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Books > History > History of specific subjects > Oral history
Ebenezer Howard, an Englishman, and Jane Jacobs, a naturalized Canadian, personify the twentieth century's opposing outlooks on cities. Howard envisaged small towns, newly built from scratch and comprised of single-family homes with small gardens, while Jacobs embraced existing inner-city neighbourhoods that emphasized the verve of the living street. Both figures have had their share of supporters as well as detractors: Howard's conceptualization received criticism for its uniformity and alienation from the city core, while Jacobs's urban vision came to be recognized as the result of invasive gentrification. Presenting Howard and Jacobs within a psychocultural context, The Urban Archetypes of Jane Jacobs and Ebenezer Howard addresses our urban crisis in its recognition that "city form is a gendered, allegorical medium expressing femininity and masculinity within two founding features of the built environment: void and volume." These founding contrasts represent both tension as well as the opportunity for fusion between pairs of urban polarities: human scale against superscale, gait against speed, and spontaneity against surveillance. In their respective attitudes, Howard and Jacobs have come to embrace the two ancient archetypes of the Garden and the Citadel, leaving it to future generations to blend their two contrarian stances.
Amid the turmoil of the dying days of the Second World War, a series of ships were sunk in the Baltic. These terrible disasters add up to be the greatest loss of life ever recorded at sea, but the stories of these ships have been lost from view. While everyone recognises the name Titanic, the names Cap Arcona, Goya, General von Steuben and Thielbek draw little more than blank stares. Claes-Goeran Wetterholm brings the horror of these tragic events to life in this gripping study, first published in Swedish, as he collates the unknown stories of four major shipping disasters, the most terrible in history. Combining archive research with interviews with survivors and the relatives of those who died, Wetterholm vividly conveys his experiences of meeting many witnesses to a forgotten and horrifying piece of history.
The mass protests that shook France in May 1968 were exciting, dangerous, creative and influential, changing European politics to this day. Students demonstrated, workers went on general strike, factories and universities were occupied. At the height of its fervour, it brought the entire national economy to a halt. The protests reached such a point that political leaders feared civil war or revolution. Fifty years later, here are the eye-opening oral testimonies of those young rebels. By listening to the voices of students and workers, as opposed to those of their leaders, May '68 appears not just as a mass event, but rather as an event driven by millions of individuals, achieving a mosaic human portrait of France at the time. This book reveals the legacy of the uprising: how those explosive experiences changed both those who took part, and the course of history. May Made Me will record these moments before history moves on yet again.
A groundbreaking book that puts early and medieval West Africa on the map of global history Pick up almost any book on early and medieval world history and empire, and where do you find West Africa? On the periphery. This pioneering book tells a different story. Interweaving political and social history and drawing on a rich array of sources, Michael Gomez unveils a new vision of how categories of ethnicity, race, gender, and caste emerged in Africa and in global history. Focusing on the Savannah and Sahel region, Gomez traces how Islam's growth in West Africa, along with intensifying commerce that included slaves, resulted in a series of political experiments unique to the region, culminating in the rise of empire. A radically new account of the importance of early Africa in global history, African Dominion will be the standard work on the subject for years to come.
This book explores the experiences of 'Indo-Mozambicans,' citizens and residents of Mozambique who can trace their origins to the Indian subcontinent, a region affected by competing colonialisms during the twentieth century. Drawing from ethnographic interviews, the author illustrates why migration developed as both an identity marker and a survival tool for Indo-Mozambicans living in Maputo, in response to the series of independence movements and prolonged period of geo-political uncertainty that extended from 1947 to 1992. A unique examination of post-colonialism, the book argues that four pivotal moments in history forced migratory patterns and ethnic identity formations to emerge among Indo-Mozambicans, namely, the end of the British empire in India and the subsequent partition of India and Pakistan in 1947; the end of the Portuguese empire in India, with the annexation of Goa, Daman and Diu in 1961; the independence of Mozambique from Portugal in 1975; and the civil war of Mozambique from 1977 to 1992. Framing these historical markers as trigger points for shifts in migration and identity formation, this book demonstrates the layered experiences of people subject to Portuguese colonialism and highlights the important perspective of those 'left behind' in migration studies.
