Duncan Pritchard offers an original defence of epistemological disjunctivism. This is an account of perceptual knowledge which contends that such knowledge is paradigmatically constituted by a true belief that enjoys rational support which is both factive and reflectively accessible to the agent. In particular, in a case of paradigmatic perceptual knowledge that p, the subject's rational support for believing that p is that she sees that p, where this rational support is both reflectively accessible and factive (i.e., it entails p). Such an account of perceptual knowledge poses a radical challenge to contemporary epistemology, since by the lights of standard views in epistemology this proposal is simply incoherent. Pritchard's aim in Epistemological Disjunctivism is to show that this proposal is theoretically viable (i.e., that it does not succumb to the problems that it appears to face), and also to demonstrate that this is an account of perceptual knowledge which we would want to endorse if it were available on account of its tremendous theoretical potential. In particular, he argues that epistemological disjunctivism offers a way through the impasse between epistemic externalism and internalism, and also provides the foundation for a distinctive response to the problem of radical scepticism.

This volume offers a much needed shift of focus in the study of emotion in the history of philosophy. Discussion has tended to focus on the moral relevance of emotions, and (except in ancient philosophy) the role of emotions in cognitive life has received little attention. Thirteen new essays investigate the continuities between medieval and early modern thinking about the emotions, and open up a contemporary debate on the relationship between emotions, cognition, and reason, and the way emotions figure in our own cognitive lives. A team of leading philosophers of the medieval, renaissance, and early modern periods explore these ideas from the point of view of four key themes: the situation of emotions within the human mind; the intentionality of emotions and their role in cognition; emotions and action; the role of emotion in self-understanding and the social situation of individuals.

This book collects nine seminal essays by Mark Richard published between 1980 and 2014, alongside four new essays and an introduction that puts the essays in context. Each essay is an attempt, in one way or another, to understand the idea of a proposition. Part I discusses whether the objects of thought and assertion can change truth value over time. Part II develops and defends a relativist view of the objects of assertion and thought; it includes discussions of the nature of disagreement, moral relativism, and responds to important objections to relativism. It also explores the idea that thoughts and assertions may be neither true nor false. Part III discusses issues having to do with relations between sentential and propositional structure. Among the topics discussed in Part III are the semantics of quotation, 'mixed quotation', opacity, philosophical analysis and propositional structure, and the semantics of demonstratives and clausal complements.

"Finally. A book with the complexity and courage to move beyond our cultural obsession with the physical dimensions of training. McNamara redefines strength and provides a practical roadmap that both inspires and instructs on how to liberate our true greatness." - Rand Stagen, founder & managing director Stagen Leadership Academy Inner Engagement for Multifaceted Results Strength to Awaken is unlike any other book on strength training. Change the purpose of your training and life. Gain never-before-seen instruction on the inner dimensions of training. Learn Whole Hearted Engagement to perform at new levels. Enjoy rare clarity as you go beyond the conventions and limitations holding you back. - End Boring Repetitive Exercise and Create Next-Level Performance. - Go Beyond Frustrating Limitations to Whole-Hearted Engagement. - Train yourself to Enjoy more Genuine Pleasure. - Transform Not Just your Body, but your Whole Self. - Get More Benefits, Faster. Rob McNamara is the authority on Integral strength training. He has been one of the world's leading voices in the field of integral practice for nearly a decade. Rob's rigorous approach, open heart, and pioneering method to training provide you with new ways to solve age-old problems that can limit the results in your training.

It is widely agreed that there is such a thing as sensory phenomenology and imagistic phenomenology. The central concern of the cognitive phenomenology debate is whether there is a distinctive "cognitive phenomenology"--that is, a kind of phenomenology that has cognitive or conceptual character in some sense that needs to be precisely determined. This volume presents new work by leading philosophers in the field, and addresses the question of whether conscious thought has cognitive phenomenology. It also includes a number of essays which consider whether cognitive phenomenology is part of conscious perception and conscious emotion.
Three broad themes run through the volume. First, some authors focus on the question of how the notion of cognitive phenomenology ought to be understood. How should the notion of cognitive phenomenology be defined? Are there different kinds of cognitive phenomenology? A second theme concerns the existence of cognitive phenomenology. Some contributors defend the existence of a distinctive cognitive phenomenology, whereas others deny it. The arguments for and against the existence of cognitive phenomenology raise questions concerning the nature of first-person knowledge of thought, the relationship between consciousness and intentionality, and the scope of the explanatory gap. A third theme concerns the implications of the cognitive phenomenology debate. What are the implications of the debate for accounts of our introspective access to conscious thought and for accounts of the very nature of conscious thought? Cognitive Phenomenology brings the debate to the forefront of philosophy, and provides a state-of-the-art account of the issues at stake.

