chapters shed new light on the collective fantasies of post-war migrants and the circumstances that formed them, as well as the cultural and personal dynamics of subjective change over the life course. At the core of the book lie the processes by which migrants 'recompose' the self as part of ongoing efforts to adapt to the transition between cultures and places. Life history and the Irish migrant experience offers a fresh perspective on the significance of England's largest post-war migrant group for current debates on identity and difference in contemporary Britain. Integrating historical, cultural and psychological perspectives in an innovative way, it will be essential reading for academics and students researching modern British and Irish social and cultural history, ethnic and migration studies, oral history and memory studies, cultural studies and human geography. -- .

Whithorn: An Economy of People is an exploration of a unique face-to-face society in Galloway in the south west of Scotland. It paints a picture of a largely cashless economy based on trust, frugality and the skilled labour and strategies of its residents to remain independent of the rest of the world while keeping closely connected to each other. Between 2012 and 2013 Julia Muir Watt interviewed twenty-nine individuals from Whithorn and the Machars about their memories. From those interviewed we learn what it was like to grow up, to go to school, and to work and to play in Whithorn in the twentieth century, before and after the Second World War. A great strength of oral history is that it can provide a direct insight into a lived life. In this collection, we have many such insights into life in and around the burgh of Whithorn. In telling of their experiences, those interviewed also provide an understanding into what it felt like to live those lives. Co-published with the European Ethnological Research Centre based on the research undertaken by them in their programme Dumfries and Galloway:A Regional Ethnology - part of a wider research programme the Regional Ethnology of Scotland Project (RESP).

This book is a unique collection: ordinary Londoners, in their own voices, tell about ordinary London lives. Interviews with over a hundred people in eight localities, from inner-city Battersea, to suburban Heston, to Greenhithe on the London fringe, have been edited with a linking commentary by Professor Sir Peter Hall. The first half, "London Voices", introduces the characters - their hopes and aspirations, their frustrations and struggles, their determination and optimism. The second, "London Lives", introduces the themes that dominate their everyday lives: the struggle to keep their heads above water, the search for a place to live, the hassle of the journey to work, their friends and neighbours, their concerns about crime, and the quality of their everyday lives. This is not only an extraordinary social record but also a compelling read for anyone and everyone interested in today's London, or in any other great global city. It will provide a mine of information for future historians on one of the world's greatest cities and will be of special academic or professional interest to sociologists, anthropologists, geographers, planners and social policymakers.

Engaging and interrogating the idea of a 'Global Africa', this book examines how African literary and cultural productions have changed over the years due to the social and political influences brought about by increased globalisation. Tanure Ojaide takes a variety of European theoretical concepts and applies these to African literature, oral traditions, culture, sexuality, political leadership, environmentalism, and advocacy, demonstrating the universality of the African experience. Challenging African literary artists and scholars to think creatively about the future of the culture and literature, this new collection of literary and cultural criticism from scholar-writer Tanure Ojaide is an essential read for students and scholars of African literature and culture.

Pickers come from near and far, year after year, for the berry-picking season, and from a variety of backgrounds. In the 20th century, for local people, both adults and children, it was an opportunity to supplement the family income; Glasgow folk combined it with a holiday. For the Scottish Traveller community it was an annual opportunity to meet up with friends and family, and forge new relationships. Roger Leitch encouraged many of those berry pickers to share their (mostly happy) recollections for this book - which is published at a time of political change with challenges for the soft fruit cultivation business. He also interviewed workers in other seasonal employments: potato picking; working with crops: hay/bracken/reed/flax cutting and sugar-beet lifting; fencing; repairing drystone dykes; being a deer ghillie or a river ghillie or water bailiff; salmon fishing.

