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Books > Humanities > Religion & beliefs > General > Philosophy of religion
What would you do if you only had only thirty days to live? What
if that time was shortened to twenty-four hours-or even one
hour?
You can't control the amount of time you have left, but you can
control how you spend that time. Timothy J. Brill, a pilot,
philosopher, and adventure seeker, examines the nature of existence
and humanity in a series of essays, considering how you can prevent
fear from dominating your life, avoid being a victim by seeking
answers, recognize the detrimental nature of feelings of
entitlement, and stand up for what is right.
We live in a world of increasing isolation, self-delusion and
hatred, where any moral voice is labeled as a freak. We only live
an illusion of freedom, and we need a new worldview that promotes
the dignity of every person and all of creation.
Join Tim as he explores how to create this new worldview with a
spirit of charity, love, and, most importantly, a whole new
attitude.
For generations, early Franciscan thought has been widely regarded
as unoriginal: a mere attempt to systematize the longstanding
intellectual tradition of Augustine in the face of the rising
popularity of Aristotle. This volume brings together leading
scholars in the field to undertake a major study of the major
doctrines and debates of the so-called Summa Halensis (1236-45),
which was collaboratively authored by the founding members of the
Franciscan school at Paris, above all, Alexander of Hales, and John
of La Rochelle, in an effort to lay down the Franciscan
intellectual tradition or the first time. The contributions will
highlight that this tradition, far from unoriginal, laid the
groundwork for later Franciscan thought, which is often regarded as
formative for modern thought. Furthermore, the volume shows the
role this Summa played in the development of the burgeoning field
of systematic theology, which has its origins in the young
university of Paris. This is a crucial and groundbreaking study for
those with interests in the history of western thought and theology
specifically.
Divinely Abused engages with the logical features of the experience
of divine abuse and the religious difficulties to which it gives
rise. Taking Jobs trial as a test case, Verbin explores the
relation between Jobs manner of understanding and responding to his
misfortunes and the responses of others such as rabbi Aqiva,
Kierkegaard and Simone Weil. She discusses the religious crisis to
which the experience of divine abuse gives rise and the possibility
of sustaining a minimal relationship with the God who is
experienced as an abuser by means of forgiving God.
Are science and religion in accord or are they diametrically
opposed to each other? The common perspectives-for or against
religion-are based on the same question, "Do religion and science
fit together or not?" These arguments are usually stuck within a
preconceived notion of realism which assumes that there is a 'true
reality' that is independent of us and is that which we discover.
However, this context confuses our understanding of both science
and religion. The core concern is not the relation between science
and religion, it is realism in science and religion. Wittgenstein's
philosophy and developments in quantum theory can help us to untie
the knots in our preconceived realism and, as Wittgenstein would
say, show the fly out of the bottle. This point of view changes the
discussion from science and religion competing for the discovery of
the 'true reality' external to us (realism), and from claiming that
reality is simply whatever we pragmatically think it is
(nonrealism), to realizing the nature and interdependence of
reality, language, and information in science and religion.
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God
(Hardcover)
Guro Bert Domingo
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R728
Discovery Miles 7 280
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Ships in 18 - 22 working days
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Steven J. Duby examines the doctrine of divine simplicity. This
discussion is centered around the three distinguishing features:
grounding in biblical exegesis, use of Thomas Aquinas and the
Reformed Orthodox; and the writings of modern systematic and
philosophical theologians. Duby outlines the general history of the
Christian doctrine of divine simplicity and discusses the
methodological traits and essential contents of the dogmatic
account. He substantiates the claims of the doctrine of divine
simplicity by demonstrating that they are implied and required by
the scriptural account of God. Duby considers how simplicity is
inferred from God's singularity and aseity, as well as how it is
inferred from God's immutability and infinity, and the Christian
doctrine of creation. The discussion ends with the response to
major objections to simplicity, namely that the doctrine does not
pay heed to the plurality of the divine attributes, that it
eradicates God's freedom in creating the world and acting toward
us; and that it does not cohere with the personal distinctions to
be made in the doctrine of the Trinity.
The Re-enchantment of the World is a philosophical exploration of
the role of art and religion as sources of meaning in an
increasingly material world dominated by science. Gordon Graham
takes as his starting point Max Weber's idea that contemporary
Western culture is marked by a "disenchantment of the world"--the
loss of spiritual value in the wake of religion's decline and the
triumph of the physical and biological sciences. Relating themes in
Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to
topics in contemporary philosophy of the arts, Graham explores the
idea that art, now freed from its previous service to religion, has
the potential to re-enchant the world. In so doing, he develops an
argument that draws on the strengths of both "analytical" and
"continental" traditions of philosophical reflection.
The opening chapter examines ways in which human lives can be made
meaningful as a background to the debates surrounding
secularization and secularism. Subsequent chapters are devoted to
painting, literature, music, architecture, and festival with
special attention given to Surrealism, 19th-century fiction, James
Joyce, the music of J. S. Bach and the operas of Wagner. Graham
concludes that that only religion properly so called can "enchant
the world," and that modern art's ambition to do so fails.
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