This book outlines the evolution of our political nature over two million years and explores many of the rituals, plays, films, and other performances that gave voice and legitimacy to various political regimes in our species' history. Our genetic and cultural evolution during the Pleistocene Epoch bestowed a wide range of predispositions on our species that continue to shape the politics we support and the performances we enjoy. The book's case studies range from an initiation ritual in the Mbendjela tribe in the Congo to a 1947 drama by Bertolt Brecht and include a popular puppet play in Tokugawa Japan. A final section examines the gradual disintegration of social cohesion underlying the rise of polarized politics in the USA after 1965, as such films as The Godfather, Independence Day, The Dark Knight Rises, and Joker accelerated the nation's slide toward authoritarian Trumpism.

The study of self-consciousness helps humans understand themselves and restores their identities. But self-consciousness has been a mystery since the beginning of history, and this mystery cannot be resolved by conventional natural science. In Self-Consciousness, author Masakazu Shoji takes the mystery out of self-consciousness by proposing the idea that the human brain and body are a biological machine. A former VLSI microprocessor designer and semiconductor physicist, Shoji was guided by the ideas of ancient sages to create a conceptual design of a human machine brain model. He explains how it works, how it senses itself and the outside world, and how the machine creates the sense of existence of the subject SELF to itself, just as a living human brain does. A follow-up to Shoji's previous book, Neuron Circuits, Electronic Circuits, and Self-Consciousness, this new volume examines self-consciousness from three unconventional viewpoints to present a complex theory of the mind and how self-consciousness develops.

Prolegomena to a Carnal Hermeneutics introduces the importance of body politics from both Eastern and Western perspectives. Hwa Yol Jung begins with Giambattista Vico's anti-Cartesianism as the birth of the discipline. He then explores the homecoming of Greek mousike (performing arts), which included oral poetry, dance, drama, and music; Mikhail Bakhtin's dialogical body politics; the making of body politics in Hannah Arendt, Emmanuel Levinas, and Luce Irigaray; Marshall McLuhan's transversal and embodied philosophy of communication; and transversal geophilosophy. This tour de force will be an engaging read for anyone interested in the above thinkers, as well as for students and scholars of comparative philosophy, communication theory, environmental philosophy, political philosophy, or continental philosophy

The Kantian Aesthetic explains the kind of perceptual knowledge involved in aesthetic judgments. It does so by linking Kant's aesthetics to a critically upgraded account of his theory of knowledge. This upgraded theory emphasizes those conceptual and imaginative structures which Kant terms, respectively, "categories" and "schemata." By describing examples of aesthetic judgment, it is shown that these judgments must involve categories and fundamental schemata (even though Kant himself, and most commentators after him, have not fully appreciated the fact). It is argued, in turn, that this shows the aesthetic to be not just one kind of pleasurable experience amongst others, but one based on factors necessary to objective knowledge and personal identity, and which, indeed, itself plays a role in how these capacities develop.
In order to explain how individual aesthetic judgments are justified, and the aesthetic basis of art, however, the Kantian position just outlined has to be developed further. This is done by exploring some of his other ideas concerning how critical comparisons inform our cultivation of taste, and art's relation to genius. By linking the points made earlier to a more developed account of this horizon of critical comparisons, a Kantian approach can be shown to be both a satisfying and comprehensive explanation of the cognitive basis of aesthetic experiences. It is shown also that the approach can even cover some of the kinds of avant-garde works which were thought previously to limit its relevance.

This volume brings together new papers advancing contemporary debates in foundational, conceptual, and methodological issues in cognitive neuroscience. The different perspectives presented in each chapter have previously been discussed between the authors, as the volume builds on the experience of Neural Mechanisms (NM) Online - webinar series on the philosophy of neuroscience organized by the editors of this volume. The contributed chapters pertain to five core areas in current philosophy of neuroscience. It surveys the novel forms of explanation (and prediction) developed in cognitive neuroscience, and looks at new concepts, methods and techniques used in the field. The book also highlights the metaphysical challenges raised by recent neuroscience and demonstrates the relation between neuroscience and mechanistic philosophy. Finally, the book dives into the issue of neural computations and representations. Assembling contributions from leading philosophers of neuroscience, this work draws upon the expertise of both established scholars and promising early career researchers.

This volume investigates the neglected topic of mental action, and shows its importance for the metaphysics, epistemology, and phenomenology of mind. Twelve specially written essays address such questions as the following: Which phenomena should we count as mental actions--imagining, remembering, judging, for instance? How should we explain our knowledge of our mental actions, and what light does that throw on self-knowledge in general? What contributions do mental actions make to our consciousness? What is the relationship between the voluntary and the active, in the mental sphere? What are the similarities and differences between mental and physical action, and what can we learn about each from the other?

