Republic to restoration cuts across artificial divides between periods and disciplines,often imposed for reasons of convenience rather than reality. Challenging the traditional period divide of 1660, essays in this volume explore continuities with the decades of civil war and the Republic, shedding new light on religious, political and cultural conditions before and after the restoration of church and king. Transdisciplinary in conception, it includes essays on political theory, poetry, pamphlets, drama, opera, art, scientific experiment and the Book of Common Prayer. Essays in the volume variously show how unresolved issues at national and local level, including residual republicanism and religious dissent, were evident in many areas of Restoration life, and were recorded in memoirs, diaries, plays, historical writing, pamphlets and poems. An active promotion of forgetting, and the erasing of memories of the Republic and the reconstruction of the old order did not mend the political, religious and cultural divisions that had opened up during the Civil War. In examining such diverse genres as women's religious and prophetic writings, the publications of the Royal Society, the poetry and prose of Marvell and Milton, plays and opera, court portraiture, contemporary histories of the civil wars, and political cartoons, the volume substantiates its central claim that the Restoration was conditioned by continuity and adaptation of linguistic and artistic discourses. Republic to restoration will be of significant interest to academic researchers in a wide range of related fields, and especially students and scholars of seventeenth-century literature and history. -- .

This book examines responsibility in grave humanitarian crises, focusing on the international community's collective responsibility to take action in such cases as genocide or ethnic cleansing. The idea of collective responsibility highlights how we would like to see the global level primarily as something more akin to a community of peoples, rather than as a society of states in which other international and transnational actors operate. Since the acceptance of human rights, and in view of the atrocities of the Holocaust and other genocides, we have realized that some things concern us all: a realization that has led to the development of the responsibility to protect (R2P) framework. This book focuses on understanding the international community and its collective responsibility. Unlike the research frameworks put forward in other publications on this topic, the research model developed here does not distribute the collective responsibility to particular actors; instead, it sets out how the burden should be divided among those actors responsible in order to protect human security on a global scale. This book will be of interest to students of humanitarian intervention, the responsibility to protect, international law, peace and conflict studies, and international relations in general.

The fourth edition of "Centuries of Genocide: Essays and Eyewitness Accounts" addresses examples of genocides perpetrated in the nineteenth, twentieth, and twenty-first centuries. Each chapter of the book is written by a recognized expert in the field, collectively demonstrating a wide range of disciplinary perspectives. The book is framed by an introductory essay that spells out definitional issues, as well as the promises, complexities, and barriers to the prevention and intervention of genocide.

To help the reader learn about the similarities and differences among the various cases, each case is structured around specific leading questions. In every chapter authors address: Who committed the genocide? How was the genocide committed? Why was the genocide committed? Who were the victims? What were the outstanding historical forces? What was the long-range impact? What were the responses? How do scholars interpret this genocide? How does learning about this genocide contribute to the field of study?

While the material in each chapter is based on sterling scholarship and wide-ranging expertise of the authors, eyewitness accounts give voice to the victims. This book is an attempt to provoke the reader into understanding that learning about genocide is important and that we all have a responsibility not to become immune to acts of genocide, especially in the interdependent world in which we live today.

Revision highlights include:

• New chapters on genocide of Native Americans in the nineteenth century, genocide in Australia, and genocide in the Nuba Mountains
• New chapter authors on Herero genocide and Rwanda genocide
• Consolidation of the 3 chapters on the Holocaust into one focused case
• Several chapters from past editions that were omitted are now available on a companion website (Indonesia, Burundi, indigenous peoples)

Examines decadence in our language, especially that language which leads to dehumanization and degradation of human beings. Powerful illustrations may be found in the fact that, for instance, Hitler's "Final Solution" appeared "reasonable" once the Jews were successfully labelled by the Nazis as sub-humans, "parasites," "vermin," or "bacilli." So, too, the subjugation of the American Indian was "defensible" since they were defined as "barbarians" and "savages." The author of this engrossing text that was originally published in 1974 by Public Affairs Press successfully identifies and critically comments on the racist, sexist, and ethnic slurs still predominant in society today, with the hope that this decadence will be cured. Winner of the 1983 George Orwell Award from the Committee on Doublespeak of the NCTE.