It has been half a century since the last book that addressed how historical societies can utilize oral history. In this brief, practical guide, internationally known oral historian Barbara W. Sommer applies the best practices of contemporary oral historians to the projects that historical organizations of all sizes and sorts might develop. The book -covers project personnel options, funding options, legal and ethical issues, interviewing techniques, and cataloging guidelines;-identifies helpful steps for historical societies when developing and doing oral history projects;-includes a dozen model case studies;-provides additional resources, templates, forms, and bibliography for the reader.
Lady Bird Johnson, an early champion of the environment and Project Head Start, has been widely acknowledged as one of America's greatest First Ladies. In a 1982 poll, historians ranked her the third most influential, behind Abigail Adams and Eleanor Roosevelt. This oral history encompass three important stories. The first is that of a young woman's transformation from a shy, rural East Texan into one of America's most admired First Ladies. The second reveals the remarkable emergence of Lyndon Johnson, one of the twentieth century's most powerful political and legislative leaders, as told by his most trusted confidante. Finally, this volume presents a keen observer's day-by-day view of a turbulent world, as "the greatest generation" confronted momentous challenges at home and abroad. Lady Bird Johnson's oral history provides an intimate, first-person narrative of her own development and activities as well as the life she shared with LBJ. It includes her vivid descriptions of the moments and events that shaped their destiny and influenced their attitudes on such issues as civil rights, education, health care, and national defense. Her rich verbal portraits brings to life scores of prominent political personalities, including Sam Rayburn, Eleanor Roosevelt, Harry Truman, and John F. Kennedy. The core narrative consists of thirty-seven oral history interviews that Michael L. Gillette conducted with her during the late 1970s and 1980s; the transcripts were opened only in May 2011 and have never previously been available for research. The lengthy seal under which they have been held is a measure of Lady Bird's expansiveness and candor. In recording the interviews, Mrs. Johnson marshaled the same elegant prose and attention to detail that characterized her memoir, A White House Diary. Selected excerpts from interviews with some of those who knew Lady Bird Johnson best, as well as transcripts of White House tapes, appear in sidebars to amplify and supplement her own narrative. Oxford will publish the book to coincide with the centennial of Lady Bird Johnson's birth in December 2012.
Selected from a conference on Aboriginal oral traditions, these essays cover three broad subject areas: oral traditions and knowledge of the environment, economy, education, and/or health of communities; oral traditions and the continuance of language and culture; and the effects of intellectual property rights, electronic media, and public discourse on oral traditions.
A beautifully illustrated selection of stories about the lighthouses and their guardians found in some of the most remote places on earth. There is something beautiful and wild in the impossible architecture of lighthouses. They have been the homes and workplaces of men and women whose romantic guardianship has saved countless lives from cruel seas. Yet while that way of life fades away, as the lights go out and the buildings crumble, we still have their stories. From a blind lighthouse keeper tending a light in the Arctic Circle, to an intrepid young girl saving ships from wreck at the foot of her father's lighthouse, and the plight of the lighthouse crew cut off from society for forty days, this is a glorious book full of illuminating stories that will transport the reader to the world's most isolated and inspiring lighthouses. With over thirty tales that explore the depths to which we can sink and the heights to which we can soar as human beings, and accompanied by beautiful illustrations, nautical charts, maps, architectural plans and curious facts, A Brief Atlas of the Lighthouses at the End of the World is as full of wonder as the far flung lighthouses themselves.
