State-sponsored torture and peacebuilding encapsulate the essence of many of the current conflicts in Indonesia. Papua in particular provides a thought-provoking example of the intricacy and complexity of building peace amidst enduring conflict and violence. This book examines the complex power relations that have constructed the gruesome picture of the fifty-year practice of torture in Papua, as well as the ongoing Papuan peacebuilding movements that resist the domineering power of the Indonesian state over Papuans. Conceptualising 'theatres of torture and peace', the book argues that torture in Papua is performed in public by the Indonesian state in order to communicate its policy of terror towards Papuans - it is not meant for extracting information, gaining confessions or exacting punishment. A Torture Dataset is provided, codifying evidence from a broad range of cases, collected through sensitive interviews. In examining the data, the author crafts a new, more holistic framework for analyzing cases of torture and employs an interdisciplinary approach integrating three different theories: Foucault's theory of governmentality and sovereignty, Kristeva's theory of abjection and Metz's theory of memoria passionis (the memory of suffering). The book successfully establishes a new understanding of torture as 'public theatre' and offers a new perspective of strengthening the existing Papuan peacebuilding framework of Papua Land of Peace. It will be of interest to academics working on Southeast Asian Studies, Peace and Conflict Studies, Transitional Justice, Peacebuilding, Human Rights and Anthropology of Violence.

This book examines the relationship between total war, state-organized genocide, and the emergence of modern identity. The Holocaust, Bartov argues, can only be understood within the context of the century's predilection to apply systematic and destructive methods to resolve conflicts over identity.

This is a study of South African literature through the prism of narratives of sexual violence. While most incidents of sexual assault in South Africa are not interracial, narratives of interracial rape have dominated the national imaginary. South African literature has again and again circled back to images of "black peril" (representations of the rape of white women by black men) and "white peril" representations that show the rape of colonised women by colonising men. Taking an historical and comparative perspective, the book uses as theoretical underpinning Michel Foucault's ideas on sexuality and biopolitics and Judith Butler's speculations on race and cultural melancholia. Avoiding a simplistic feminist perspective, the book examines the complex ways in which race, gender and class work together in the literary texts under examination. Where relevant, it examines the production, dissemination and reception of the selected texts. The books argues for an ethically responsible and dialectical approach that recognises high levels of sexual violence in South Africa, but also examines the racialised inferences and assumptions implicit in representations of bodily violation.

An innovative study that examines how peaceful, domestic tactics by individual human rights activists and organizational activists, with public support, can force an authoritarian regime to make key concessions. Robert Press explores the creation and impact of a culture of resistance. He examines how domestic pressure can be more important than foreign pressure for political reform, especially in underdeveloped, authoritarian states. This study of contemporary Kenya fills a gap in traditional social movement theory to show how a resistance movement actually starts. Contrary to long-dominant theory, the book shows how the initiative for such a movement can come from activists themselves in the face of severe obstacles in society. With its unique findings on the effects of individual activism and peaceful resistance, this book will attract a broad audience in the study and practice of international relations, comparative politics, sociology, interest groups, peace and conflict, and human rights.

From 1952 to 1981, South Africa's apartheid government ran a school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art Of Life In South Africa is about the students, teachers, art, ideas, and politics that led to the school's founding, and which circulated during the years of its existence at a remote former mission station. It is a story of creativity, beauty, and community in twentieth-century South Africa.

Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, this book focuses instead on a small group's efforts to fashion more fulfilling lives through the ironic medium of an apartheid-era school.

Lushly illustrated with almost 100 images, this book gives us fully formed lives and remarkable insights into life under segregation and apartheid.

This collection of prison writings straddles two continents, and compares and contrasts the political struggles that gave birth to two vibrant new democracies of the twenty-first century: South Africa and the Czech Republic. The triumph over decades of suffering endured by the ordinary citizens of these two countries is symbolized by their leaders, Nelson Mandela and Vaclav Havel.