Oral history is increasingly acknowledged as a key tool for anyone studying the history of the recent past, and Oral History Theory provides a comprehensive, systematic and accessible overview of this important field. Combining the study of theories drawn from disciplines ranging from linguistics to psychoanalysis with the observations of practitioners and including extensive examples of oral history practice from around the world, this book constitutes the first integrated discussion of oral history theory. Structured around key themes such as the peculiarities of oral history, the study of the self, subjectivity and intersubjectivity, memory, narrative, performance, power and trauma, each chapter provides a clear and user-friendly explanation of the various theoretical approaches, illustrating these with examples from the rich field of published oral history and making suggestions for the practicing oral historian. This second edition includes a new chapter on trauma and ethics, a preface discussing new developments in the field and updated glossary and further reading sections. Supplemented by a new companion website (www.routledge.com/cw/abrams) containing a comprehensive range of case studies, audio material and further resources, this book will be invaluable to experienced and novice oral historians, professionals, and students who are new to the discipline.

This collection presents diverse scholarly approaches to oral narratives in the Spanish and Portuguese-speaking worlds. Eleven essays, originally written in Spanish, Portuguese, and English, coalesce around major themes that have long concerned oral historians and social scientists: collective memories of conflictive national pasts, subjectivity in re/framing social identities, and visual and performative re/presentations of identity and public memory.

Based on archival sources and oral history, this book reconstructs a border-building process in Namibia that spanned more than sixty years. The process commenced with the establishment of a temporary veterinary defence line against rinderpest by the German colonial authorities in the late nineteenth century and ended with the construction of a continuous two-metre-high fence by the South African colonial government sixty years later. This 1250-kilometre fence divides northern from central Namibia even today. The book combines a macro and a micro-perspective and differentiates between cartographic and physical reality. The analysis explores both the colonial state's agency with regard to veterinary and settlement policies and the strategies of Africans and Europeans living close to the border. The analysis also includes the varying perceptions of individuals and populations who lived further north and south of the border and describes their experiences crossing the border as migrant workers, African traders, European settlers and colonial officials. The Red Line's history is understood as a gradual process of segregating livestock and people, and of constructing dichotomies of modern and traditional, healthy and sick, European and African.

The Vietnam War has had many long-reaching, traumatic effects, not just on the veterans of the war, but on their children as well. In this book, Weber examines the concept of the war as a social monad, a confusing array of personal stories and public histories that disrupt traditional ways of knowing the social world for the second generation.

Transcribing Oral History offers a comprehensive guide to the transcription of qualitative interviews, an often richly debated practice within oral history. Beginning with an introduction to the field and an overview of the many disciplines that conduct and transcribe interviews, the book goes on to offer practical advice to those looking to use transcription within their own projects. A helpful how-to section covers technology, style guides, ways to format transcripts and troubleshoot the many problems that can arise. In addition to the practicalities of transcription itself, the book encourages the reader to consider legal and ethical issues, and the effects of troubling audio on the transcriptionist. It explains how scholars can turn recorded interviews and transcripts into books, films and museum exhibits, enabling the reader to understand the wider concerns surrounding transcription as well as the practical uses to which it can be put. Based upon the author's personal experience as a freelance transcriptionist and interviews with more than 30 professionals working around the world in the oral history and qualitative research fields, this is an indispensable guide for those involved in interviews and transcription at any level of an oral history project, including historians, transcriptionists, interviewers, project administrators, archivists, researchers and students.

The Oral History Reader, now in its third edition, is a comprehensive, international anthology combining major, 'classic' articles with cutting-edge pieces on the theory, method and use of oral history. Twenty-seven new chapters introduce the most significant developments in oral history in the last decade to bring this invaluable text up to date, with new pieces on emotions and the senses, on crisis oral history, current thinking around traumatic memory, the impact of digital mobile technologies, and how oral history is being used in public contexts, with more international examples to draw in work from North and South America, Britain and Europe, Australasia, Asia and Africa. Arranged in five thematic sections, each with an introduction by the editors to contextualise the selection and review relevant literature, articles in this collection draw upon diverse oral history experiences to examine issues including: Key debates in the development of oral history over the past seventy years First hand reflections on interview practice, and issues posed by the interview relationship The nature of memory and its significance in oral history The practical and ethical issues surrounding the interpretation, presentation and public use of oral testimonies how oral history projects contribute to the study of the past and involve the wider community. The challenges and contributions of oral history projects committed to advocacy and empowerment With a revised and updated bibliography and useful contacts list, as well as a dedicated online resources page, this third edition of The Oral History Reader is the perfect tool for those encountering oral history for the first time, as well as for seasoned practitioners.