The collected letters of Peter Abelard and Heloise provide an extraordinarily vivid account of one of the most celebrated love affairs in the western world. It was an affair that developed into a vigorous quarrel and raised fundamental questions about love, marriage, and religious life, and also provided a uniquely valuable illustration of the intellectual and religious ferment that is called the Renaissance of the twelfth century. Abelard was the leading philosopher of his time and a very public figure in France, as well as being a fiercely attacked theologian and unpopular abbot. Heloise, his brilliant pupil, lover, and wife, also became a nun and abbess, much against her will. She provoked this brilliantly written correspondence which is widely regarded as one of the finest literary compositions of the twelfth century. These letters have for many centuries given enjoyment to their readers and have inspired numerous creative imitations. They have also given rise to huge disagreements over their historical content and significance. The collection opens with an autobiography which contains the story of the calamities that followed Abelard's successes - his castration, his condemnation for heresy, and the unhappiness of the couple's separation. Heloise's letters show an exceptional outpouring of grief and bitter recrimination. Yet the correspondence closes with thoroughly serious, scholarly, and original enquiries into the origins and development of pagan, Jewish, and Christian ideals of religious life both male and female. It constitutes a fundamental source for discussion and debate about important features of thought and religion in the Middle Ages. A new critical edition based on all the manuscripts has long been needed. Its appearance here with a facing English translation, a full introduction, extensive annotation taking into account recent scholarship, and detailed indexes will enable all kinds of readers to enjoy the letters and to join the debates which they always stir.
The interview is the anchor of an oral history project. The fourth book in the five-volume Community Oral History Toolkit guides the interviewer through all the steps from interview preparation through follow-up. It includes guidance on selecting interviewees, training interviewers, using recording equipment, and ethical issues concerning the interviewer-interviewee relationship. Packed with instructive case studies, Volume 4 offers concrete practical examples and advice for issues such as pre-interview research, developing interview questions and points for guiding discussion, ideal interview settings and conditions, strategies for stimulating interviewees' memories, acceptable communication techniques and behavior throughout the interview process, and rounding out interview documentation with supplementary materials and contextual information.
The first book of the five-volume Community Oral History Toolkit sets the stage for an oral history project by placing community projects into a larger context of related fields and laying a sound theoretical foundation. It introduces the field of oral history to newcomers, with discussions of the historical process, the evolution of oral history as a research methodology, the nature of community, and the nature of memory. It also elaborates on best practices for community history projects and presents a detailed overview of the remaining volumes of the Toolkit, which cover Planning, Management, Interviewing, and After-the-Interview processing and curation. Introduction to Community Oral History features a comprehensive glossary, index, bibliography, and references, as well as numerous sample forms that are needed throughout the process of conducting community oral history projects.
In this important new book, Paul T. Phillips argues that most professional historians - aside from a relatively small number devoted to theory and methodology - have concerned themselves with particular, specialized areas of research, thereby ignoring the fundamental questions of truth, morality, and meaning. This is less so in the thriving general community of history enthusiasts beyond academia, and may explain, in part at least, history's sharp decline as a subject of choice by students in recent years. Phillips sees great dangers resulting from the thinking of extreme relativists and postmodernists on the futility of attaining historical truth, especially in the age of "post-truth." He also believes that moral judgment and the search for meaning in history should be considered part of the discipline's mandate. In each section of this study, Phillips outlines the nature of individual issues and past efforts to address them, including approaches derived from other disciplines. This book is a call to action for all those engaged in the study of history to direct more attention to the fundamental questions of truth, morality, and meaning.
Cosmopolitan Africa, 1700-1875, offers an alternative interpretation of the 175 years leading up to the formal colonization of Africa by Europeans. In this brief and affordable text, author and series editor Trevor R. Getz demonstrates how Africans pursued lives, constructed social settings, forged trading links, and imagined worlds that were sophisticated, flexible, and well adapted to the increasingly global and fast-paced interactions of this period. Getz's interpretation of a "cosmopolitan Africa" is based on careful reading of Africans' oral histories and traditions, written documents, and images of or from the eighteenth century. Examining this time period from both social and cultural perspectives, Cosmopolitan Africa, 1700-1875, helps students to re-envision African societies in the time before colonization.
A collection of extraordinary oral histories of American nuns, Habits of Change captures the experiences of women whose lives over the past fifty years have been marked by dramatic transformation. Bringing together women from more than forty different religious communities, most of whom entered religious life before Vatican II, the book shows how their lives were suddenly turned around in the 1960s--perhaps more so than any other group of contemporary women. Here these women speak of their active engagement in the events that disrupted their church and society and of the lives they lead today, offering their unique perspective on issues such as peace activism, global equality for women, and the clergy sexual abuse crisis. The interviewees include a Maryknoll missionary who spent decades in Africa, most recently in the Congo; an inner-city art teacher whose own paintings reflect the vibrancy of Haiti; a recovering alcoholic who at age 71 has embarked on her fourth ministry; a life-long nurse, educator, and hospital administrator; and an outspoken advocate for the gay and lesbian community. Told with simplicity, honesty, and passion, their stories deserve to be heard.