This book explores the development of Lenin's thinking on violence throughout his career, from the last years of the Tsarist regime in Russia through to the 1920s and the New Economic Policy, and provides an important assessment of the significance of ideological factors for understanding Soviet state violence as directed by the Bolshevik leadership during its first years in power. It highlights the impact of the First World War, in particular its place in Bolshevik discourse as a source of legitimating Soviet state violence after 1917, and explains the evolution of Bolshevik dictatorship over the half decade during which Lenin led the revolutionary state. It examines the militant nature of the Leninist worldview, Lenin's conception of the revolutionary state, the evolution of his understanding of "dictatorship of the proletariat", and his version of "just war". The book argues that ideology can be considered primarily important for understanding the violent and dictatorial nature of the early Soviet state, at least when focused on the party elite, but it is also clear that ideology cannot be understood in a contextual vacuum. The oppressive nature of Tsarist rule, the bloodiness of the First World War, and the vulnerability of the early Soviet state as it struggled to survive against foreign and domestic opponents were of crucial significance. The book sets Lenin's thinking on violence within the wider context of a violent world.

The official line is clear: the UK does not 'participate in, solicit, encourage or condone' torture. And yet, the evidence is irrefutable: when faced with potential threats to our national security, the gloves always come off. Drawing on previously unseen official documents, and the accounts of witnesses, victims and experts, prize-winning investigative journalist Ian Cobain looks beyond the cover-ups and the equivocations, to get to the truth. From WWII to the War on Terror, via Kenya and Northern Ireland, Cruel Britannia shows how the British have repeatedly and systematically resorted to torture, bending the law where they can, and issuing categorical denials all the while. What emerges is a picture of Britain that challenges our complacency and exposes the lie behind our reputation for fair play.

This book, an outcome of an international conference entitled "State Organized Terror: The Case of Violent Internal Repression", addresses the antecedent structural factors conducive to state organized terror and provides insights into the political and social psychology of state terror.

In case studies that examine wrenching historical and contemporary crises across five continents, cultural sociologists analyze the contingencies of trauma construction and their fateful social impact. How do some events get coded as traumatic and others which seem equally painful and dramatic not? Why do culpable groups often escape being categorized as perpetrators? Why are some horrendously injured parties not seen as victims? Why do some trauma constructions lead to moral restitution and justice, while others narrow solidarity and trigger future violence? Expanding the pioneering cultural approach to trauma, contributors from around the world provide answers to these important questions. Because Mao's trauma narrative gave victim status only to workers, the postwar revolutionary government provided no cultural and emotional space for the Chinese people to process their massive casualties in the war against Japan. Even as the emerging Holocaust narrative enlarged moral sensibilities on a global scale, the Jewish experience in Europe exacerbated Israeli antagonism to Arabs and desensitized them to Palestinian suffering. Because postwar Germans came to see themselves as perpetrators of the Holocaust, the massively destructive Allied fire bombings of German cities could not become a widely experience cultural trauma. Because political polarization in Columbia blocked the possibilities for common narration, kidnapping were framed as private misfortunes rather than public problems. Because Poland's postwar Communist government controlled framing for the 1940 Katyn Massacre, the mass killing of Polish military officers was told as an anti-Nazi not an anti-Soviet story, and neither individual victims nor the Polish nation could grieve. If Japanese defeat in World War II was framed as moral collapse, why has the nation's construction of victims, heroes, and perpetrators remained ambiguous and unresolved? How did the Kosovo trauma remain central to Serbian history, providing a powerful rationale for state violence, despite the changing contours and contingencies of Serbian history?

After Washington Post journalist Jamal Khashoggi was filmed going in to the Saudi consulate in Turkey, he was never seen alive again. What happened next turned into a major international scandal, now finally pieced together by Channel 4's BAFTA award-winning Foreign Affairs Correspondent Jonathan Rugman.