A powerful account of China's Great Famine as told through the voices of those who survived it In 1958, China's revered leader Mao Zedong instituted a program designed to transform his giant nation into a Communist utopia. Called the Great Leap Forward, Mao's grand scheme-like so many other utopian dreams of the 20th century-proved a monumental disaster, resulting in the mass destruction of China's agriculture, industry, and trade while leaving large portions of the countryside forever scarred by man-made environmental disasters. The resulting three-year famine claimed the lives of more than 45 million people in China. In this remarkable oral history of modern China's greatest tragedy, survivors of the cataclysm share their memories of the devastation and loss. The range of voices is wide: city dwellers and peasants, scholars and factory workers, parents who lost children and children who were orphaned in the catastrophe all speak out. Powerful and deeply moving, this unique remembrance of an unnecessary and unhindered catastrophe illuminates a dark recent history that remains officially unacknowledged to this day by the Chinese government and opens a window on a society still feeling the impact of the terrible Great Famine.

Many know that the removal and relocation of Indigenous peoples from traditional lands is a part of the United States' colonial past, but few know that--in an expansive corner of northeastern Arizona--the saga continues. The 1974 Settlement Act officially divided a reservation established almost a century earlier between the Dine (Navajo) and the Hopi, and legally granted the contested land to the Hopi. To date, the U.S. government has relocated between 12,000 and 14,000 Dine from Hopi Partitioned Lands, and the Dine--both there and elsewhere--continue to live with the legacy of this relocation.
"Bitter Water" presents the narratives of four Dine women who have resisted removal but who have watched as their communities and lifeways have changed dramatically. The book, based on 25 hours of filmed personal testimony, features the women's candid discussions of their efforts to carry on a traditional way of life in a contemporary world that includes relocation and partitioned lands; encroaching Western values and culture; and devastating mineral extraction and development in the Black Mesa region of Arizona. Though their accounts are framed by insightful writings by both Benally and Dine historian Jennifer Nez Denetdale, Benally lets the stories of the four women elders speak for themselves.
Scholars, media, and other outsiders have all told their versions of this story, but this is the first book that centers on the stories of women who have lived it--in their own words in Navajo as well as the English translation. The result is a living history of a contested cultural landscape and the unique worldview of women determined to maintain their traditions and lifeways, which are so intimately connected to the land. This book is more than a collection of stories, poetry, and prose. It is a chronicle of resistance as spoken from the hearts of those who have lived it.

From the fall of the Bastille in 1789 to the coming of Napoleon ten years later, the commemoration of the dead was a recurring theme during the French Revolution. Based on extensive research across a wide range of sources, this 2007 book was the first comprehensive study of the cultural politics of commemoration in Revolutionary France. It examines what remembrance meant to the people who staged and attended ceremonies, raised monuments, listened to speeches and purchased souvenirs in memory of the Revolution's dead. It explores the political purposes these commemorations served and the conflicts they gave rise to while also examining the cultural traditions they drew upon. Above all, it asks what private ends did the Revolution's rites of memory serve? What consolation did commemoration bring to those the dead left behind, and what conflicts did this relationship between the public and the private dimensions of remembrance give rise to?

Sissy home boys or domestic outlaws? Through a series of vivid case studies taken from across the late nineteenth and twentieth centuries, Matt Cook explores the emergence of these trenchant stereotypes and looks at how they play out in the home and family lives of queer men.