While the moral stature of these two men continues to act as a beacon for other political aspirants in a new century, they call upon us all to acknowledge the role played by ordinary men and women in effecting freedom and justice. For this reason, Fallen Walls focuses on the experiences of ordinary prisoners of conscience. It records three voices from the apartheid-era cells of Robben Island--Joseph Mati, Johnson Mgabela, Monde Mkunqwana--and three voices from communist-era prisons in Czechoslovakia--Jiri Mesicki, Lola Skodova, and Jiri Stransky. There are striking similarities as well as differences between the two sets of stories. On a personal level, the tales from Robben Island are characterized by an absence of bitterness and thoughts of revenge, while a sense of bleak isolation and lingering bitterness pervades accounts from the Czechoslovakian prisons and labor camps. The buoyant tone of triumph of the South Africans is balanced by the darker, more skeptical mood of the Czechs. In an age that teeters so precariously between hope and despair, the narratives of these six prisoners of conscience remind us not only of what we are, but also of what we may become.

In a timely warning against complacency, Vaclav Havel notes in his foreword that "the authors remind us anew of the price that is so often paid for freedom and democracy." Fallen Walls will be of interest to historians, sociologists, human rights activists, and political scientists.

African Truth Commissions and Transitional Justice examines the functioning of truth commissions in Africa, outlining the lessons learned, the best practices, and the successes and failures of seven African truth commissions. Its introduction and conclusion then work further to place truth commissions within the growing academic field of transitional justice. The first African truth commission was convened by the despot Idi Amin for reasons unrelated to the defense of human rights, but despite this ambiguous beginning, other African truth commissions have done important work. The South African Truth and Reconciliation Commission of 1996 has become the 'gold standard' for future truth commissions not only in Africa, but throughout the world: it unearthed much truth about the Apartheid era abuse of human rights and took vital first steps towards restorative justice in the Republic. Each truth commission is distinctive. However, although much has been written about South Africa's truth commissions, much less is known about the other six studied in this book-and an attentive reader will notice the suggestive patterns which emerge.

This important new study is an inquiry into the origins and purposes of downwardly directed violence by economic and political elites in Brazil-violence that has led to the invention and tacit approval of contemporary death squads.

An in-depth investigation of the Romanian secret police's file on Muller, winner of the 2009 Nobel Prize for Literature, re-creating a "file story" of her surveillance. "Herta Muller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Muller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Muller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceausescu's Romania and her own traumatic experiences with the Securitate. Muller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. This book is an in-depth investigation of Muller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Muller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself.

Illustrated with prints from a unique archive of glass and celluloid negatives from the Aegean island of Anafi, this book deals with the life of people who were sent into internal exile under the Metaxas dictatorship (1936-1942). Like others before and after, this regime used imprisonment, internal deportation and exile as a means of containing and isolating a wide variety of people who were thought to be 'public dangers'. Drawing on published and unpublished memoirs and on firsthand accounts of former exiles, it gives a vivid picture of a by no means unified collection of people, facing a common set of problems on an island at the borders of the Greek State. During the Occupation, the Anafi exiles faced privation, hunger and finally the dissolution of the commune. This is a human drama which will interest a wide range of readers.

'Anyone interested in the future of autocracy should buy it' Anne Applebaum, author of Twilight of Demoracy **Shortlisted for the Moore Prize for Human Rights Literature** A devastating account of China's genocide of the Uyghurs, by a leading Uyghur activist and Time #100 nominee Nury Turkel was born in a 're-education' camp in China at the height of the Cultural Revolution. He spent the first several months of his life in captivity with his mother, who was beaten and starved while pregnant with him, whilst his father served a penal sentence in an agricultural labour camp. Following this traumatic start - and not without a heavy dose of good fortune - he was later able to travel to the US for his undergraduate studies in 1995 and was granted asylum in the country in 1998 where, as a lawyer, he is now a tireless and renowned activist for the plight of his people. Part memoir, part call-to-action, No Escape will be the first major book to tell the story of the Chinese government's terrible oppression of the Uyghur people from the inside, detailing the labour camps, ethnic and religious oppression, forced sterilisation of women and the surveillance tech that have made Xinjiang - in the words of one Uyghur who managed to flee - 'a police surveillance state unlike any the world has ever known'.