Described by Donald Trump as the 'worst cover-up ever', this is the first comprehensive account of one of the most notorious and outrageous murder plots of our time. In The Killing in the Consulate, Rugman pieces together in minute-by-minute detail the events after Khashoggi entered the Saudi diplomatic building on 2 October 2018, expecting to receive the documentation that would enable him to marry Hatice Cengiz, patiently waiting for him outside. Little did they realise, he was entering a trap, as a 15-man Saudi hit squad had just flown in to the country and was waiting for him. Within minutes he had been viciously murdered and his body was quickly disposed of. The Saudis thought they would be able to get away with it all, and concocted a far-fetched story to cover it up. But what they didn't realise was that Turkey's President Erdogan's security and intelligence agencies had bugged the consulate, and captured the horrific events on tape.

Based on confidential sources, dramatic new evidence and in-depth research across several countries, Rugman reveals the context behind the murder and attempted cover-up. He shows how a power struggle between Erdogan and Saudi Arabia's Crown Prince Mohammed bin Salman, known as MBS, had such fatal results. The prince had seemed to promise a new and more open era for his country, while also investing vast sums in arms deals with the West. Inevitably other nations, including President Trump and the USA, were drawn into the affair, which created the biggest crisis in US-Saudi relations since 9/11. Skilfully, Rugman draws together all the strands to tell a gripping story of one man's tragedy that had global consequences.

Comic books for adults have become one of the most novel and colourful forms of cultural expression in the Arab world today. During the last ten years, young Arabs have crafted stories explaining issues such as authoritarianism, resistance, war, sex, gender relations and youth culture. These are distributed through informal channels as well as independent bookstores and websites. Events like the annual Cairocomix festival in Egypt and the Mahmoud Kahil Award in Lebanon evidence the importance of this cultural phenomenon. Comics in Contemporary Arab Culture focuses on the production of these comics in Egypt and Lebanon, countries at the forefront of the development of the genre for adults. Jacob Hoigilt guides the reader through the emergence of independent comics, explores their social and political critique, and analyses their visual and verbal rhetoric. Analysing more than 50 illustrations, included here, he shows that Arab comics are revealing of the changing attitudes towards politics, social relations and even language. While political analysts often paint a bleak picture of the Arab world after 2011, this book suggests that art and storytelling continue to nourish a spirit of liberty and freedom despite political setbacks. Comics in Contemporary Arab Culture provides a fresh and original insight into the politics of the Middle East and cultural expression in the Arab World.

Genocide represents one of the deadliest scourges of the human experience. Communication practices provide the key missing ingredient toward preventing and ending this intensely symbolic activity. The Rhetoric of Genocide: Death as a Text reveals how strategic communication silences make this tragedy probable, and how a greater social ethic for communication openness repels and ends this great evil. Careful analysis of practical historical figures, such as the great debater James Farmer Jr., along with empirical policy successes in places such as Liberia provide a communication-based template for ridding the world of genocide in the twenty-first century.

This book is a comparison of two ethnic-national "apartheid" states ? South Africa and Israel ? which have been in conflict, and how internal dissent has developed. In particular it examines the evolution of effective white protest in South Africa and explores the reasons why comparably powerful movements have not emerged in Israel.

The book reveals patterns of behaviour shared by groups in both cases. It argues that although the role played by protest groups in peace-building may be limited, a tipping point, or ?magic point?, can become as significant as other major factors. It highlights the role played by intermediate variables that affect the pathways of protest groups: such as changes in the international system; the visions and strategies of resistance movements and their degree of success; the economic relationship between the dominant and dominated side; and the legitimacy of the ideology in power (apartheid or Zionism).

Although the politics and roles of protest groups in both cases share some similarities, differences remain. Whilst white protest groups moved towards an inclusive peace agenda that adopts the ANC vision of a united non-racial democratic South Africa, the Jewish Israeli protest groups are still, by majority, entrenched in their support for an exclusive Jewish state. And as such, they support separation between the two peoples and a limited division of mandatory Palestine / ?Eretz Israel?. This timely book sheds light on a controversial and explosive political issue: Israel being compared to apartheid South Africa.

