In the run-up to Interpol's General Assembly, something is truly amiss. The world's largest international police organisation is heaving with internal strife, petty rivalries, and treachery. For the Secretary General, re-election is not enough. What he wants is a unanimous victory and he is willing to go to any lengths to secure it. It will not be easy. Not only are others, both inside and outside Interpol, trying to stop his re-election, but some hate him so much that they are plotting his ultimate humiliation. His enemies are legion; that much is clear. What is less clear is who exactly is plotting against him, and which of his many, many transgressions they want revenge for. As the date of the General Assembly draws near, all parties redouble their efforts to get what they want. The result is chaos. The result is farce. The result is not Interpol's finest hour.

This dad-centric satire looks like a real magazine (complete with fake ads, subscription deals, and letters to the editor), but in fact it's a hilarious and heartfelt satire of fatherhood in twenty first-century America. With hard-hitting feature reporting (What's Up with the Neighbor's Lawn? We Investigate), in-depth lifestyle articles (Buying Shoes on eBay: A Guide), fashion tips (Rumpled Brown Suit: Who Wore It Best), handy how-tos (A Visual Guide to Packing the Car), and insightful opinion pieces (These Smoke Detectors Are Too Damn Sensitive, If You Ask Me), this is the perfect faux periodical for dads of every age, facial-hair style, and sandals/socks combo. Photos, illustrations, and hilarious advertisements throughout showcase all the frustrations, failures, and funny moments that make up the face of modern fatherhood.

Hippocampus returns to Athens from Troy under a curse from Zeus. He has only two days to sacrifice "that which he holds most dear" or be damned to Hades. His frantic search involves the Oracle at Delphi, Socrates and his girl-friend Asparagus. Partially inspired by an Abbot and Costello routine Sophocles explores every aspect of human life and a few in-human ones.

"Willy Loman, Nosferatu (or Biffo, the Vampyre Slayer)" is a parody of two of the most beloved American stage classics, Arthur Miller's "Death of a Salesman" and Tennessee Williams' "The Glass Menagerie." It turns out that the "Loman Line" is not Miller's lacerating examination of the selling of the American dream and his sympathy for the soul of the everyman, but a line of the Undead (Nosferatu) that have left a ruinous legacy of lunacy and calamity behind them. Willy Loman finds himself brought back to life and seeks revenge, while his two sons somehow become involved with the Wingfield family from "A Glass Menagerie," who have all found themselves reunited in Queens fifteen years after Willy's "first death." Wally of WPDP3 says, "Read the first two and cry; read the third and wonder why."