Slavoj Zizek's prolific comments on anti-Semitism, Islamophobia, scapegoating, popular nationalism, the refugee crisis, Eurocentrism, the War on Terror, neocolonialism, global justice, and rioting comprise a dizzying array of thinking. But what can we pull out of his various writings and commentaries on race in the contemporary world? Is there anything approaching a Zizekian philosophy of race? Zahi Zalloua argues here that there is and that the often polemical style of Zizek's pronouncements shouldn't undermine the importance and urgency of his work in this area. Zalloua not only examines Zizek's philosophy of race but addresses the misconceptions that have arisen and some of the perceived shortcomings in his work to date. Zizek on Race also puts Zizek in dialogue with critical race and anti-colonial studies, dwelling on the sparks struck up by this dialogue and the differences, gaps, and absences it points up. Engaging Zizek's singular contribution to the analysis of race and racism, Zizek on Race both patiently interrogates and critically extends his direct comments on the topic, developing more fully the potential of his thought. In a response to the book, Zizek boldly reaffirms his theoretical stance, clarifying further his often difficult-to-work-out positions on some of his more controversial pronouncements.

During and after World War II, millions of people in Central and Eastern Europe were uprooted and deported from their ancestral homelands in an unprecedented series of ethnic cleansings. The expulsion of minorities created more homogenous states than had previously existed in the region but caused massive social and psychological problems that lasted for generations. These nine case studies, written by Russian, German and Austrian scholars and based on archival findings, should shed new light on deportations and resettlement in Poland, Hungary, Czechoslovakia and Germany. The introduction places forced migration throughout the region in a broad historical context.

Blocking out, turning a blind eye, shutting off, not wanting to know, wearing blinkers, seeing what we want to see ... these are all expressions of 'denial'. Alcoholics who refuse to recognize their condition, people who brush aside suspicions of their partner's infidelity, the wife who doesn't notice that her husband is abusing their daughter - are supposedly 'in denial'. Governments deny their responsibility for atrocities, and plan them to achieve 'maximum deniability'. Truth Commissions try to overcome the suppression and denial of past horrors. Bystander nations deny their responsibility to intervene.

Do these phenomena have anything in common? When we deny, are we aware of what we are doing or is this an unconscious defence mechanism to protect us from unwelcome truths? Can there be cultures of denial? How do organizations like Amnesty and Oxfam try to overcome the public's apparent indifference to distant suffering and cruelty? Is denial always so bad - or do we need positive illusions to retain our sanity?

"States of Denial" is the first comprehensive study of both the personal and political ways in which uncomfortable realities are avoided and evaded. It ranges from clinical studies of depression, to media images of suffering, to explanations of the 'passive bystander' and 'compassion fatigue'. The book shows how organized atrocities - the Holocaust and other genocides, torture, and political massacres - are denied by perpetrators and by bystanders, those who stand by and do nothing.

Exploring the way urbicide is used to un/re-make Palestine, as well as how it is employed as a tool of spatial dispossession and control, this book examines contemporary political violence and destruction in the context of colonial projects in Palestine. The broader framework of the book is colonial and post- urban destruction urbanism; with a working hypothesis that there are links, gaps and blind spots in the understanding of urbicide discourse. Drawing on several examples from the Palestinian history of destruction and transformations, such as; Jenin Refugee Camp, Hebron Old Town, and Nablus Old Town, a methodological framework to identify urbicidal episodes is also generated. Advancing knowledge on one historical moment of the urban condition, the moment of its destruction, and enhancing the understanding of the Palestinian Israeli conflict from urbanistic/ architectonic and Urbicide / Spacio-cide perspectives through the use of case studies, this book will be essential reading for scholars and researchers with an interest in Urban Geography and Middle East Politics more broadly.

‘This is Antjie Samuel reporting from Ladybrand …’ For more than two years, Antjie Krog worked in acute engagement with the many voices that arose in and around South Africa’s Truth and Reconciliation Commission. From the legislative genesis of the Commission, through the testimonies of victims of abuse and violence, the revelations from apartheid’s operatives, the appearance of Winnie Madikizela-Mandela and former president PW Botha’s courthouse press conference, to the Commission’s meeting with the media on Robben Island early in 1998 – this award-winning poet leads us on an extraordinary odyssey. Country of My Skull captures the complexity of the Truth Commission’s work in a uniquely personal narrative which is harrowing, illuminating and provocative. Krog’s powerful prose lures the reader actively and inventively through a mosaic of insights, impressions and secret themes, taking us beneath the big movements of the Truth Commission – and beyond … into the very heart of what it means to be a South African today.