This book is the first of its kind to investigate the ongoing significance of industrial craft in deindustrialising places such as Australia. Providing an alternative to the nostalgic trope of the redundant factory 'craftsman', this book introduces the intriguing and little-known trade of engineering patternmaking, where objects are brought to life through the handmade 'originals' required for mass production. Drawing on oral histories collected by the author, this book highlights the experiences of industrial craftspeople in Australian manufacturing, as they navigate precarious employment, retraining, gendered career pathways, creative expression and technological change. The book argues that digital fabrication technologies may modify or transform industrial craft, but should not obliterate it. Industrial craft is about more than the rudimentary production of everyday objects: it is about human creativity, material knowledge and meaningful work, and it will be key to human survival in the troubled times ahead.
This book uncovers the history of a group of Jewish workers and merchants in the Amsterdam diamond industry during the Holocaust. They and their families were exempt from deportation for a long time, but were eventually deported to Bergen-Belsen. In the end, almost all of the men perished, and the women barely survived slave-labour. Their children were left to die in the camp, but were miraculously saved by the intervention of a Jewish Polish woman, 'nurse Luba'. The main sources on which this book is based are video testimonies of the surviving members of this group, personal interviews, minutes of interviews taken down in shorthand shortly after the war, and personal documents such as letters, archival documents, and autobiographical books.
Made famous in the 1976 documentary Harlan County USA, this pocket of Appalachian coal country has been home to generations of miners-and to some of the most bitter labor battles of the 20th century. It has also produced a rich tradition of protest songs and a wealth of fascinating culture and custom that has remained largely undiscovered by outsiders, until now. They Say in Harlan County is not a book about coal miners so much as a dialogue in which more than 150 Harlan County women and men tell the story of their region, from pioneer times through the dramatic strikes of the 1930s and '70s, up to the present. Alessandro Portelli, one of the giants of the oral history movement, draws on 25 years of original interviews to take readers into the mines and inside the lives of those who work, suffer, and often die in them-from black lung, falling rock, suffocation, or simply from work that can be literally backbreaking. The book is structured as a vivid montage of all these voices-stoic, outraged, grief-stricken, defiant-skillfully interwoven with documents from archives, newspapers, literary works, and the author's own participating and critical voice. Portelli uncovers the whole history and memory of the United States in this one symbolic place, through settlement, civil war, slavery, industrialization, immigration, labor conflict, technological change, migration, strip mining, environmental and social crises, and resistance. And as hot-button issues like mountain-top removal and the use of "clean coal" continue to hit the news, the history of Harlan County-especially as seen through the eyes of those who lived it-is becoming increasingly important. With rare emotional immediacy, gripping narratives, and unforgettable characters, They Say in Harlan County tells the real story of a culture, the resilience of its people, and the human costs of coal mining.
Work and Struggle: Voices from U.S. Labor Radicalism focuses on the history of U.S. labor with an emphasis on radical currents, which have been essential elements in the working-class movement from the mid nineteenth century to the late twentieth century. Showcasing some of labor's most important leaders, Work and Struggle offers students and instructors a variety of voices to learn from -- each telling their story through their own words -- through writings, memoirs and speeches, transcribed and introduced here by Paul Le Blanc. This collection of revolutionary voices will inspire anyone interested in the history of labor organizing.