On August 1, 1944, Leokadia Rowinski and fellow members of the Polish Resistance movement saw the culmination of their five years of training-the Warsaw Uprising. Six weeks later, she celebrated her twenty-first birthday. As a member of the Resistance, Rowinski witnessed firsthand the devastation that World War II brought to Poland. While continuing her schooling in the clandestine education system established upon German occupation, she worked in the Resistance's communication services, often dodging German snipers and soldiers to deliver military orders to Resistance leaders. She was captured by the Germans after the Warsaw Uprising and spent six months in P.O.W. camps before being liberated by the Polish 1st Armored Division, an expatriate army under British command that included her future husband. This poignant story of a young woman's coming of age in war is a vivid reminder of the horror inflicted upon Poland in World War II and beyond.

This volume investigates the relationship between protest, repression and political regimes in Latin America and sub-Saharan Africa. Considering how different political regimes use repression and respond to popular protest, this book analyzes the relationship between protest and repression in Africa and Latin America between the late 1970s and the beginning of the twenty first century. Drawing on theories, multi-method empirical analyses and case studies, the author of this volume sets out to investigate the reciprocal dynamics between protest and repression. Distinctive features of this volume include: quantitative analyses that highlight general trends in the protest-repression relationship case studies of different political regimes in Chile and Nigeria, emphasising the dynamics at the micro-level an emphasis on the importance of full democratization in order to reduce the risk, and intensity, of intra-state conflict Focusing on political regimes in different areas of the world, Protest, Repression and Political Regimes will be of vital interest to students and scholars of conflict studies, human rights and social movements.

Social scientist Archie Mafeje, who was born in the Eastern Cape but lived most of his scholarly life in exile, was one of Africa's most prominent intellectuals. This ground-breaking book is the first to consider the entire body of Mafeje's oeuvre and offers much-needed engagement with his ideas. The most inclusive and critical treatment to date of Mafeje as a thinker and researcher, it does not aim to be a biography , but rather offers an analysis of his overall scholarship and his role as a theoretician of liberation and revolution in Africa. Bongani Nyoka argues that Mafeje's superb scholarship developed out of both his experience as an oppressed black person and his early political education. These, merged with his university training, turned him into a formidable cutting-edge intellectual force. Nyoka begins with an evaluation of Mafeje's critique of the social sciences; his focus then shifts to Mafeje's work on land and agrarian issues in sub-Saharan Africa, before finally dealing with his work on revolutionary theory and politics. By bringing Mafeje's work to the fore, Nyoka engages in an act of knowledge decolonisation, thus making a unique contribution to South studies in sociology, history and politics.

Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances.

Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances.

First published in 1999, This book is a wide-ranging and authoritative review of the reception in England and other countries of Foxe's Acts and Monuments of the English Martyrs from the time of its original publication between 1563 and 1583, up to the nineteenth century. Essays by leading scholars deal with the development of the text, the illustrations and the uses to which the work was put by protagonists in subsequent religious controversies. This volume is derived from the second John Foxe Colloquium held at Jesus College, Oxford in 1997. It is one of a number of research publications designed to support the British Academy Project for the publication of a new edition of Foxe's hugely influential text.

Antonio Gramsci is one of the great European Marxists, hailed by Eric Hobsbawm as 'an extraordinary philosopher ... probably the most original communist thinker of twentieth-century Europe'. Gramsci developed Marx's ideas with an emphasis on culture rather than economics. This classic work reveals his thinking through letters to friends and family written whilst he was in prison. His primary contribution has been in his insistence on an understanding of popular culture in the battle to create a revolutionary consciousness. It is this humanitarian aspect of his thinking that illuminates the vivid personal testimony of his prison letters, written between 1926 and 1937.

This extraordinary account of imprisonment shows with exacting clarity the awful injustices of the system. Sylvia Neame, activist against apartheid and racism and by profession a historian (see the three-volume, The Congress Movement, HSRC Press, 2015), has not written a classical historical memoir. Rather, this book is a highly personal account, written in an original style. At the same time, it casts a particularly sharp light on the unfolding of a policedominated apartheid system in the 1960s.