Internalism in philosophy of mind is the thesis that all conditions that constitute a person's current thoughts and sensations, with their characteristic contents, are internal to that person's skin and contemporaneous. Externalism is the denial of internalism, and is now broadly popular. Joseph Mendola argues that internalism is true, and that there are no good arguments that support externalism.
Anti-Externalism has three parts. Part I examines famous case-based arguments for externalism due to Kripke, Putnam, and Burge, and develops a unified internalist response incorporating rigidified description clusters. It argues that this proposal's only real difficulties are shared by all viable externalist treatments of both Frege's Hesperus-Phosphorus problem and Russell's problem of empty names, so that these difficulties cannot be decisive. Part II critically examines theoretical motivations for externalism entwined with causal accounts of perceptual content, as refined by Dretske, Fodor, Millikan, Papineau, and others, as well as motivations entwined with disjunctivism and the view that knowledge is the basic mental state. It argues that such accounts are false or do not provide proper motivation for externalism, and develops an internalist but physicalist account of sensory content involving intentional qualia. Part III critically examines theoretical motivations for externalism entwined with externalist accounts of language, including work of Brandom, Davidson, and Wittgenstein. It dialectically develops an internalist account of thoughts mediated by language that can bridge the internally constituted qualia of Part II and the rigidified description clusters of Part I.

This book offers an inspiring exploration of current findings from the psychology of meaning in life, analysing cutting-edge research to propose practical, evidence-based applications. Schnell draws on psychological, philosophical and cognitive perspectives to explore basic concepts of meaning and introduce a multidimensional model of meaning in life. Written in an accessible style, this book covers a range of topics including the distinction between meaning and happiness, the impact of meaning on health and longevity, meaning in the workplace, and meaning-centred interventions. Each chapter ends with exercises to encourage self-reflection and measurement tools are presented throughout, including the author's original Sources of Meaning and Meaning in Life Questionnaire (SoMe), to inspire the reader to consider the role of meaning in their own life. The Psychology of Meaning in Life is essential reading for students and practitioners of psychology, sociology, counselling, coaching and related disciplines, and for general readers interested in exploring the role of meaning in life.

Anthony Everett defends the commonsense view that there are no such things as fictional people, places, and things. More precisely he develops and defends a pretense theoretic account on which there are no such things as fictional objects and our talk and thought that purports to be about them takes place within the scope of a pretense. Nevertheless we may mistakenly suppose there are fictional objects because we mistake the fact that certain utterances count as true within the pretense, and convey veridical information about the real world, for the genuine truth of those utterances. In the first half of The Nonexistent an account of this form is motivated, developed in detail, and defended from objections. The second half of the book then argues against fictional realism, the view that we should accept fictional objects into our ontology. First it is argued that the standard arguments offered for fictional realism all fail. Then a series of problems are raised for fictional realism. The upshot of these is that fictional realism provides an inadequate account of a significant range of talk and thought that purports to concern fictional objects. In contrast the pretense theoretic account developed earlier provides a very straightforward and attractive account of these cases and of fictional character discourse in general. Overall, Everett argues that we gain little but lose much by accepting fictional realism.

This is a comprehensive reference guide to current research in Philosophy of Mind, assembled by an international team of leading scholars in the discipline. From new questions concerning qualia, representation, embodiment and cognition to fresh thinking about the long-standing problems of physicalism, dualism, personal identity and mental causation, this book is an authoritative guide to the latest research in the Philosophy of Mind. Across twelve entries, experts in the field explore the current thinking in one of the most active areas of interest in philosophy today. To aid researchers further, the Companion also includes overviews of perennial problems and new directions in contemporary philosophy of mind, an extended glossary of terms for quick reference, a detailed chronology, a guide to research for ongoing study and a comprehensive bibliography of key classic and contemporary publications in the philosophy of mind. "The Continuum Companions" series is a major series of single volume companions to key research fields in the humanities aimed at postgraduate students, scholars and libraries. Each companion offers a comprehensive reference resource giving an overview of key topics, research areas, new directions and a manageable guide to beginning or developing research in the field. A distinctive feature of the series is that each companion provides practical guidance on advanced study and research in the field, including research methods and subject-specific resources.

"Philadelphia A Story Sequence in Verse" is a window on the work of esoteric schools. It portrays a small, representative group of loving friends who at first naively and later decisively with the potent ancient knowledge in which they have been instructed engage in storytelling's highest purpose: to remind and remind and remind us again to remember and hold ourselves aware of what our busy minds are always forgetting - the present, where the divine resides. John Craig, the author, is a poet and teacher who with his wife Victoria,a native of Phila-delphia,lives in the Sierra foothills of northern California. They have two grown sons.