Condemned as a fascist putsch in the East and praised as a 'people's uprising' in the West, the uprising of 17 June 1953 shook East Germany. Drawing on interviews and archive research, this book examines East German citizens' memories of the unrest and reflects on the nature of state power in the GDR.

In Myth, Ritual and the Oral Jack Goody, one of the world's most distinguished anthropologists, returns to the related themes of myth, orality and literacy, subjects that have long been a touchstone in anthropological thinking. Combining classic papers with recent unpublished work, this volume brings together some of the most important essays written on these themes in the past half century, representative of a lifetime of critical engagement and research. In characteristically clear and accessible style, Jack Goody addresses fundamental conceptual schemes underpinning modern anthropology, providing potent critiques of current theoretical trends. Drawing upon his highly influential work on the LoDagaa myth of the Bagre, Goody challenges structuralist and functionalist interpretations of oral 'literature', stressing the issues of variation, imagination and creativity, and the problems of methodology and analysis. These insightful, and at times provocative, essays will stimulate fresh debate and prove invaluable to students and teachers of social anthropology.

This book introduces lexomics, the use of computer-aided statistical analysis of vocabulary, to measure influence and integrate research from cognitive psychology and evolutionary biology with traditional, philological approaches to literature. Connecting the theory of tradition with the phenomenon of influence, Drout moves beyond current theories.

Churchill's War in Words transports the reader back to the storm-struck days of the Second World War. Focussing only on words used at the time, it reveals the way that Winston Churchill talked about the conflict in public and in private - and the way that he himself was viewed at the time by family, friends, politicians, military leaders, staff , voters, allies and enemies.Presented in chronological order and accompanied by short year-by-year introductions, the quotations convey afresh the full force of Churchill's oratory, the wit he displayed in the face of often appalling odds, and the hopes and fears that he inspired in those around him. Together they reveal to the modern reader what it was truly like to be locked in a struggle in which victory - or total defeat - was yet to be decided. Together they tell the extraordinary story of Churchill's War in Words.

Virgil Richardson blazed his own unique trail through the twentieth century: a co-founder of Harlem's American Negro Theater, 1930s radio personality, World War II pilot, and expatriate for most of his life. In Flight, this remarkable man tells his story in his own vivid words. Educated in Texas, Richardson set out for New York City in 1938 to build a career on the stage. Just when he was on the brink of success as an actor, World War II broke out and he was drafted into the army. After overcoming numerous obstacles, Richardson became a Tuskegee cadet in 1943, and later saw action flying over the battlefields of Europe. Upon returning to the racially divided U.S., he decided to move to Mexico, where he encountered a society quite different from the one he had left behind. Compellingly told and historically fascinating, this is the story of a determined individual unwilling to accept the limited options of Jim Crow America.

This book is based on the oral life histories of about 70 men and women workers, born between the end of the last century and 1920, which are combined with sources such as police reports, documentary films and judicial documents. The interviewees recount their visions of life, of history, and of themselves; they call to memory the fascist period, and the ambivalent relationship between the Duce and the masses. A picture of resistance emerges, through such minor episodes as jokes and graffiti, wearing a red tie or whistling an old socialist tune, and through major issues such as abortions carried out in direct opposition to state propaganda. Acquiescence is also recalled, however, in the enrolment of children in fascist youth organisations or in the use of new state-controlled social services. The final chapter reconstructs an event that acquired great symbolic meaning: the eloquent and unexpected silence of the Fiat workers before Mussolini in 1939 at the inauguration of the Miraflori factory.

This title provides a collection of oral histories that reveal the loss of cultural continuity, identity, shifts in family responsibilities, gender roles and fractured relationships between generations. It shows how these are just some of the challenges people face as they attempt to rebuild lives and communities.

Of the 400,000 German-speaking Jews that escaped the Third Reich, about 16,000 ended up in Shanghai, China. This groundbreaking volume gathers 20 years of interviews with over 100 former Shanghai refugees. It offers a moving collective portrait of courage, culture shock, persistence, and enduring hope in the face of unimaginable hardships.