The Assassination of Lumumba unravels the appalling mass of lies, hypocrisy and betrayals that have surrounded accounts of the 1961 assassination of Patrice Lumumba-the first prime minister of the Republic of Congo and a pioneer of African unity-since it perpetration. Making use of a huge array of official sources as well as personal testimony from many of those in the Congo at the time, Ludo De Witte reveals a network of complicity ranging from the Belgian government to the CIA. Patrice Lumumba's personal strength and his quest for African unity emerges in stark contrast with one of the murkiest episodes in twentieth-century politics.

'Beware of Small States' wrote Mikhail Bukanin in 1870. He could have meant Lebanon: a sectarian state no bigger than Wales that has become battleground for one of the defining conflicts of twentieth-century history. Throughout its short existence, it has been attacked, invaded, occupied or interfered with to serve the political interests of foreign powers, resulting a series of devastating wars and crises. To understand Lebanon's history is to understand the history of the entire region - and, with the rise of Hizbullah, it has come to assume a disproportionate, dangerous power of its own. Iran and Israel now face each other in the hills of south Lebanon. David Hirst, author of The Gun and the Olive Branch, is a hugely respected commentator on the Arab-Israeli crisis. In a masterly narrative, he gives a much-needed, comprehensive history of the country and its conflicts, culminating with the recent war in Gaza and its fallout in Lebanon. Powerful and often moving, Beware of Small States is a magisterial book, essential reading for understanding Lebanon or the current political climate of the Middle East.

A Long Letter To My Daughter is award-winning South African author Marita van der Vyver's youth memoir.

An unputdownable read that weaves together both love letter, to a daughter, a language and a country, whilst tracing Van der Vyver's early years. Above all, it is a mother's effort to make sense of a world that seems increasingly senseless.

Winner of the Sunday Times Literary Award for non-fiction.

‘A truly stunning book.’ - Jacob Dlamini
‘… meticulously researched and most unsettling yet compelling …’ - Francis B. Nyamnjoh

Sunday, 9 November 1952. It should be remembered as a day of infamy in South Africa’s history but few know of a brutal massacre when police opened fire on people at an ANC Youth League-organised event in Duncan Village in East London.

The official death toll was eight people killed by police gunfire and bayonet and two killed in retaliation, including an Irish nun and medical doctor, Sister Aidan Quinlan, who lived and worked in Duncan Village. Today it is believed that between 80 and 200 died that day, most buried quietly by their families, who feared arrest if they sought help at hospitals. In the cover-ups and long silences that followed, the real facts of this tragedy at the height of the ANC’s Defiance Campaign were almost lost to history.

Bloody Sunday follows the trail of the remarkable Sister Aidan into the heart of a missing chapter in our country’s past – and what was one of the most devastating massacres of the apartheid era.

'A scrupulous piece of reporting, necessary, timely and very sobering' John Le Carré

A Sunday Times Best Book of 2018

Agent. Prisoner. Target.
Who is Sergei Skripal?

4 March 2018, Salisbury, England. A man and his daughter are found slumped on a bench, poisoned by the deadly nerve agent Novichok. He was a Russian national that became a MI6 spy.

Russia are publicly accused of carrying out the attack by the British government, sparking a diplomatic crisis between Russia and the West.

Then two innocent people find a discarded perfume bottle used in the attack and one of them, Dawn Sturgess, tragically dies. It is now a murder investigation. How exactly did we get here?

In The Skripal Files Mark Urban explains the most shocking espionage incident in a decade. Based on interviews with Sergei before his poisoning, Urban describes precisely how an otherwise loyal Russian intelligence officer was turned into an agent by MI6, how Skripal was betrayed so that he found himself in a Siberian prison, and why, years later, was he was targeted for assassination.