The author incorporates some of her experiences in prisons and police stations around the country, including the fabricated trial she faced while imprisoned in Port Elizabeth, one of the many such trials which took place in the Eastern Cape. But her focus is on Barberton Prison. Here she was imprisoned together with a small number of other white women political prisoners, most of whom had stood trial and been sentenced in Johannesburg in 1964–5 for membership to an illegal organisation, the Communist Party. It is a little known story. Not even the progressive party MP Helen Suzman found her way here.

Barberton Prison, a maximum security prison, part of a farm jail complex in the eastern part of what was then known as the Transvaal province, was far from any urban centre. The women were kept in a small space at one end of the prison in extreme isolation under a regime of what can only be called psychological warfare, carried out on the instructions of the ever more powerful (and corrupt) security apparatus. A key concern for the author was the mental and psychological symptoms which emerged in herself and her fellow prisoners and the steps they took to maintain their sanity. It is a narrative partly based on diary entries, written in a minute hand on tissue paper, which escaped the eye of the authorities. Moreover, following her release in April 1967 – she had been altogether incarcerated for some three years – she produced a full script in the space of two or three months. The result is immediacy, spontaneity, authenticity; a story full of searing detail. It is also full of a fighting spirit, pervaded by a sharp intellect, a capacity for fine observation and a sense of humour typical of the women political prisoners at Barberton.

A crucial theme in Sylvia Neame’s account is the question of whether something positive emerged out of her experience and, if so, what exactly it was.

ON THE NIGHT TRAINS, THE LAST STOP WAS ALWAYS HELL.

The price exacted from across the African subcontinent for South Africa's stalled 20th-century industrial revolution is, in human terms, still largely hidden from history. For half a century, up to the mid-1950s, privately operated trains travelled by night between Ressano Garcia, on the Mozambique border, and Booysens station, in Johannesburg. The night trains carried Mozambicans recruited to work in the mines of the booming Witwatersrand. The up-trains disgorged their human cargo into the maw of the great Rand mining machine, while the down-trains whisked away the time-expired miners - often ill, broken or insane, and preyed on by con men, petty criminals and corrupt officials. While mine labour was recruited from all over southern Africa, Mozambican migrants made up the largest component, and they paid the highest price.

Charles van Onselen clinically reconstructs the world of the night trains, which were run as a partnership between the mining houses and the railways. By tracing the up and down rail journeys undertaken by black migrants over half a century it is possible to discern how racial thinking, expressed logistically, reflected South Africa's evolving systems of segregation and apartheid. Mirroring the brutal logic of industrial capitalism, this was a system of transport designed to maximise profit at the expense of the health, well-being and even the lives of those it conveyed.

The story of the night trains echoes today through songs such as 'Stimela' and 'Shosholoza'. But the experience of the poverty-stricken Mozambicans who travelled on the trains has never been told. THE NIGHT TRAINS lays bare this hellish world.

"For four days, I haven't been able to write. The headaches, the nausea, the pain in my eyes finally caught up with me ... I couldn't write, just as I couldn't keep any food down, or escape the persistent nightmares whenever I tried to sleep. I've been dreaming of friends getting injured, of blood, and of people seeking shelter from falling bombs. Even when we sleep, there is no escape." Muna HamzehThis remarkable book is a gripping eyewitness account of what it is like to live in Palestine as a refugee in your own homeland. Born in Jerusalem, Muna Hamzeh is a journalist who has been writing about Palestinian affairs since 1985. She first worked as a journalist in Washington DC, but moved back to Palestine in 1989 to cover the first Palestine Intifada P the war of stones. She then settled in Dheisheh, near Bethlehem, one of 59 Palestinian refugee camps that are considered the oldest refugee camps in the world.The first part of the book consists of a diary which Hamzeh wrote between October 4th and December 4th 2000, telling the story of the second Intifada. Facing the tanks and armed guards of one of the best equipped armies in the world, the Palestinians have nothing. The anguish and terror that Muna and her friends face on daily basis is tangible. Who will be the next to die? Whose house will be the next to burn down? The second part of the book provides the background to these current events. It describes what life has been like for Dheisheh's refugees since 1990, and explains why the second Intifada was a natural development of the Oslo peace accord. "Refugees in Our Own Land" is a rare insider's look into the hearts and minds of Palestinian refugees.