This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dadakuada in Ilorin, and of Ilorin in Dadakuada the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dadakuada's relationship with Islam and discusses how the Dadakuada singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
In the time of the Troubles, when bombs blew through the night and soldiers prowled down the roads, Henry Glassie came to the Irish borderland to learn how country people endure through history. He settled into the farming community of Ballymenone, beside Lough Erne in the County Fermanagh, and listened to the old people. For a decade he heard and recorded the stories and songs in which they outlined their culture, recounted their history, and pictured their world. In their view, their world was one of love, defeat, and uncertainty, demanding the virtues of endurance: faith, bravery, and wit. Glassie's task in this book is to set the scene, to sketch the backdrop and clear the stage, so that Hugh Nolan and Michael Boyle, Peter Flanagan, Ellen Cutler, and their neighbors can tell their own tale, which explains their conditions and converts them into a tragedy of conflict and a comedy of the absurd. It gathers the saints and warriors, and celebrates the stars whose wit enabled endurance in days of violence and deprivation. With patience and respect, Glassie describes life in a time and a place exactly like no other, and yet Ballymenone is like a thousand other places where people work on the land during the day and tell their own tales at night, forgotten, while the men of power fill the newspapers and history books by sending poor boys out to be killed. The Stars of Ballymenone is an integrated analysis of the complete repertory of verbal art from a rural community where storytelling and singing of quality remained a part of daily life.
This book traces the life of Maria Mia Truskier, who fled the Nazis as a young Polish Jew in early 1940 and once safely resettled in the United States, became an activist for other refugees, earning renown in the Bay Area as "the oldest refugee" of the East Bay Sanctuary Covenant. Mia worked for decades assisting those fleeing from war, violence and hardship, mainly from Central America and Haiti. Based on extensive interviews with Truskier before she passed away, as well as memorabilia from her own lifetime, including coded letters, newspaper clippings, and old photographs, this book results in a complex and multi-layered oral history. As Mia drew on memories of her life in Europe and World War II, she was situating and constructing those memories while re-reading and discovering these artifacts alongside the author of this book, and ultimately relating the ways that she and her family years later sought to make a difference for other refugees, drawing a connection between two major eras of human displacement: the end of World War II and today.
What role does memory play in migrants' adaption to the emotional challenges of migration? How are migrant selfhoods remade in relation to changing cultural myths? This book, the first to apply Popular Memory Theory to the Irish Diaspora, opens new lines of critical enquiry within scholarship on the Irish in modern Britain. Combining innovative use of migrant life histories with cultural representations of the post-war Irish experience, it interrogates the interaction between lived experience, personal memory and cultural myth to further understanding of the work of memory in the production of migrant subjectivities. Based on richly contextualised case studies addressing experiences of emigration, urban life, work, religion, and the Troubles in England, chapters shed new light on the collective fantasies of post-war migrants and the circumstances that formed them, as well as the cultural and personal dynamics of subjective change over the life course. At the core of the book lie the processes by which migrants 'recompose' the self as part of ongoing efforts to adapt to the transition between cultures and places. Life history and the Irish migrant experience offers a fresh perspective on the significance of England's largest post-war migrant group for current debates on identity and difference in contemporary Britain. Integrating historical, cultural and psychological perspectives in an innovative way, it will be essential reading for academics and students researching modern British and Irish social and cultural history, ethnic and migration studies, oral history and memory studies, cultural studies and human geography. -- .
How is an oral historian to react when the unexpected emerges, whether in field research or interview analysis? Answers tend to be scattered throughout the scholarly literature or confined to backstage conversations. This book brings the unexpected to the center of the scene and promotes a collective reflection about ways of dealing with uneasy encounters, surprises, and interviews that seem to have gone off the rails. The contributors come from a dozen countries, especially Brazil, where a classic piece about a "great liar" paved the way for this discussion. Rather than eccentric descriptions of unusual situations, these chapters evoke a dense web of reflections about dialogue, the production of oral sources, and the complexities of personal narratives. Theoretically informed but written in an engaging language, the book presents readers with fascinating case studies of the eruptions of the unexpected that occur in oral history research.
Through sources ranging from ancient forsundun (praise songs) and the hero kings to newspaper accounts, public decrees, and even graffiti, this book offers vivid portraits of major events and everyday life in Ireland through the centuries--beginning with Golamh, the legendary leader of the band of Iberian Celts who settled the island more than three thousand years ago, and concluding with gripping accounts by those on both sides of the bloody civil conflict in Northern Ireland. |
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