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Books > Language & Literature > Literature: history & criticism > Plays & playwrights
First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama
Of course - as you've no doubt guessed - there's a big 'But Then' moment heading this way... It's a sunny, spring day in East London. On a street corner, two teenagers kiss. One of them is Toni. This is her first kiss. It makes her very happy. But someone is watching. Someone who doesn't care about her happiness at all. And they're about to change Toni's life... forever. Philip Ridley's thrilling new play is a startling exploration of identity, memory, love, and the lengths it takes someone to free themselves from the web of their past.
Callan Davies presents "strangeness" as a fresh critical paradigm for understanding the construction and performance of Jacobean drama-one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher. Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as "Shakespeare's late plays," "tragicomedy," or the home of cynical and bloodthirsty tragedies. This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.
First published in 1986. 'Impressively open to the complexity of cultural discourses, to the ways in which one discursive form may function as a screen for another above all to the political entailment of genre.'Stephen Greenblatt. What is the relation between literary and political power? How do the symbolic dimensions of social practice and the social dimensions of artistic practice relate to one another? Power on Display considers Shakespeare's progression from romantic comedies and history plays to tragedy and romance in the light of the general process of cultural change in the period.
Arthur Miller's play A View from the Bridge is a tragic masterpiece of the inexorable unravelling of a man, set in a close-knit Italian-American community in 1950s New York. Eddie Carbone is a longshoreman and a straightforward man, with a strong sense of decency and of honour. For Eddie, it's a privilege to take in his wife's cousins, Marco and Rodolpho, straight off the boat from Italy. But, as his niece Catherine begins to fall for one of them, it's clear that it's not just, as Eddie claims, that he's too strange, too sissy, too careless for her, but that something bigger, deeper is wrong - and wrong inside Eddie, in a way he can't face. Something which threatens the happiness of their whole family. This Penguin Classics edition includes an introduction by the author and a new foreword by actor Philip Seymour Hoffman.
Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the 'Shakespeare' that we now read. Concentrating on the instability and fluidity of Shakespeare's texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare's plays for themselves, in ways both old and new.
In this new edition of Shakespeare's most controversial comedy The Merchant of Venice, the merchant Antonio - on behalf of his friend Bassano - seeks a loan from Shylock. The loan is required to impress an heiress. Shylock is a Jewish moneylender whom Antonio has always treated with the utmost contempt, and Antonio is to honour the debt with a pound of the merchant's own flesh. When Antonio defaults on the loan, Shylock prepares to take his gruesome revenge - only to find that the law is a knife that can cut two ways. The play explores prejudice, tolerance and the true nature of justice. This new edition includes the complete text with explanatory notes and a full introduction that describes the setting, summarises the plot and profiles the main characters. It discusses Shakespeare's language and the play's themes. It gives typical essay and test questions to help students prepare for exams.
Drawing comparisons between consultancy and the classical tragedy, King Lear, the author explores the core theme of responsibility. Arguing that King Lear is vital to gaining an understanding of consulting, leadership and management, the author explores in detail the positive lessons to be learnt from this tragedy for the manager and the management consultant. Erik de Haan is a Senior Organisation Development Consultant at Ashridge Consulting. He specialises in the interpersonal and dramatic aspects of working in groups and organisations. He has worked as a trainer and consultant for different firms in the Netherlands.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
This book contains everything you need to write better A-Level and Undergraduate English essays on William Shakespeare's 'Hamlet', all presented in a helpful and entertaining way to make study and revision easier. There are clear notes on the characters, themes, language techniques and critical context, plus practice questions to make sure you understand the main points. There's also a section dedicated to writing about 'Hamlet' to help you improve your grades.
The first volume to collect these 3 political plays in one volume. Intro and commentary discusses these texts in the context of Greek history and politics, but also political science and theory as regards more recent eras, including our own, allowing students to relate to the material and work comparitively. The 3 plays selected are the world's first detailed portrayal of demagogy, making them very topical to contemporary readers.
A Schools Edition of The Slab Boys by Scottish playwright John Byrne, a popular set text for SQA Higher English. A semi-autobiographical work, The Slab Boys is set in the slab room of A.F. Stobo & Co Carpet Manufacturers in Paisley and the action takes place on one day in 1957. It explores themes such as rebellion and conformity, social class and social mobility, youth, deception, and frustrated ambition and achievement. This edition includes: - An introduction by John Byrne, who was a 'slab boy' himself before becoming a playwright and artist - The full playscript - Notes, quotations and questions to improve students' understanding of the play and support study/revision - Tasks and activities that build the skills of analysis and evaluation that students must demonstrate in the exam - Assessment advice for the Critical Reading question paper This is the only single-volume version of The Slab Boys, taken from The Slab Boys Trilogy.
Household Servants in Early Modern Domestic Tragedy considerably advances existing scholarship on the institution of service in early modern culture and as represented on the early modern stage. With its focus on the homes of the middling sorts, to whom the protagonists of domestic tragedy belong, the book expands our understanding of employer-servant relationships beyond elite and aristocratic circles, the focus of previous studies. Drawing on early modern advice literature, household guides, domestic manuals, sermons, treatises, proverbs, mothers' legacies, funeral sermons, diaries, letters, and jest books as well as making use of the recent findings by social and cultural historians of early modern England, the book examines the consequences of disordered domesticity for the master-servant relationship. This study nuances the picture of domestic servants constructed by both early modern moralists and modern scholarship, arguing against overarching, reductive narratives. The book argues that the experience of household service as depicted in domestic tragedy, like in real life, was complex and varied and that there was no typical experience of service.
Unique in any Western language, this is an invaluable resource for the study of one of the world's great theatrical forms. It includes essays by established experts on Kabuki as well as younger scholars now entering the field, and provides a comprehensive survey of the history of Kabuki; how it is written, produced, staged, and performed; and its place in world theater. Compiled by the editor of the influential Asian Theater Journal, the book covers four essential areas - history, performance, theaters, and plays - and includes a translation of one Kabuki play as an illustration of Kabuki techniques.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company. |
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