Czech Political Prisoners: Recovering Face is the story of men and women who survived Czechoslovakian concentration camps under the Communist regime. Men and women disappeared, were arrested, imprisoned, interrogated, tortured, put on trial, convicted, and sentenced to forced labor camps. In 1948 in Czechoslovakia, political others became political prisoners. New forms of political practices developed under the institution of the totalitarian Czechoslovakian communist state. This new regime of totalitarian political power produced culturally specific forms of organized political violence. Between 1948 and 1989 some citizens recognized by the state as political others were subjected to such ritualized political violence. The link between ritualized violence and state subjects' political passage laid the groundwork for the formation of new social identities. In the post-totalitarian state, the political other from the socialist era remains other through distinct desires and acts of coming to terms with the experience of organized violence. Like other members of the Czech and Slovak states, former prisoners are now facing the post-totalitarian remaking of life. In contrast to society at large, the political prisoners' recovery from the totalitarian past has proven that the ethics of political life-individual and communal coming to terms with the past-is closely related and crucial to their efforts toward reconciliation. Today, in the Czech Republic, as well as in other post-socialist countries, the desire to reconcile is not limited to survivors of camps, prisoners, and dissidents. People from the youngest generation are asking questions about crimes, punishment, and forgiveness related to the Communist regime in central and eastern Europe. The purpose of this story is to expose individual and communal experience, subjectivity, and consciousness hidden in the ruins of memory of Socialism in Czechoslovakia.

The 1948 war that led to the creation of the State of Israel also resulted in the destruction of Palestinian society when some 80 per cent of the Palestinians who lived in the major part of Palestine upon which Israel was established became refugees. Israelis call the 1948 war their 'War of Independence' and the Palestinians their 'Nakba', or catastrophe. After many years of Nakba denial, land appropriation, political discrimination against the Palestinians within Israel and the denial of rights to Palestinian refugees, in recent years the Nakba is beginning to penetrate Israeli public discourse. This book, available at last in paperback, explores the construction of collective memory in Israeli society, where the memory of the trauma of the Holocaust and of Israel's war dead competes with the memory claims of the dispossessed Palestinians. Against a background of the Israeli resistance movement, Lentin's central argument is that co-memorating the Nakba by Israeli Jews is motivated by an unresolved melancholia about the disappearance of Palestine and the dispossession of the Palestinians, a melancholia that shifts mourning from the lost object to the grieving subject. Lentin theorises Nakba co-memory as a politics of resistance, counterpoising co-memorative practices by internally displaced Israeli Palestinians with Israeli Jewish discourses of the Palestinian right of return, and questions whether return narratives by Israeli Jews, courageous as they may seem, are ultimately about Israeli Jewish self-healing rather than justice for Palestine. -- .

This edited collection is about the application of English grammar and specialises in 'functional' and'corpus' approaches, approaches which are increasingly recognised as providing significant insights into English language in action. It aims to stimulate interest and understanding of grammar as an applied tool not just for grammarians or language learners, but for all those interested in how language is organized to shape our view of events in the world. As the chapters in this book show, functional and corpus approaches allow us to make observations that would not be amenable through more traditional forms of grammatical analysis. They also illustrate how researchers can fruitfully bring together corpus and functional approaches to reveal how grammar and lexis create and transmit values, identities and ideologies. Research in Critical Discourse Analysis (CDA) has a long tradition of drawing on functional grammar but has only relatively recently begun to draw on corpus linguistics. As such, the book is unusual in presenting work on CDA which draws on corpus linguistics. But not only that, it is also unique in presenting work in CDA which brings together the methodologies of corpus linguistics and functional grammar, demonstrating their combined potential for illuminating ideological perspectives, particularly in media texts. Given this focus and given the increasing value of empirical data, the book will be of interest to those in a range of disciplines including the humanities and media and cultural studies. Chapters comprise both newly commissioned and previously published works that illustrate the two methodological approaches to grammatical analysis and how they can be applied to deepen our understanding of language.