Dark Days in the Newsroom traces how journalists became radicalized during the Depression era, only to become targets of Senator Joseph McCarthy and like-minded anti-Communist crusaders during the 1950s. Edward Alwood, a former news correspondent describes this remarkable story of conflict, principle, and personal sacrifice with noticeable (r)lan. He shows how McCarthy's minions pried inside newsrooms thought to be sacrosanct under the First Amendment, and details how journalists mounted a heroic defense of freedom of the press while others secretly enlisted in the government's anti-communist crusade.

Relying on previously undisclosed documents from FBI files, along with personal interviews, Alwood provides a richly informed commentary on one of the most significant moments in the history of American journalism. Arguing that the experiences of the McCarthy years profoundly influenced the practice of journalism, he shows how many of the issues faced by journalists in the 1950s prefigure today's conflicts over the right of journalists to protect their sources.

George Soros is among the world's most prominent public figures. He is one of the history's most successful investors and his philanthropy, led by the Open Society Foundations, has donated over $14 billion to promote democracy and human rights in more than 120 countries. But in recent years, Soros has become the focus of sustained right-wing attacks in the United States and around the world based on his commitment to open society, progressive politics and his Jewish background. In this brilliant and spirited book, Soros offers a compendium of his philosophy, a clarion call-to-arms for the ideals of an open society: freedom, democracy, rule of law, human rights, social justice, and social responsibility as a universal idea. In this age of nationalism, populism, anti-Semitism, and the spread of authoritarian governments, Soros's mission to support open societies is as urgent as it is important.

"Dissent in Dangerous Times" presents essays by six distinguished scholars, who provide their own unique views on the interplay of loyalty, patriotism, and dissent.
While dissent has played a central role in our national history and in the American cultural imagination, it is usually dangerous to those who practice it, and always unpalatable to its targets. War does not encourage the tolerance of opposition at home any more than it does on the front: if the War on Terror is to be a permanent war, then the consequences for American political freedoms cannot be overestimated.
""Dissent in Dangerous Times" examines the nature of political repression in liberal societies, and the political and legal implications of living in an environment of fear. This profound, incisive, at times even moving volume calls upon readers to think about, and beyond, September 11, reminding us of both the fragility and enduring power of freedom."
--Nadine Strossen, President, American Civil Liberties Union, and Professor of Law, New York Law School.

Contributors to this volume
Lauren Berlant
Wendy Brown
David Cole
Hugh Gusterson
Nancy L. Rosenblum
Austin Sarat

All roads lead to Johannesburg, remarks the narrator of Alan Paton's novel Cry, The Beloved Country. Taking this quote as her impetus, Loren Kruger guides readers into the heart of South Africa's largest city. Exploring a wide range of fiction, film, architecture, performance, and urban practices from trading to parades, Imagining the Edgy City traverses Johannesburg's rich cultural terrain over the last century. The "edgy city" in Kruger's exploration refers not only to persistent boundaries between the haves and have-nots but also to the cosmopolitan diversity and innovation that has emerged from Johannesburg. The book begins with the building boom, performances and uneven but noteworthy inter-racial exchange that marked the city's fiftieth-anniversary celebration at the Empire Exhibition in 1936. This celebration rapidly gave way to the political repression and civil unrest that characterized South Africa from 1950 to 1990. Yet poetry, drama, fiction, and photography continued to thrive, bearing witness not only against apartheid but to alternatives beyond it. In the late twentieth century, the not quite post-apartheid condition fired the artistic imaginations of film makers as well as novelists. Urban neglect, rising crime, and the influx of migrants inspired noir cinema-like Michael Hammon's Wheels and Deals-and fiction about migration from Achmat Dangor to Phaswane Mpe, and in the twenty-first, urban renewal has produced public art that incorporates the desire lines of newcomers as well as natives. Alongside well-known artists such as Nadine Gordimer, William Kentridge, and David Goldblatt, the book introduces many artists, architects, writers, and other chroniclers who have hitherto received little attention abroad. Ultimately, Johannesburg emerges as a city whose negotiation of the tensions between incivility and innovation invites comparisons with modern conurbations across the world, not only African cities such as Dakar, or other cities of the "south" such as Bogota, but also with major metropolises in North America and Europe from Chicago to Paris. A multi-faceted work that speaks to scholars in urban studies, literature, and history, Imagining the Edgy City is a rich example of interdisciplinary scholarship at its best.